Sleepwalker (2000)

SleepwalkerUlrik Hansson is a 45 year old man living in a residential district in Sweden, together with his wife Monika and their two children. The family man appears to live a pretty normal life, with a decently paid job as an architect. There is also a new home he’s built which they’ll soon move into. All fine and dandy. One night, when he and his wife are about to go to sleep, he’s suddenly having what first appears to be a heart attack, scaring his wife to the point where she’s about to call for help, until he settles down and says he feels okay again. A panic attack, perhaps? He goes to sleep, but when he wakes up in the morning, he discovers that the bed is covered in blood. In a full panic, he runs around the house, shouting for his wife and two children only to discover that they are all gone…

 

Sleepwalker is a Swedish thriller from 2000, directed by Johannes Pinter and written by Johan Brännström. It was apparently hyped a bit in its home country, where taglines like “the most exciting film you can see in year 2000 is made in Sweden”, which set the bar rather high. Thus, upon release some found it a bit underwhelming compared to what they were expecting, but despite this it’s actually a pretty decent low-key thriller about a man who fears he’s done something terrible while sleepwalking. It’s not very high in tension or action-packed or anything, but it’s doing a steady job of keeping you wondering together with the protagonist.

 

The movie starts off like a found footage movie, where Ulrik is filming his family and friends, but this isn’t the movie’s format. There are some scenes where he straps the camera to the side of his head when he goes to sleep, hoping to capture what he does when sleepwalking, and these scenes are actually some of the most effective. You can also find quite an easter-egg in this movie: there is one scene at the start where Ulrik’s children are watching a horror movie, and this movie is none other than Evil Ed (another Swedish film which is considerably more well known). And that’s not all, the actor who played Ed in that movie, Johan Rudebeck, also has a role here where he appears as one of Ulrik’s colleagues.

 

Sleepwalker is a decent mystery thriller, where we follow a man who appears to be in some kind of way responsible for this own family’s disappearance. And he doesn’t even know whether he is guilty or not, as he doesn’t remember anything. While I feel the ending was a little bit weak, I still found the movie to be quite enjoyable.

 

Sleepwalker Sleepwalker Sleepwalker

 

Director: Johannes Pinter
Writer: Johan Brännström
Country & year: Sweden, Norway, 2000
Actors: Ralph Carlsson, Ewa Carlsson, Anders Palm, Tuva Novotny, Donald Högberg, Fredrik Hammar, Mats Rudal, Sylvia Rauan, Christoffer Edström, Silke Lauren, Toivo Tolonen, Aina Lesse
IMDb: https://www.imdb.com/title/tt0228871/

 

 

Vanja Ghoul

 

 

 

The Slit-Mouthed Woman (2007)

The Slit-Mouthed WomanIn a Japanese town, stories about Kuchisake-onna (The Slit-Mouthed Woman) are spread around. She’s a woman who’s got her mouth slit from side to side, dressed in a coat and wearing a face mask to conceal her looks. Carrying a rusty pair of scissors in her hands, it is said that she kidnaps children and kill them. She also asks those she meets on the street if they think she’s pretty, where the wrong answer will lead to horrible consequences. All of this, of course, sounds like a bunch of superstitious baloney, and only the children are taking this ridiculous story seriously while the adults just scoff at it. That is, until several children start disappearing. One day, a child even gets kidnapped right in front of the school teacher Matsuzaki. Together with her colleague she tries to uncover the truth about the legend of the “slit-mouthed woman”.

 

The Slit-Mouthed Woman (aka Carved) is based on a Japanese legend about the Kuchisake-onna, which is said to originate from sometime between year 794 and 1185, where the story is that a beautiful woman was mutilated by her jealous husband. He suspected her of being unfaithful to him, and thus he wanted to destroy her appearance. Later, it is said that she became a vengeful spirit who wanted to inflict the same pain and suffering on others as she experienced herself. The legend has many variations, and this movie has its own way of telling this story, set in a modern time.

 

The movie is directed by Kôji Shiraishi, who seems to have been directing a load of movies every year for quite some time, and is also the director of the found-footage/mockumentary horror movie Noroi (2005). Like many J-Horror movies, the supernatural is looming over everything, but the difference here is that it’s also mixing elements from a typical western slasher flick, which makes it an interesting combination. There is a bit of mystery, tension, and murders, all merged with the unmistakable dread-filled atmosphere of the supernatural J-Horror film. The makeup of The Slit-Mouthed Woman is decent, she’s genuinely creepy despite seeing her in full daylight most of the time, and unlike many J-Horror movies with ghostly villains, this one has a lot of scenes shot during the day.

 

The movie has a dark atmosphere and relies on some drama in order to fuel the characters as it becomes clear they also have their inner demons to struggle with, which they must come to terms with before trying to take on The Slit-Mouthed Woman. While the movie is somewhat predictable, and is not able to avoid the mistake of slowing things down a little too much during the second half of the movie, it’s still a very decent J-Horror movie about a well-known Japanese urban legend.

 

The Slit-Mouthed Woman The Slit-Mouthed Woman

 

Director: Kôji Shiraishi
Writers: Naoyuki Yokota, Kôji Shiraishi
Original title: Kuchisake-onna
Also known as: Carved
Country & year: Japan, 2007
Actors: Eriko Satô, Haruhiko Katô, Chiharu Kawai, Rie Kuwana, Kazuyuki Matsuzawa, Kaori Sakagami, Sakina Kuwae, Yûto Kawase, Rio Nakamura, Ryôko Takizawa
IMDb: www.imdb.com/title/tt0891520/

 

 

Vanja Ghoul

 

 

 

The Orphanage (2007)

The OrphanageLaura is a woman who once was adopted from an orphanage in Spain, and is now returning to the place with her husband Carlos and their seven-year-old son Simón. It’s been 30 years since Laura was adopted from there, and the orphanage is now closed. She plans to reopen the place and turn it into a facility for disabled children. Simón claims he has befriended a boy named Tomás, whom he draws as a child wearing a creepy-looking sack mask. This mysterious friend also tells Simón a secret Laura and Carlos have kept from him: that he is adopted. This revelation makes Simón angry, and he and Laura starts arguing which ends with her slapping him across the face. Even though she immediately regrets this, the damage has already been done, and he runs away. When looking for him, she encounters the sack-mask child who locks her inside the bathroom, and after managing to escape she is unable to find Simón anywhere. At night, banging sounds can be heard from within the walls of the orphanage, and old secrets from the place slowly starts unveiling.

 

The Orphanage (El orfanato) is a gothic supernatural horror film from 2007, and the directorial feature film debut of J. A. Bayona. The script was written in 1996 by Sergio G. Sánchez, and it caught Bayona’s attention in 2004, and he then went on to ask his long-time friend Guillermo del Toro to help him produce the film. The movie was well received, and won seven Goya awards. New Line Cinema bought the rights for an American remake, which was later cancelled.

 

As many classic ghost stories go, it’s rich in emotional struggles and relies more on visceral impact than jump-scares. There is a deliberate slow pace that feels rewarding more than protracted, offering a steady build-up of mystery and suspense. The movie manages to unravel the old orphanage’s mysteries in a way that keeps you engaged, while the dusty rooms and forsaken grounds all offers a sense of disquiet and foreboding, along with the sinister presences from the past that start making themselves known and reveal their secrets. Belen Rueda does a good performance as Laura, a woman devoured by loss and a desperate yearning for the truth.

 

A sense of sadness and despair is what appears to be deeply rooted within the story of The Orphanage, aided with spooky surroundings and, of course, the obligatory medium and séance scene. With a masked child appearing to be an imaginary friend (they’re always bad news in horror movies, we all know that), noises behind the walls, restless spirits of children and something terrible from the past that remains to be revealed, it’s all a recipe for a grounded ghost horror movie that treads along a safe path while still being able to held a steady course for an intriguing viewing experience. It’s not breaking new ground, but what it does, it does well.

 

So overall, The Orphanage offers a fine gothic ghost story, often more poetic than horrifying and more atmospheric and sad than scary. A perfect watch if you want an old-fashioned ghost movie that’s both creepy and beautiful.

 

The Orphanage

 

Director: J.A. Bayona
Writer: Sergio G. Sánchez
Original title: El orfanato
Country & year: Spain, 2007
Actors: Belén Rueda, Fernando Cayo, Roger Príncep, Mabel Rivera, Montserrat Carulla, Andrés Gertrúdix, Edgar Vivar, Óscar Casas, Mireia Renau, Georgina Avellaneda, Carla Gordillo
IMDb: www.imdb.com/title/tt0464141/

 

 

Vanja Ghoul

 

 

 

Case 39 (2009)

Case 39Emily Jenkins is a social worker who has been assigned to the case of 10-year-old Lillith Sullivan. It appears that some kind of emotional struggle has appeared between the little girl and her parents, and Emily suspects child abuse. She gets her suspicions well confirmed when Lillith’s parents actually try to kill her by putting her in the oven, Hansel & Gretel-style. The parents are, of course, placed in a mental institution while the most likely traumatized girl is sent to a children’s home. But she begs for Emily to look after her. And with her heart totally melted by this unfortunate, innocent little girl, Emily manages to get the board’s agreement of looking after her until a suitable foster family comes along. After Lillith moves in with Emily, strange things begin to happen. Maybe this little girl isn’t so innocent after all…

 

Case 39 is a supernatural horror thriller from 2009, directed by Christian Alvert. Upon its release, the reviews and overall reception was rather poor, and it barely managed to cover the budget of $26 million with a gross of $28.2 million. It was often being described as unoriginal and frightless, and thus, the expectations upon viewing it was rather low as I remember. Still, we found it to be a rather decent and suspenseful thriller, despite its unoriginality and lack of actual scares.

 

Like many “evil children” movies, the performances of the actual child actor is paramount for the viewing experience, and Jodelle Ferland (from Silent Hill and Tideland) does a very fine portrayal of the evil Lillith. While the movie totally lacks an actual mystery as it becomes quite apparent that the child is, in fact, evil incarnate, it still manages to be suspenseful enough to hold the entertainment value. The most creepy parts of the movie might be the very start, when Lillith is still with her parents and we get to wonder if there really is a case of domestic abuse here, or if it’s something else, only to be provided with a scene of the parents actually trying to bake their own child in the oven. Of course we know already at this stage that there’s something wrong with the child, but it’s still a pretty messed up scenario, especially considering that there have been cases of this actually happening in real life, like this rather grim case from 1984 where the parents claimed to have been “cooking Lucifer”. I wonder if this movie was a little inspired, perhaps.

 

As you can imagine, the movie centers around how Emily is gradually coming to realize what we, the viewers, already knew from the get-go: that Lillith is evil and also responsible for many of the horrible things happening around her, especially concerning another one of Emily’s cases with a young boy. Yeah, it’s often clichéd and not devoid of some tired jumpscares, but on the whole it works. So I’d say that Case 39, while suffering from predictability and very standard cinematography, redeems itself with a good construction of characters and gradual buildup of tension and suspense.

 

Case 39

 

Director: Christian Alvart
Writer: Ray Wright
Country & year: Canada, US, 2009
Actors: Renée Zellweger, Jodelle Ferland, Ian McShane, Bradley Cooper, Callum Keith Rennie, Adrian Lester, Kerry O’Malley, Cynthia Stevenson, Alexander Conti, Philip Cabrita
IMDb: www.imdb.com/title/tt0795351/

 

 

Vanja Ghoul

 

 

 

Shutter (2004)

ShutterSmile to the camera!

 

We follow the young Thai couple, Tun and Jane, as they are on their way home after spending an evening with some friends. Their existence gets turned upside down when they accidentally hit a woman on a dark road. While Jane wants to check on her as she was also the one being behind the wheel, Tun panics and orders Jane to stomp the pedal and just leave the woman behind. Jane is soon to struggle with guilt, night terrors and never seems to be able to smile again, while Tun does his best to forget the whole thing and move on with life. Dream on, bud.

 

Tun is a freelance photographer and starts to see glimpses of a pale, creepy woman through the lens and eerie white shadows in his pictures which screams bad vibes. These are analog pictures, by the way, before the era of digital cameras took over. To get some answers other than “your camera is broken”, Tun and Jane speak to a photo expert who sells fake ghost photos to a glossy magazine. He also shows them an album which he claims is a collection of real shit, taken by polaroids and still images from security cameras, which is quite impossible to fake. Quick info for Gen Z; polaroid was a camera which gave instant physical pictures rolling out of the camera seconds after taking them. We see a collage of some creepy vintage photos, and some of them you might even recognize. I get a little nostalgic by especially seeing the classic image of The Grey Ghost Lady of the Willard Library, one of the first of its kind I was exposed to when I was hunting for this stuff in the darker corners of the web in the early 2000s, way before social media. Good old times.

 

All photos here are taken from the web and the film gives a credit at the end by addressing – The producers would like to thank in advance the owners of any spirit photographs or photo representations that were not properly credited for their use in this motion picture. –

 

Anyway, things get progressively worse and bleak for the couple as they get haunted with visions, more night terrors and more spooky stuff that appears in the photos. Tun develops a chronic neck pain while his friends from his schooldays mysteriously drop dead by jumping off buildings. Huh… As Jane starts her own little investigation, she stumbles upon some clues that expose a dark, disturbing past of their hit-and-run victim.

 

This is the debut film of the talented duo Banjong Pisanthanakun and Parkpoom Wongpoom (sorry if I butchered their names). The movie was released at the peak of the J-horror craze during the hot trend of displaying pale, skinny, scary Asian ghostly ladies with glitchy body movements with their long black hair obscuring their face followed by a series of jump scares. A gimmick that got more and more old to the level of almost parody until it fizzled out with bad sequels and remakes. It was easy to assume that Shutter was just another J-horror, even though this one is from Thailand. I wouldn’t go as far as saying that they reinvented the wheel here, but what makes this one stand out is the idea of the phenomenon of capturing ghosts on camera, a concept which has always intrigued me. It’s also a damn good horror flick which is still solid twenty years after its release, and one of the very few movies in the ghost film genre that still fills my heebie-jeebies meter scale up to ten.

 

Although there is a ghost lurking here, the film relies more on solving a mystery as the suspense and tension builds up to the maximum. The director duo has a great understanding of the more subtle ways to trigger the deepest primal fears of the audience by exposing them to the unknown, a pretty rare skill we don’t often see. James Wan with his two first Conjuring films, Scott Derrickson’s Sinister and Hideo Nakata’s Ringu are maybe the only ones than can match. As minimal as the effects are, the scares are probably the most inventive I’ve seen in the genre, which still slaps most of the similar and modern horror films to shame. The scene where Tun is alone in a photo studio where the lights turn off and his camera starts to flash on its own is one great example of how simple, yet effective Shutter is. A razor sharp sound design also does the trick and the fitting soundtrack during the opening credits already sets the tone. A modern classic.

 

The film has been remade not just one or two times, but actually three times: Sivi (2007) from India, which has been seen by hardly anyone, Click (2010), also from India, which looks more like a cheap version from Asylum, and the American Shutter (2008). I’ve only watched the last mentioned, which I don’t remember much of other than it gave me a good night’s sleep. And in order to not get confused, Shutter is also released with the undertitle The Original.

 

Shutter

 

Directors: Banjong Pisanthanakun, Parkpoom Wongpoom
Writers: Banjong Pisanthanakun, Parkpoom Wongpoom, Sophon Sakdaphisit
Also known as: Shutter: The Original
Country & year: Thailand, 2004
Actors: Ananda Everingham, Natthaweeranuch Thongmee, Achita Sikamana, Unnop Chanpaibool, Titikarn Tongprasearth, Sivagorn Muttamara, Chachchaya Chalemphol, Kachormsak Naruepatr
IMDb: www.imdb.com/title/tt0440803/

 

 

Tom Ghoul

 

 

 

The Exorcism of Emily Rose (2005)

The Exorcism of Emily RoseErin Bruner is a lawyer filled with ambition, who takes on the case of a Catholic diocesan priest who is charged with negligent homicide following an attempted exorcism on a 19-year old girl, Emily Rose. The archdiocese wants the priest, Father Richard Moore, to just plead guilty so they can scuffle this under the carpet and do as much damage control as possible, but Moore won’t have it, and pleads not guilty. He is determined to tell Emily’s story. Bruner then starts experiencing strange things on her own, like waking up at 3 a.m. to the smell of something burning. Moore warns her that she might have become a target for demons, and through bits and pieces we get to know Emily’s story.

 

The Exorcism of Emily Rose was written and directed by Scott Derrickson and co-written by Paul Harris Boardman. Derrickson actually chose to use Boardman as his co-writer because, with himself being a believer and Boardman a skeptic, he thought this would balance the screenplay with enough realism from both perspectives. And I dare say this was probably a very good decision, as the movie does a solid job on walking the line between religion and science, constantly making you wonder if she really was possessed or just terribly mentally disturbed.

 

The movie is told with some back-and-forth between the trial and the lawyer-related stuff, and flashbacks from Emily’s life. What makes this movie different from the plethora of other demonic possession movies, is its blend between courtroom drama and the supernatural, carefully balancing between the two and offering enough for both believers and skeptics to hold on to. The movie is inspired by the true story of Anneliese Michel from Germany. There’s actually another film based on this story, called Requiem, which is more based on the, well…actual true events. The young German woman was born in 1952, and died in 1976 after she underwent 67 (!) exorcisms. She died of malnutrition, and her parents and the priest were convicted of negligent homicide. Just like the Conjuring movies, The Exorcism of Emily Rose is best viewed as pure fiction with a few slices of truth, otherwise it would just become completely convoluted with thoughts of what is obviously invented for the purpose of scares in the movie, and what’s inspired from the true events. The true story was indeed a religion vs science trial regarding the aftermath, but the backstory of Emily Rose (Anneliese Michel) is very loosely based on what really happened. I guess in that sense, it’s wise to not even have the character named after her to make the distinction even more obvious.

 

Jennifer Carpenter, who is playing the role of Emily Rose, does nothing but a stellar performance as the struggling/sick/possessed young girl, and does so with some pretty chilling possession scenes that are bereft of any pea soup vomiting or head twisting. In order to prepare for her role, Jennifer actually spent hours in a room full of mirrors while trying out different body positions and facial expressions to see what was scariest. Many of the scenes where Emily is experiencing the effects of her “possession”, it is still very much left in the open whether it’s really demons causing it, or a result of her mentally disturbed mind. Feel free to take your pick on which is the scariest alternative.

 

There’s a ton of chilling atmosphere and a lot of subtle creative details that add to the creepy vibe. The actors did a stellar job by providing convincing performances, and the courtroom drama manages to add both suspense and ties in with the rest in a way that makes it feel wholesome. With the movie being a bit old, some of the CGI (which there isn’t much of anyway) is perhaps a little outdated, but not at all bad and it’s being sparsely which doesn’t affect anything negatively. The Exorcism of Emily Rose stands out as a solid and chilling possession horror movie which has aged quite well, and provided a well founded start on Derrickson’s horror movie career (with him later giving us movies like Sinister, Deliver Us From Evil, and The Black Phone). And no matter whether you consider the story as one of demonic possession or mental illness, the result is equally creepy and frightening.

 

The Exorcism of Emily Rose The Exorcism of Emily Rose The Exorcism of Emily Rose

 

Director: Scott Derrickson
Writers:
Paul Harris Boardman, Scott Derrickson
Country & year: USA, 2005
Actors: Jennifer Carpenter, Laura Linney, Tom Wilkinson, Campbell Scott, Colm Feore, Joshua Close, Kenneth Welsh, Duncan Fraser, JR Bourne, Mary Beth Hurt, Henry Czerny, Shohreh Aghdashloo
IMDb: www.imdb.com/title/tt0404032/

 

 

Vanja Ghoul

 

 

 

Gutterballs (2008)

In this little 80’s throwback slasher and rape/revenge-flick Gutterballs, we spend time in a bowling hall with two groups, getting ready for a bowling contest. But the plan for that night goes down the toilet when a fight escalates. The individual that stands out is the unhinged Steve, a sadistic bully with some serious anger issues. He screams desperately for attention in every scene, spews out a world record list of obscenities, one of them being over 600 fuck-bombs (yes, someone actually tried to count them). I wouldn’t recommend the drinking game for obvious reasons, but at least we have some other use of colorful words to play with such as cunt, bitch, motherfucker, whore, pussy, etc…

 

The plot and the boners thickens when Steve and his group of friends gang rapes Lisa, the girl whom left Steve for some other guy in the other group. The next night the two groups hook up again in the bowling hall to start over. Lisa is still there, that poor girl, but reserved behind some, big dark sunglasses. And when the bowling-match is about to settle, a mysterious, unseen player by the name BBK is shown on the score monitors. They soon learn that they’re being terrorized by a killer wearing a bowling bag over its head and using sharp bowling pins to penetrate the victim’s private parts.

 

THE MOST OFFENSIVE FILM EVER, many calls it. Well, at least it’s far from being boring. But yeah, it’s hard to not agree that the characters are a bunch of insufferable fucks performed by the bottom of the barrel actors from Troma, and you can’t wait to see them get brutally killed. And let me tell you, Gutterballs doesn’t disappoint in that aspect. Some dude gets his head crushed by two bowling balls, another’s head gets blown to smithereens by a shotgun, we get a nasty close-up castration, sodomizing, face melting and even more. The most memorable scene is the couple getting killed while having a steaming 69 in the bathroom. Sadistic and perverted fun for the whole family.

 

Writer and director Ryan Nicholson has since the mid 90s primarily worked as SFX artist on titles such as Ghost Rider, Stargate, Transformers, X-Files and the list goes on. Special effects is clearly his main focus, but despite the film’s limited budget, he also manages to lit up the bowling hall with the use of neon light to enhance some of the 80s atmosphere. He followed up with the sequel Gutterballs 2 for his cult-followers in the underground horror movie community, and also made films such as Dead Nude Girls. Sounds fun. Gutterballs seems to be his most approachable film for the masses, and if you like raw, trashy and silly 80s slashers like Intruder, Chopping Mall, Savage Streets and Troma in general, this one will surely please you.

 

Gutterballs Gutterballs Gutterballs

 

Writer and director: Ryan Nicholson
Country & year: Canada, 2008
Actors: Alastair Gamble, Mihola Terzic, Nathan Witte, Wade Gibb, Candice Lewald, Jeremy Beland, Trevor Gemma, Nathan Dashwood, Scott Alonzo, Jimmy Blais, Danielle Munro, Stephanie Schacter, Saraphina Bardeaux, Dan Ellis, Brandon Dix, Ryan Nicholson
IMDb: www.imdb.com/title/tt1087853/

 

 

Tom Ghoul

 

 

 

She Creature (2001)

We’re in Ireland, and the year is 1905. Two carnies, Angus Shaw and his infertile wife Lily, runs a fake mermaid show where Lily plays the role of a beautiful and enchanting mermaid. One evening, during one of their shows, a mysterious fellow named Mr. Woolrich appears and privately calls them out on their act, while at the same time appearing strangely relieved that Lily was, in fact, not a real mermaid. They offer him a ride home, where it’s revealed that he’s got a mermaid captured. A real one. Naturally, Angus wants to use this creature as part of the freak show, but Woolrich strongly warns against it. Not easily deterred, Angus later brings a few colleagues back with him to abduct the mermaid, and smuggles her aboard a ship in order to take her to America. Lily tries to object to this idea, but to no avail. And onboard the ship, the mermaid soon reveals her darker side…

 

She Creature is a 2001 made-for-TV horror film, directed by Sebastian Gutierrez (the title of this film was originally Mermaid Chronicles Part 1: She Creature, but there was never any part 2). It’s the first in a Cinemax film series called “Creature Features”, which were all paying tribute to the films of American International Pictures, where the titles are reused without being actual remakes. In this case, the title is borrowed from the 1956 film The She-Creature.

 

She Creature was shot in 18 days, and is a typical B-budget movie . It’s filmed in a style that resembles the old monster movies, and with taking place in the Victorian era there’s also some really atmospheric cinematography reminiscent of the old Hammer films. With the renowned Stan Winston as producer it also should come as no surprise that the special effects are pretty decent. The mermaid is also portrayed in a rather convincing way, possibly much due to the fake mermaid we witness early on at the freak show. The mermaid Lily plays there is so obviously over-the-top fake, that when we get to witness the real mermaid in a tank of water the contrast makes it come off as believable. The real mermaid does not sing, she does not talk (except from making a few sounds), and appear more like an intelligent animal with human features rather than any “little mermaid” by Hans Christian Andersen. This is no Ariel, that’s for sure…

 

Much of the atmosphere comes from the Victorian scenery and settings, fitting like hand in glove when constructing a horror tale with a blend of fantasy and gothic mystery. She Creature is by no means any masterpiece, but it’s a fun and slightly cheesy little throwback to the monster movie era with moody cinematography, good production design and some really cool CGI-free special effects. Overall, it makes for a pleasant little pearl of a gothic and aquatic creature feature film.

 

She Creature She Creature She Creature

 

Writer and director: Sebastian Gutierrez
Also known as: Mermaid Chronicles Part 1: She Creature
Country & year: USA, 2001
Actors: Rufus Sewell, Carla Gugino, Jim Piddock, Reno Wilson, Mark Aiken, Fintan McKeown, Aubrey Morris, Gil Bellows, Rya Kihlstedt, Hannah Sim, Jon Sklaroff
IMDb: www.imdb.com/title/tt0274659/

 

 

Vanja Ghoul

 

 

 

Visitors (2003)

Georgia Perry (Radha Mitchell) is a stubborn and strong-willed young woman: she’s decided to travel around the world in her 44-foot sloop, all by herself (well, almost…she’s got her cat for company). Being used to spending time at sea, and also spending time alone, it goes pretty well at first. She’s used to enjoying her own company, and the cat provides just enough social comfort. Then, the solitude starts taking its toll…while starting with small and insignificant things like starting to talk to her cat…which isn’t uncommon…I mean, who doesn’t talk to their feline companion once in a while? Except, of course, the cat starts talking back to her. A big red flag for her mental well being there, all right. But when she also starts hearing strange noises, and a mysterious fog appears which brings with it a whole array of deceased family members who have suddenly decided to drop in for a visit, it’s time to take it seriously. Is this just a severe case of cabin fever, or is something else happening at sea?

 

Visitors is a psychological thriller directed by Richard Franklin (most known for directing Psycho 2) where nearly all of the playtime happens out at the big blue ocean. While it’s not a truly scary film, it does have a few chilling moments with creepy atmosphere and some interesting scenes. Georgia’s “ghosts” aren’t only appearing during nighttime, either, but in bright daylight as well, adding to the feeling of claustrophobia as there’s no escape. In a haunted house, you can always run outside…but what can you do if the haunting happens in a boat, far out at sea? Nothing of course, unless you want to jump aboard and drown yourself.

 

While Visitors is an okay thriller, it’s not faultless, and there are some rather questionable CGI effects which diminishes the creepy atmosphere a bit. There’s also some scenes that are chugging along a little bit too slowly. Still, overall the movie is an okay watch, mostly for its deep dive into human psychology and the effect of being alone over a long period of time, in surroundings where there’s no one and nothing for miles upon miles. It’s strange how the ocean can appear to be so open, but still so claustrophobic…no matter where you turn, there’s no rescue, nowhere to find refuge.

 

If you’re looking to get your toes wet with a movie that provides a good amount of action, I guess something like Deep Rising would be a safer bet. Visitors is a slow-burning thriller with some creepy scenes and atmosphere, and people that can relate to the idea of being all alone, while haunted by your inner demons, will probably appreciate this movie the most.

 

Visitors

 

Director: Richard Franklin
Writer: Everett De Roche
Country & year: Australia, 2003
Actors: Radha Mitchell, Susannah York, Ray Barrett, Dominic Purcell, Tottie Goldsmith, Che Timmins, Christopher Kirby, Jan Friedl, Soula Alexander, Roberta Connelly, Michelle McClatchy,
IMDb: www.imdb.com/title/tt0301989/

 

 

Vanja Ghoul

 

 

 

The Skeptic (2009)

Responding to a 911 call, a police officer enters a large house and finds a dead woman inside. She appears to have died of fright, clutching a set of rosary beads. This woman is Bryan Beckett’s aunt, who is a lawyer and confirmed skeptic, who considers everything paranormal to be nothing but pure hogwash. Upon visiting his deceased aunt’s home and subsequently moving in (mainly in order to take a break from his shattered marriage) people around him starts giving vague hints, trying to tell him that moving in might not be a good idea. After ignoring other people’s warnings that he shouldn’t do so because the place is haunted, he starts experiencing strange things which puts his skepticism to the test. There is also something about the place that bothers him, like a strange connection he can’t really figure out. When things go a bit out of hand he seeks medical help, but instead finds himself teamed up with a young psychic who wants to help him reveal the house’s trouble past – or that of the skeptic’s own mind.

 

The Skeptic is a supernatural horror thriller, directed by Tennyson Bardwell. I remember back when the movie was released, that it got a bit of flak for being “outdated” and for not being especially heavy on the fear factor. And, yeah…that’s pretty much true, and doesn’t come as a big surprise considering that the director/writer wrote the first draft of the script in the 1980s. It’s an old-fashioned ghost story that does not rely on CGI-apparitions or jump scares. The slow-burn ghost story got passé already during the 80s, where psychological horror movies became obsolete compared to the more physical and in-your-face kind of horror that shocked audiences anew. The plot also appears overly simple: a man doesn’t believe in ghosts, said man moves into a haunted house, and starts experiencing what can be perceived as supernatural occurrences. So, ironically, I was a little bit of a skeptic when first viewing it…but was pleasantly surprised over seeing how something that appears to be very cliché-filled actually ended up being both a little chilling and engaging. The atmosphere is sometimes thick as a brick, but the suspense isn’t always lingering as much as one could have hoped for. It’s slow, sometimes a bit too much for its own good, but makes up for it with polished production values and the ability to offer a few chills here and there.

 

In a movie like this, it’s often best to not give away too much of the plot, as the viewing experience is best when knowing as little as possible. Overall it was a pleasant surprise, but it’s most suitable for people who enjoy a classic haunted house story of the old-fashioned sort.

The Skeptic

 

Writer and director: Tennyson Bardwell
Also know as: The Haunting of Bryan Becket, The Haunting
Country & year: USA, 2009
Actors: Tim Daly, Tom Arnold, Zoe Saldana, Edward Herrmann, Andrea Roth, Robert Prosky, Bruce Altman, Lea Coco, Sara Weaver, L.J. Foley, Paul Tietjen, Steve, Fletcher, Christina Rouner,
IMDb: www.imdb.com/title/tt0493451/

 

 

Vanja Ghoul