2020s horror movies – Horror Ghouls

Arcadian (2024)

Posted on June 13, 2025 by HorrorGhouls

A man named Paul (Nicolas Cage) is scavenging a storehouse for supplies while fleeing from something. We then see what appears to be an apocalyptic event with explosions and sirens and full pandemonium. Paul seeks refuge, and we see he’s cradling two infants, telling them that “everything will be okay“. Yeah, sure it will…

Fifteen years later, most of the population has been wiped out and civilization is just a faraway memory. For Paul’s twin sons, Joseph and Thomas, the world from before is nothing but a story from a time they have no memory of whatsoever. Maybe that’s for the best, though. They now live in a derelict farmhouse, but trying to get by in this apocalyptic world would’ve been a lot easier if it wasn’t for the monsters roaming the night. As soon as the sun sets, they must take shelter inside their home to avoid them. Thomas is often late as he’s spending a lot of time in the nearby farm of the Rose family, which shouldn’t come as much of a surprise as it’s the only place where there’s a girl around his age. One day, Joseph reveals that he’s been working on restoring an off-road utility buggy, and Paul teaches him how to drive it. Paul then sends both sons out to salvage some stuff, but on their way Thomas leaves his brother to head over to the Rose farm. As expected, things then don’t go well and both Paul and his sons end up getting a too close encounter to the creatures that come at night.

Arcadian is a post apocalyptic horror film from 2024, directed by Benjamin Brewer and written by Michael Nilon. Is stars Nicolas Cage as Paul, the father, but just a heads up: this is not one of those “cage-rage“ movies, and he’s not the lead either despite that most movie posters make it seem like he’s got a far more significant role than the actually has. This is a movie where the two sons have the major roles, as we follow their struggles in a world where there’s hardly any survivors, and the nights have been seized by monsters who seem hell-bent on destroying the few remaining pieces of humanity. Good thing those monsters fear the light, and can only walk around in the dark.

The highlight in the movie is actually the monsters. While this is by no means any scary movie, the first introduction to these creatures includes a scene that is actually creepy as hell. I’ve never seen a scene with an arm offer such a solid dose of nightmare fuel! The rest of their designs are almost disorienting at first, making you wonder what the fuck you’re actually looking at. They also have some pretty weird mannerism, like excessive teeth chattering. They’re chaotic, nonsensical, and slightly goofy, and all of that combined gives the movie the necessary personal flair. This is exactly what this movie needed, because otherwise there isn’t really much to offer. The story is very minimal, and there’s not much character depth either. The monsters are by far the most entertaining thing here, and their freakish depiction is what makes it work.

Overall, Arcadian is a nice little post apocalyptic movie with some really cool monsters. Nothing spectacular, but fine popcorn-entertainment.

Director: Benjamin Brewer
Writer: Mike Nilon
Country & year: USA, 2024
Actors: Nicolas Cage, Jaeden Martell, Maxwell Jenkins, Maxwell Jenkins, Sadie Soverall, Samantha Coughlan, Joe Dixon, Joel Gillman
IMDb: https://www.imdb.com/title/tt22939186/

Hatching (2022)

Posted on June 3, 2025June 4, 2025 by HorrorGhouls

Tinja is a 12 year old girl who lives in what appears to be the “perfect“ family. Her mother is an influencer, making videos so she can display their wonderful family to the world. Look, how happy we are! We’re the picture perfect family where every day is a delight! Pfft, yeah, right. Underneath the glossy facade hides a family dynamic that’s more toxic than a snake’s venom. The influencer-mom is obsessed with the image of her family, putting a ton of pressure on Tinja because she wants her to succeed in her gymnastics practices. The stepford-husband dad acts like he’s lost his pair, and in between it all is also Tinja’s younger brother who appears to be desperate for his mother’s love and attention, often failing to reach her since all she focuses her energy on is making cringeworthy instagram videos and making Tinja succeed. Oh, and the handyman Tero whom she’s having an affair with. Perfect family indeed.

One day, a crow flies into the family house and causes quite a stir and breaking things. Tinja wants to take it outside, but her mother snaps the bird’s neck after capturing it and instructs Tinja to expose of it in the trash. Later, Tinja walks in the woods and finds that the dying crow has somehow gotten away from the trash can and towards its nest in the woods. There’s no way to save it, so she euthanises it with a stone and takes the orphaned egg back home with her. From it, something hatches which will change Tinja and her family’s lives forever.

Hatching (original title: Pahanhautoja, which translates to “Evil Graves“ or “Graves of Evil“) is a bizarre psychological Finnish horror film directed by Hanna Bergholm, and written by Ilja Rautsi. The movie is pretty much a metaphor film, and this isn’t a spoiler as it becomes obvious early on. The egg, which keeps growing in Tinja’s room, represents her growing repressed emotions which later hatches into a bird-like creature she calls “Alli“. The creature in the film was portrayed by an animatronic puppet created by Gustav Hoegen and his team. There are several stages of the creature’s form, so later on it is played by different performers, with special effects make-up by Conor O’Sullivan. And the creature actually looks pretty good! It’s having a certain uncanny yet cute form from the start, but it gradually transforms into something more gross.

What drives the movie up some notches is also the performances by the actors, especially the child actor who plays Tinja, Siiri Solalinna (who hasn’t played in any other film than this one). The underlying tension between the characters, especially between Tinja and her mother, makes everything a lot more convincing. The family dynamics, despite being obviously toxic, isn’t one of those “screaming, slamming doors, breaking things, punching and kicking each other“ type of violent home which many seem to believe is the only harmful environment children can grow up in. This is a family who appears to be perfect on so many levels, but is too broken to provide their children the necessary care and healthy upbringing. Tinja is at the brink of total collapse due to her mother’s obsessions, her father is a spineless enabler, and her younger brother is caught in the crossfire and well on the way to develop his own behavioral issues. The believable characters makes the metaphors kick harder, and the monster, of course, ends up as the most sympathetic character.

Overall, Hatching is a strange little Finnish gem which tackles the theme of toxic families and being under too much pressure in order to live up to the expectations of your own parents. The creature feature and body horror elements work both as metaphors but also by adding a certain fairytale-like element to the story. Like one of those dark, twisted fables. Definitely worth a watch if you like something a little bizarre! But, just a heads up: Tinja feeds Alli the same way that mother birds do, and yeah…ew, it gets gross sometimes.

Director: Hanna Bergholm
Writers: Hanna Bergholm, Ilja Rautsi
Original title: Pahanhautoja
Country & year: Finland/Sweden/Norway/Belgium, 2022
Actors: Siiri Solalinna, Sophia Heikkilä, Jani Volanen, Reino Nordin, Oiva Ollila, Ida Määttänen, Saija Lentonen, Stella Leppikorpi, Hertta Nieminen, Aada Punakivi, Hertta Karén, Jonna Aaltonen
IMDb: https://www.imdb.com/title/tt12519030/

Companion (2025)

Posted on May 30, 2025 by HorrorGhouls

Iris is a young woman who is going to an isolated lakehouse together with the love of her life: her boyfriend Josh. She fondly recalls how they met for the first time at a grocery store, where eyes met and hearts locked in an instant connection. Sounds a little overly romantically idealized? Well…it is. Despite Iris being head over heels for Josh, we quickly notice that something in their relationship is kinda off. When they meet up with Josh’s friends Kat, the couple Eli and Patrick, and Kat’s boyfriend Sergey who owns the lakehouse, things quickly go wrong, with Iris being the center of it all. And it’s at this point we find out that Iris is, in fact, not a human: she’s a companion robot, made exclusively to fulfill the needs of lonely people (and, probably most often, scumbags who wants to treat someone badly while easily getting away with it). And the best part? These robots aren’t even aware that they are robots, programmed to be fully loyal and committed to the person they “love“ without question, no matter how badly they are treated. Every narcissist’s dream, for sure. Josh had plans for Iris, of course, but those plans are botched once she becomes aware of her situation.

Companion is a science fiction thriller written and directed by Drew Hancock. It grossed $36.7 million against a budget of $10 million, and has received fairly positive reviews. The core themes of the movie is control, autonomy, and of course the dangers of technology if it gets in the wrong hands. Underneath is also a very obvious metaphor for a toxic relationship consisting of manipulation and control. Iris, being a robot, is quite physically controlled by an app in Josh’s possession, but once she becomes aware of this she manages to gain a certain control over her own self.

It’s no secret that technology can be both good and bad, depending on how people use it. Unfortunately, when new technology is created, we often see how many people are at the forefront to use it mainly by the means of exploiting others (just look at generative AI as a prime example of this). The concept of “companion robots“ in this film opens up for so many ways for bad people to use them for various purposes. All of this comes in stark contrast to how Iris is, ironically, the most “human“ character in the movie. The majority of the other people are complete assholes with little or no qualms regarding other people’s lives and well-being as long as they can gain something from it. Once Iris finds out that she is, in fact, not a human, she is also thrown into a full existential horror where free will at first seems to be completely out of her grasp, but she still tries to fight for it. Metaphorically, one could easily consider this scenario as someone realizing how toxic their relationship is, and tries to break out from it.

Companion is a fun movie about how human aggression and violence can easily become an ethical issue when given control over something that emulates human emotions, yet have no control over their lives and have no rights like that of real humans. While this is far from the first time similar concepts have been explored in movies or other media, it still felt like a fresh take, especially in these days when a situation like this seems considerably less far-fetched than it was just a few years ago.

Writer and director: Drew Hancock
Country & year: USA, 2025
Actors: Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, Rupert Friend, Jaboukie Young-White, Matt McCarthy, Marc Menchaca, Woody Fu, Ashley Lambert
IMDb: https://www.imdb.com/title/tt26584495/

Peter Pan’s Neverland Nightmare (2025)

Posted on May 27, 2025 by HorrorGhouls

In this demented/twisted/fucked-up serial killer flick that your mum and dad don’t want you to see, we meet, yeah you guessed it – Peter Pan. And he’s a, yeah, you guessed it – a serial killer. And yep, you guessed it again – he murders children, sometimes in broad daylight. And not one by one, but in drones. The few lives he spares gets trapped in his dungeon basement. Oh my… calling the whambulance is no use here. So there’s no big shocker to say that this isn’t the Peter Pan that we know from our classic childhood fairy tales, but rather a homicidal maniac who lives out his sick fetish role-playing fantasies.

Pan is also a hardcore junkie who lives comfy enough in an abandoned manor somewhere in the idyllic British countryside of Ashdown with his one and only Tinker Bell, an unpleasant sight by itself who looks more like the sister of Longlegs. Instead of heroin, we have pixie dust. It’s the same shit though, so don’t get fooled, kids. Stay outta drugs and have some Kava instead.

But at the end of the day, Peter Pan actually means all well. Because he doesn’t kill children just for the hell of it, but in order to send their souls to Neverland to save them from the evil world that we live in. Your typical road to hell that is paved with good intentions, to put it that way. Neverland is, after all, a place where you can be a little boy for the rest of your existence. And since dead people don’t age…well, you get the idea. Sweet dreams.

The film starts with a quick, flashback story of Pan (Martin Portlock) where he works as a mime artist at a circus. After performing in front of a group of kids, he stalks one of the kids home, which by a wild coincidence is named James Hook. After sneaking into his bedroom through a trapdoor, where we also have a quick Pennywise reference (because why not), the kid’s mother spots him and hell breaks loose. After a brutal fight in the kitchen that goes from bruises to chopped-off toes by a meat cleaver, a disfigured face and a scalped head, Pan takes Hook with him before we jump fifteen years later.

Then we meet the upper-class family, the Darlings, just another wild name coincidence, where the older sister Wendy (Megan Placito) is driving her youngest brother Michael (Peter DeSouza, the possessed kid from Pope’s Exorcist) to school. Michael is depressed, and since it’s his birthday and all, Wendy tries her best to make his day a little easier by also intending to pick him up after school. Aaw, how thoughtful. Too bad that she gets distracted on the phone by her boyfriend when Michael leaves the school on a bike, which leads to him being captured by our psycho killer Peter Pan The Grabber. While Michael is trapped in his manor where he’s forced to play games like hide-and-seek, a guilt-stricken Wendy sets out to find her brother.

Terrifier meets The Black Phone says hello to Castle Freak, written and directed by Scott Chambers, a living non-stop Duracell Bunny who made only eleven movies in 2021 alone, according to his IMDb. Geez, I’m having a stroke just thinking about it. Can’t say I’ve seen any of them though, except from Exorcist Vengeance (2022) only because of Robert Bronzi, the famous Charles Bronson clone. While his previous films have an average rating between 2.8 and 3.6, it’s fair to assume that he has had a major skill upgrade at some point. Peter Pan’s Neverland Nightmare is a more polished and overall professional-made movie than you’d expect, all from the camerawork, production design, sound, pacing, acting, and, of course, the effects, which are all practical, as far as I could see. To be completely honest, this looks more like it could be in the same universe as Damien Leone’s Terrifier than the Poohniverse. And that’s probably the best compliment I can give.

The most remarkable here is Martin Portlock as Peter Pan – a brilliant and charismatic actor who just came as a lightning strike from the blue sky when he went viral in the UK after his appearance as a witch on Britain’s Got Talent. Here, he’s a mix of Heath Ledger’s Joker, Freddy Krueger and Radu the vampire with a dark and a seductive British voice that would even make Hugh Grant blush. He’s as ruthless and mean-spirited as he’s intimidating. I also liked the angle with the Tinker Bell character, played by Kit Green. Her and Peter’s relationship is a pure psychological warzone, if the circumstances weren’t hell already. Her story of how she ended up in this pit of misery would be an interesting spinoff by itself. And if you want the blood and gore, you’ll get it. The third act goes especially full throttle in the splatter & gore department, with a cute final girl and all, which you can guess who.

So yeah, all in all, a gritty, gory, tension-filled and morbidly entertaining ride you’ll never experience at Disneyland, even after dark. Solid stuff. I hope we see Martin Portlock in more horror films, while it’ll be interesting to see what Scott Chambers does next. Peter Pan’s Neverland Nightmare is available on streaming on Amazon Prime, or (for us Norwegians) on Viaplay.

Writer and director: Scott Chambers
Country & year: UK/USA, 2025
Actors: Megan Placito, Martin Portlock, Kit Green, Peter DeSouza-Feighoney, Teresa Banham, Olumide Olorunfemi, Campbell Wallace, Nicholas Woodeson, Hardy Yusuf, Harry Whitfield
IMDb: https://www.imdb.com/title/tt21955520/

Caveat (2020)

Posted on May 23, 2025May 23, 2025 by HorrorGhouls

Isaac is a drifter who is suffering from amnesia. He is suddenly hired by a man named Moe Barrett who claims to be an acquaintance (whom Isaac doesn’t remember, of course, due to his amnesia). Moe wants Isaac to look after his niece Olga, who will occasionally go into a catatonic state, and he offers Isaac a good sum of money for this. Isaac says yes, and when they get close to the property it’s revealed that Olga lives on a remote island. First, Isaac wants to refuse the job, but after a little guilt-tripping he reluctantly says yes. That’s not the worst, though. Once inside the house, Moe shows Isaac a harness that he needs to put on which will restrict him from entering certain portions of the house, and he needs to put this on because that will make Olga feel safe. Oh, and on top of that he is also told that Olga’s mother went missing and that her father recently died in the basement after being locked inside there, as he suffered from extreme claustrophobia and killed himself when he couldn’t get out. There appears to be no limits to how stupid a character in a horror movie can be, because even after learning all this, Isaac still says yes to stay and puts on the harness after just a little more guilt-tripping. Yikes forever! In reality, even the most dim-witted person would have bailed ass long ago. As can be imagined, weird shit starts happening inside the house when Isaac and Olga is alone. When she is in her catatonic state he can’t even talk to her, but once lucid, she behaves oddly antagonistic towards him and carries either a crossbow around, or a creepy toy rabbit with a drum. Meanwhile, Isaac tries to piece together what really happened in that house.

Caveat is an Irish horror film from 2020, written and directed by Damian Mc Carthy in his feature directorial debut. It was filmed in West Cork, and the Bantry House that was used was owned by a friend’s family. The movie had a budget of around £250,000. The toy rabbit featured in the movie is one Mc Carthy bought on eBay, which was stripped of its original fur and sent to costume and prop builder Lisa Zagone to make its creepy design.

We have also already reviewed Mc Carthy’s second film, Oddity, which was released last year, and now we finally got around to watch his debut movie. And while it’s definitely very slow-burn and somewhat illogical, it really picks up the scares later on. The setting and atmosphere are solid, although some of it does get a bit ruined by the main character’s total lack of being able to spot the one red flag after the other. There are horror movies where a character is willing to do the most idiotic things due to obvious desperation, which can make the most insane setting more believable, but Isaac’s backstory is (intentionally) left obscured from the start. Most of the movie is set around him walking around the house, having weird interactions with Olga, and gradually finding out more about what really happened. Once things progresses a bit more, however, that is when Mc Carthy proves that he’s really got a knack for scary supernatural scenes!

Caveat is a movie that certainly takes its time to get things going, and you’re likely to feel a little annoyed if dumb characters is one of your pet peeves. But it sure does deliver some scares towards the latter part of the film, some which are reminiscent of the scares and atmosphere that could be found in the first Conjuring movies. There’s no doubt that Mc Carthy knows how to build up atmosphere that leads to proper scares, which is by no means any easy feat. His second film, Oddity, didn’t have quite the same amount of scare factor as Caveat, but that one had more of a solid ominous atmosphere throughout. There is already another movie in development called Hokum, and it will be interesting to see what Mc Carthy’s next movie will bring in terms on chills and (hopefully) scares. Because he’s certainly got talent in that department.

Writer and director: Damian Mc Carthy
Country & year: Ireland, 2020
Actors: Ben Caplan, Johnny French, Leila Sykes, Inma Pavon, Conor Dwane, Siobhan Burton, Sam White
IMDb: https://www.imdb.com/title/tt7917178/

Final Destination: Bloodlines (2025)

Posted on May 20, 2025 by HorrorGhouls

The year is 1968, where Iris Campbell is going to attend the opening ceremony of a high-rise restaurant tower called Skyview. The one to bring her there is her fiancé Paul, who wants this event to be as perfect as possible. Oh, if he only knew. Well, since this is a Final Destination movie, we know the drill: Iris has her premonition, and oh boy, is this one a total disaster! The grand opening of the Skyview ends just as well as Titanic’s first voyage. The entire tower collapses, causing a huge death toll. After Iris watches her final moments before dying, however, this is where the movie takes a turn from the previous films: instead of seeing Iris “waking up“, we see college student Stefani Reyes waking up in bed with a scream. Apparently, she’s been having recurring nightmares about this event for months, driving her equally sleep-deprived roommate to the brink of murder. Stefani travels back to her family for some answers, and finds that her nightmares are linked to her maternal grandmother, Iris.

The grandmother is no longer in contact with anyone in the family, and she lives waaaay out in bumfuck nowhere. Stefani decides to pay her grandmother a visit to get some answers, and ends up at Iris’s fortified cabin. There, Iris tells Stefani all about how she was able to disrupt Death’s plans when she prevented the tower’s collapse, literally saving the lives of everyone there. She gives Iris a book where she has documented Death’s omens and giving instructions on how to spot them. Stefani, of course, thinks her grandmother’s just totally kooky and regrets going there in the first place…until Death makes his move. Soon, Stefani realizes that Iris was right, and Death is now trying to kill off the survivors in the order they would have died at the Skyview…and of course, all their descendants who were never meant to exist if they had died as intended. This, of course, includes Stefani and her younger brother, plus several of their other family members.

Final Destination: Bloodlines (aka Final Destination 6) is the latest film in the Final Destination franchise. It was directed by Zach Lipovsky and Adam Stein, and written by Guy Busick and Lori Evans Taylor. It’s based on a story that was developed by them and Jon Watts. After the commercial success of Final Destination 5, the next film was described as some kind of “re-imagining“ of the franchise. That’s…not really the case, though. They’ve changed the basic setup a little bit, but it’s still a classic Final Destination film, and there’s nothing wrong with that. It premiered on May 16, and has so far received generally favorable reviews. It has currently grossed $105 million worldwide. The highest grossing film in the franchise, The Final Destination (the 4th film) made $187 million worldwide. It’s still early, so it remains to be seen if their sixth installment breaks that record.

So, how does this movie hold up to the rest of the franchise? Well, we watched it at the big screen and had a total blast with it! Six films in and it’s still feeling as playful and fun as ever, perfectly balancing humour with grisly deaths. Already from the opening scene with the Skyview you know it’s going to be good, keeping you eagerly anticipating how all hell will break loose. And it sure does! During this premonition scene there is a 71 year old stuntwoman, Yvette Ferguson, who came out of retirement in order to play a fire stunt. Now, how cool is that! Aside from the bonkers opening scene, there are many other kills that turns both bloody and gory, so the fun lasts throughout.

Final Destination: Bloodlines proves that the franchise is still going strong, and still feeling surprisingly fresh. That being said, it’s been approximately 14 years since the previous film, so it’s not like we’ve gotten these movies thrown at us every single year or so. We’ve had some time to build up an appetite for a new one, and it certainly was a great time! Now, we all know that a 7th film will be inevitable. Just how long that will take, however, remains to be seen. They still have so many ideas to take from, bad things can happen to a lot of people everywhere: on a cruise ship, in a tunnel, at a concert, on tourist attractions around the world (like the Eiffel Tower in Paris, the Colosseum in Rome, etc.), at Las Vegas, at a circus, etc. etc. The possibilities are endless! Will be fun to see what idea they go for next.

Also, R.I.P. Tony Todd (Bludworth). It was nice to see his story arc ending here, with a reveal of his character and backstory.

Directors: Zach Lipovsky, Adam B. Stein
Writers: Guy Busick, Lori Evans Taylor, Jon Watts
Country & year: USA/Canada, 2025
Actors: Nicholas D’Agosto, Emma Bell, Miles Fisher, Ellen Wroe, Jacqueline MacInnes Wood, P.J. Byrne, Arlen Escarpeta, David Koechner, Courtney B. Vance, Tony Todd
IMDb: https://www.imdb.com/title/tt9619824/

Prequels:
– Final Destination (2000)
– Final Destination 2 (2003)
– Final Destination 3 (2006)
– The Final Destination (2009)
– Final Destination 5 (2011)

Sinners (2025)

Posted on April 29, 2025 by HorrorGhouls

We’re in 1932, where the twins Smoke and Stack have returned to the Mississippi Delta after having spent years in Chicago working for the mafia. They’re back with a lot of money stolen from the gangsters, and they have decided to purchase an old sawmill in order to build a juke joint for the local black community. Along the way, the bring with them other people, including their young cousin Sammie who is an aspiring guitarist. His father is pastor Jedediah, who warns him that blues music may one day invite the devil into his life. “If you keep dancing with the devil, one day he’s gonna follow you home“, are his words of warning. Well, whatever…young Sammie still brings along the guitar and plays on the juke joint’s opening night. The music does indeed draw the attention of someone, who also appreciate music that comes straight from the soul…

Sinners is a horror period drama with musical elements. It was written, co-produced and directed by Ryan Coogler. The movie originally began development through Coogler’s production company Proximity Media in January 2024, but already the next month Warner Bros. Pictures acquired the distribution rights during a bidding war, and afterwards casting for additional roles took place in April. Ludwig Göransson, who has been a longtime Coogler collaborator, composed the film’s score and also served as an executive producer. The movie was filmed primarily in New Orleans and the surrounding areas of Louisiana. Coogler revealed that one of his major inspirations for the film was the novel Salem’s Lot by Stephen King, and a Rod Serling’s The Twilight Zone episode called The Last Rites of Jeff Myrtlebank. Another source of inspiration was his late uncle, a man named James who lived in Mississippi and loved blues music and Taylor Whiskey.

The movie has received an unanimous amount of praise, and is already deemed the best (or one of the best) horror movies of the year. Prior to seeing this film I had not only taken notice of all the praise, but also seen headlines that were comparing it to From Dusk Till Dawn (1996), which set the bar pretty high. Sure, the movie’s got a bar and vampires, but Club Juke certainly ain’t no Titty Twister. And while I enjoyed the movie for the most part, I’m glad I toned down the expectations a lot prior to going into the big screen.

I’ll start with the positives: first and foremost, the movie looks great, the visuals are really gorgeous. I also enjoyed the somewhat slow build-up when introducing the characters, where our protagonists are set to put together their little joint. Almost felt like the set-up in a video game where you need to talk to all the npc’s who each can provide something for your “build the juke joint“ quest. I also enjoyed the musical parts quite a lot. There’s a scene where Sammie starts playing his guitar and sings, and everything transcends into a slightly surreal montage where musicians from both the past and the future are present: we see characters among the juke joint’s patrons who are obviously from modern day, as well as tribe people from a long gone past, all joining in the music and providing an excellent visualization of how music connects us throughout the ages. Despite this musical number’s greatness, however…just like in the old classic Disney movies and many other musicals, the villain gets the best song. The lead “vampire“, outside the joint stack, leads his vampire minions in a ring while starting to sing an Irish Jig, which increasingly builds up its crescendo and provides music that sounds both jolly, slightly evil and slightly primal at the same time, providing a perfect counterpoint to the previous musical number and once again showing the connection effect of music from both new and old times. To be honest, these were the parts I enjoyed the most since the musical numbers here were used in a way to enhance the story and character’s motivations (rather than just being a song played in the background).

The things I didn’t particularly care about, was the amount of excessive dialogue where some if it became simply too repetitive, which caused some pacing issues. Another major disappointment is the invasion scene where the vampires finally enter the building at last (isn’t really much of a spoiler, it’s a part that you knew would inevitably happen). It felt too disjointed and underwhelming, and I simply could not help having the From Dusk Till Dawn invasion in mind, and thinking how so much of that epicness was missing here. There were some mentions of the KKK earlier on in the film, and I was actually hoping for some crazy, epic fight where the Klan would come to the place and get killed off by the vampires (preferably in the most gruesome ways possible) while the survivors inside the joint would have to fight and conquer both threats. No such luck, though. There were also a tribe of Native Americans introduced in the middle of the film, which were vampire hunters (or something..?) and we never get to see them anymore.

Overall, I think Sinners is a pretty good period drama movie with some great musical elements and horror mixed in, and while I wasn’t as “blown away“ as the majority who watched the movie seems to have been, I could easily appreciate the movie’s higher notes and qualities.

Writer and director: Ryan Coogler
Country & year: USA/Australia/Canada, 2025
Actors: Miles Caton, Saul Williams, Andrene Ward-Hammond, Jack O’Connell, Tenaj L. Jackson, Michael B. Jordan, David Maldonado, Aadyn Encalarde, Helena Hu, Yao, Sam Malone
IMDb: https://www.imdb.com/title/tt31193180/

Abruptio (2023)

Posted on April 18, 2025April 18, 2025 by HorrorGhouls

Les Hackel is a guy who has just been dumped by his girlfriend, and has to live with his parents which includes a nosy and nagging mother. And of course, the “whatever mom says“ kind of dad. On top of that, he works at a dead-end job. Les hates his life, but of course he does the one thing that will surely make his life even more miserable: drowning his sorrows in a bottle. Yup, Les has got a severe alcohol problem as well. When your life is like an open wound, the sweet temporary relief of alcohol is all too tempting, but in the end it’s just making everything much, much worse. Les is apparently smart enough to have realized that, as he’s trying to sober up…but that’s never an easy task, of course. Then one night, he discovers a fresh incision in his neck. He gets a call from his buddy Danny, who’s also got the same incision in his neck, and he says to Les that someone has implanted a bomb inside them. Danny gets a mission on his phone, but refuses to comply…and his head goes BOOM! That, at least, proves to Les that the bomb stuff is all too real. He also starts getting messages with demands to carry out several missions, always with deadly results. As the violence escalates around Les, he tries to find out what is really going on in a world that seems to have gone completely insane.

Abruptio is an adult puppet Sci-Fi horror film from 2023, which was written, edited and directed by Evan Marlowe and produced by Kerry Marlowe. It screened at several festivals, and won 21 awards. The movie stars several well-known actors here for the voices of the puppets, including Robert Englund, Jordan Peele, and Sid Haig in his final film before his death in 2019. And yes, the movie was released in 2023, but the voice recordings started on May 23, 2015, and wrapped on December 2, 2017. A passion-project, for sure, where Marlowe mentioned in an interview with Dread Central that the very first idea for using puppets in this film came from a dream he had about everyone having turned into puppets. Dreams can, for sure, be quite the inspiration!

The puppets in this movie really belongs in the uncanny valley area, where some of them look like pure nightmare fuel. The puppetry is mixed with part live action, giving everything a really weird and surreal vibe. It’s a bit reminiscent of the British puppet show Spitting Image, but whereas the puppets in that show are pure comedy caricatures, the puppets in Abruptio leans more towards being outright grotesque. And it definitely works on establishing the otherworldly, sick tone. Aside from the visuals, the whole plot of the film feels like a fever-induced nightmare, and we start to expect that the film is also leading up to a certain reveal. We do get more than a few little snippets of information from the very start of the movie, which immediately makes you question what Les is actually experiencing and what significance everything has. I don’t want to spoil too much here, but even if you can more or less guess what the movie is leading up to from early on, the ride surely is an outlandish one.

Abruptio is, for sure, a one-of-a-kind horror movie. If you want something bizarre and different, give this one a watch!

Writer and director: Evan Marlowe
Country & year: USA, 2023
Voice actors: James Marsters, Christopher McDonald, Hana Mae Lee, Jordan Peele, Robert Englund, Sid Haig, Darren Darnborough, Rich Fulcher, Sohm Kapila, Patrick Cavanaugh, Carole Ruggier, John Wuchte
IMDb: https://www.imdb.com/title/tt3963226/

Run (2020)

Posted on April 8, 2025 by HorrorGhouls

Dian Sherman has just given birth to a premature baby, and while she watches it lying inside an incubator, she asks the nurses if the baby will be ok. The only answer she gets is total silence. Uh-oh, that’s a really bad sign. Then we fast forward to several years later, and we see that Diane lives a seemingly fine life with her teenage daughter Chloe. Chloe’s life, on the other hand…she suffers from arrhythmia, hemochromatosis, asthma, and diabetes. To top it all, her legs are also paralysed. Fucking yay. She’s confined to a life in a wheelchair, and needs to take a batch of medications everyday. Oh, and she’s homeschooled by her mother, of course. What a surprise. Chloe’s one and only desire (aside from better health, of course) is going to college, and she eagerly awaits an answer to her applications. Whenever Diane gets the mail, the answer she gives Chloe is always the same: no response from any of the colleges. Oh well, no choice but to stay stuck with mommy dearest for the rest of your life, girl. Or…maybe mommy dearest is not such a dear after all. One morning, Chloe finds a prescription bottle including some green pills, but the name on the bottle is Diane. The thing is…Diane wants Chloe to swallow these green pills. What’s in those pills? Are mommy’s intentions perhaps not so motherly after all?

Run is a psychological horror thriller directed by Aneesh Chaganty and co-written by Sev Ohanian. It stars Sarah Paulson as Diane (known for several roles in the American Horror Story series, and as Ratched in the netflix series) and Kiera Allen as Chloe. Kiera has been a wheelchair user since 2014, which makes this movie the first major thriller to use an actual wheelchair user since Rear Window (1998).

There’s no doubt that Run is a solidly made thriller, yet the biggest problem is that there really isn’t that much of a mystery here: we know very early on that Diane is off her fucking rocker, and is deliberately trying to keep Chloe confined in the home. Just to what extent she’s actually taking it, and what her reasonings might be, is what the plot is slowly unfolding. Is she just a worried mother that wants to keep her sick child close to her, or is something else wrong here? Well, of course it’s the latter, that’s not even a spoiler. Still, it’s fun to watch as Chloe continues trying to outsmart her mother and dig deeper into what is really going on.

There’s also some fun easter eggs in the movie, including a pharmacist named Kathy Bates, which considering the movie’s setting is an obvious nod to Kathy Bates’s role as Annie Wilkes in Misery (1990). Diane certainly ain’t no Annie Wilkes, though, and I have to admit that Chloe’s situation often didn’t feel quite as threatening as it could have been, but the movie still offers enough suspense and entertainment to keep you engaged. And as you probably start expecting already from very early on in the movie, there are a few twists and turns throughout the story.

Despite being a little predictable at times, Run is a pretty fine thriller with some solid performances and a decent suspension level. Recommended if you want a popcorn thriller on a lazy evening.

Side note: this film was the last film Aneesh Chaganty directed, before meddling with generative AI by creating the infamous I H8 AI short. And no, it’s not a short about actually hating generative AI, but rather a short that kind of tries to show how “creative“ a director could be if he had generative AI tools so he could, well…not be creative at fucking all. Unless you consider typing “plz make background look like Manhattan“ and hit a button as “creative“. The short was made as a collaboration between Meta and Blumhouse, and the reception was, as expected, not good. The backlash even caused it to be removed from Letterboxd. After this, Chaganty has been pretty silent and there’s currently no upcoming projects on IMDb under his name. If he does make more movies, I certainly hope he can take a Heretic in the credits and state that the movie was made without generative AI.

Director: Aneesh Chaganty
Writers: Aneesh Chaganty, Sev Ohanian
Country & year: USA, 2020
Actors: Sarah Paulson, Kiera Allen, Sara Sohn, Pat Healy, Erik Athavale, BJ Harrison, Sharon Bajer, Onalee Ames, Joanne Rodriguez, Ernie Foort
IMDb: https://www.imdb.com/title/tt8633478/

Strange Darling (2023)

Posted on March 25, 2025 by HorrorGhouls

A woman is hunted by what appears to be a deranged killer, who is hellbent on taking her down. Who are these people, and what connection do they have? Well, we are soon to find out more but not in a chronological order. What we see in the opening is very much the middle of the film, and after an action-filled chase scene we backtrack to an earlier chapter where we find out that the woman meets the guy in order to hook up for sex in a local motel. Something is off right from the start, of course, and everything keeps spiraling into what ends up as a crazy cat ‘n mouse chase where you’re going to keep guessing.

Strange Darling is a thriller from 2023, written and directed by JT Mollner. The movie is told in a non-linear fashion, with 6 chapters, and very much centers around keeping you wondering what is going on, except the early understanding of this being a story about a serial killer. The movie was shot on location in Oregon on 35 mm film by Giovanni Ribisi.

When Mollner had completed the script for the film, he got three different offers and decided to meet up with Miramax first, where he wasn’t even three minutes into his pitch before Bill Block told him they had a deal. Things didn’t exactly go as smooth from thereon, however. It was shut down two days into filming due to some executives suddenly deciding to throw a fit, and stated “we hate everything about what you’re sending us. We’re not enjoying this at all. And we’re not sure if this is going to work“. They also wanted Willa Fitzgerald to be recast (who was excellent in the role) and hated that the movie was told in a non-linear way. Why they suddenly started to act like someone shoved a cactus up their ass is anyone’s guess, but it actually went as far as Miramax hiring another editor to recut the film as a linear story, to which Mollner clearly stated that he then would have his name removed from the film. He utilized a clause in his contract that stipulated that he could demand there to be a test screening of his director’s cut, and during this test screening the crowd started being very enthusiastic about the way the story was told, and Miramax finally let Mollner keep his final cut. Bill Block also later apologized to Mollner for the shitstorm during the film’s production.

While I have to admit that I have mixed feelings about stories not being told in a non-linear way (sometimes it works perfectly, other times it might just befuddle everything), this movie is a perfect example of how the non-linear storytelling heightens the experience. Yeah…I gotta admit that certain things were a little obvious already from the early part of the movie, but not being entirely sure what is going to happen and what has already happened, that is part of the viewing experience here. It’s entertaining and suspenseful, and the performances from both Willa Fitzgerald and Kyle Gallner are really well done and the cinematography is vibrant and beautiful.

Strange Darling is one of those movies that is hard to write very much about since it really is a movie where you need to go in as blind as possible, and while the “twist“ or whatever could be seen from a mile away (or at least from very early in the movie), it was still a very fun experience.

Writer and director: JT Mollner
Country & year: USA, 2023
Actors: Willa Fitzgerald, Kyle Gallner, Ed Begley Jr., Barbara Hershey, Madisen Beaty, Bianca A. Santos, Steven Michael Quezada
IMDb: https://www.imdb.com/title/tt22375054/