Arachnid (2001)

ArachnidJoli Mercer is piloting a stealth plane in the South Pacific, when a translucent spacecraft suddenly appears (in a scene with such godawful CGI effects it could have belonged in The Amazing Bulk). Poor Joli crashes with the thing as his plane begins to malfunction, but his bad luck doesn’t end there. He crashes on an island, together with the alien ship. He sees a desperate-looking translucent alien-thing which is suddenly attacked by a giant spider monster, which then kills Joli as well. Then, ten months later, Joli’s sister is on the search for him. She’s been hired to be the pilot of a medical expedition who are doing research after natives on the island have started dying from an unknown virus. Upon reaching the island, the plane starts malfunctioning and they need to do an emergency landing on the beach. From there on, they have to trudge through the jungle in order to reach their destination, and they discover that the insects around the area have mutated into large and more deadly creatures. One of the guys in the expedition gets attack by giant ticks that starts burrowing into his body, and a giant centipede is killing one of the natives. And no, they didn’t crash-land on Skull Island. Aside from all the horrible creatures, the biggest threat of them all is a giant spider: the killer arachnid from outer space.

 

You know a movie is a stinker when the director himself says he only did it for the money… I basically did it for the money and it was a stupid script … I got to live in Barcelona for six months and, you know, they paid me well. Everything was good except I had to go to work everyday and shoot a dumb script. I haven’t seen that one since, you know, I made it. And some people say ‘Oh well, it’s actually better than you think’, but I basically tell people to avoid that one is what Jack Sholder (A Nightmare on Elm Street 2: Freddy’s Revenge, The Hidden) said about this film. Alright, then, that’s a way to wash your hands clean of something. We all need food on the table and can’t always work on passion projects…

 

Arachnid was released in 2001, and was the second film to be released under the Fantastic Factory Label (the first one being Faust: Love of the Damned from 2000) which was created by Brian Yuzna (Society, The Dentist) and Julio Fernandez in Spain. It was written by Mark Sevi, and then re-written together with Yuzna. The main spider design and the other creatures that used practical effects, were created by Steve Johnson. The film received a very negative reception upon its release, and while it’s easy to see this is one of those movies, it’s actually a bunch of fun, much thanks to the practical effects which are actually pretty decent and feels like a nice little throwback. Already from the funnily sloppy opening scene you know what you’re in for, so better brace yourself for leaving your brain on the shelf for a little while. As we get introduced to character by character, one more clichéd than the other, the killings and creatures are what’s the highlight of the movie. There isn’t a huge amount of gore here (which is a shame, really, as that could have added an extra spritz on the already goofy concept), but there’s still some nice scenes, especially the one involving the ticks that eat their way out. Yum.

 

What makes the movie suffer from being a truly fun B-horror movie, is that the pacing is a bit too slow and the characters feel a bit too dull. A quicker pace, more interesting characters and more kills could have lifted the movie up several notches. Yes, it would still have been a bad movie, but a bit more enjoyable. Overall though, Arachnid is a fun enough creature feature B-movie with some charming old-school effects.

 

Arachnid Arachnid Arachnid

 

Director: Jack Sholder
Writer: Mark Sevi
Country & year: Spain, USA, Mexico, 2001
Actors: Chris Potter, Alex Reid, José Sancho, Neus Asensi, Ravil Isyanov, Luis Lorenzo Crespo, Rocqueford Allen, Jesús Cabrero, Robert Vicencio
IMDb: https://www.imdb.com/title/tt0271972/

 

 

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The Hole (2001)

The HoleLiz, a young student, disappeared for 18 days along with some of her friends. She resurfaces, disheveled and bloody, and in order to find out what happened to her and her friends she is interviewed by a psychiatrist. The psychiatrist, Dr. Phillipa Horwood, listens as Liz recounts the story about how her friend Martin arranged for her and her friends Mike, Geoff and Frankie to spend a weekend in an underground nuclear fallout shelter. They are totally trapped inside the shelter, as it cannot be opened from the inside, but of course that won’t be a problem since Martin will come back for them. For some reason that doesn’t happen, Martin doesn’t return to let them out, and when the teens realize they are trapped down there, they start turning on each other. Things go from bad to worse when they uncover hidden microphones in the shelter, apparently placed there by Martin. Liz claims that one morning, the hatch was suddenly open, allowing her, the only survivor, to escape. Everything sounds straight forward and such, but the psychiatrist is skeptical of Liz’s account of the events, and suspects there’s more to the story than what she’s been telling her.

 

The Hole is a British psychological thriller from 2001, directed by Nick Hamm and based on the 1993 novel After the Hole by Guy Burt. At the first look, it may appear to be a typical teen slasher, which is very far from being the case. It’s a psychological horror thriller about a bunch of rich prep school kids in England who wants to skip a field trip to Wales, by staying in an underground shelter for the weekend. Things go bad, and we’re presented with a twisted tale where the first half appears to be pretty straightforward, but then it’s progressing into a mystery that slowly unfolds. While it may not be too much of a surprise that there’s more to Liz’s account of events than what she’s been telling the psychiatrist, the movie also offers some tense scenes of how the spoiled youngsters react when they’re locked inside the shelter. There’s no doubt that the characters are supposed to come off as rather selfish and with an incredibly entitled attitude, making it hard to root for anyone. In this regard the performances are solid enough to keep the tension up, as they all turn on each other in full desperation.

 

While The Hole offers nothing groundbreaking, it’s still a pretty decent watch. The use of non-linear storytelling does keep you guessing for a bit, switching between current time and flashbacks, but it’s not like the “twist” at the end is that unpredictable. It’s still a well made mystery/whodunnit thriller, with a realistic tone and a claustrophobic setting which adds to the dark atmosphere.

 

The Hole The Hole

 

Director: Nick Hamm
Writers: Guy Burt, Ben Court, Caroline Ip
Country & year: UK, France, Canada, 2001
Actors: Thora Birch, Desmond Harrington, Daniel Brocklebank, Laurence Fox, Keira Knightley, Embeth Davidtz, Steven Waddington, Emma Griffiths Malin, Jemma Powell, Gemma Craven
IMDb: www.imdb.com/title/tt0242527/

 

 

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She Creature (2001)

We’re in Ireland, and the year is 1905. Two carnies, Angus Shaw and his infertile wife Lily, runs a fake mermaid show where Lily plays the role of a beautiful and enchanting mermaid. One evening, during one of their shows, a mysterious fellow named Mr. Woolrich appears and privately calls them out on their act, while at the same time appearing strangely relieved that Lily was, in fact, not a real mermaid. They offer him a ride home, where it’s revealed that he’s got a mermaid captured. A real one. Naturally, Angus wants to use this creature as part of the freak show, but Woolrich strongly warns against it. Not easily deterred, Angus later brings a few colleagues back with him to abduct the mermaid, and smuggles her aboard a ship in order to take her to America. Lily tries to object to this idea, but to no avail. And onboard the ship, the mermaid soon reveals her darker side…

 

She Creature is a 2001 made-for-TV horror film, directed by Sebastian Gutierrez (the title of this film was originally Mermaid Chronicles Part 1: She Creature, but there was never any part 2). It’s the first in a Cinemax film series called “Creature Features”, which were all paying tribute to the films of American International Pictures, where the titles are reused without being actual remakes. In this case, the title is borrowed from the 1956 film The She-Creature.

 

She Creature was shot in 18 days, and is a typical B-budget movie . It’s filmed in a style that resembles the old monster movies, and with taking place in the Victorian era there’s also some really atmospheric cinematography reminiscent of the old Hammer films. With the renowned Stan Winston as producer it also should come as no surprise that the special effects are pretty decent. The mermaid is also portrayed in a rather convincing way, possibly much due to the fake mermaid we witness early on at the freak show. The mermaid Lily plays there is so obviously over-the-top fake, that when we get to witness the real mermaid in a tank of water the contrast makes it come off as believable. The real mermaid does not sing, she does not talk (except from making a few sounds), and appear more like an intelligent animal with human features rather than any “little mermaid” by Hans Christian Andersen. This is no Ariel, that’s for sure…

 

Much of the atmosphere comes from the Victorian scenery and settings, fitting like hand in glove when constructing a horror tale with a blend of fantasy and gothic mystery. She Creature is by no means any masterpiece, but it’s a fun and slightly cheesy little throwback to the monster movie era with moody cinematography, good production design and some really cool CGI-free special effects. Overall, it makes for a pleasant little pearl of a gothic and aquatic creature feature film.

 

She Creature She Creature She Creature

 

Writer and director: Sebastian Gutierrez
Also known as: Mermaid Chronicles Part 1: She Creature
Country & year: USA, 2001
Actors: Rufus Sewell, Carla Gugino, Jim Piddock, Reno Wilson, Mark Aiken, Fintan McKeown, Aubrey Morris, Gil Bellows, Rya Kihlstedt, Hannah Sim, Jon Sklaroff
IMDb: www.imdb.com/title/tt0274659/

 

 

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Session 9 (2001)

Session 9 (2001)Danvers State Mental Hospital is an old asylum that has been empty since 1985. An asbestos team lead by  Gordon (Peter Mullan) and Phil (David Caruso) is hired to do the preparations for the renovation of the old building. With a bonus payment of 10.000 dollars hanging over their heads if they get the job done within one week, the working environment becomes filled with stress and bickering. This is nothing compared to what the asylum has in store for them, however…

 

Down where the most crazy of the patients were held, one of the workers finds an old sound recording of the interview with Mary Hobbes, a woman with three personalities: “The Princess”, symbolizing her innocence, “Billy”, who is her protector, and “Simon”, whom the doctor tries to come in contact with. Even though Mary’s story belongs to the past, it’s not without consequence for the asbestos workers.

 

“Session 9” is a psychological thriller that’s at times a bit slow, but builds up to something really creepy. While not perfect, it’s a pretty well-crafted horror movie that manages to keep the suspense up while keeping jumpscares and cgi-effects at a minimum. It’s a movie that plays primarily on the psychological horrors: knowing that there’s something scary there but it isn’t something you can see or touch. The ending puts everything together in a really creepy context, and is prone to give quite a chill.

 

Session 9

 

Director: Brad Anderson
Country & year:  USA. 2001
Actors: David Caruso, Stephen Gevedon, Paul Guilfoyle, Josh Lucas, Peter Mullan, Brendan Sexton III, Charley Broderick, Lonnie Farmer, Larry Fessenden, Jurian Hughes, Sheila Stasack
IMDb: www.imdb.com/title/tt0261983/

 

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