horror movie review – Page 14

The Tunnel (2011)

Posted on March 11, 2022September 15, 2023 by HorrorGhouls

The New South Wales State government plans to recycle the huge amounts of trapped water in a network of abandoned train tunnels. However, these plans suddenly come to a halt, and publicly no one is ever told why. Rumors are spreading, like how homeless people using the tunnels end up going missing. This brings a young journalist, Natasha, to start an investigation into what she thinks is some kind of government cover-up. She and her crew decide to enter the tunnels and look for answers, but after being refused entry by a security guard, they do of course find an alternative entrance into the place. While exploring the tunnels, they start hearing strange noises through the audio headphones, and when one of the crew members go missing they eventually realize that they might not be alone in these deep, dark tunnels.

The Tunnel is a crowd-funded Australian horror film made in the mockumentary style (faux documentary), directed by Carlo Ledesma and written by Enzo Tedeschi and Julian Harvey. While found footage movies have pretty much become dime-a-dozen these days, it is still a format that can be quite effective. By the time of this movie’s release back in 2011, Australia already had an other gem in their mockumentary-horror repertoire: Lake Mungo from 2008, a movie that’s mostly been obscure and little known but have had some kind of re-discovery as of late. While Lake Mungo is a movie that plays more on loss and grief with some supernatural vibes underneath, The Tunnel hits heavier on the creep-keys with atmospheric scenery and things going wrong in the dark. It does have a fair amount of creep factor and plays a lot on the fear of what might be lurking in the dark, and the creepy setting helps to set the mood. The claustrophobic and dark atmosphere is pretty much what carries the movie, and easily manages to give you a whiff of the heebie jeebies since the darkness implies more than it shows, and leaves a bit to your own imagination.

The movie isn’t fast-paced and spends some time before plunging the characters (and viewers) into the tunnels and the horrors that lurk there, and it also spends some time on “interviews” in order in order to maintain the documentary-style. If you have patience for the somewhat slow build-up and can appreciate that the creep-factor is more focused on what you can imagine instead of actually seeing, then you should be able to enjoy this low-budget Australian mockumentary.

Director: Carlo Ledesma
Writers: Enzo Tedeschi, Julian Harvey
Country & year: Australia, 2011
Actors: Bel Deliá, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut, James Caitlin, Ben Maclaine, Peter McAllum, Rebecca Clay, Shannon Harvey, Arianna Gusi, Russell Jeffrey, Jessica Fallico, Ben James
IMDb: www.imdb.com/title/tt1735485/

Murder-Set-Pieces (2004)

Posted on February 24, 2022May 22, 2023 by HorrorGhouls

The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“

And after this quick, cryptic segment we see some images of some freshly dead young women, drenched in blood, in some kind of torture room, just to gives us a foretaste of what to expect during the next 90 minutes.

In Murder-Set-Pices we get the pleasure to meet The Photographer, played by the German actor Sven Garrett. He’s a muscle-build pussymagnet, who during the daytime spends his time with his airhead of a girlfriend, and by night roams the streets of Las Vegas to photograph young naked models. And from what we saw in some glimpses of in the opening sequence, The Photographer is a cold-blooded, emotionless serial killer who, after having threesomes, rough sex orgies and anal-raping his models like a gorilla, ends the ritual by murdering them in some grisly fashion, and sometimes tortures them in his basement.

And if that’s not enough to shock and disgust you, he also mutilates them and eats their flesh. And just to place the rotten cherry on top, he’s also a neo-Nazi who listens to speeches of Hitler while he’s pumping iron and thinking about his next victims. Doesn’t sound quite family friendly, but even though 55 gallons of fake blood were used on a kill count of 30 victims, Murder-Set-Pieces is way too amateurish to do its purpose.

Gunnar “Leatherface” Hansen pops up in a quick cameo as a car mechanic so The Photographer can buy a gun. He then goes to a stripclub so we can enjoy some fresh nudity before it cuts right over to a rape scene. Then we see some flashbacks of The Photographer as a kid where he cuts off the dress of a barbie doll. Then it jumps to a scene where The Photographer is getting a blowjob in his car by using a severed head. Then we see Tony “Candyman” Todd in a cameo as a desk clerk in some adult book store, which escalates into a messy robbery scene, and it’s the only scene here that’s got some tension and entertainment value. But guess what happens next: more rape scenes, a pornographic photo session with two lesbians, a drawn-out torture porn scene that seems to last beyond the running time, before we the film completes The Unholy Trinity of Cameos by Edwin “The Hitchiker” Neil.

And as you’ve probably figured out by now, there’s is none to zero plot to find here. The film is a mishmash of a bunch of random scenes that are stitched together with no relation to each other. There’s no start, middle and end, no track of time, no progress, and the whole film feels more like a 90 minutes montage of deleted scenes from a film that never got finished.

The most noteworthy and head-scratching thing is that writer and director Nick Palumbo managed to raise 2 million dollars from investors, which at that time was the highest budget to an independent slasherfilm. Quite impressive, though, for a young underground filmmaker. But then the big question is: where did the budget go? There’s zero style or any form of production value to see here, and The Human Centipede, which had a lower budget than this, looks like a David Fincher production in comparison.

Murder-Set-Pieces is also filled with controversies. Palumbo claims that this is the first film in the history that’s been thrown out of three laboratories, producers were arrested, and cast and crew were arrested numerous times. Sounds like one of those disastrous film productions where a four hour long behind-the-scenes documentary would be far more interesting and entertaining than the movie itself. But if this sounds interesting enough, be sure to avoid the US release from Lions Gate where 20 minutes have been cut out, and instead look for the European director’s cut version.

Writer and director: Nick Palumbo
Country & year: USA, 2004
Actors: Sven Garrett, Cerina Vincent, Tony Todd, Gunnar Hansen, Edwin Neal, Jade Risser, Valerie Baber, Destiny St. Claire, Maria Keough, Renee Baio, Lauren Palac, Andrea Mitchell, Jessie DeRoock
IMDb: www.imdb.com/title/tt0422779/

The Gravedancers (2006)

Posted on February 18, 2022September 26, 2022 by HorrorGhouls

The movie starts off showing a scene with a woman alone in a room, who is attacked by something neither she nor we can see. She gets hanged in the stairways, and a black envelope drops to the floor. We then fast forward to a year later, when a group of friends (Sid, Kira, and Harris) have attended a funeral and decides to go drinking afterwards. Drunk and stupid, they decide to do something silly that can only be brought on by drunken stupidity: they first break into the Crescent View Cemetery. Their original plan was to just say their final goodbyes to the recently departed, but Sid finds a black envelope amongst some of the flowers on the grave. Inside is a poem which urges them to be joyful and to dance upon the graves. And of course, since they’ve already gotten quite sloshed by now, they think this sounds like an excellent idea in order to celebrate life. And so….they start dancing on graves…

Later, mysterious things start happening to the friends. Harris and his wife Allison start hearing strange sounds at night, and suddenly have creepy visions. Kira starts getting attacked by an entity that bites and assaults her, and Sid experiences unexpected fires. Eventually they get in contact with some paranormal investigators, who thinks that they awoke something when they danced on the graves.

The Gravedancers is directed by Mike Mendez, who also directed the cheesy spider-creature-feature flick Big Ass Spider. It starts off in a very routine-like fashion, where we get an ominous start showing us that something sinister is going on, followed by some people making a stupid mistake, and then shit starts hitting the fan. You needn’t see many supernatural horror movies in order to recognize this formula, but what matters is how it spins the movie around it. So, how does The Gravedancers do in that regard? Well…

First off, the story isn’t half-bad. It’s not very original, but it works, and I actually liked the revealed reason for why they get haunted in the way they do. Much of the story is simple but it’s not a completely hackneyed entry into the supernatural horror genre, it does have a few things of its own. When it comes to scenery, I gotta give some props with using actual locations for the filming. The filmmakers sought out houses that were going to be demolished/burned (in South Carolina, it’s common to burn down abandoned/condemned houses) and asked if they could film there before they were burned down. The location for the hospital, however, was not an abandoned place, but actually a convalescent home (a place where people are recovering from illness or medical treatments). During the shooting at that place, the filmmakers received numerous complaints about the loud screaming and dangerous stunts. Not sure how shooting a horror film in a place where people are supposed to recover and need some quiet and peace was considered a good idea, but what the hey…you take what you can get, I guess.

Regarding the effects and ghosts, they are…incredibly cheesy, actually. There’s even a scene with a giant flying disembodied head chasing a car, something that would be perfect in a Ghostbusters movie (or a Goosebumps episode), but considering how the movie takes itself somewhat seriously, this scene actually caught me a bit off-guard. However, it was said that the Disney ride The Haunted Mansion was a major inspiration to the film and design of the ghosts, so that explains a few things…

While The Gravedancers does come off a bit as a run-of-the-mill supernatural horror flick, it does have its moments, I gotta give it that. It’s not great, it’s typical B-grade horror, and its (unintentional or not) cheese-factor is actually one of its redeeming factors.

Director: Mike Mendez
Writers: Brad Keene, Chris Skinner
Country & year: USA, 2006
Actors: Dominic Purcell, Josie Maran, Clare Kramer, Marcus Thomas, Tchéky Karyo, Megahn Perry, Martha Holland, Oakley Stevenson, Samantha MacIvor, Jack Mulcahy, Jim McKeny, Geneva Avarett-Short, Bob McHone
IMDb: www.imdb.com/title/tt0435653/

Nightbeast (1982)

Posted on February 12, 2022June 16, 2023 by HorrorGhouls

Welcome to Z movie hour. Today we take a look at a micro-budget and campy sci-fi schlockfest with an evil alien and his lazer gun, made by amateur filmmaker Don Dohler, starring his neighbours, brother-in-laws, himself, and his two sons.

Nightbeast opens with a small spaceship that gets hit my a meteor and crashlands spectacularly in the woodsland of Maryland. And there went the whole budget, I would guess. Out of the burning spaceship comes a hideous-looking alien (Nightbeast). He looks like a skinned gorilla and always has a sadistic, evil grin on his face, which clearly tells us that he’s not here in peace.

Some of the locals get sheriff Cinder to show the crashlanding area, and he then says with a deadpanned face: “j e s u s ! Must have been lightning.” Nightbeast has no time to waste, and starts killing off some local hunters with his tiny lazergun that makes them disappear into thin air. He then kills uncle Dave and chases his two nephews (played by the two sons of director Dohler) through the woods where they hide in a car. Hah, as if that helped! Nightbeast zaps the car and it vanishes with the kids inside. There’s no mercy with this alien. And besides of his beloved gun, he uses his hands to rip out the entrails of his victims, which gives us some decent gory moments.

After thirty minutes of almost non-stop cheesy guns-and-lazer-action scenes with some really hilariously bad effects, the movie gets to a halt with a pointless sideplot with some biker called Drago. He’s just a scumbag who likes to hit women, and you can’t wait for him to be killed off.

And we have a pool party, shot in the back of Don Dohler’s house with his friends, family and a bunch of extras, neighbours I guess, who’s probably not aware they’re a part of a film. All seems to be invited, except for Nightbeast. What happened to him, you ask? He’s still around and lurking, even in the daylight. And just before you know it, he pops up and encounters his next victim with a jump scare and… how can I describe this…well, he taps on the victim’s arm which then falls off. I believe we’re supposed to believe that he rips his arm off, but no, he just taps on it and Don Dohler tries his best to hide the poorly made effect in some quick, inept editing. It’s Z movie schlock at its finest!

The two sheriffs Cinder and Lisa is determined to chase the alien, and the film of course shoe-horns a love interest between these two. And then we eventually get to the love scene in some motel room, and God almighty, this is the most cringey and awkward thing ever. As if they weren’t amateur actors already who have zero ability to convey any emotions in front of camera, it starts the scene with Lisa half-naked after having taken a shower and says to Cinder: “I better get dressed now, huh?” Cinder then says with his deadpanned face: “No ….. You are a very attractive girl, Lisa …….. I guess I never really noticed it before.” Some romantic piano music plays and … next! The film at least ends with a fun and action-packed bang with some more spectacular cheesyness. And yes, don’t you worry about our woman-hitting biker Drago, which you probably have forgotten about already, he will get his karma.

And of course, I have to mention that the synth soundtrack is composed by a 16 year old kid, named Jeffrey Abrams, later known as JJ Abrams. And this is his first screen credit. Nightbeast was originally released by Troma in 2004, which seems to be out of print. It’s now available on a Blu-ray/DVD Combo from Vinegar Syndrome.

Director: Don Dohler
Country & year: USA, 1982
Actors: Tom Griffith, Jamie Zemarel, Karin Kardian, George Stover, Don Leifert, Anne Frith, Eleanor Herman, Richard Dyszel, Greg Dohler, Kim Pfeiffer
IMDb: www.imdb.com/title/tt0086013/

Terror (1978)

Posted on February 3, 2022September 15, 2023 by HorrorGhouls

A lady called Mad Dolly is being chased by some mob in a forest who believe she is a witch. She gets captured and about to get burned at the stake, on order by Lord Garrick. Before they get the chance to lit her on fire, she gives her final speech with silly facial expressions, and summons some demonic forces that causes one of the executioners to catch fire, and then all hell breaks loose. Lord Garrick runs back to his mansion where an arm bursts through the wall and strangles him. Lady Garrick, who wanted to see Mad Dolly dead more than anyone else, finds her Lord dangling from the ceiling. The Lady is then confronted by a resurrected and vengeful Mad Dolly, who chops her head off and gives the most cheesy, evil laugh ever. And only eight minutes in it’s fairly okay to ask what the hell this is.

What we just saw was the ending sequence of the fresh, new supernatural horror film by James Garrick, which he screened for some of the cast members. What a load of rubbish, says one guy in the audience. The film is supposed to be based on true events that happened to James’ ancestors 300 years ago, and he has inherited the mansion from Lord and Lady Garrick. The inheritance includes the most important item of all: the sword that chopped the head off the Lord, hanging over the fireplace. While James is throwing a party in his inherited mansion, we meet Gary who can’t stop bragging about who great he is to hypnotize people. He gives a demonstration on Ann, a struggling actress who works for James. Things gets an unexpected turn when she slips into full trance, and picks up the sword and tries to attack James. Ok, party’s over! After she wakes up, she runs out the door and back to the hostel where her roommate sees her on the bathroom, washing her hands for what we can assume is blood.

And the morning after, James’ girlfriend Carol is found dead near the woods, knifed to death. James highly suspects that Ann did it after she tried to stab him with the sword the previous night and is determined to expose her.

This is an odd, little film, made by the English horror film director Norman J. Warren, known for his obscure low-budget exploitation flicks such as Satan’s Slave (1976), Outer Touch (1979), Inseminoid (1981) and Bloody New Year (1987). With Terror he wanted to make something new since the horror films at that time was pretty much the same, and he took a lot of inspiration from the new wave of Italian Giallo films and his new favorite, Suspiria. The inspirations are clearly visible for sure, with the use of colors, but as a whole there isn’t much new to behold here. And that’s a shame since there’s some potential here with its flexible camera work, gothic imagery and classic, gloomy atmosphere with fog machines and all. It has the visual package, but the script turns it into an unfocused mixed bag of supernatural horror, whodunnit mystery, slasher, cheese and sleaze and God knows what, stitched together frankenstein-style with several long and pointless scenes that drag on for too long.

One of the highlights is the scene with Peter Mayhew, who played Chewbacca in a certain film called Star Wars the year before. His appearance comes in the most unexpected moment, it took me completely off guard. And there’s also a scene with a nude stripper in a sleazy bar in London, a long and pointless filler scene. Director Norman J. Warren added this in to make the film more commercial. And he’s really determined to give us shots from all different angles and close-ups so we can enjoy some fresh nudity and forget the rest of the movie for some minutes. But it seemed to work, though, since Terror became a box-office success in England after its release, despite the censorship from Video nasty. A fun little nugget of trivia: the stripper in the film was a real stripper they had to hire because the other stripper who auditioned for the scenes seemed too tired and bored. “She was indeed sexy and scary“, Warren said, and her act was so outrageous, they had to cut part of it because there was no way the censors would let it through.

There’s some decent gory moments here, such the traditional knife stabbings, glass panels that falls and chops off a head, a drunk dude who gets fence stabbed and then crushed in a garbage truck. Awesome. And then we have…a flying car. Ok, I didn’t expect that one. The last four minutes is the best part which at least ends with a great, colorful and crazy climax. Not a terrible film, but not great either. As a 70’s oddity it works fine as a curiosity, I guess, and it has its moments. Terror is available on Blu-ray/DVD Combo on amazon.com

Director: Norman J. Warren
Country & year: UK, 1978
Actors: John Nolan, Carolyn Courage, James Aubrey, Sarah Keller, Tricia Walsh, Glynis Barber, Michael Craze, Rosie Collins, Chuck Julian, Elaine Ives-Cameron, Patti Love, Mary Maude, William Russell, Peter Craze
IMDb: www.imdb.com/title/tt0141897/

Dracula 3000 (2004)

Posted on January 27, 2022June 16, 2023 by HorrorGhouls

What does Jason, Pinhead, Leprechaun and Dracula have in common? They’ve been into space. And this has to be the worst of them all. Good grief.

We’re in the year 3000 and get introduced to Captain Abraham Van Helsing (Casper Van Dien) and his small crew on a salvage space ship, looking for a large cargo ship named Dieter that has been missing for fifty years in the Carpathian Galaxy. And yes, we’re talking about the outer space. They find the ship while it’s heading towards Earth, completely empty for crew, and they decide to take possession of all the valuable stuff. They soon learn that some spooky shit has been going on when they find the only dried-up corpse left on the ship’s bridge, tied up with a crucifix in its hands. And oh man, this is unbelievably bad: it looks like they just bought the cheapest Halloween skeleton they could find and dressed it up, and God knows what went through the actors’ heads when they had to act serious when they saw it. They find a video log from fifty years ago, of a frightened Captain Varna (Udo Kier) who says that he locked himself in his cabin after some pandemic infected the crew after they cargoed a bunch of coffins in the Transilvanian station. And you can never guess who’s lurking among them on the ship: It’s the new variant Nekronomicron! Just kidding. It’s Dracula. Of course.

The first crewmember to get bit is 187. That’s not his IQ, it’s his name. He’s a goofy, stereotypical manic crack smoker and is played by none other than the 90s rapper star Coolio. And as ridiculous as he is with his hysterical overacting, at least he seems to have some fun playing a vampire from Da Hood while flashing his fangs as much as possible. The B-movie actor Casper Van Dien, known from Starship Troopers and a laundry list of straight-to-videos, seems to really have a hard time keeping himself awake as he yawns out most of his dialogues like he couldn’t give a single fuck about anything other than his paycheck. And who can blame him when you have to read lines like this while doing your best to keep a straight face:

– Transilvania? What the fuck is Transilvania?
– Transilvania is a planet in the remote Carpathian System. It’s a.. uhm.. it’s a planet of vampires!
– Vampire?? So what the hell is a vampire?
– It’s sorta like a man … only far more evil, if you could imagine that.
– All that bloodsuckin’, that’s some white people shit!
– I want to watch my anaconda spit all over your snow white ass.

And we have classic lines such as:

– I put up for your shit cuz you’re black and… ugly.
– I have to go to the bathroom! I really do!
– I… AM A VAMPAIAHH!!!
– Dude!
– Bro!

Captain Van Helsing also learns that he is related to a certain another Van Helsing from the late 1800s, and that Dracula is on his way to Earth to seek revenge. And prepare yourself for the most pathetic Dracula ever put on screen. He’s just some teenager dressed as Dracula, and is as charismatic as an average high school douchebag and as intimidating as Hello Kitty. There’s a scene where he attacks the blond chick among the crewmembers, and she really struggles to look scared and not to chuckle.

And other than that, Dracula 3000 looks like something you would find at the bottom at the barrel of the SyFy or Asylum Films catalogue, but even they would be too embarrassed to release this half-assed turkey. It also had a spot on the IMDb Bottom 100 list at one time, and that pretty much says it all. But, yeah, there’s a good amount of laughs to get from this if you’re weak for shitty and unintentionally funny films, in this case most thanks to Coolio and the string of quoteworthy dialogues.

Directors: Darrell Roodt
Country & year: Germany, South Africa 2004
Actors: Casper Van Dien, Erika Eleniak, Coolio, Alexandra Kamp, Grant Swanby, Langley Kirkwood, Tom Lister Jr., Udo Kier
IMDb: www.imdb.com/title/tt0367677/

Digging Up the Marrow (2014)

Posted on January 21, 2022March 11, 2022 by HorrorGhouls

Adam Green starts working on a documentary about monster/creature artwork. Out of the blue, a man suddenly contacts him and claims he has proof of the existence of monsters. This man’s name is William Dekker, and he is a retired detective who is convinced that there’s underground monsters in a place he calls “The Marrow”. Green sees this as an opportunity to refocus his documentary into the story of Dekker and his efforts to expose these so-called underground monsters. They set up cameras in the woods nearby the hole where Dekker claims the monsters sometimes come out from, but Green and his crew are not sure whether this man is just setting up an elaborate hoax, or if he is just batshit crazy…or, maybe, if he’s actually telling the truth.

Digging Up the Marrow is a mockumentary-style horror film directed by Adam Green (yes, the same name as the protagonist, he is actually playing himself). The concept behind the movie is inspired by a fan mail sent to him by a guy named Alex Pardee. Later, Green met Pardee at a convention, where he shared his concept story which was about an artist that got commissioned to paint so-called real monsters. While the movie is made in pure mockumentary-style, the filmmakers actually decided to use a famous actor in the role as the crazy monster hunter Dekker, as they didn’t want the movie to come off as an attempted hoax. Thus, Ray Wise (Twin Peaks, 24, Robocop, etc.) was cast for the role. This does, of course, take away from the feeling of being “genuine” (which is usually what mockumentaries aim for), but Wise does a great job with portraying the slightly unbalanced monster hunter.

As for the effects used in the film, they’re actually pretty decent. Most of the effects used in the film were practical, based off of Pardee’s designs. The team had a bit of trouble when creating fully working animatronics though, due to Pardee’s designs being a tad bit too surreal…however, Green said he wanted to use designs that were unique, rather than doing something generic which the viewers had already seen many times before. And of course, it’s always fun seeing some dude playing a monster while dressed up in a full rubber costume!

So overall, Digging Up the Marrow is an easy watch and enjoyable enough. It is not a fast-paced creature feature flick, which should be obvious with the choice of filming it as a faux documentary, and there are more than a few dull moments. Still, it’s imaginative and compelling enough to entertain.

Director: Adam Green
Country & year: USA, 2014
Actors: Ray Wise, Adam Green, Will Barratt, Josh Ethier, Rileah Vanderbilt, Kane Hodder, Sarah Elbert, Tom Holland, Mick Garris, Alex Pardee, Jimmy McCarthy, Nic Henley, Caitlyn Brisbin, Robert Pendergraft
IMDb: www.imdb.com/title/tt1991031/

The Unholy (2021)

Posted on January 14, 2022June 16, 2023 by HorrorGhouls

Mary Elnor is a young woman being accused of Witchcraft in Banfield, Massachusetts, in 1845. She is being hanged from a tree, and then lit on fire by an angry mob, who also bounds her spirit to the body of a doll before she takes her final breath.

Years later, we meet Gerry Fenn (Jeffrey Dean Morgan), who is a journalist who has gotten his reputation thrown into the gutter after being caught faking cases just to get publicity. He’s on an assignment which leads him to Boston, where he is going to look into a case of a cow with so-called satanic markings on it (which proves to be a teenage prank). Before deciding to leave the place and look for other means of stories that can give him some much-needed income, he finds the tree where Mary was hanged, and also the doll which was once “hidden” (in the very visible and big hole of the tree trunk…). He crushes the doll, and of course, then freeing the evil spirit of Mary Elnor.

After it gets dark and Gerry has decided to leave the place and return home, he sees a young girl run across the road to the tree where he found the doll earlier, and hears her speaking before fainting right in front of the tree. He takes the girl to a church nearby, and learns that her name is Alice and that she is actually deaf and can’t speak. This peaks his interest as he knows he heard her speak just moments before, and decides to stay around town to follow this strange case a bit further. Soon, Alice brings publicity from both close and far as not only does she now speak, but she claims that she was cured by the Virgin Mary, and she also starts healing people. When Gerry finds out that the so-called Virgin Mary is not what Alice believes her to be, but is instead a sinister entity, he tries to reveal what is actually the truth for once.

The Unholy is directed by Evan Spiliotopoulos, and is also his directional debut. It is based on a novel from 1983 by James Herbert, called Shrine. In the leading role we find Jeffrey Dean Morgan, whom most people probably know best as the villain “Negan” from The Walking Dead, but he also played the father of Supernatural-duo Sam & Dean. And oh boy, does this movie have a few cheesy Supernatural-vibes indeed!

The movie’s opening sequence leaves no mystery to be revealed, we already know that “Mary” isn’t the Virgin Mary, but the witch that was executed in 1845, Mary Elnor. Since we already know what’s going on, it’s hard to build any real suspense or sense of mystery, so the progress forward relies heavily on actor performances and character interactions. Fortunately, Jeffrey Dean Morgan does a solid job as the journalist who has fallen from grace and needs to turn his career around, only to find himself facing a dilemma: knowing that he’s now got a real, true case in his hands (not just another hoax), but also finding out that there’s something sinister going on, and that profiting from this case might not be the best moral decision. Thus, the lead character carries much of the movie. As for the villain, Mary Elnor herself, she does unfortunately not come off as the least bit scary. Often when she appears on screen, with her jerky movements and overly villainous treats, you almost feel like you should get your controller in hand and prepare yourself for a video-game boss battle. Like you’re watching some kind of cutscene before a fight. It does add another layer of cheese, however, and makes her appearances particularly entertaining.

And with all of that being said: The Unholy is not a scary movie, not even creepy. But if you can enjoy it as an easy-going popcorn flick with a little bit of B-grade cheese here and there (or like some kind of long Supernatural episode with Sam & Dean’s dad going on a solo-adventure), you’ll probably get some entertainment out of it.

Director: Evan Spiliotopoulos
Country & year: USA, 2021
Actors: Jeffrey Dean Morgan, Cricket Brown, William Sadler, Katie Aselton, Cary Elwes, Diogo Morgado, Bates Wilder, Marina Mazepa, Christine Adams, Dustin Tucker, Gisela Chipe, Danny Corbo, Sonny Corbo
IMDb: www.imdb.com/title/tt9419056/

Hunter Hunter (2020)

Posted on January 5, 2022September 26, 2022 by HorrorGhouls

Joseph lives in the remote Canadian wilderness together with his wife Anne and their daughter Renee. They try to make a living from selling the fur of the animals they trap, which isn’t much but enough to make them go by. They feel threatened when a lone wolf starts eating the animals they’ve trapped, and Joseph decides to track down the wolf and get rid of what is threatening both their livelihood as well as their safety. When hunting down the wolf, however, Joseph comes across something far more dangerous and threatening…

Hunter Hunter is a slow burn thriller, which is offering quite an amount of atmosphere due to the cinematography and feeling of isolation in the remote wilderness setting. There are always those people who want to live away from the hustle and bustle of modern life, in remote areas and in total or near total isolation, Mountain Men-style. This kind of lifestyle is almost always very hard, where just making a living requires hard work (and some luck). The characters in this movie is no exception to this, but Joseph appears to be the most determined to never return to the comforts of modern life, while the wife (Anne) is thinking about their daughter whom she thinks should grow up under more… normal circumstances, going to school and meeting friends. With the wolf ruining much their livelihood as well, things have become harder than usual. But things won’t be as easy as just getting rid of the wolf, of course…

The film does suffer a bit from a slow start of what initially appears to be a simple man vs nature/beast story, but when you’re becoming aware of how much of a darker turn it takes, it manages to keep the tension on track. The acting feels believable and realistic, and while the characters themselves doesn’t really offer much personality or traits to make them memorable, their performances heightens the build-up of tension and foreboding.

Now, the movie’s ending is inevitably what has gotten most people’s attention, and yes…it really does pack a punch with its vicious brutality, and probably gives it the extra bite it needed. It’s not a movie for those who are not fond of slow-burners, but overall it’s a tense thriller which provides a few surprises and twists along the way.

WARNING: watch the trailer at your own risk, there’s a lot of spoilers…

Director: Shawn Linden
Country & year: Canada, 2020
Actors: Camille Sullivan, Summer H. Howell, Devon Sawa, Nick Stahl, Gabriel Daniels, Lauren Cochrane, Jade Michael, Erik Athavale, Karl Thordarson, Blake Taylor, Sarah Constible
IMDb: www.imdb.com/title/tt2226162/

The Deep House (2021)

Posted on November 13, 2021October 17, 2023 by HorrorGhouls

Ben and Tina are a young couple from New York, who have a YouTube channel where they are traveling to supposedly haunted houses in Europe while recording their experiences. These urban explorers decides to travel to south-west France in order to seek out a sanatorium that is submerged in an artificial lake, in hopes of getting more likes, views and followers…but upon their arrival to the place they find it crowded with people as it proves to be a popular vacation spot. Not sure exactly what to do next, they meet a local called Pierre, who offers to take them to another place of the lake where he claims that a mansion is located under the water, perfectly preserved and ready to be explored.

And so they head along with Pierre, who leads them to the place (which is a fair bit of both driving and walking). Putting in their diving gear and submerging into the lake, they first find some stairs which soon leads to the eerie house. Entering the place through a window on the upper floor, they are both baffled at how well preserved everything seems to be…and they soon find that their presence inside the house awakens something else there.

When the French horror duo Alexandre Bustillo and Julien Maury have teamed up for another horror movie, we’re ready to watch. While their Leatherface movie from 2017 wasn’t much to write home about, they have released earlier gems like Inside, Livid and Among the Living. And a haunted house underwater? Well, that did indeed sound interesting enough to check out!

While this movie did sound suspiciously similar to Josh Malerman’s novel A House at the bottom of a Lake, they are quite different despite sharing a similar premise. While Malerman’s novel was initially more a story about the characters themselves, The Deep House is a full-fledged haunted house story. And it does feel exciting and atmospheric during the first half, when they first enter the underwater building and start exploring. Filming underwater can be quite tricky indeed, but the movie has some excellent underwater shots that are really good. Technically and visually the movie shines, there’s no doubt about that.

When the supernatural stuff starts happening, it does unfortunately go downhill and it feels like the story pretty much runs out of oxygen (pun intended). While there are some creepy scenes and nice ideas, especially with what they find in the basement, things are getting a bit too jumbled from thereon and everything turns into a cat ‘n mouse game with what is, ultimately, some not-so scary ghosts. We do, at least, get some explanation for the house’s past and the people who lived there, but it’s a little too vague to make any proper impact, and I wish we could have gotten a bit more flesh on the background story of the house and its inhabitants.

Overall, The Deep House starts off very promising but falls a little flat once the supernatural events take place, not really being able to keep a tight grip on the preliminary dread one could feel during the first moments of the film. It’s still okay to watch and a little bit different, but not on par with some of the French duo’s earlier achievements.

Directors: Alexandre Bustillo, Julien Maury
Country & year: France, Belgium, 2021
Actors: Camille Rowe, James Jagger, Eric Savin, Alexis Servaes, Anne Claessens, Carolina Massey, Marie Caffier, Marie Bernard
IMDb: www.imdb.com/title/tt11686490/