Elisabeth Sparkle is an award-winning actress who hosts a popular aerobics show for TV. It’s been going great for a long time, she’s even gotten her own Hollywood Walk of Fame star! There is one problem, though…she isn’t getting younger. No one ever gets younger, of course, but for someone like Elisabeth Sparkle, who’s got her whole life tied around her looks and beauty, this natural process hits much harder. After shooting her aerobics show like always, on the day that is her fiftieth birthday, she needs to go to the restroom. She finds that the women’s restroom is closed off, so she decides to go into the men’s room instead. While inside one of the stalls, the producer enters talking loudly on the phone. The conversation is about her, of course, and in no kind terms he describes how they need to get rid of her and replace her with someone young and hot. Ouch. After he leaves, Elisabeth comes slowly out of the stall, looking at herself in the mirror and realizing that everything in her life has been turned upside down.
After being fired, she notices that her billboard is taken down which causes her to get involved in a car accident. She leaves the incident with only minor injuries, but in the hospital one of the young male nurses gives her a flash drive together with a note saying “it changed my life“. At home she plays the flash drive, which promotes a serum called “The Substance“, which will create another version of yourself: one that is younger and more “perfect“. This new version will still be connected to you and you will be as as one. Elisabeth, after some hesitation, decides to make her order. And thus, her new young and perfect version is born through a slit in her back, and she adopts the name Sue. In order to make this all work perfectly as per the instructions, they must switch after 7 days: one week with Sue, one week with Elisabeth. Everything seems to go perfect: Sue gets hired as the new host for the aerobics TV show, and is steadily rising towards more and more fame. But things soon turn out to not work so great after all…
The Substance is a satirical science fiction horror movie from 2024, with many body horror elements and a lot of dark comedy. The film is co-produced, written and directed by Coralie Fargeat, and stars Demi Moore, Margaret Qualley and Dennis Quaid. The film was shot in France, in a studio in the Paris region and on location on the Côte d’Azur. Demi Moore was originally very nervous about filming full nudity scenes at the age of 61, and felt vulnerable (which, I guess, just goes to show the effect age has on us and our self esteem, just like portrayed in the film). Her 29 year old co-star Margaret Qualley, who plays the role as her younger version, also performed totally naked and Demi Moore credits her for making her feel more comfortable on the set, stating that she “was a great partner who I felt very safe with“.
Upon viewing this film we didn’t really know what to expect. And oh boy, were we in for a ride! Taking the concept of how society and the entertainment business treats aging, especially towards women, Fargeat has spun an intricate and twisted tale filled with a feminist satire and social commentary, mixed with some of the wildest body horror elements I’ve witnessed in a theater. Prosthetics and makeup effects designer Pierre-Olivier Persin really did a great job here, and the movie relying primarily on practical effects gives it the gross-out factor that CGI simply wouldn’t have been able to.
The actors are all doing great, Demi Moore and Margaret Qualley are nailing their roles and Quaid is doing an excellent portrayal of a Hollywood sleazeball. With several creative scenes showing just how much of a creep that guy is, and how ultimately unattractive he appears with his foul behavior, yet no one around him is disqualifying him from anything due to his age. Most of the male characters here (with some exceptions) are excessively gross, displayed as powerhungry horny pigs that are male-gazing every woman they see, and treating them with complete disrespect and even contempt if they do not “fit“ their standards. It’s a bit overtly stereotypical, but also straight to the point in a setting like this.
Now, regarding the protagonist: while Elisabeth’s situation is without a doubt something that can make you feel sorry for her, I actually had problems feeling that much sympathy for her. Her actions and behavior throughout the whole process went pretty far in showing that she was, after all, just as shallow as the people who rejected her. The younger version of herself, Sue, also goes a long way with portraying a very narcissistic persona with little respect towards Elisabeth. But as the company behind the substance clearly reminds her: they’re one and the same. They may be two, but they are both from the same material, and have the same traits, and they both idolize society’s beauty standards and strive to live up to it by all means possible. One could argue that Elisabeth had no choice in the matter since her whole life “fell apart“ after getting sacked, but…eh, no. It didn’t have to. In fact, there’s a scene where she meets an old acquaintance, Fred, who tells her she’s “just as beautiful as ever“ and really likes her for who she is. She later calls this guy up, setting up a date, but it’s obvious that the only reason she’s doing so is because she’s in need of an ego-boost, which doesn’t lead to anything of course because her frail ego botches the date and she sets him up. I’m going to be honest: the only character I felt genuine sympathy for here, was Fred…
Now, with a movie like this it’s hard not to also delve into the major themes here. We often point fingers at Hollywood for setting absurd beauty standards for the female body, but honestly, fingers could as easily be pointed backwards to ourselves. In movies, on social media, and pretty much everywhere, there’s a very obvious worship of youth and beauty. Fillers, botox, facelifts, implants, liposuction…all kinds of procedures to make people look “better“ are presented towards a younger and younger audience, where people as young as being in their 20s start taking botox injections. People’s self-esteem is worse than ever, and that’s not just Hollywood’s fault. Living in a society that almost deems aging as something unnatural that must be avoided at all costs, there’s bound to be unreasonable expectations. There was a weird little case here in Norway some years back, amongst the financial elite: two middle aged men started a fight, after one of them had said “sleeping with a woman over 40 is like sleeping with a corpse“. The other guy found this to be a preposterous claim and said (this being under the 2016 election in the US): “not even Trump would have said something like that“. It was later also talked about how looking down upon women is a jargon in certain parts of the financial elite society (as with so many other places). One may laugh about it, make jokes about it, but…it’s deeply rooted in so many parts of our society. Not everyone’s got the balls to stand up to it though.
The Substance is a brilliantly gross, wild and thought-provoking movie. Behind layers of glitz and glam, nudity and body horror, there’s also themes of loneliness and fear, about being rejected for who you are by the people around you for doing something none of us can avoid as long as we continue to live: growing older. And perhaps a little reminder that we should not measure our self worth from society’s standards, otherwise we just end up being another part of the problem. And that ending…wow! Without spoiling anything, I just want to say it really goes wild and doesn’t hold back. I guess that for some people who wanted a movie more grounded, they might be put off by it, but goddamn I loved every second!
The Substance is considered to be an unofficial remake of a movie called The Rejuvenator, from 1988.
Writer and director: Coralie Fargeat
Country & year: France/USA, 2024
Actors: Margaret Qualley, Demi Moore, Dennis Quaid, Hugo Diego Garcia, Alexandra Papoulias Barton, Oscar Lesage, Joseph Balderrama, Robin Greer, Tiffany Hofstetter, Gore Abrams
IMDb: https://www.imdb.com/title/tt17526714/
