When her neighbor refuses to get into the Christmas spirit, a jolly citizen takes matters into her own hands.
We all know at least one “Grinch”, or a person filled with “humbug” when the holidays are kicking in. This weird and cheesy horror short takes the “humbug” to a different level, though, turning it into something that can be “exorcised” from your body in order to make you fully enjoy the Christmas holidays!
A grieving young boy who loves to draw and build ferris wheels encounters strange creatures that turn his life upside down.
“La Noria” is a CG animated horror short by seasoned animator Carlos Baena (Pixar). This horror/fantasy short is in many ways more sad and emotional than scary, but does manage to build a certain creepy atmosphere with the monsters chasing the boy and the gloomy house he’s living in.
Life is hard for Emma without the love of her life John. But after installing a new antique door and not being able to open it she starts hearing knocks coming from the other side of the door. Can this be the spirits of Emma’s love.
“There Comes a Knocking” is described as a proof of concept for a feature film by the same name. The short has good atmosphere and cinematography (and the Horror Ghouls love big, old creaky houses!). It is thus unfortunate that the ending is a bit lackluster, but since the creators are aiming for a full feature film and this is described as a “proof of concept”, it will be interesting to see how the full movie will eventually turn out! The creator’s YouTube channel also has a “Making of” video, in addition to lots of other videos regarding their filmmaking.
Alice Palmer is a sixteen year old girl, that drowns while swimming in the local dam. Her body is eventually recovered, and her grieving family then starts experiencing strange events. Thinking it’s got something to do with their recently deceased daughter, they seek the help of a psychic who starts digging into Alice’s past. He reveals that Alice used to have secrets, and that she was living a double life that her family wasn’t aware of. The family then tries to figure out a connection between her death and the experiences they’re going through.
While most horror movies featuring a ghost depicts them as either vengeful or harmful, “Lake Mungo” takes quite a different approach. Written and directed by Joel Anderson, this film is made in a faux documentary style (“mockumentary”). It shows how a grieving family tries to figure out if they are haunted by their deceased daughter/sister. Is her appearance on her brother’s photos a call from beyond the grave? Are the things they’re experiencing caused by Alice’s ghost, or is everything just a manifestation of their grief?
The documentary-style fits the movie rather well, giving it a much more realistic and eerie tone. There’s a few twists and turns throughout the story, making it a mystery filled with secrets, surprises and even lies, all eventually leading the family to a place called Lake Mungo (which is an actual dry lake in Australia) where Alice apparently was camping before she died. The pacing is a bit slow while it’s building towards more and more reveals, and there are some twists and turns that might seem unnecessary and even totally irrelevant to Alice’s demise. The slow pacing of the movie is likely to be perceived as tedious by some, but this is a film that does not rely on the effectiveness of only certain parts, but rather as a whole-package thing.
“Lake Mungo” is not a movie whose main goal is to make you jump in your seat, but instead wants to crawl under your skin. There are a few scenes here that actually got to me (and that’s something that happens very rarely!), and for me it was the whole idea of loss and grief mixed with the supernatural goings-on that got to me. It was for the most part a very melancholic and sad movie (if Mr. Ghööl had a “Sad” badge, it would fit well here). It isn’t a movie with huge scares and shocking moments, but it’s unsettling and different. “Lake Mungo” is an exploration into grief and loss and the thought of maybe being haunted by a loved one, and your ability to connect with such experiences will probably have a lot to say on how you perceive this film.
Director: Joel Anderson Country & year: Australia, 2008 Actors: Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker, Tania Lentini, Cameron Strachan, Judith Roberts, Robin Cuming, Marcus Costello, Chloe Armstrong, Carole Patullo, John Dunn, Laurie Dunn, Kirsty McDonald, James Lawson IMDb: https://www.imdb.com/title/tt0816556/
An android babysitter starts malfunctioning, which causes it to become dangerous. The mother has no other choice than to replace it…but the android is intent on staying with the family.
“Ghost Machine” is a Korean horror short, which is one of the installments in “Horror Stories III”. It’s a science-fiction horror story dealing with the subject of how robots and artificial intelligence may turn dangerous if they stop working as intended…
A young woman Skyping with her long distance boyfriend late one night, realizes that an ancient evil presence may have been unleashed upon her.
“Wicken” is a horror short film by Faisal Hashmi, who also made “Sleight“. While “Wicken” could have benefited from more playtime to delve deeper into the mythology and story behind the curse, and thus bring the character’s emotions more into focus upon making their decisions, it’s still an effective albeit simple short.
Two girls are moving out after Sarah’s mother has passed away. In the clearing they exploit an old Polaroid camera possessed by a dark past.
“Polaroid” is a Norwegian horror short, directed by Lars Klevberg (who recently made a name for himself with the remake of “Child’s Play“). “Polaroid” was actually made into a full-feature film which was originally set to be released in 2017, but was delayed due to the Weinstein Company bankruptcy. Thus it was released in 2019 instead. This horror short, however, was made in 2015.
At first glance, you might think this is some kind of sequel to “Deathgasm”, but sorry, it’s not. But it easily could have been. We are in the 80’s, in the cold and conservative Nordic land of Norway where “La Det Swinge” by Bobbysocks is the most metal you can hear on the radio. We are introduced to the teenager Øystein “Euronymous” Aarseth who starts the small and obscure extreme metal band called Mayhem, together with Jørn “Necrobutcher” Stubberud, and eventually get their permanent drummer Jan Axel “Hellhammer” Blomberg. They get a vocalist from Sweden who calls himself Dead, a severely depressed, twisted and suicidal skinny guy who mostly spends his time collecting dead animals, chasing cats with a shotgun and keeps fantasizing about death. Dead immediately shows up to take his stage name quite literally, by almost cutting himself to death while screaming Freezing Moon on stage wearing corpse-makeup and dirty clothes that have been a whole night underground to get the right smell of decay. However, it doesn’t take long before Dead takes his persona too literal by killing himself, blowing his brains to pieces with a shotgun. Upon finding him, Euronymous takes a picture of his body in which he used as the cover of one of their bootlegs. A disgraceful act that Necrobutcher didn’t want to be a part of, and then quits.
Now without a bass player and vocalist, Mayhem is in limbo. Euronymous starts his own record label Death Like Silence Productions and the record shop Helvete in Oslo, a hangout place in the black metal-circle where he more or less becomes an evil incarnate-cult leader, where everyone else are just posers. And in comes Varg Vikernes, a lonely, angry, insecure young man from Bergen with his one-man-band Burzum, who also speaks English. And yeah, we’re still in Norway where everyone speaks fluently English, but read Norwegian newspapers. Anyway, he’s really hungry and desperate for recognition, status and respect in the extreme metal circle. And he want’s it now! And to show how extreme and Dr. Prime Evil he is, he removes his Scorpions patch from his jacket, since that’s not “true metal” according to Euronymous, and sets fire to a church or two. Impressed by Varg’s actions and his commitment to practice what he preaches, Euronymous signs him on his record label. Varg also appears to play bass, and becomes a session-player on the recording of the De Mysteriis Dom Sathanas record. But it shows that the relatively tiny black metal circle isn’t big enough for the two of them. The more respect Varg gets after the church burnings, the more Euronymous fades into the shadows, which makes their relationship crack and escalates into a huge battle between two poisonous, fragile and fucked-up egos. And as Euronymous tells the audience in the short voice-over prologue at the beginning, it doesn’t end well.
Ignoring all the inaccuracy and how Euronymous is painted as a saint with angel wings and Varg as the most evil creature in the universe, Lords of Chaos was better than I expected. I didn’t know what to expect, really, but at least I got entertained during the two hours it lasted, and that’s good enough for me. The most known segments, that has already been covered in books and documentaries, is included here. Everything from the small-legendary concert where the corpse-paint and pig heads got introduced, the homicide on the gay man in the Olympic Park, church burnings, up to the brutal climax. There’s a lot of shit to cover, but I wish the film focused more on Mayhem as a band and their struggle to survive on their chaotic zero-budget tours around Europe on Interrail which ends in them getting handcuffed by the Police. I didn’t get the Home Alone vibes from Rory Culkin as I expected, and there is some level of energy and enthusiasm behind his big, crazy eyes. He appears more like a younger Fenriz from Darkthrone. Emory Cohen, however, does a rather sloppy and lazy performance in which I can’t tell if it’s just bad acting or if he is in a role he really didn’t want to play. I just don’t buy him as Varg for a single second he’s on screen. But awesome that at least they got Attilla’s son, Arion, playing a thirty-year younger version of his dad.
The film has a great look with great use of the Norwegian landscapes, and the set of the Helvete record shop was spot on. And of course the churches that were built to be burned down was a stunning and beautiful sight to watch. And if there’s not any plans of a biopic GG Allin in the dark horizon, this will be the bloodiest and most graphic in the genre, as far as I know.
And if you haven’t already, also watch the documentaries “Once Upon a Time in Norway” (2007), “Pure Fucking Mayhem” (2008), “Until the Light Takes Us (2008) and “Satan Rides the Media” (1998)
Director: Jonas Åkerlund Country & year: UK | Sweden | Norway, 2018 Actors: Rory Culkin, Emory Cohen, Jack Kilmer, Sky Ferreira, Valter Skarsgård, Anthony De La Torre, Jonathan Barnwell, Sam Coleman, Wilson Gonzalez, Lucian Charles Collier, Andrew Lavelle, James Edwyn, Gustaf Hammarsten, Jon Øigarden, Arion Csihar IMDb: https://www.imdb.com/title/tt4669296/
A couple (Elin and Tobias) is on a vacation with their young daughter (Maja), when a serious case of food-poisoning causes the mother to become very ill. She is rushed to the hospital, and the whole family is spending the night in the hospital room, awaiting the mother’s recovery. When the next day arrives, which is also Maja’s birthday, they discover that she has died overnight due to a delayed response to the food poisoning. A few years later, the couple is going on a trip in order to find their way back to each other, but eventually find themselves trapped in a never-ending loop of terror when they are attacked by a trio of terrifying characters resembling the cartoons on their dead daughter’s music box.
“Koki-di Koko-da” by Johannes Nyholm is told like a nihilistic fable about loss and grief. The title is based on a French nursery rhyme, “Le coq est mort” (The rooster is dead, or “Vår tupp är dö” which is the Swedish version of the song). This song is sung by the only vocal character among the villains, and is also heard several other places throughout the movie. The atmosphere in the entire movie is somewhat tense already from the get-go, showing us that the death of their daughter has put such a strain on their relationship that they bicker at each other for every little trivial thing (like buying an ice cream with a different flavor). Setting up their tent in the woods at night, the couple is then attacked by the strange trio who also bring with them an aggressive dog. Elin goes out to take a pee, and sees a white cat (the cat having a different role in their story than the trio of weirdos, which is revealed later). When she is attacked, her husband Tobias just watches what unfolds from the tent, until it’s his turn to face their tormentors. And so it keeps repeating in a cycle of death and despair.
While we have had a couple of “Groundhog Day” type of horror movies recently (Happy Death Day, In The Tall Grass), this movie differs in how the time-loop never seem to make the characters any wiser or more prepared to face their fate. They get jumpier and more scared, but there is no “a-ha” moment in any of them, and Tobias is constantly cowering while his wife keeps getting brutalized and killed. The cartoony villains add to the bizarre and helpless atmosphere, giving it both a gloomy and weirdly funny tone. The animated sequences in the movie, consisting of shadow puppets which are moved along the screen with strings, are also a great element which ties together the rest. They show a “bunny family” representing the grieving parents and how they (ultimately) end up dealing with the loss of their daughter in ways that inevitably keeps them from progressing any further from their self-loathing and depression.
“Koki-di Koko-da” is an artistic horror movie which centers around grief and loss, and it’s definitely not aimed to be a crowd-pleaser. It’s not very straight-forward, and is not providing any clear goal for our protagonists (although there’s symbolism and metaphors all over the place). It’s like a twisted and dark fairytale that isn’t made with the intentions of tucking you off to bed with a good feeling.
Director: Johannes Nyholm Country & year: Sweden | Denmark, 2019 Actors: Peter Belli, Leif Edlund, Ylva Gallon, Katarina Jakobson, Morad Baloo Khatchadorian, Brandy Litmanen IMDb: https://www.imdb.com/title/tt9355200/