french horror movies – Horror Ghouls

Eyes Without a Face (1960)

Posted on January 6, 2026January 6, 2026 by HorrorGhouls

Outside of Paris, a woman is driving with a mysterious passenger in the backseat. When she stops near the river, we see that the mysterious passenger is actually a dead person whom the woman dumps there. Later, when the body has been found, it is believed to be Christiane, the missing daughter of Dr. Génessier. He is called in to identify the body, and claims that it is indeed his daughter. Which is nothing but a big, fat lie, as his daughter is very much alive and lives in isolation at his mansion which also lies next to his private clinic. She is always wearing a face-like mask, as she was severely disfigured after a car crash which was her father’s fault. Dr. Génessier is mainly driven by guilt as the reason for trying to restore his daughter’s face by removing the skin from other young women, hoping to graft it into her face. It has always been a failure, though, and the woman dumped in the river was his latest victim which was disposed of by his faithful assistant Louise. Louise must now find a new victim for the next experiment, and ends up choosing a young woman named Edna Grüber, who is lured to the mansion under the offer of a cheap room for rent. Maybe the experiment will be successful this time…

Eyes Without a Face (French title: Les yeux sans visage) is a French horror film from 1960, directed by Georges Franju. It is based on a 1959 novel by Jean Redond, and he also co-wrote the screenplay. It was also a co-production between France (Champs-Élysées Productions) and Italy (Lux Films). It was shot in Paris and the suburbs surrounding the city, and some scenes were shot at Boulogne Studios. When making it, the censors were a big concern, so they tried to tone it down in the ways possible to appease everyone: not including a lot of blood which would have upset the French censors, not showing animal torture which would have made the English censors throw a hissy fit, and leave out any typical “mad scientist“ elements which apparently would have pissed off the German censors. And it passed through the European censors and premiered in Paris on 2nd March 1960, but it still caused quite a stir. People really reacted at that heterografting scene where a woman gets the skin of her face removed, and when the film was showed at the 1960 Edinburgh Film Festival, seven audience members fainted to which the director simply responded “Now I know why Scotsmen wear skirts“…

In the US, the movie was edited, dubbed, and renamed into The Horror Chamber of Dr. Faustus and released in 1962. Parts of the heterografting scene was removed amongst several other scenes, and had a very limited run and little attention. Eyes Without a Face was not received well upon its release, but is today considered one of the most influential horror films of all time. John Carpenter has also mentioned that the featureless mask of Michael Myers was inspired by the film.

It is kind of a slow one, but without a doubt very atmospheric, much enhanced by the moody black and white shots. Christiane’s mask is perfectly eerie in its lifelessness, and there is a gradual buildup of mystery over how her face actually looks as she’s either wearing the mask, or having her face turned away from the viewer. Her father, while not coming off as too “mad doctor“-ish, still pulls off a character without any scruples when it comes to restoring his daughter’s face. Instead of having the typical madman who is obsessed because of some scientific experiment just for the sake of ego and science, we have a man who does everything out of guilt, inadvertently doing even more horrible things than the one he’s trying to correct. The characters here aren’t really villains, just tragic people.

Like mentioned the movie is mostly moody and atmospheric, but the tone of the film sometimes becomes really strange when it’s often playing a carnival-esque waltz (Générique) as the soundtrack for multiple scenes. It’s used over and over, in all kinds of scenes, and actually gave me a little bit of a chuckle at times…but the eerie carnival waltz works well when imagining the downward spiral of madness awaiting Christiane. And, speaking of: while you do of course feel sorry for Christiane and what happened to her, it becomes a bit irksome how she spends every breathing moment feeling sorry for herself. Yes, we’re supposed to feel a great bit of sympathy for her and the situation she’s in, but she’s living in a friggin’ mansion, having everything she needs. It’s not like she doesn’t have at least a chance of trying to cope with her life in the way it turned out. She could’ve learned a thing or two from Sal Fisher in that department. Also, her character does lose a bit of sympathy from me since it becomes obvious early on that she knows what her father is doing, which the desire for a new face isn’t going to justify. Sure, she’s getting some kind of redemption arc when the guilt gets the best of her…but still…

Of course, one of the highlights of the film is that scene, the one that made people faint and the US version getting a cut. I’m of course talking about the face removal scene. And yeah, of course it isn’t nearly as graphic as what you can see in some movies these days, but I really understand why some people found it to be a tough watch back in 1960. It’s probably much to do with the black and white, and it looks for the most part quite realistic. Maybe a small, early foretaste of the French Extremity films that were to come much later.

Overall, Eyes Without a Face is an interesting film to watch, where it’s easy to see how it would influence a lot of creative minds later on. Well worth a watch!

Director: Georges Franju
Writers: Pierre Boileau, Thomas Narcejac, Jean Redon, Claude Sautet, Pierre Gascar
Original title: Les yeux sans visage
Country & year: France/Italy, 1960
Actors: Pierre Brasseur, Alida Valli, Juliette Mayniel, Alexandre Rignault, Béatrice Altariba, Charles Blavette, Edith Scob, Claude Brasseur, Michel Etcheverry
IMDb: www.imdb.com/title/tt0053459/

The Vourdalak (2023)

Posted on December 30, 2025 by HorrorGhouls

We are in the 18th century, somewhere in Eastern Europe. Jacques Saturnin du Antoine is a French Marquis who is wandering through the woods after having lost his horse and companions after a robbery. He tries to seek shelter at the first house he sees, but the man there advises him that he should go to the house of a man named Gorcha. When arriving there, he finds that this man has left in order to fight and exact revenge upon the Turks. His family recounts that after leaving, he made it very clear that if he does not return within six days, it would be because he’d died fighting. And if he would, indeed, return after those six days has passed, they should not under any circumstances let him in, as he would then have become a “vourdalak“. Gorcha’s son, Jegor, scoffs of such superstition and is eagerly awaiting his father’s return, making Jacques having to wait until the next day before he can get him a horse. In the meantime, Jacques very soon finds himself seduced by Gorcha’s unmarried daughter Sdenka.

Then, later that evening, six days have now passed since Gorcha left. And that’s when he is suddenly spotted lying like a mummified corpse at the edge of the forest. For all means and purposes, he literally looks like the dead husk of a man…but then he starts speaking after being placed at the dinner table. He throws the severed head of the Turks’ leader on the table, telling everyone that he finally murdered him and was able to fulfill his quest. Alright, all’s good and well then, right? Let’s enjoy some food and celebrate! Except…Jacques, of course, sits by the table in both shock and horror. This thing that is Gorcha, head of this family, looks like a living corpse, and Jegor seems to be the only one who can’t see how messed up it all is. Even the dog can’t stop barking (ensuing the poor doggie’s fate, of course). As if the appearance of Gorcha wasn’t terrifying enough, the incidents of the night and following day makes it evident that they should have heeded Gorcha’s warnings before he left.

The Vourdalak (original title: Le Vourdalak) is a French drama-horror film from 2023, shot on Super 16mm, directed by Adrien Beau in his feature film debut. It was co-written with Hadrien Bouvier, and based on an 1830 novella called The Family of the Vourdalak by Aleksey Konstantinovich Tolstoy. The movie explores some less traditional vampire lore, specifically that of the creatures called “Vourdalaks“, which are very alike vampires in many ways but differs in how it chooses its victims. While the traditional vampires would target anyone they could get their fangs on, the Vourdalak only preyed upon the people it once loved and cared for. It that sense, I think it makes the Vourdalak even more terrifying than the regular vampire…

Now, let’s talk a little about the actual Vourdalak in this movie…and I seriously was not prepared for this, but it’s actually a life-sized puppet. Yes, a puppet…not an actor in make-up or CGI, but a good old-fashioned puppet. It was so incredibly odd and fascinating to watch, so clearly not alive yet so incredibly animated and lively, being almost mockingly jolly despite its gaunt hideousness. And I totally loved it! There’s such a creepy-cute ghoulishness to it, and of course no ghoul at heart can resist such a thing. We both laughed at and admired its quirkiness!

There is a certain fantasy-nightmare-vibe throughout the movie, where our noble Frenchman wanders around a misty and gloomy forest and an even more gloomy and dark house. His character is a bit of an oddball too, reminding me a little bit of Ichabod Crane. He’s really not in his right element here, where the family of Gorcha are all hard-working peasants toiling away all day, whereas he is all dolled up and looks like he’s not good for much else than powdering his face and doing a dance. Oh, and just like in any of those “people are killed left and right and the heroine is being chased by a monster, but her makeup always stays flawless“ kind of movies, Jacques is certainly fitting well into this trope! His makeup stays fine all the time like he’s got the best setting spray ever. Now, if that sounds wonderful to you, just keep in mind that the cosmetics the French aristocracy used in the 17th and 18th century in order to achieve the pale complexion was one of the most historically dangerous, where common toxic ingredients included mercury and lead…makes your skin itch just thinking about it. Poor Jacques was not only in danger from a vampiric creature, but also from his powder box.

The movie does have a lot of atmosphere, and never ceases to have some kind of beauty hidden within each frame of dark melancholy. The 16mm also helps on giving the film the slightly grainy, gauzy look, perfectly enhancing the mood. Overall, The Vourdalak is a vampire folk horror movie with a different set of fangs, but no less of a bite. The puppetry and practical effects gives the movie an odd and old-fashioned flair which suits the tone so well.

The Vourdalak is available on several streaming sites, and on Blu-Ray and DVD from Oscilloscope Laboratories.

Director: Adrien Beau
Writers: Adrien Beau, Hadrien Bouvier
Original title: Le Vourdalak
Country & year: France, 2023
Actors: Kacey Mottet Klein, Ariane Labed, Grégoire Colin, Vassili Schneider, Claire Duburcq, Gabriel Pavie, Erwan Ribard, Adrien Beau
IMDb: www.imdb.com/title/tt28313478/

The Advent Calendar (2021)

Posted on December 2, 2025 by HorrorGhouls

Eva is a former dancer who is now wheelchair-bound, forced to live a paraplegic lifestyle. While she does her best to adapt to this new lifestyle, it’s obvious that she’s struggling. On Eva’s birthday, her friend Sophie comes by and gives her a gift she bought at a German Christmas market: an Advent calendar which looks very odd, and makes Eva even more cautious of it when Sophie admits to having actually stolen it. When opening a hatch, you get a candy just like in a traditional calendar, but these are different. Once she’s opened the first hatch, she’s trapped in the Advent Calendar’s power and must open and eat every single candy on the respective day. The hatches can also only be opened after 12 at night, so yeah, there’s some obvious spooky stuff going on here. While Eva’s greatest wish is, of course, to be able to walk again, she notices that the candies from the Advent Calendar seems to be helping, but each opened hatch comes at a cost. The question is how much Eva will be willing to sacrifice in order to get her greatest wish on the Advent Calendar’s last hatch on the 24th…

The Advent Calendar (original title: Le Calendrier) is a French horror film from 2021, written and directed by Patrick Ridremont. It’s a nice little holidays themed horror movie, with the focus being on a cursed Advent Calendar (we already have a ton of “evil Santa“ horror movies, so it’s nice to see something a bit different for a change). Our protagonist Eva, being in the vulnerable position she is, often finds herself going through all kinds of degrading behavior, especially at her job with her boss being a sleazy dick who just wants to replace her with someone who has functioning legs. And to top it all, her replacement even has a mocking attitude towards her. When these two gets their comeuppance, it feels rather satisfying, and here is where the story manages to mix the “dream come true“ with the “nightmare come true“ scenario: some of the hatches she opens, actually bring forth good things. Once the supernatural events come into place, it’s gradual enough to be written off as mere coincidences, until it becomes obvious to Eva that they’re not. Then there’s the hatches that brings forth…horrible things, more like sacrifices for what she’s receiving. It’s one of those stories where you can understand that the protagonist wants to keep going when she believes she will eventually reach her final destination, her biggest wish of being able to walk again. Then it all depends on whether or not Eva thinks that the way towards this goal was worth it in the end. A classic “careful what you wish for“ story, but wrapped together in an interesting narrative.

The cursed object itself, the Advent Calendar, looks really cool too! It resembles something that could’ve been displayed in an occult museum, designed in a way that makes it look both like an old antique but also like something made by people who really intended to conjure something from the depths of hell itself. It’s an object that isn’t made to look overtly scary, but it’s just uncanny enough to feel off. Which works perfectly in this movie. And like someone who used to enjoy the old-fashioned traditional advent chocolate calendar during the holiday seasons, I could reminisce a bit about the excitement of opening a new hatch. Yes, back then it was only a tiny piece of chocolate, but damn, we children of the 80’s weren’t very hard to please…

The Advent Calendar is one of those typical “cursed object“ horror movies, which does inevitably play on certain tropes and cliché’s but also delivers an interesting enough premise and a solid story and pacing to keep you engaged.

Writer and director: Patrick Ridremont
Original title: Le calendrier
Country & year: France/Belgium, 2021
Actors: Eugénie Derouand, Honorine Magnier, Clément Olivieri, Janis Abrikh, Cyril Garnier, Vladimir Perrin, Jérôme Paquatte, Laura Presgurvic, Isabelle Tanakil, Jean-François Garreaud, Olivier Bonjour
IMDb: www.imdb.com/title/tt12496706/

Baby Blood (1990)

Posted on March 21, 2025 by HorrorGhouls

We’re somewhere in central Africa where a tiger has been captured to be a new supplement for a local circus in France. The circus is run by Mr. Lohman, an abusing scumbag who should be fed to the lions. The staff would agree, especially the young tiger trainer’s assistant, Yanka (Emmanuelle Escourrou). One night the new tiger explodes/bursts. Splat. Just like that. And out of the tiger we see a snake-looking parasite who slimes its way into Yanka’s trailer while she’s sleeping, and crawls into her vagina. I guess Aylmer would be jealous.

As she wakes up with morning sickness, she gets confirmed from a lab that she’s pregnant. And who’s the father? Yanka have a suspicion, but little did she know. The daily life at the circus goes as normal where Lohman acts like an unhinged lunatic who wants to pick fights with the whole staff. Yanka has had enough of the abuse and dead-end career bollshit, packs a bag, steals some cash and flees to the big open world of France.

We jump to one month later where Yanka has taken shelter in a rundown crack house apartment where she has lost her mind. I bet that happens when you have a monster baby parasite in your womb that speaks to you with a distorted telekinesis voice, and tells you to kill people so that it can feed on blood to grow. She gets an unexpected visit from Lohman, who’s tracked her down, only to be the first victim. At least, this one deserved it.

From here on we follow Yanka as she goes on a murder spree where she jumps from job to job, from the one scenario to the next. Prostitution would probably be the easiest choice to lure men, but she’s way too classy for that. She goes from being a part-time waitress to a taxi driver to, much later, becoming a police woman (in the sequel. Yes, really). Not much logic here, in other words, and the film doesn’t take itself seriously. The distinct tone is pretty clear from the start where we have a quick opening monologue from the parasite itself.

80 women auditioned for the role of Yanka, and it’s easy to see what director Alain Robak was looking for. Emmanuelle Escourrou is quite a remarkable sight, the camera is sure to show us that, but she can also act and gives a pretty raw performance. The film also has some stylish flavor to it and a uniqueness that makes it stand out rather than just being another low-budget schlock. And if you’re in for the gore, you won’t be disappointed as the film has the word blood in the title for a reason. No click-bait title, just to make that clear. Despite a middle-part that drags a bit, it gets pretty wild, and Baby Blood is overall a fun, zany and a tasteful little exploitation classic with its own spin on the pregnancy horror sub-genre.

The film became an urban hit as it sold exactly 10381 tickets in Paris before it grew up to be a half-obscure cult-classic. And speaking of obscure, in one scene we can actually spot an easter egg poster for Baby Blood 2, even though it took 19 years to make the sequel, titled Lady Blood – which, judging from the trailer, looks like an Uwe Boll film. No wonder why it has a solid 2.7 rating on IMDb from only 188 users. So… nah. I’d probably check it out if it sharts out on streaming.

Baby Blood is available on Blu-ray, also with the English dub version where you can hear Gary Oldman as the parasite.

Director: Alain Robak
Writers: Serge Cukier, Alain Robak
Country & year: France, 1990
Actors: Emmanuelle Escourrou, Christian Sinniger, Jean-François Gallotte, Roselyne Geslot, François Frapier, Thierry Le Portier, Rémy Roubakha, Eric Averlant, Alain Robak, Alain Chabat
IMDb: https://www.imdb.com/title/tt0096871/

The Soul Eater (2024)

Posted on January 21, 2025January 21, 2025 by HorrorGhouls

In a remote little French town located somewhere in the mountains, there have been a series of children’s disappearance cases. An old legend from the area, about a malevolent creature referred to as the “Soul Eater“, is resurfacing when the town also gets plagued by several violent and gruesome deaths which apparently defy explanation. Franck de Roland, captain in the national gendarmerie, comes to investigate the missing children’s cases, and ends up together with police superior Elizabeth Guardiano who is investigation some of the recent murders. They do not get together all that well at first, but once it becomes obvious that both the murders and the missing children cases are in some way linked together, they need to cooperate.

The Soul Eater (Le Mangeur d’Âmes) is a French horror thriller from 2024, directed by Alexandre Bustillo and Julien Maury, known for their impressive debut Inside (2007) and other movies like Livide (2011) and The Deep House (2021). The movie is based on a novel from 2021, called “Le Mangeur d’âmes“ by Alexis Laipsker. The French duo have undoubtedly made a mixed bag of entries in the horror genre, where they started off with a solid debut but have also had some releases which didn’t hold up as strongly (like the Leatherface movie from 2017). This movie is a bit different from any of their previous entries as it’s more a standard thriller than a horror movie, despite the trailer more or less leading you on to suspect some kind of supernatural flick.

On surface level The Soul Eater doesn’t offer something especially unique or truly unsettling, but the setup is quite good and the sleepy little mountain town works well for establishing the right tone. It’s a place where you can easily imagine the people creating their own folklore and myths, surrounded by mountains and endless forests. The isolated location makes for some decent scenery as well, and you get a believable feeling of how this town has kept to themselves without much intervention from outsiders. And it’s in places like those that all kinds of bad shit can start to happen, of course. Like any decent mystery thriller, the secrets are unfolding gradually, and while it did have a few pacing issues towards the latter part, I never found myself bored.

Some may have hoped that Bustillo and Maury would get back into their old tracks with this new release, and thus it may come as a bit of a letdown that this is more a crime thriller than outright horror. It’s pretty fine for what it is, though, and it does have a creepy build-up regarding the mystery and a nice setting. Overall The Soul Eater is a pretty good murder mystery thriller, and while it’s not having very strong horror elements it stands as a decent release from the French duo. It still seems like we’re a long way from expecting another move in the same vein as Inside from them, though…

Directors: Alexandre Bustillo, Julien Maury
Writers: Annelyse Batrel, Ludovic Lefebvre
Country & year: France/Belgium, 2024
Original title: Le mangeur d’âmes
Actors: Virginie Ledoyen, Paul Hamy, Sandrine Bonnaire, Francis Renaud, Malik Zidi, Cameron Bain, Lya Oussadit-Lessert, Chloé Coulloud
IMDb: https://www.imdb.com/title/tt28821588/

Vermines (2023)

Posted on November 12, 2024 by HorrorGhouls

In a Middle Eastern desert, a bunch of Arab smugglers are hunting for spiders. One of them gets bitten, and it becomes obvious that these little eight-legged creatures carry something worse than a sting with their bite: his companion immediately kills him with a machete. When a bite by a spider may cause something worse than swift death, you know it’s bad. I almost expected one of the Arabs to shout “Singaya!” because this opening reminded me a lot of Braindead (Dead-Alive) by Peter Jackson. I’m actually wondering if perhaps it was a subtle reference.

After this we head over to Paris, where young Kaleb wants to buy something for his girlfriend. For her, he gets a pair of earrings, and for himself, an exotic spider. Because why not. Kaleb is not only a sneakers dealer (yes, you got that right, not drugs but actual sneakers, like in the shoes) he is also an exotic animal lover who’s got his room full of little creepy crawlies. Back home in his run-down apartment building, he puts the spider in a shoebox and plans to find a better place for it later. The spider’s got other plans though: it chews itself out of the place, lays some eggs and all hell breaks loose. When more and more people end up dying due to bites, the entire building is put in lockdown by the authorities as they suspect some viral disease. The inhabitants are then trapped inside with an ever-growing amount of deadly spiders…

Vermines (english title: Infested) is a French horror film from 2023, directed by Sébastien Vaniček and co-written with Florent Bernard. The exterior buildings are filmed in the Picasso arenas in Noisy-le-Grand, near Paris, designed by architect Manuel Núñez Yanowsky in the 80s. This sets the film up for some really unique visuals for the exterior shots. It also doesn’t rely solely on CGI for the spiders, and in fact, most of the scenes are filmed with real ones (so no actors with arachnophobia here, I guess).

If spiders gives you the creeps, you better brace yourself for this one. The setting of a decaying apartment building, infested with dangerous spiders, sure makes a claustrophobic and nightmarish setting. What makes everything even creepier is how they use real spiders for most of the scenes, with several close-up shots and scenes where the spiders come crawling out of places, all of it sure to make your skin crawl! The classic spider horror movie Arachnophobia (1990) also used real spiders: Avondale spiders (Delena Cancerides), while in Vermines they used approx 200 giant huntsman spiders (Heteropoda maxima). No cute Lucas-spider types to be seen here, in other words.

The characters in the movie are people who live in the poorer French suburbs, struggling with getting by. The director also stated that the film is based on his own experience living in such tight-knit communities, which were often viewed upon with strong bias by outsiders, causing discrimination and irrational fears of the places and the people who lived there. So yeah, the movie does offer a bit of social commentary, with the original title literally meaning “vermin“, a term which can be used for both parasitic and harmful insects/animals, but also for people perceived to be causing problems for the rest of society. So all of that mixed with a neglected apartment building, some tension between the characters and a bunch of real spiders, and you end up with a very decent animal-attack movie. I guess it does end up more in the creature-feature category along the ride, though.

Vermines (Infested) is a solid spider horror film, with some effectively creepy scenes that gives you the ick whether you actually have arachnophobia or not.

Vaniček is also going to direct the next Evil Dead movie, and it will be interesting to check that one out when it comes.

Director: Sébastien Vanicek
Writers: Sébastien Vanicek, Florent Bernard
Country & year: France, 2023
Also known as: Infested
Actors: Théo Christine, Sofia Lesaffre, Jérôme Niel, Lisa Nyarko, Finnegan Oldfield, Marie-Philomène Nga, Mahamadou Sangaré, Abdellah Moundy, Ike Zacsongo, Emmanuel Bonami
IMDb: https://www.imdb.com/title/tt26744289/

High Tension (2003)

Posted on August 30, 2024August 31, 2024 by HorrorGhouls

High Tension is the title and high tension is what you get.

We’re in the countryside in France (here, of course, filmed in Romania) where the two young best friends Marie (Cécile de France) and Alex (Maïwenn) are visiting Alex’ parents to study. It all seems like a quiet and idyllic summer in the country, but who’d know that a psycho killer (Philippe Nahon) is also roaming the area? He’s dressed like a mechanic, drives around in a rusty van and likes to chill out between the killing-sprees by giving himself a blowjob with a fresh severed head. Welcome to surfing on the first red wave of French Extreme Horror.

After this short and intense foreshadowing, it’s just a matter of time before this cold-blooded and emotionless serial killer drops by Alex’ family’s farmhouse to expand his kill count. And so he does. Already the first night when all have gone to bed, the doorbell rings. As soon as Alex’ dad opens, he gets his face sliced by a razor blade. Then our killer cuts his head off in some very creative way I won’t even try to describe. He slaughters the whole family like they were pigs, even the dog. Before he leaves the messy and gruesome murder scene, he captures Alex, ties her up, tosses her back in the van. Phew. Marie was able to hide during this brutal home invasion, but chases the killer to save Alex.

What we have next is an intense cat n’ mouse chase that spirals completely out of control. Alexandre Aja (with his co-writer Grégory Levasseur) has during the last twenty years established themselves in the US with The Hills Have Eyes, Piranha 3D, Mirrors, Crawl, Horns and more. He was 22 years old when he made High Tension, and with this being his first horror film, one would guess he’d already made genre films for a decade. A solidly made slasher, a gory, relentless ride from start to finish, with strong performances by the two female lead actors. The throwbacks to the 70s and 80s are also eminent and the juicy special effects are a big factor here, delivered by FX artist Giannetto De Rossi (1941-2021) who also worked with Lucio Fulci.

But the film also has a rotten macaron in the room that has to be addressed, and that’s the infamous twist which only M. Night Shyamalan would still be impressed by. Aja took inspiration from the Dean R. Koontz’ novel Intensity, which also became an obscure movie made for TV in 1997. And what he had planned for High Tension was all another than the ending we got here. We can blame none other than Luc Besson, one of the producers, who demanded the twist that has aged like milk. But since Aja already here has proven to be a damn good director and able to keep the tension high to the end credits, it does not ruin the the overall film experience.

Director: Alexandre Aja
Writers: Alexandre Aja, Grégory Levasseur
Original title: Haute tension
Also known as: Switchblade Romance (UK)
Country & year: France/Romania, 2003
Actors: Cécile de France, Maïwenn, Philippe Nahon, Franck Khalfoun, Andrei Finti, Oana Pellea, Marco Claudiu Pascu, Jean-Claude de Goros, Bogdan Uritescu, Gabriel Spahiu
IMDb: https://www.imdb.com/title/tt0338095/

Cold Ground (2017)

Posted on January 26, 2024June 12, 2024 by HorrorGhouls

The year is 1976, and two young journalists named Melissa and David are in search of their very first big story which will lead to fame and notoriety. They decide to investigate a strange case of cattle mutilations which have happened on the French-Swiss border. With their newly acquired camera they decide to film the entire investigation, from start to finish, where they plan to do interviews with the local residents in the area. Both are excited like a fresh TikTok’er who believes their video will lead to an instant success, and they dive head-in and already start planning to present the full story to a television channel which will get the ball rolling into the inevitable road of success and fortune. No feet planted firmly on the ground here, that’s for sure. Naturally, things don’t go according to plan, and it already goes a bit sideways when they are supposed to meet a scientific team which has inexplicably just gone – poof – missing. They do not give up however, oh no, this is just a little bump on their golden road, so they enlist the help of an expert in first-aid, and American Forensic Investigator and a British Biologist which will escort them into the depth of the mountains in search of the missing scientists.

Cold Ground is a French found-footage horror movie from 2017, written and directed by Fabien Delage who also directed the 2016 mockumentary film Fury of the Demon. As far as found footage movies go, this one is certainly not breaking and new grounds as the story and setup threads very familiar roads: it’s your typical story of people lost in unknown territory, slowly finding out that something is wrong and then doing a lot of screaming and running with shaky cameras. Yup, seen all of that a number of times before. Still, it does provide some good stuff: set in the 70’s, they have nailed the 70’s aesthetics which they went for, and the monsters in the movie are actually decent enough, most likely because they are barely visible in any scenes. Their predatory nature is mostly shown in aftermath-scenes where mutilated animals and people are shown, and this actually works in order to heighten the suspense a bit. I’m not sure what the monsters are supposed to be, but I guess they’re some kind of Bigfoot/Yeti/Werewolf hybrid.

Overall, despite not being very memorable and having little new to offer in the genre, Cold Ground was certainly rather pleasant to watch where the nature scenery with snowy areas, mountains and caves makes for an interesting viewing experience. I also like the 70’s style, with added camera grain to make the look more authentic. The combination of filming in those snowy nature landscapes and convincing us that it’s indeed the late 70’s, is what makes this movie stand out at least a little bit.

Director and writer: Fabien Delage
Country & year: France, 2017
Actors: Doug Rand, Philip Schurer, Gala Besson, Maura Tillay, Fabrice Pierre, Geoffrey Blandin, Cyril Lesage, Regis Testa
IMDb: https://www.imdb.com/title/tt4144350/

Livide (2011)

Posted on October 17, 2023February 18, 2025 by HorrorGhouls

The teenage girl Lucie (Chloé Coulloud) lives in a small sleepy seaside town where she has her first day as a care-worker, assisted by Catherine. One of the posts is in an old, overgrown mansion owned by the ghoulish-looking old lady, Jessel (Béatrice Dalle), who rots in her bed while breathing through a ventilator in a coma. We learn that she was once a sadistic ballet instructor, but most importantly, she has a key around her neck that is rumored to open a treasure hidden somewhere in the house. And Lucie is keen to get her hands on the treasure so that she and her boyfriend can look forward to a better future. She also lives at home with her father after her mother committed suicide, and their relationship is tense.

It also happens to be Halloween and what could be more appropriate than spending the night treasure hunting in a big old house? Lucie, along with her boyfriend and another guy, enters the house from a basement window and sneaks into the bedroom to get the key, and… well, it doesn’t go so smooth from here on, as they get trapped inside the house like a survival-horror game after they encounter the “treasure” which isn’t exactly what they expected.

So this is the follow-up to Inside by the french duo Alexandre Bustillo and Julien Maury. If you expect another rerun with non-stop violence in the purest New French Extremity ways, you might get mildly disappointed. Livide relies more on dim atmosphere surrounded by an old Victorian mansion filled with dust, cobwebs, probably a strong odor of mold, and some obscure history from a dark, twisted fairy tale. And I would recommend wearing shoes with some strong soles as the basement is filled with trash, clutter and whatnot from floor to ceiling, which makes Ed Gein look like a compulsive cleaner.

And with Inside, Livide and The Deep House, it’s fair to say that the duo is at their right element when it comes to haunted house scenarios. While their scripts aren’t always their strongest side, they surely know how to create a creepy, eerie, and sometimes claustrophobic atmosphere. Livide works mostly as a visual treat where the inspirations from Italian horror filmmakers Argento and Bava shines through as it slides further into a deep, vivid gothic nightmare. It’s gloomy, melancholic and poetic with an experimental third act, to say the least, and the ending is always open for interpretation. And yes, there’s gore. And it tastes delicious. Just be a little patient.

Writers and directors: Alexandre Bustillo, Julien Maury
Country & year: France, 2011
Actors: Chloé Coulloud, Félix Moati, Jérémy Kapone, Catherine Jacob, Béatrice Dalle, Chloé Marcq, Marie-Claude Pietragalla, Loïc Berthézène, Joël Cudennec
IMDb: www.imdb.com/title/tt1727516/

Fear(s) of the Dark (2007)

Posted on September 22, 2023June 13, 2024 by HorrorGhouls

Fear(s) of the Dark (French title: Peur(s) du noir) is a 2007 animated anthology with one-shot stories, all made in black & white. The recurring theme in all episodes are primarily fear, whether it is for real or imagined things. Several prominent illustrators have contributed with their work for this release.

Charles Burns (known for his graphic novel Black Hole) provides the story of a shy man who ends up becoming prey for a very attractive woman, who proves to be something completely different than what she pretends to be. Jerry Kramsky and Lorenzo Mattotti’s episode is a mystery-fueled story about people going missing in the nearby swamps. Blutch has an episode that is split up in parts and shown throughout the movie, where a man walks his bloodthirsty dogs, which in every segment attack people who are unfortunate enough to be in their way. Marie Caillou and Romain Slocombe lets their episode play out in Japan, where you’re told the story of 11-year old Sumako who keeps waking up in a mental institution, gets a shot by some doctor and quickly falls asleep again, where she keeps dreaming about her past. Richard McGuire and Michel Pirus provides an episode about a man seeking shelter in an abandoned house, and ends up becoming increasingly paranoid by the building’s many sounds, and he also finds an old photo album from the previous owners which makes his imagination go wild. And at last, Pierre Di Sciullo has small contributions with abstract animations which deals with several human fears, phobias and prejudices.

As you can probably guess from the descriptions of the several segments, Fear(s) of the Dark is a very mixed experience, but in a good way. Each episode has a notably different style, but overall there’s always a very effective use of shadows and angles which intensify the imminent feeling of fear and paranoia. The impact each episode will have on you will likely depend on your own personal fears and phobias. The story from Charles Burns, for example, of a young man’s first experience with love and lust which ends up evolving into obsession and horror, is both creepy and weird with some rather bizarre elements. Personally I found the segment by Richard McGuire and Michel Pirus to be most impactful for me, where you follow the man who seeks shelter in the abandoned house and can almost feel the fear and paranoia he feels while wandering the house’s dark rooms, feeling that he’s not alone.

Overall, all the episodes are well made and makes for a very interesting watch, and a nice entry into animated horror.

Director: Blutch, Charles Burns, Marie Caillou, Pierre Di Sciullo, Lorenzo Mattotti, Richard McGuire
Writers: Blutch, Charles Burns, Pierre Di Sciullo, Jerry Kramski, Richard McGuire, Michel Pirus, Romain Slocombe
Original title: Peur(s) du noir
Country & year: France, 2007
Voice actors: Gil Alma, Aure Atika, François Creton, Guillaume Depardieu, Sarah-Laure Estragnat, Nicolas Feroumont, Nicole Garcia, Arthur H., Christian Hecq
IMDb: www.imdb.com/title/tt0792986/