Dr. Giggles (1992)

Dr. Giggles If you think that’s bad, wait until you get my bill.

 

Evan Rendell (Larry Drake) is a mentally deranged man who manages to escape the mental asylum (a time when mental asylums still existed) and return to his abandoned little rundown mansion on the outskirts of the small town of Moorehigh. We learn that Rendell is the son of the town’s previous doctor, and the apple doesn’t fall far from the tree. His father did some pretty shady things to his patients, such as stealing their hearts and such, for reasons I won’t spoil, because there’s actually a fun little twist to the whole thing. But his approach to his patients with zero empathy, sure had its impact on Rendell Jr’s frontal lobe. So in order to continue his father’s legacy, he gets a list of names so he can sneak into the townsfolk’s homes at night to pay them an unexpected doctor visit. Dad would be proud.

 

And here’s the big question; why the nickname Dr. Giggles? That’s because he giggles in a demented high-pitched note, as if someone tickles his ballsack with the tip of a feather – or getting an unexpected blowjob while standing on a podium, if you take the reference. It’s a pretty distinct kind of giggle that I believe that only Larry Drake could pull off. While it’s pretty gimmicky and goofy at times, it puts an extra flair on his twisted personality, and adds more creep factor to his stone-cold Slavic-like face. The film itself isn’t creepy for one second though, but Larry Drake makes up for an oddly entertaining villain with some cheesy one-liners. He’s maybe best known for being the antagonist, Duran, in the first two Darkman films.

 

But there’s no slasher without a big group of teens, some meat balloons, or at least a final girl. And since it happens to be the start of the summer break, the timing of Dr. Giggles return couldn’t be more perfect. Here we follow the 19-year-old main protagonist, Jennifer Campbell. She has a serious heart condition that prevents her from living out her final year as a teen to the fullest. Well, thank God that Dr. Giggles is finally in town, which she eventually will get the un-pleasure to meet. Jennifer is played by the Charmed star Holly Marie Combs, who actually was 19 during the filming, and not a 27-year-old pretending to be 19. That’s rare, as most of the teens in slashers, especially from the 1980s, look like they’re in their late 30s. Jennifer Aniston auditioned for the role as the final girl, but luckily she didn’t have to wait for long to make her big film debut in Leprechaun. Let’s have a long, sarcastic giggle for that one.

 

Although Dr. Giggles was released in 1992, it has the vibe and the standard formula of a 80s slasher. Thus, the film did not perform at the box office as the slasher genre had gone into hiatus with a severe hangover alongside with the hair metal bands. That’s a shame as there could be a fun franchise to develop here. Oh, well. Dr. Giggles is an enjoyable little slasher flick with some great gore, silly humor – and bonkers performance by, again, Larry Drake, who alone makes the film a standout. And while we’re speaking about doctors, also give The Dentist a visit for a check-up, because health is important, you know…

 

Dr. Giggles is available on Blu-ray from Shout! Factory and is maybe to be found on Tubi.

 

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Director: Manny Coto
Writers: Manny Coto, Graeme Whifler
Country & year: USA, 1992
Actors: Larry Drake, Holly Marie Combs, Cliff De Young, Glenn Quinn, Keith Diamond, Richard Bradford, Michelle Johnson, John Vickery, Nancy Fish, Sara Melson, Zoe Trilling
IMDb: https://www.imdb.com/title/tt0104139/

 

 

Tom Ghoul

 

 

 

 

Sleepwalkers (1992)

SleepwalkersCharles Brady and his mother Mary (who is also his lover) are shapeshifting energy vampires who needs to feed off virgin women. They can look like normal humans, but can also transform into big werecat-looking creatures which is their natural form. They also have a lot of powers: they can use telekinesis, and the power of illusion. So what could be their weakness? Well, it’s not a stake through the heart, garlic or silver bullets: it’s simply domestic cats. Yup, cats are their only real threat as the cats can see though their illusion and bullshit and will violently attack them, inflicting fatal wounds. So naturally, Brady and his mother are cat haters. They move around a lot, since they often leave a trail of dead bodies behind and need to avoid too much attention. Now they have come to live in Travis, a small Indiana town, after recently fleeing from Bodega Bay in California. At school, Brady meets Tanya Robertson and she believes she’s met a handsome boy with a romantic interest in her. If she only knew…

 

Sleepwalkers is a horror film from 1992 written by Stephen King and directed by Mick Garris. This movie was the first time when Stephen King wrote a screenplay intended for a movie rather than adapting one of his novels. It was originally supposed to be directed by Rupert Wainwright as Columbia Pictures initially approached him, but King insisted they offered the film to Mick Garris instead, who had previously directed Critters 2: The Main Course (1988) and Psycho IV: The Beginning (1990).

 

Sleepwalkers is a creature feature that derives a bit from the norm, as it is told from the perspective of the creatures themselves. They just want to spend the day making love to each other (despite being mother and son), kill cats who are their mortal enemies and suck the lifeforce out of virgins to keep themselves sustained. The movie is quite silly at times, with some odd dialogue, especially by the Sleepwalker Charles. There’s a lot of tacky one-liners like This doesn’t have to hurt. Just think of yourself as lunch! and of course the Cop Kabob! line during Andy’s murder. They almost went into full Garbage day! territory here, that’s for sure. On top of that, there’s also the “death by corn cob” scene. Yeah…it’s not a movie you should take too seriously. The effects are of course quite dated when it comes to the CGI ones, but the practical effects are decent enough. It’s still that famous CGI morphing scene in the car, which was probably cutting-edge at the time but now just enhances the campiness and makes it look even more silly than it already is. There’s also a scene where the Sleepwalkers are getting down and dirty, and this scene was originally so explicit that it had to be cut in order to avoid an X-rating.

 

Alice Krige plays the role as the mother Mary, a role Mick Garris wanted to cast after having seen her in Ghost Story (1981). Sleepwalkers is also the only movie where both Stephen King and Clive Barker are present in the same scene. These aren’t the only gag cameos however, we also have Joe Dante as a lab assistant, Tobe Hooper as a forensic tech, and John Landis as a lab technician. Ron Perlman (Hellboy) also plays a grumpy cop, and Glenn Shadix (who played Otis in Beetlejuice, and unfortunately died in 2010 so he could not reprise his role in Beetlejuice Beetlejuice) also has a role as Mr. Fallows, a creepy teacher. So, yeah…lots of well-known faces and names on the cast list for sure. And then, of course, there’s the biggest hero of all in this movie: Clovis the cat. This feline is owned by a police man named Andy Simpson, and follows him around in the police car. Quite the duo, those two! When Andy is killed by Charles, Clovis manages to wound him severely. Of course, the mourning kitty decides to revenge his deceased owner, with the help of other cats.

 

Sleepwalkers is by no means any masterpiece, but it’s a cheesy enjoyable B-movie with gore, cute cats and silly monsters that scores pretty high on the fun factor.

 

Sleepwalkers Sleepwalkers Sleepwalkers

 

Director: Mick Garris
Writer: Stephen King
Country & year: USA, 1992
Actors: Brian Krause, Mädchen Amick, Alice Krige, Jim Haynie, Cindy Pickett, Ron Perlman, Glenn Shadix, Cynthia Garris, Sparks. Cameos by John Landis, Joe Dante, Tobe Hooper, Stephen King and Clive Barker
IMDb: https://www.imdb.com/title/tt0105428/

 

 

Vanja Ghoul

 

 

 

 

 

Violent Shit II (1992)

Violent Shit IIWe are in an open field somewhere at the countryside, where a drug deal between two gangs is about to take place, which quickly goes terribly wrong and ends up in some ridiculous martial-art fight scenes. Suddenly another threatening figure with an iron mask appears on the horizon, and finishes the whole match by cutting the throat of the last man standing with a machete, before he breaks the fourth wall by introducing himself with a guttural voice in the most beautiful German: Du Warst Gut! Aber Ich Bin Besser! ICH BIN KARL THE BUTCHER JUNIOR!!!

 

Then the  opening credit sequence rolls with some heavy metal tunes with vocals performed by the director himself, Andreas Schnaas, as we see clips from the first film which gives a clear prediction that you should expect much of the same (violent) shit.

 

After the opening scene, the movie switches to some unexpected, and out-of-place documentary-ish mode in Hamburg, where journalist Paul Glas investigates a variety of brutal murders that is out “of the ordinary”. He gives a quick history lesson of the city and of  course mentions the greatest, infamous, tourist attraction star, Fritz Honka. He interviews some random people on the street, who obviously think they are in a legit documentary about serial killers and not in some amateurish, zero-budget, shits-for-giggles, underground splatter titled Violent Shit 2, (a.k.a Violent Shit II: Mother Hold My Hand) made just to piss off the conservative bureaucrats at the censor boards in Germany. Hardy-har-har.

 

Anyway, a new killer is on the loose and Paul Glas is seeing similarities between Karl (I forgot his last name, but he was the killer in the first film), and ask an anonymous informant who supposedly has some secret information about the killings, and blah, blah, blah… To just cut it short and get to the point; Karl The Butcher is Son of Karl Senior and he’s out on a mission to avenge his father by wandering on a murderous rampage and kill everyone in his way with his machete. That’s everything we need to know, and enough of a plot that a film like this is able to comprehend, especially if you’re half-drunk while watching this shit already.

 

Violent Shit 2

 

After the halting docu-sequence, we’re back at the countryside where Karl Junior lives with his deranged mother. She has a murder fetish, and looks like Hillary Clinton with Freddy Krueger make-up. And of course, she has taught her boy to become an equally retarded, redneck sadist just like his father, so he can entertain her with torturing and killing random victims to feed her fetish and get her pussy wet. Afterwards she drinks the blood of the victims from a bowel that Karl serves her. Karl also forces one of the victims to eat his own shit, just to make us pretty ensured once and for all that it’s still Violent and it’s still Shit, and still one of the most self-aware titles ever.

 

And from here it’s basically the first film all over again, just with a longer runtime. So if you liked the first one, you’ll love this one, for sure. It’s gag-reel after gal-reel with close-ups showing limbs getting sawed off, heads shoveled off and blown to pieces by a handgun. Entrails getting ripped out of the victims stomach, and we get a pretty nasty scene where someones ballsack gets ripped apart by a hook. Andreas Schnaas is also very careful to shoot the scenes in broad daylight so we can enjoy some of  of the nasty details among the muddy image quality. We get a little time to catch our breath with a training montage, Rocky-style, where he levels himself up to hunt victims at a more rapid pace. The film also slips into pornographic territory with some fugly vagina-close-ups just to give the final middle-finger to Germany’s censor board.

 

Violent Shit II is available from Synapse Fims and has been remastered with some silly, cartoonish sound effects, and replaced the copyrighted music from the original VHS version with its new, own soundtrack. The added subtitles are as hilarious as the first one. It’s also stretched to widescreen to reduce the raw, unfiltered and amateurish home video quality. It still makes Bad Taste look like a glossy Hollywood production by comparison, though.

 

Violent Shit 2 Violent Shit 2 Violent Shit 2

 

Director: Andreas Schnaas
Country & year: Germany, 1992
Actors: Andreas Schnaas, Anke Prothmann, Claudia von Bihl, and a bunch of friends of Andreas Schnaas
IMDb: www.imdb.com/title/tt0105759/

 

Sequels:
Violent Shit III: Infantry of Doom (1999)
Violent Shit 4: Karl the Butcher vs Axe (2010)

Prequel:
Violent Shit (1989)

 

Tom Ghoul

 

 

 

 

Netherworld (1992)

Netherworld reviewCorey Thornton has just inherited a mansion from his recently deceased father, and travels to Louisiana to check it out. Upon his arrival at the grand estate, he meets with a beautiful young girl which is described as “jailbait” (but who is clearly in her mid-20s…) and his father’s live-in housekeeper, who is the mother of said girl. And of course, a black-gloved and somewhat fishy-looking lawyer. Corey discovers that his father has written a will which includes a description of how the old man has, supposedly, found a way to return back from the dead, and in doing so he needs the help of his son. Corey soon ends up at the local pub/brothel called Tonk’s, where he meets a witchy prostitute who harbors the secrets of black magic. And she turns people into birds if she feels like it. Corey is now obsessed with the task of fulfilling his dead father’s wish of bringing him back to life, and seeks help from the strange people in the weird voodoo-brothel in the bayou.

 

Netherworld is a Full Moon Entertainment movie directed by David Schmoeller and produced by Charles Band. Right off the bat the movie sets a certain tone with the illusory opening scene in Tonk’s bar, which features both chicks and chickens in surroundings that resemble a sexy yet uncomfortable fever dream. Downstairs is what you could probably call a funhouse-like brothel with weird hallways and just as weird characters. To top it all we also get to see a flying disembodied hand and a guy that is turned into a bird (although the latter isn’t displayed to the full extent, but more implied). In other words, it gives a certain promise of being a really cheesy popcorn entertainment flick.

 

Then the movie takes a u-turn when we meet Corey and he enters his newly inherited mansion, and a more serious tone is set. While we get to gradually know more about Corey’s dead father and what he tries to accomplish, the pacing becomes a bit of a problem where it’s all moving a tad bit too slow. The scenes at Tonk’s are definitely the movie’s highlights, with creative usage of color and lighting and some pretty cool old-school effects and jazzy sex scenes. The brothel appears to have lots of girls with names of deceased celebrities, including a woman calling herself Marilyn Monroe, who looks…well..exactly like Marilyn Monroe. This is a pretty cool idea, actually…a brothel where deceased celebrities have been brought back to life.

 

While it does move a little slowly and never really gets very exciting, it makes up for it with the visuals and a fun premise. Netherworld is entertaining enough with its slightly goofy concept, perfect for a relaxed saturday evening with some popcorn.

 

Netherworld can be seen on Full Moon Features.

 

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Director: David Schmoeller
Country & year: USA, 1992
Actors: Michael Bendetti, Denise Gentile, Anjanette Comer, Holly Floria, Robert Sampson, Holly Butler, Alex Datcher, Robert Burr, George Kelly, Mark Kemble, Barret O’Brien, Michael Lowry, David Schmoeller
IMDb: www.imdb.com/title/tt0104987/

 

 

Vanja Ghoul

 

 

 

 

The Burning Moon (1992)

West Germany, early 90’s. Peter (Olaf Ittenbach) is a disturbed, hateful young junkie who has dropped out of school, and is spending his days drinking beer, showing authority the finger and participating in gang fights. At home, he argues with mom and dad and clearly shows his disdain for house rules, by telling them to go to hell before entering his boy’s room to shoot up on some heroin. A typical German teenager, it seems. He also has a little sister that he likes to sneak in to after she has gone to bed, to tell her two “goodnight stories” while in full heroin intoxication. Well, this should be interesting..

 

The first “goodnight story” is called “Julia’s Love” which is about Cliff Parker, a schizophrenic mental patient with 21 murder victims behind him, who manages to escape. He goes straight on a blind date with the young Julia, who obviously has no idea what she’s gotten into. While they’re both in Cliff’s car, he goes out to buy smoke while leaving Julia inside. Then she hears on the radio that a certain lunatic who is on the run has stolen a car that is described similar to the one she’s inside. Julia is in deep shit and from here on there’s anything but love that’s awaiting her.

 

After this unconventional love story, Peter’s little sister is in shock and tears, and says Stop, I don’t want to hear your stupid stories. Well, we have an additional 47 minutes to fill while the heroin rush is still in full action, so grab your teddy and hang in there.

 

The second story is called “Purity”, and is about a middle aged priest who lives a double life. Preaching in the daytime while raping and killing ladies at night in a small town community. We also learn that this priest is a full-blown satanist who kidnaps people and sacrifices them under some juicy rituals, while he drinks their blood from a goblet. And just to top that, he looks like a mishmash of Edmund Kemper and Dennis Rader, which by itself is fucking hilarious. He’s the high point of this movie, for sure.

 

The film’s juicy climax ends straight into Hell, literally. With a tirade of torture-porn scenes where we see Olaf Ittenbach’s true ambition and talents come to light, and where the micro-budget probably went: effects. While most of the effects we’ve seen until this point has been pretty sloppy, he made sure to save some of the best till the end.

 

However, The Burning Moon is a stumbling underground amateur-reel starring Olaf Ittenbach’s friends, who never tried to act before or after this movie. And of course, with a budget that couldn’t even afford a microphone, some horrible dubbing was added in post production. It’s also obvious that the film tries to go for a more serious and gritty tone, with ultra-taboo subjects, but nosedives by its own incompetence already in the opening credit sequence. It reeks of cheapness and amateur hour all the way, which provides us with some funny scenes and gut-busting moments.

 

This is Ittenbach’s second film, with a filmography spanning of 18 titles as we speak, and the guy is still active today. This is my first viewing of his works, so I have no idea how (or if) the guy has evolved through the years. We’ll see..

 

The Burning Moon

 

 

Director: Olaf Ittenbach
Country & year: Germany, 1992
Actors: Olaf Ittenbach, Beate Neumeyer, Bernd Muggenthaler, Ellen Fischer, Alfons Sigllechner, Barbara Woderschek, Helmut Neumeyer, Andrea Arbter, Christian Fuhrmann, Herbert Holzapfel, Thomas Deby, Karl-Heinz Nebbe, Karin Dellinger
IMDb: www.imdb.com/title/tt0103898/

 

 

Tom Ghoul