Cherry Falls (1999)

Humanoids from the Deep – HAIL, HAIL, Virgin HIGH! Drop your pants it’s FUCK, or DIE!

 

And that’s a classy, colorful quote from the more obscure Scream clone teen slasher that is Cherry Falls. That Shakespearean line didn’t just come from nowhere, by the way, because listen to this: In the small, idyllic town of Cherry Falls, teens start to get killed, one by one. And one particular thing the victims have in common is that they’re (- drumrooooll -) virgins.

 

One of the town’s young virgins is Jody (Brittany Murphy). She’s also the teenage daughter of the sheriff Brent (Michael Biehn). And when he starts to see the clear pattern of the killers motive, we have a pretty awkward father/daughter moment where he straight out asks her while she’s lying in her bed if she’s…you know…has lost her innocence with her current boyfriend, and the conversation continues like this:

 

You don’t have to worry about it. We broke up the other day,  she says.

Yeah…., dad replies with a sigh.

Then she asks with a straight face Are you disappointed? Are you still disappointed that I’m still a virgin?

Dad answers No, no, not at all (Yes, you are). I’m very, very proud of you.

 

Good acting saved this scene from the ultimate cringe.

 

But, still though, since the script seems to be written by an alien boomer, we have some eye-rolling moments sprinkled all over the place with some questionable thought of logic. This is also what makes Cherry Falls so amusing, odd and weird. And the sweet cherry on the top is a borderline zany Britanny Murphy (RIP) with her teen angst boiling up to eleven and looks like seconds from bursting out in a panic attack. Please have someone give the girl a box of Belgian chocolate and a big teddy bear. It gets weirder when the news about this mysterious virgin-killer reaches all the kids at the Cherry Falls High School, and they have the plan of the century you’d never guess: To organize a huge event where all the virgin teens in the town gather to have a big, fat sex orgy, a fuck fest, with the T-shirt worthy slogan Hail, Hail, Virgin high, drop your pants its fuck, or die! Alcohol included. Good luck and have fun. The title for this film should have been Fuck or Die. The German title is the closest with Sex oder stirb (Sex or Die). It’s far from the bloodiest slasher film out there, but it’s certainly one of the horniest. So I’ll give it that. Meanwhile, our protagonist Jody, sets her own little investigation to track down the killer.

 

Fun fact: Ken Selden actually wrote the script as an X-rated movie, so the orgy scene at the end could go full-out in softcore style. I bet Showgirls would look like My Little Pony in comparison. Too bad it never “came” to its full climax, that would have ended the 90s era of teen slashers with an epic orgasmic bang.

 

And if you find the tone of the film somewhat confusing and completely off, you’re not wrong, as director Geoffrey Wright and scriptwriter Ken Selden were clearly not on the same page. You see, Selden wrote the film from a more silly and satirical angle on the slasher genre, whereas Wright went for a far more serious approach. He also cut out many of the comedic elements to add more horror. Unfortunately, the kills are nothing much, where the only memorable death scene is the girl who gets tied and nailed to the ceiling after being stabbed to death. That’s at least the only one I can remember.

 

Despite its troubled production, Cherry Falls has its qualities. It’s polished, well-directed and goes its own unique way. So it’s not just a blatant copy of the more well-known teen slashers of that era. In the midst of the weird, muddled silliness, the film manages to keep on track with a serious mass-murder mystery to be solved. We also have an intriguing killer, spiced with some elements of true-crime to keep you invested. The killer also gives some Malignant vibes where I wouldn’t be surprised if James Wan took some inspiration from.

 

As mentioned, Cherry Falls didn’t have a smooth production, to put it mildly. The creative differences between the writer and the director are one thing, but the film is most notoriously known for being the most expensive movie made for TV with a budget of 14 million $ (approx the same budget as Scream.) The film was originally set up for a wide theatrical release in the US, but did never get an approval through the censorship – which is kinda odd since this is far from the most graphic mainstream slasher out there. But just the thought of teens having sex scares the bureaucrats at the rating boards more than anything else. The film also crashed with protests from the residents of Richmond where part of the movie was shot. So the film was dumped on TV (way before streaming services were a thing), and I would guess seen by few. It was only screened at theaters in the UK and other places in Europe with great success, even though the box office numbers are unknown. It has gained a cult-following throughout the years and was released on Blu-ray by Scream Factory in 2016, where they did their best to get the license to the fully uncut version through USA Films, but to no avail. Maybe there were some real orgy scenes to dig up there. Who knows.

 

Cherry Falls Cherry Falls Cherry Falls

 

Director: Geoffrey Wright
Writers: Ken Selden
Country & year: USA, 1999
Actors: Brittany Murphy, Jay Mohr, Michael Biehn, Jesse Bradford, Candy Clark, Amanda Anka, Joe Inscoe, Gabriel Mann, Natalie Ramsey, Douglas Spain, Bre Blair, Kristen Miller
IMDb: https://www.imdb.com/title/tt0175526/

 

 

Tom Ghoul

 

 

 

Anthropophagous 2000 (1999)

Anthropophagus IIFor those familiar with Andreas Schnaas’ epic Violent Shit saga, and just add Nikos the Impaler to the list, know pretty much what to expect: Amateur-hour overkill extravaganza all the way through. And his remake of Joe D’Amato’s Antropophagus isn’t much different. It’s Violent, it’s Shit, and lots of tasteless, inept fun.

 

The film starts with a group of Interpol agents who have discovered a cave with human skeletons. One of the agents spots a diary which he takes a further look into to maybe get some answers. Then we flashback to a family of four on a boat-trip: dad Nikos (not related to Nikos the Impaler) with his younger daughter and pregnant wife (UH-OH). Shit happens when they get hit by a storm which leaves them stuck on a lifeboat where Nikos goes insane and eats his whole family. Since then, he’s paddled himself to the mainland to some remote village where he’s eaten up most of the people.

 

Our first body counts are a young couple who are about to have sex in a tent. We’re a few minutes in where the cinematography is non-existent and the overall quality reeks of amateur homemade porn. And don’t expect it to be any better. However, Nikos is soon about to pop up where he deletes them both with an ax and rips their faces off.

 

We jump to a train station where we meet our main characters (or just body-counts, if you will), a group that I’d guess were some middle-aged Anonymous Alcoholics, gathering for an intervention. It’s less serious than that though, as they’re here on vacation. The place is supposed to be in the countryside of Italy, yet the only post listed on the IMDb trivia section tells us that the film was shot in Austria. Whatever.

 

They continue the trip with an RV where they struggle to find the destination, a town called Lorenzo (if I remember correctly). They ask a local for help, a hobo, who strongly warns them to NOT go near Lorenzo. The pregnant woman pukes straight at the hobo’s hands, which he slurps and smears over his face. Uh.. OK.

 

It’s pretty straight-forward from here on with the same plot points as the original. The pregnant woman mysteriously disappears (and we all know what lies next for her), the body counts enter an empty village where they stumble upon (what is supposed to be) cadavers. Don’t let the cheap Halloween props fool you. This is the real thing. They get spooked and surprised by a blind screaming lady in a basement. The classic fetus scene is of course here, and instead of using a skinned rabbit, we actually have a real baby. Just kidding, they used an animatronic baby doll.

 

We also have some new fresh ideas with a quick side-plot of a gay couple hiking in the local woods, only to amp up the pace and kill count. And instead of the obligatory taking-a-piss break, we … are having a smoke. Because Andreas Schnaas tried to go for a far more serious tone with this one, if you can even imagine – and it falls completely on its face on all fronts. If the acting wasn’t bad and amateurish enough, with the same juvenile and frantic backyard-filmmaking approach as his previous films, the film is also shot on video. A fugly combination that never looks appealing. So don’t look for any visuals or atmosphere like the original.

 

That being said, Anthropophagous 2000 doesn’t fail to entertain. It’s a fun retarded so-bad-it’s-good trash fest that could exist in the Violent Shit universe. I said the same about Nikos the Impaler. Just replace the killer with Karl the Butcher, and there you have it. It makes zero difference. The gore is over-the-top, messy and comical, as Schnaas is known for. Some look decent while others look fake, like a plastic turd. Also watch out for a Cannibal Holocaust reference. Andreas Schnaas plays, of course, the cannibal, where he acts more like a cosplay version of George Eastman. It’s like watching a mouse trying to be an elephant. But as always, he seemed to have a jolly fun time playing yet another boogeyman.

 

Anthropophagous 2000 Anthropophagous 2000

 

 

Director: Andreas Schnaas
Writer: Karl-Heinz Geisendorf
Country & year: Austria/Germany, 1999
Actors: Oliver Sauer, Cornelia De Pablos, Andreas Stoek, Sybille Kohlhase, Achim Kohlhase, Andre Sobottka, Britt B., Andreas Schnaas
IMDb: https://www.imdb.com/title/tt0202233/

 

Original:
– Antropophagus (1980)

Faux sequel:
Anthropophagus II (2022)

 

Tom Ghoul

 

 

 

Anthropophagous 2000 (1999) – Trailer from Movies From The Crypt on Vimeo.

Virus (1999)

VirusA Russian research vessel, Volkov, is out in the South Pacific and communicates with the orbiting space station Mir. Suddenly, some kind of energy source from space hits the space station, kills the cosmonauts and sends beams down to Volkov, causing an electrical surge that invades the ship’s computer and causes chaos and destruction. A week later, the alcoholic captain Robert Everton (Donald Sutherland) is out with his crew on the tugboat Sea Star in terrible weather, and ends up losing the cargo. Which is uninsured, of course. Matters go from bad to worse when they discover that the engine room is taking in water, and they try to take refuge in the eye of the storm to make repairs. Then, Volkov appears on their radar, like an ominous ghost ship out of nowhere. Of course, the captain knows the ship and its possible worth, and he orders the crew aboard as the tempting thought of millions in salvage could turn this horrible day into a splendid one.

 

When they get on board they notice that most of the electronics have been destroyed, and the crew appears to be missing. There’s something else lurking onboard, however…a robotic, spider-like creature appear and kills one of them, and they meet a terrified woman who later proves to be Nadia Vinogravoda, the Chief Science Officer on the ship, and she desperately tries to prevent them from turning on the ship’s power. At first they refuse to listen to any of the gibberish nonsense she is telling them, but when a gun-wielding cyborg appears that is supposedly one of the missing crew members on Volkov, they realize that what Nadia tells them is true, and something out of this world has taken over the ship with the intention of killing what it thinks is a “virus” in this world. In other words: kill mankind.

 

Virus is a science fiction horror movie from 1999, directed by John Bruno and starring a fair share of well-known faces. Despite high competence in visual effects and some famous actors, the movie turned out to be a flop and failed to appease both critics and moviegoers, and with a budget of 75 million dollars the box office ended up with a measly 30.7 million dollars. Ouch. A bunch of merchandise was also created, including action figures, comics, and a survival horror video game called Virus: It is Aware by Cryo Interactive made for the Sony Playstation. Just like the movie, however, the reception was rather poor and caused the game to fall into obscurity. Flop after flop, in other words. Over time, however, the movie has gained a bit of a cult following. Despite the rough reception, it is in hindsight a decent enough sci-fi horror. Not a masterpiece by any means, and yeah, somewhat derivative and unoriginal, but there is a fair amount of action and old-school gore effects. Sometimes that’s all you need for a fun time.

 

The movie was mostly filmed in Newport News, Virginia, on a ship anchored in the James River. The ship used as the Volkov was actually a retired Missile Range Instrumentation Ship (USNS General Hoyt S. Vandenberg, T-AGM-10), and one of the satellite dish antennas was intentionally damaged for the film’s final scene. John Bruno, the director, is a visual effects artist and has worked on numerous animated movies and TV series, including Heavy Metal (1981), The Nine Lives of Fritz the Cat (1974) and the rather obscure Raggedy Ann & Andy: A Musical Adventure (1977). He’s also done visual effects for movies like Poltergeist (1982), Ghostbusters (1984), and the NOS4A2 TV series, just to mention some. So yeah, the old school effects in Virus are solid as hell and even gorier than I remembered. Also, Donald Sutherland works well as a greedy, sadistic and slightly cheesy villain.

 

There’s been a fair amount of older horror movies that were downright crapped on back when they were released, and are later getting a cult following and some delayed praise for being what they are (Deep Rising, for example, one of my favorite sea-monster movies, fits well into this category). As a techno-bodyhorror B-movie, despite not being great by any means, Virus still holds up well as a gory B-grade popcorn-flick.

 

Virus Virus Virus

 

Director: John Bruno
Writers:
Chuck Pfarrer, Dennis Feldman
Country & year: USA, 1999
Actors: Jamie Lee Curtis, William Baldwin, Donald Sutherland, Joanna Pacula, Marshall Bell, Sherman Augustus, Cliff Curtis, Julio Oscar Mechoso, Yuri Chervotkin, Keith Flippen, Olga Rzhepetskaya-Retchin
IMDb: www.imdb.com/title/tt0120458/

 

 

Vanja Ghoul

 

 

 

The Ninth Gate (1999)

Dean Corso (Johnny Depp) is a book dealer who specializes in rare items. He is hired by a wealthy collector named Boris Balkan, who has acquired “The Nine Gates of the Kingdom of Shadows“: a 17th century book that is rumored to be able to summon the Devil himself. It is said that the author of the book, Aristide Torchia, wrote the book in collaboration with the Devil, and that only three copies survived. Balkan suspects that only one of these books are authentic, and that’s the reason he’s hired Corso: so he can inspect the other books and determine which one is the real deal. Corso accepts the job, and begins his travels to check out the other books. Soon, he comes into contact with a mysterious woman who appears to be following him…and he’s getting more and more drawn into a supernatural conspiracy.

 

The Ninth Gate is a neo-noir horror thriller by Roman Polanski, which is loosely based on Arturo Péres-Reverte’s novel called The Club Dumas (El Club Dumas) from 1993. Polanski liked the script so much and “saw so many elements that seemed good for a movie. It was suspenseful, funny, and there were a great number of secondary characters that are tremendously cinematic“. Polanski was very clear about not believing in the occult at all…but he certainly liked the genre, that’s for sure. While The Ninth Gate is nowhere near as popular or praised as his first devil-worship movie, Rosemary’s Baby (1968), it’s still a solid and stylish Polanski thriller.

 

Polanski’s knack at storytelling easily keeps the viewer engaged enough throughout the movie, with minimal use of special effects. In fact, there is very little violence or blood, and it relies on atmosphere and mystery accompanied by absorbing European scenery and cinematography. The cast is good, with a good performance by Depp who is portraying the unscrupulous and cynical book dealer who finds himself entangled in occultism and devil worship. There’s a lot of occult and tarot-like symbolism in here, some which may even be easily overlooked, like for example the obvious difference between the journeys of Corso and Balkan, going in opposite directions. I guess it’s one of those movies where taking everything at face value might leave you bored and moderately confused by this little puzzle of a film…there’s so much symbolism and small things that may not be too apparent, but makes a huge difference when you notice it. Certainly that old phrase comes to good use here: the Devil is in the details!

 

The Ninth Gate is a movie that has, since its release, received very mixed reception where some have been put off by the heavy use of symbolism and the apparently non-conclusive ending. But overall, I think The Night Gate is an enjoyable atmospheric and symbolistic occult horror thriller that has Polanski’s quirky humour and slightly absurd tone all over it.

 

The Ninth Gate

 

Director: Roman Polanski
Country & year: France, Spain, 1999
Actors: Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, José López Rodero, Tony Amoni, James Russo, Willy Holt, Allen Garfield, Jacques Dacqmine, Joe Sheridan
IMDb: www.imdb.com/title/tt0142688/

 

 

Vanja Ghoul

 

 

 

Violent Shit III: Infantry of Doom (1999)

Violent Shit III: Infantry of DoomMore Violence – more Shit!

 

In the third chapter of the Violent Shit franchise we follow a group of random dudes who gets shipwrecked on an island. It’s not the island of Lost, nor is it of Dr. Moreau, but the island of Karl The Butcher and his zombiefied dad, Karl Sr. Here they’ve created their own community, protected by a horde of metal-masked butchers, who execute everyone who dares to trespass their land as they worship Karl as Der Meister.

 

The three men gets taken to the butcher’s camp where Karl gives the longest villain-speech ever, while giving us some brutal executions to show us how much of an intimidating badass he is. He looks more like someone cosplaying a villain from Mad Max who wouldn’t survive one day beyond Thunderdome. Anyway, when one of the guys spits in his face, he gets brutally tortured and killed off by a stake through his ribcage. The other two trespassers gets thrown into a cat-and-mouse  game in the woods where they get hunted by Karls’ army of butchers, followed by a series of gag-reels with violent kills in the same old Andreas Schnaas fashion we’re used to. Meanwhile, the mad-like scientist Dr. Senius, with his funny Hitler mustache, is under Karl’s command to experiment on some fresh cadavers to make a new breed of super soldiers to replace the butchers who would get killed during battle.

 

We also get introduced to some Asian guys who are former members of Karl’s troops, which teams up with the other guys. Luckily they have some high levels of Kung-Fu skills, which comes good in hand when the strange zombie creations of Dr. Senius starts to pop up in the woods. Also watch out for some random Ninjas (!)

 

So… what’s new here? Schnaas has actually hired a composer for this one, instead of getting sued for adding copyrighted 80’s heavy metal songs. Gregor Adolf Hartz gives us some repetitive stock music and some really out-of-place and cheap RPG tunes that would fit better in a Nintendo game. The gore effects are better, at least. Faces gets ripped apart by hooks, torsos split in half, someone’s spine ripped through the asshole, and gory cadavers with open ribcages and shit like that. The technical aspects, however, remains on the same level as the last one with its muddy image quality and the whole amateurish nature with the shot-in-the-backyard-look, and not much sense of filmmaking in general. It’s basically the same old, same old. Considering that this was made right after Violent Shit II (released six years after it was finished) and Andreas Schnaas had no time to waste, other than improve some of the effects, it shouldn’t be no surprise. It’s still a highly entertaining shitfest, though, with a lot of crazy, amateur action and overall a lot of vile and outlandish over-the-top splatter porn to keep your attention. If you’ve already seen the first two, you know exactly what you’re in for.

 

And, yeah, I almost forgot there’s a drinking game: Take a shot for each time someone says scheisse …!

 

I also have to mention that there’s two versions of the film: the original with German dubbed dialogue, and an older US DVD version with the title Zombie Doom, which is most known for its far more hilariously bad and out-of-sync English dubbing. The original German version with subtitles is available from Synapse Films.

 

Violent Shit 3: Infantry of Doom Violent Shit 3: Infantry of Doom Violent Shit 3: Infantry of Doom

 

Director: Andreas Schnaas
Country & year: Germany, 1999
Actors: Andreas Schnaas, Marc Trinkhaus, Steve Aquilina, Beate Brüggmann, Uwe Grüntjes, Winni Holl, Mirco Hölling, Matthias Kerl, Giang Le, Son Le, Heiko Leesch, Xiu-Yong Lin, Joe Neumann, Andreas Sroka, Hagen van de Viven
IMDb: www.imdb.com/title/tt0203185/

 

Sequel:
Violent Shit 4: Karl the Butcher vs Axe (2010)

Prequels:
Violent Shit II (1992)
Violent Shit (1989)

 

Tom Ghoul

 

 

 

Ravenous (1999)

Ravenous (1999)During the Mexican-American war in the mid 1800’s, Captain John Boyd is sent up in the mountains to Fort Spencer, a secluded camp where a small group of weirdos keeps it guarded. One evening a disturbed, frozen Scottish man named Colquhoun arrives. He tells a horrible story about his gang of people somewhere up in the mountains, who were forced to eat each other in order to survive. Some of the men join Colquhoun and head up to the mountains to look for survivors.

 

The movie’s tone is set already within its first seconds. You don’t exactly know what to expect, but will quickly realise that this film is one of a kind. The film is known for its black humour, but it is first and foremost a pure horror movie with blood n’ gore where the humour is kept on a more subtle level. The greatest thing about Ravenous is how unpredictable it is, how the tension builds up, and the use of great forest landscapes that adds to the grim, cold atmosphere. It’s always refreshing to see actors actually interact with the real nature instead of standing in front of green-screens in a studio, isn’t it…

 

It also have top notch actors, but Robert Carlyle as Colquhoun really steals the show here. He does a truly terrifying portrait of his character. Watching his grin with the blood dripping from his mouth as he stares with his crazy eyes…that’s something that just gets under your skin (pun intended).

 

Ravenous

 

Director: Antonia Bird
Country & year:  Czech Republic | UK | USA | Mexico, 1999
Actors: Guy Pearce, Robert Carlyle, David Arquette, Jeremy Davies, Jeffrey Jones, John Spencer, Stephen Spinella, Neal McDonough
IMDb: www.imdb.com/title/tt0129332/

 

Tom Ghoul