Pet Sematary (2019)

Pet Sematary (2019)Dr. Louis Creed and his family have decided to move away from Boston and settle down in rural Maine in order to live a more quiet life, and give Louis more time with his family: Rachel, his wife, Ellie, his daughter, and Gage, his young son. Their new home seem to be peaceful and nice…except for the highway being located right outside where heavy trucks keep roaring by all the time. They soon discover a pet cemetery close by (where a lot of the pets have been victims of said trucks), where children have buried their beloved pets for a long time. The place holds a power that is by no means good, however, something the Creed family is about to discover in the most horrible way.

 

“Pet Sematary” is one of Stephen King’s most famous novels, and is actually based on his own close encounter with a truck nearly killing his own son. He got the inspiration after his time at the University of Maine at Orono, where he was teaching for a year as a gesture of gratitude for the education he had received there. During that time, he and his family rented a house near a busy road who had claimed the lives of numerous pets in the neighborhood, and the children there had created a pet cemetery near the house King and his family rented. They also had a cat at the time: Smucky. Unfortunately, Smucky became one of that road’s victims, and King’s daughter Naomi buried it in that pet cemetery. Shortly thereafter, King’s son Owen had a close call running toward the road. All of this gave him the inspiration for this novel, but after writing it he felt he had gone too far with the subject matter and discarded the idea of having it published. However, since he needed to publish a final book for his contract, he reluctantly submitted it to Doubleday. And of course, it became an immediate success.

 

Now, for those of us that have read the book and seen the first movie adaption, it’s hard not to make comparisons. There are quite a few things that have been changed completely here. The first adaption from 1989 actually follows the book more closely than this one, but at the same time I also think that this new adaption captures the dark and tragic tone a lot better, as it is a story that deals with something that all of us know but always dread to think or talk about: the death of loved ones, and how far we would be willing to go if we could reverse it.

 

I was also quite curious about how they would depict Zelda (Rachel’s sister), who was slowly dying in a horrible and painful way from spinal meningitis while turning into a hideous “monster” (and, since the illness turned her clinically insane, also made her bitter and mean towards Rachel), and this has given Rachel PTSD-like symptoms. I actually think Zelda is one of the creepiest parts of the whole story, and it also plays a major factor over explaining why Rachel is struggling so much with everything that’s got to do with death. While there has been some changes regarding Zelda’s death in this movie, I actually think that the book’s version of Zelda’s demise was better…but yeah, I know why they did it, as it gave them a perfect setting to make some creepy scenes and jump-scares.

 

Overall, this new movie adaption of Stephen King’s “Pet Sematary” is a well made horror movie, and despite some differences it manages to capture a lot of the original feelings of dread from the book, while also leaving enough space for both movie adaptions to exist on their own.

 

Pet Sematary

 

Directors: Kevin Kölsch, Dennis Widmyer
Country & year: USA, 2019
Actors: Jason Clarke, Amy Seimetz, John Lithgow, Jeté Laurence, Hugo Lavoie, Lucas Lavoie, Obssa Ahmed, Alyssa Brooke Levine, Maria Herrera, Frank Schorpion, Linda E. Smith, Sonia Maria Chirila
IMDb: https://www.imdb.com/title/tt0837563/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hell Fest (2018)

Hell Fest (2018)A masked serial killer turns a horror-themed amusement park into his own personal playground, terrorizing a group of friends while the rest of the patrons believe that it is all part of the show.

 

“Hell Fest” is a slasher movie with a rather interesting concept: a masked killer masquerading as one of the crew in a Halloween amusement park, killing people while confused bystanders thinks it’s part of the show. In one regard, “Hell Fest” delivers pretty well when it comes to the setting: the amusement park looks totally awesome, and while we were both watching it we agreed that the most exciting thing in the whole movie was to see new parts of the park. Unfortunately, that also tells wonders about what this movie lacks: real suspense and a mystery surrounding the killer, both of which are, unfortunately, non-existent. We find out early in the movie that the killer is a stranger (no mystery about who he is), and while the first murder is pleasantly vicious, the next killings are quite uninspired and lacking in gruesomeness.

 

Now, slasher movies rarely brings anything new to the horror genre. A group of people gets stalked and murdered, one by one, by a mysterious killer. You’ve seen it before, and you’re going to see it again if you ever keep watching slasher movies. However, what a lot of them at least manages to keep going for them, is an actual mystery surrounding the killer (makes you wonder who it is, and often comes as a surprise/twist), or gory/gruesome murder scenes. “Hell Fest” has neither, but a totally awesome amusement park at least…

 

All that being said: it’s not a bad movie, and should easily be able to entertain you if you take it for an easy-going popcorn movie. But with such an awesome setting, it just could have been so much more.

 

Hell Fest

 

Director: Gregory Plotkin
Country & year: USA, 2018
Actors: Cynthea Mercado, Stephen Conroy, Amy Forsyth, Bex Taylor-Klaus, Reign Edwards, Christian James, Matt Mercurio, Roby Attal
IMDb: https://www.imdb.com/title/tt1999890/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ghostwatch (1992)

Ghostwatch (1992)“Ghostwatch” is a live-documentary that was broadcasted on Halloween night on British national television in 1992. The show opens in a studio at BBC with the dry elderly host Michael Parkinson in suit and tie, saying “The program you’re about to watch is a unique live investigation of the supernatural. It contains material that some viewers may find to be disturbing.” Then we get introduced to the “most haunted house in England”, a council house in North London, where a single mother and her two young daughters are being tormented by poltergeist activity. With BBC’s reporters, cameras and some paranormal investigators in place, they’re ready to hopefully get some paranormal activity on tape for the whole of Britain to see live. The studio also has a phone-number the viewers can call during the broadcast to share their own experiences with the paranormal. Further into the investigation we learn that the family is apparently haunted by a male ghost called Pipes, who likes to hide behind the curtains in the children’s bedroom. We even see a manifestation of him in the children’s bedroom after they’ve gone to sleep, and things starts to get from bad to worse while the cameras keeps rolling.

 

By the way, did I mention that the documentary was just a big, fat hoax? Written by screenwriter and horror novelist Stephen Volk who pitched the idea originally as a conventional drama to the producer Ruth Baumgarten at BBC. It was meant to be a segment of a series, but the producer wanted to go for a single, and Volk got the idea to make it as a real transmission from a haunted house in War of The Worlds-style. The producer loved the idea and asked Volk if they could do this. Well, let’s try, he simply replied. And they certainly did, and succeeded far more at what they had imagined, in both a positive and a negative way. Lesley Manning was hired to direct, and filmed the whole thing one week in advance before it was broadcasted as a “live” event in a haunted house on Halloween night. And with a huge budget, believable actors, the well known and respected Michael Parkinson as a host, and to top it all, watermaked by BBC, what could go possibly wrong? Oh, well..

 

Although it was presented as live and real, broadcasted on the trusted BBC, we got an obvious big hint at the end when the titles started scrolling, that this was a hoax. In other words; you’ve been fooled, there’s no Hairy Scary or a Crooked Man hiding under your bed. It’s safe, have your tea, go to sleep, good night. But damage was already done as half of Britain was nearly traumatized and scared shitless, in addition to being confused and pissed off. For those of us who grew up in the 80’s, it’s not hard to imagine the impact of a case like this. This was presented as a raw, authentic, unfiltered documentation of a family who was tormented by poltergeist activity for all to watch on TV in their safe living-room at home. And I know I would have had nightmares for a long time myself if I saw something like this when I was teen in 1992. There was no internet where people could jump right into to make some thousands tweets and upload hundreds of reviews and analysing-to-death videos on YouTube and debunking the whole thing before the end credits even started rolling. That type of exposure didn’t exist in those days, and that was also the beauty of it, unless you read newspapers the days after. It kept some of the mystery going and people talking. God, I feel old now…

 

During the broadcast that night, Stephen Volk sat in a pub somewhere with the cast and crew celebrating while watching their masterpiece, completely unaware of the aftermath that followed. After it ended, the producer arrived to tell them that there had been a lot of complaints tonight. Volk took that as a “great, it worked / Ha Ha / fooled you all” with a big grin on his face. 30. 000 had called BBC with feelings of shock, anger and confusion. Three pregnant women went into labor through being shocked, a lot of parents were angry when their kids couldn’t sleep that night. Volk’s personal favorite was a letter sent to the producer by a woman whose husband was a veteran of the Falklands War, who was so scared watching the program that he’d literally shit his pants. And she was writing to get compensation to buy him a new pair of jeans. The next day the shit-storm in media didn’t waste any time and headlined in the tabloids “The Heads Must Roll at BBC” which resulted in the network deciding to bury the whole program and never broadcast it, and pretend it never existed. So yeah, a complete shit-show for the poor bastards at BBC. But while these can be considered laughable incidents, it got worse.

 

Five days after the broadcast, an 18 year old man killed himself due to the psychological effects it had on him. He left with a suicide note saying “Mother, do not be upset. If there are ghosts I will now be one and I will always be with you as one.“. His parents claimed that he was “hypnotized and obsessed” by the program and blamed BBC. A case with Post-traumatic stress disorder was also reported with two ten years old boys who also got deeply affected. You can of course debate whether it’s justifiable to blame a TV-show for this, but fortunately there weren’t more reported casualties.

 

It wasn’t until 2002 “Ghostwatch” got its first reincarnation on VHS and DVD on its 10th year anniversary, with commentary track by Stephen Volk, director Leslie Manning and producer Ruth Baumgarten. And as a gold-digging-trivia gem as this is, a retrospect documentary was made in 2013 called “Ghostwatch: Behind The Curtains” with interviews of the cast and crew.

 

“Ghostwatch” is a fun watch (Ghost-Fun-Watch), but mostly due to its wild concept that was new and fresh at the time, and how this cultural phenomenon literally scared and scarred a whole nation out of the blue and buried BBC in angry letters from terrified viewers. Orson Welle’s radio hoax “The War of the Worlds” from 1928 must be the only case besides of this that pops in mind. This is just a one of a kind that deserves its recognition and legacy, and also a part in history of horror movies. Having such a backstory and the huge controversy in mind, while putting your mindset back to 1992 and imagine watching it on an old TV, it makes an even better viewing experience.

 

Ghostwatch

 

Director: Lesley Manning
Country & year: UK, 1992
Actors: Michael Parkinson, Sarah Greene, Mike Smith, Craig Charles, Gillian Bevan, Brid Brennan, Michelle Wesson, Cherise Wesson, Chris Miller, Mike Aiton
IMDb: https://www.imdb.com/title/tt0200659/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Us (2019)

Us (2019)The Wilson family owns a vacation house near the beach in Santa Cruz. Adelaide, the wife in the family, had an experience at that beach when she was a little girl and has no desire at all to revisit the place. Her husband convinces her to go there, however, together with the Tyler family to have a good time. Things don’t go as well as planned for, and back at the vacation house that night things turn even worse. Four mysterious people dressed in red appears outside the house, breaking in and terrorizing them. What’s even worse, is that all of these strangers look exactly like themselves…

 

“Us” is the second horror film directed by Jordan Peele, who made a name for himself with his debut horror movie “Get Out” in 2017. Not unexpectedly, the expectations regarding “Us” has been pretty high, but fortunately Peele shows us that he’s not just a one-time-hit director. “Us” manages to balance suspense, creepiness, social commentary and even a bit of comedy very well, just like he did in “Get Out”. “Us” is more of  a straight-forward horror movie, with a higher level of suspense and creepy scenes. With Mike Gioulakis as the cinematographer (who was also the cinematographer for the very suspenseful horror movie “It Follows”), it should come as no surprise that this is a movie that will keep you at the edge of your seat for the most part.

 

“Us” is a movie that is best seen when knowing as little as possible about it, and I personally recommend avoiding any spoilers prior to watching it. It’s very hard, even impossible, to venture much further into the movie’s plot without spoiling things. There are a few plot holes that might leave you scratching your head in confusion, but fortunately not too much to ruin the experience.

 

Now let’s look forward to what Peele’s next entry into the horror world might be!

 

Us

 

Director: Jordan Peele
Country & year: USA, 2019
Actors: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex, Yahya Abdul-Mateen II, Anna Diop, Cali Sheldon, Noelle Sheldon, Madison Curry
IMDb: https://www.imdb.com/title/tt6857112/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Poughkeepsie Tapes (2007)

The Poughkeepsie Tapes (2007)In a serial killer’s now abandoned home, investigators reveal a large amount of VHS tapes that contains his “work” in chronological order as he’s been filming the murders and abuse of his victims. This is the most disturbing collection of evidence the homicide detectives have ever seen, and reveals an in-depth documentation of a serial killer’s reign of terror.

 

Made in a “mockumentary” (faux documentary) style, this is a somewhat creepy and unsettling movie. It’s the first horror movie John Erick Dowdle’s directed, and later he became known for “Quarantine” (2008), “Devil” (2010) and “As above so below” (2014). The movie contains a very realistic tone throughout, with “interviews” and “footage” that are made to be believeable and helps putting the dark and grim atmosphere in place. In many ways it reflects “true crime shows” so well that you could probably have fooled someone who didn’t know it’s a faux documentary.

 

The murders and torture of the victims of the serial killer (who has been nicknamed “the water street butcher”) is somewhat toned down despite being quite chilling. There isn’t large amounts of blood and gore here, but the “footage” shows enough for you to know exactly what’s going on, along with detailed descriptions by the investigators. It’s not a movie that’s gory or straight-out scary, but it’s definitely creepy and unsettling.

 

Serial killers have always fascinated a lot of people. What can make a (seemingly) normal person commit such atrocious acts? How can they manage to keep from being caught over such a long time? And how many serial killers are still on the lose around the world? Those thoughts can be more frightening than occasional nightmarish thoughts about monsters and bogeymen…serial killers are real, and they’re out there. The FBI estimates that there are about 25-50 active serial killers operating through the U.S. at any given time (which is also referenced in this movie, actually). Many have asked if the movie is based upon a real serial killer, whereas the director has answered that it’s not, but inspired by several. In Poughkeepsie there was actually a real serial killer, Kendall Francois, who killed eight women in the period of 1997-98.

 

If you’re interested in a well-made serial killer mockumentary with a quite realistic tone, you should check this one out.

 

 

The Poughkeepsie Tapes

 

Director: John Erick Dowdle
Country & year: USA, 2007
Actors: Stacy Chbosky, Ben Messmer, Samantha Robson, Ivar Brogger, Lou George, Amy Lyndon, Michael Lawson, Ron Harper, Kim Kenny
IMDb: https://www.imdb.com/title/tt1010271/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Wailing (2016)

The Wailing (2016)Jong-Goo is a police officer that lives a quiet life in a little village with his wife and daughter. One day he is called to the scene of a gruesome multiple murder case, where a family member of the murdered people is covered in blood from the victims. His skin is covered in strange boils, and he appears to be in a state of stupor. Soon, more incidents similar to this occur all over the little village, and some of the villagers start to blame a newcomer to the area: a Japanese man (played by Jun Kunimura, known for his roles in “Ichi The Killer”, “Audition” and “Kill Bill”) who’s taken residence in the woods. Jong-Goo starts a battle against time to figure out what is happening, as his daughter also starts showing the symptoms.

 

“The Wailing” is a Korean horror movie that lasts for 2 hours and 36 minutes, but thanks to great cinematography and some really weird and strangely entertaining scenes, it manages to spend its time well without becoming a hassle to watch through. It’s quite beautiful to watch with its misty mountains and forest locations. The story’s pacing is good enough, we are being told things gradually while still pondering about the mystery behind the murders and “possessions”, and the Japanese newcomer (is he really the bad guy here, or is something else going on?).

 

There are some comedy elements in the movie (which was for the most part intended, I think), especially an exorcism scene that is so dragged-out and insane that it actually gets oddly hilarious. The protagonist’s facial and emotional reactions are almost cartoony sometimes, and the mix of being dark and vicious with being so colorful and sometimes comedic makes it a pretty weird watch. The story keeps you guessing throughout the entire movie, until the ending reveals the true villain in its full form.

 

The Wailing

 

Director: Hong-jin Na
Country & year: South Korea | USA, 2016
Actors: Do-won Kwak, Jung-min Hwang, Jun Kunimura, Woo-hee Chun, Hwan-hee Kim, Jin Heo, So-yeon Jang, Do-yoon Kim, Kang-gook Son
IMDb: https://www.imdb.com/title/tt5215952/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Loch Ness Terror (2008)

Loch Ness TerrorLoch Ness Scotland, 1976: a group of resarchers are hunting for Nessie. They dive into the lake and find one of her eggs, and guess what happens next: a pissed off CGI Nessie suddenly shows up, goes on land in full rampage mode and devours them. Amongst them is the son of one of the resarchers, who witnesses his father getting eaten. He manages to get away, and fast-forward to present day he has grown up to hunt down Nessie and have his revenge. He wanders around with a cigar and dresses like someone cosplaying a lone-wolf-cowboy with a scar on his face. And whenever he enters a scene we hear a classic western tune, just to make sure to the audience knows that he’s the hero and not one to be fucked around with…which makes it cheesy as hell. No charisma, no screen presence. Someone call Danny Trejo, please. Anyway: during his hunt for the monster, he stops by Lake Superior somewhere in Canada where he believe Nessie’s hidden. Why Nessie decided to travel so far and take residence in a lake in Canada, you may ask? Well, because. We also get introduced to some teenagers you couldn’t care less about, who gets ready for a boat trip, only set up to be killed and eaten.

 

And they all deserve it.

 

If you’re familiar with the original SyFy films that’s given us “masterpieces” like Alien Apocalypse, Sharktopus and the Sharknado / Megashark franchise, just to mention a few titles from their big catalogue, you probably know what kind of territory this is. It’s cheap, dumb, laughable and a no brainer. But I must admit that Nessie’s design and CGI looks pretty decent for a relatively cheap movie like this from 2008. I’ve seen Hollywood blockbusters with worse CGI than this, so thumbs up for that. Nessie has a lot of screentime to entertain us with, including some fine gore and even (to my surprise) some brief animatronic moments that was the very last thing I expected to see.

 

Loch Ness Terror

 

Director: Paul Ziller
Country & year: Canada, 2008
Actors: Brian Krause, Niall Matter, Don S. Davis, Donnelly Rhodes, Carrie Genzel, Amber Borycki, Neil Denis
IMDb: https://www.imdb.com/title/tt0930072/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Terrified (2017)

Terrified (2017)When strange events occur in a neighborhood in Buenos Aires, a doctor specializing in the paranormal, her colleague, and an ex police officer decide to investigate further.

 

I first heard about this movie from “Shudder“, a streaming site dedicated to horror, which is unfortunately not available in our country (it’s currently only available in the US (and its territories), Canada, UK, and Ireland). Being quite curious due to all the praise it’s gotten from various horror sites and reviewers, I was really pleased when the movie finally got to Netflix and thus gave us the chance to check it out.

 

The movie starts with a woman that hears whispering voices from the kitchen, which soon escalates into a bloody outcome for her while a terrified husband can’t do anything else but watch. We soon learn that the supernatural occurences is rooted in the neighbouring houses as well, and a group of paranormal researchers are trying to investigate the strange happenings. A dead boy returning from his grave, a naked man hiding under the bed, and strange noises and disturbances are just some of the occurences in the neighborhood that is obviously plagued by something paranormal. When the investigators start their research (the investigators being a group consisting of aged “Ed & Lorraine”- alikes and a nervous cop close to retirement due to health issues) things quickly escalate.

 

“Terrified” aka “Aterrados” is a solid addition to the paranormal/supernatural genre, and is the kind of movie that focuses its scares on being creepy and suspenseful, with some pretty effective scenes that can easily give you the heebie jeebies. Granted, there isn’t really much of a plot in the movie, and when it ends there are more than just a few unanswered questions. It’s a movie that still stands well planted on its own feet due to atmosphere, suspense and effective scenes alone, and should be well worth a watch.

 

Terrified

 

Director: Demián Rugna
Country & year: Argentina, 2017
Actors: Maximiliano Ghione, Norberto Gonzalo, Elvira Onetto, George L. Lewis, Julieta Vallina, Demián Salomón, Agustín Rittano
IMDb: https://www.imdb.com/title/tt7549892/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Guardian (1990)

The Guardian (1990)As I had always thought that The Exorcist was William Friedkin’s one and only pure horror movie, I didn’t know what to expect from this slightly obscure little film called “The Guardian” when it finally came into my radar. So let’s check it out.

 

The movie opens with the text: «For thousands of years a religious order known as the druids worshipped trees, sometimes even sacrificing human beings to them.» After viewing this text introduction, we’re in the home of a high class family where a boy reads Hansel and Gretel to his little infant sister while his parents are getting ready to go on a business trip for some days. As soon as they drive away, the nanny they hired grabs the baby and take her to the woods. The parents returns to the home since the mother forgot her glasses, when they realize that the baby and nanny is missing. The nanny has already sacrificed the baby to a tree where its face is embossed in the tree bark. The nanny gets away, and three months later in sunny California we get introduced to a couple who has a baby on the way. And with their busy career, they of course need a nanny. They have some auditions, and amongst them is the nanny we saw in the beginning. Unaware of her dark intentions, they hire her. The neighbour falls madly in love with her, and one night he follows her when she goes into the woods. There, he witnesses her laying down nude on a tree branch and beginning to fuse with the tree bark, and he realizes that this woman has no business being around children.. or anyone else for that matter.

 

Sam Raimi was first hired to direct due to his recent success with “Evil Dead II”, but dropped off to make “Darkman” instead (which is awesome, by the way). In came William Friedkin who was going through a tough time and apparently took whatever got handed to him. He also had a scary experience with a nanny himself who put his son in danger, and thus could relate to the two parents and their feeling of hopelessness. So with the director on board who was known for the scariest movie of all time, “The Exorcist” , what could go wrong?

 

“The Guardian” had a shooting schedule set to two weeks, but ended up in twelve with a chaotic production. The british screenwriter Stephen Volk was hired to write the script, but was never satisfied with the story’s progress. He and Friedkin figured out that the film would be better without the fantasy elements, but the studio disapproved of that idea. The Guardian was heavily promoted as “From The Director of The Exorcist” and his big comeback to the horror genre in seventeen years. And since The Exorcist was a supernatural horror movie with a huge success, they thought Friedkin could just snap with his fingers and repeat the magic. Well, that didn’t work at all. Stephen Volk got a mental breakdown, left the production and made the mockumentary “Ghostwatch” for british TV two years later. Friedkin was left behind with an unfinished script that was rewritten every day while shooting.

 

Jenny Seagrove, who plays the Nanny, was also unhappy with the fantasy elements and wanted the movie to be a down-to-earth psycho thriller about a nanny who kidnaps babies. She called the movie awful and told the studio that it would be just wrong to have a nanny who’s a druid and becomes a tree. Well, who could blame her.. When “The Hand That Rocks the Cradle” was released two years later by Warner Bros, which became a huge financial success, she rang a friend at Universal who simply said: “Don’t. Don’t even talk about it, you were right”. Ouch. The film was cut for theatrical release and for Cable TV. In the TV version the director was credited as Alan Smithee, the pseudonym directors use when they’re so unhappy or embarrassed of the final product that they don’t want to be associated with it. However, Friedkin has stated on a commentary track on one of the DVD’s that he didn’t even know about the TV version, and views The Guardian as his most personal film.

 

Seagrove has said in retrospect that the film is “good fun”, and that’s a great way to summarize it. It’s no masterpiece, but far from boring. It’s a rather bizarre movie with full of cheesiness, some great gore, nudity, a scary tree that gets mutilated with a chainsaw in Evil Dead-Ash-style while tons of fake blood is pouring out. Makes me wonder if Sam Raimi actually had some input on that aspect. And of course we have an authentic birth-giving scene.

 

The Guardian

 

Director: William Friedkin
Country & year: USA, 1990
Actors: Jenny Seagrove, Dwier Brown, Carey Lowell, Brad Hall, Miguel Ferrer, Natalija Nogulich, Pamela Brull, Gary Swanson
IMDb: https://www.imdb.com/title/tt0099710/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poltergeist III (1988)

Poltergeist 3 (1988)Carol Anne has now moved to her uncle and aunt at the John Hancock Center in Chicago where she attends a special school for gifted children and visits a psychologist regularly. She would prefer to not talk about the past, but the shrink hypnotizes her to do so and can assure Carol Anne that talking about the past will make it go away. In this case it makes the dark forces enter her life again and a certain scary old man starts to manifest in mirrors and reflections. To quote Tangina: He’s back!

 

The idea of ​​placing the story in a large skyscraper works for the most part. It creates its own claustrophobic setting. I especially like the idea with the mirrors. Gary Sherman, most known for low-budget exploitation films, does a decent job with the technical aspects concidering the production problems caused by Heather O’Rourke’s sudden death at the age of 12, four months before the last day of shooting.  It almost stopped the production completely, and like «Poltergeist II», the entire ending sequence had to be rewritten. While it somehow barely worked in the previous film, it doesn’t make any sense whatsoever here and it just leaves a big question mark over your head. The movie starts actually pretty good and strong, but develops with ridiculous plot holes, messy editing and scenes that don’t go well together. Heather’s death in mind gives a more sad than satisfying end to the Poltergeist saga.

 

Poltergeist III

 

Director: Gary Sherman
Country & year: USA, 1988
Actors: Tom Skerritt, Nancy Allen, Heather O’Rourke, Zelda Rubinstein, Lara Flynn Boyle, Kipley Wentz, Richard Fire, Nathatn Davis
IMDb: https://www.imdb.com/title/tt0095889/

 

Sequel of:
Poltergeist II: The Other Side (1986) http://horrorghouls.com/reviews/poltergeist-2-the-other-side-1986/
Poltergeist (1982) http://horrorghouls.com/reviews/poltergeist-1982/

 

Tom Ghoul