Unicorn Wars (2022)

Unicorn WarsOnce upon a time, the unicorns lived together with the bears in a magical forest. But one day, the bears found a sacred book in the ruins of a church, which gave them knowledge to form their own civilization. The bears, evolving into “teddy bears”, wanted to cultivate the forest but this caused the unicorns to retaliate. In the end, the bears lost and were exiled from the forest. This all lead to an ongoing war between the unicorns and the bears, where the bears have started to believe that drinking the blood of the last unicorn will make God return to the forest.

 

In present time, we follow a troop of recruits including the twin brothers Gordi and Azulin (“Tubby” and “Bluey”). While Gordi is a chubby and gentle person, Azulin is narcissistic and filled with jealousy and rage, often picking fights with the other troop members. One day, the camp’s leaders send the troop into the forest to look for a missing squad, which leads them all into a beautiful but deathly place. Here, they do not only meet with the threat of the unicorns, but also the nature which they no longer feel accustomed to, and threats are everywhere, including amongst themselves.

 

Unicorn Wars is a 2022 Spanish-French animated splatter war film (yes, you read that right) and the second animated feature film by Alberto Vazquez. It is also based on a short, called Unicorn Blood (Sangre de Unicornio). While his first feature film, Birdboy (co-directed by Pedro Rivero) is more gloomy and downbeat, this one takes everything to the max with full-on splatter scenes and deaths by the dozens, all combined with absolutely beautiful visuals. The opening scene, where a lost unicorn is searching for its mother and comes upon the ruins of the old church which contains a shape-shifting monster, is brilliantly animated and gave me a little bit of Princess Mononoke-vibes. At this point I’ll assume that parents who put this movie on by mistake already got a clear warning that this ain’t no kids movie. And like in Birdboy, the characters who might appear to be simple in style are very full of life with detailed expressions. The colours are vibrant and makes everything quite captivating for the eyes, and even the gory scenes are very pretty in their own way. Yes, you also read that right.

 

While some might read the description of this movie at places where the gore is in main focus, they might end up thinking this is some kind of full-length Happy Tree Friends or something, but it’s not just all about gore and it’s oftentimes both dark and gritty. Not unlike Birdboy, the movie does have a lot of dark themes which includes not only the dark sides of war and propaganda, but also family issues, narcissism, and sibling jealousy. While Unicorn Wars is having more dark comedy elements and at times feels a little more lighthearted through some of its scenes, it becomes quickly obvious through all the graphic violence and the excessive extent to which the film actually takes it, that this is a dark and twisted anti-war tale where barely anyone is truly innocent, and the little innocence that exists is quickly corrupted or swiped away. Both Catholicism and war is loudly criticised here, and while Vazquez’s inspirations likely came from many things, he does seem to have an apparent affection for “war is hell” movies.

 

Unicorn Wars, with its enchanting visuals, gore and philosophical themes, is both gruesome in its violence but at the same time quite mesmerizing to watch. And it certainly does not hold back on the gore. There’s something rather fascinating about watching adorable anthropomorphized characters in such dark and edgy situations…like watching the Care Bears go into a bloody war with My Little Pony…

 

Unicorn Wars Unicorn Wars Unicorn Wars

 

 

Writer and director: Alberto Vázquez
Country & year:
Spain, France, 2022
Voice actors:
Jon Goiri, Jaione Insausti, Ramón Barea, Txema Regalado, Manu Heras, Gaizka Soria, Iker Diaz, Estívaliz Lizárraga, Pedro Arrieta, Alberto Vázquez, Rosa María Romay
IMDb:
www.imdb.com/title/tt10483152/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

The Pope’s Exorcist (2023)

The Pope's ExorcistYoga is satanic because it leads to practice of Hinduism and all eastern religions are based on a false belief in reincarnation and practicing yoga is satanic, it leads to evil just like reading Harry Potter. Ko-ko. –  Father Gabriele Amorth

 

Father Gabriele Amorth (1925-2016) was an exorcist of the Vatican city who battled against Dr. Satan’s neverending army of fallen angels throughout most of his life, and I wouldn’t be surprised if he also fought nazi demons during WW 2. The one and only reason I’ve heard of this Italian gentleman is because of the documentary The Devil and Father Amorth from 2017, directed by none other than William Friedkin. And woof, what a bag of unholy baloney that documentary is. An utter, demented clown-show which I can only recommend with a good conscience just by how funny-bad it is.

 

And here we are with a polished  supernatural horror film from Hollywood based on a true story, in the same alley like The Conjuring films, this time focused on the aforementioned pope’s own exorcist Gabriele Amorth, played by a charismatic Russel Crowe. The film starts off on a stormy night during the mid 1980s where we see our Demon Buster in action as he cleanses a possessed boy, tied to his bed.  Amorth brings a pig with him, and pretends to lure the demon to posses it so he then can blow the pig’s brains out with a shotgun and get quickly done with it. Poor piglet.

 

Then we get introduced to the American widow Julia who have just arrived at the countryside of Spain to inherit an ancient convent from the 1400s from her deceased husband. And with her she has the younger son Henry and the teenage daughter Amy. Henry hasn’t spoken since he got traumatized after seeing his father die in a brutal accident, while Amy just hates her mother’s guts for dragging her ass all over to Spain. Suddenly, without no warning, Henry gets possessed by an angry demon who really wants to have a chat with Father Amorth specifically. Bring me the priest”, he growls with the voice of Ralph Ineson. Since he asks so nicely, our maestro drives all the way to Spain with his Vespa Ferrari to do his holy service and confront this nameless demon. A rabbit hole of conspiracies and other dark secrets about the Vatikan are revealed when Amorth opens a well that leads to a morbid tomb under the convent.

 

While Russel Crowe carries most of The Pope’s Exorcist on his strong shoulders, the film really suffers from a lazy and rushed script that seems like a first draft. The film doesn’t allow us to get to know this American family or give them much of a personality, and it lacks a good build-up atmosphere of underlying demonic threat as the possession suddenly happens almost like someone just slipped on a banana peel. Shit happens. I’ve given up expecting anything new or groundbreaking from possession films (or haunted house films, for that matter) a long time ago, but at least give us some tension, something to make our armhairs rise. It’s as scary as an episode of Supernatural. On the positive side though, the film is solid and well directed by Julius Avery (Overlord and Samaritan) who does his best to at least gives us tasty visuals and some ghoulish scenery to chew on.

 

And back to Russel Crowe who is the only reason to give this film at least one watch. To give the film some spice of authenticity, he speaks both Italian and English with an accent as thick as Crowe’s  belly in Unhinged (2020). He’s classy, sympathetic and plays the character with a great sense of humor, as he likes to crack jokes to annoy Satan, sips whiskey after a long roadtrip with his Vespa and… wash his armpits with holy water. Without any spoiling, the film wraps up in a ridiculous climax with cheap CGI effects such as a rubberish stretched-out mouth, an effect that’s been a parody of itself in decades. And of course we have an even more cheap-looking body explosion that belongs in a discarded Xbox game from 2005, before we all can say Amen and good night. It was as dumb and comedic as I predicted after watching the first trailer, and given that I rarely laugh out loud in a movie theater, I can’t say I’m that disappointed.

 

The Pope's Exorcist The Pope's Exorcist

 

Director: Julius Avery
Writers: Michael Petroni, Evan Spiliotopoulos, R. Dean McCreary
Country & year: USA, UK, Spain, 2023
Actors: Russell Crowe, Daniel Zovatto, Alex Essoe, Franco Nero, Peter DeSouza-Feighoney, Laurel Marsden, Cornell John, Ryan O’Grady, Bianca Bardoe, Santi Bayón, Paloma Bloyd
IMDb: www.imdb.com/title/tt13375076/

 

Related post: The Devil and Father Amorth (2017)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

The Pale Blue Eye (2022)

The Pale Blue EyeThe year is 1830, and we’re in a cold October month. Augustus Landor, a widower who lives alone and is also a retired detective, is asked by the military to investigate the hanging of one of their cadets. After the cadet was hanged, his heart was removed from the body. Upon examining the corpse in the morgue, Landor finds clues suggesting that this is not a suicide case, but a murder case. He meets the weird Edgar Allan Poe, who is another cadet at the academy, and the two team up in order to solve the case. Ritualistic animal murders makes them think the murder could be linked to some occult black magic rituals, and when another cadet is also found hanged, with both his heart and genitals removed, Landor and Poe begin to suspect the family of Dr. Daniel Marquis whose daughter Poe has become quite enchanted by.

 

The Pale Blue Eye is an mystery thriller written and directed by Scott Cooper, and it’s an adaption from a 2003 novel by the same name, written by Louis Bayard. Scott Copper also directed Antlers, so it comes as no surprise that he is able to competently master stories that are dark and atmospheric. Despite the famous Poe himself being a major character here, the story itself is based entirely on fiction, although there are some small slivers of facts mixed in: Poe did indeed attend West Point Academy as a cadet from 1830-1831 (of which he later got himself purposefully kicked out from). There are also a few names and things in the movie that are references to some of Poe’s stories (Landor’s Cottage, for example). And not unexpectedly, you’ll see at least one Raven. Poe fans will probably have a fun time looking out for all the little tidbits referencing his work.

 

The movie plays out as a standard murder thriller where little bits and pieces are coming into place one at a time. Hidden notes, secrets revealed, red herrings, etc. The common components of a mystery thriller are all there. The pacing is a bit slow, but the focal points here are the gothic, spooky atmosphere, and the performances where both Christian Bale (as Landor) and Harry Melling (as Edgar Allan Poe) do a solid job portraying these characters and their chemistry. While Poe isn’t displayed with his identifiable mustache, you can definitely see the likeness here. And aside from the characters and performances, the murders are grotesque enough to keep you interested in knowing who could be behind such crimes (and why), and the cold wintry scenery puts an extra chill into it all. The fitting soundtrack was made by Howard Shore, who is most known for composing the soundtrack for the Lord of the Rings and Hobbit film trilogies, but is also behind the score of a lot of well-known (and some lesser known) movies in different genres, including horror.

 

Overall, The Pale Blue Eye is an entertaining whodunnit thriller with some dark twists and turns, blended with gothic atmosphere.

 

The Pale Blue Eye

 

Writer and director: Scott Cooper
Country & year: USA, 2022
Actors: Christian Bale, Harry Melling, Simon McBurney, Timothy Spall, Toby Jones, Harry Lawtey, Fred Hechinger, Joey Brooks, Charlotte Gainsbourg, Lucy Boynton, Robert Duvall, Gillian Anderson
IMDb: www.imdb.com/title/tt14138650/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Psycho Goreman (2020)

Psycho GoremanIt’s the early 90’s (I assume) in a small middleclass suburbia where the siblings Mimi (Nita-Josée Hanna) and Luke (Owen Myre) are out in the backyard playing Crazy Ball. Yes, would you even imagine that there was a time when kids could have fun without a smartphone? My oh my. Luke is the the quiet and reserved one while Mimi is a fearless sociopath with some strong Tiny Tina demeanours (that crazy girl from Borderlands). She’s mean, sassy, demanding, animated and loves to pick on her brother. Later that evening they decide to dig a big hole in the yard, because that is what kids did back in the day when they couldn’t sleep. After a few feet down they find some pink/purple-glowing mystical artifact that’s clearly not from this planet. Another thing from space is an alien, played by Matthew Ninaber, covered in a full latex costume from toe to top. He’s from the planet Gigax and has telekinesis powers, the ability to throw big fireballs from his hands, and looks like a mishmash of all B-movie monsters from the 80s and maybe early 90s. For my part he reminded me more of Wishmaster.

 

Mimi and Luke encounter the alien in some abandoned shoe factory where they also stumble upon his first victims, a group of hobos with their bodyparts placed on the wall like a morbid David Fincher crime scene (the most graphic moments where the grittyness is concerned). They don’t seem that scared, though, but more thrilled. We get a whole flashback scene that tells us his origin story and how he came to Earth, but the most important thing to know is that he’s here to kill all mankind. Why? Because why not. The one and only thing that could hold him back is the glowing artifact (also called The Gem of Praxidike) we saw earlier, which Mimi luckily have in her pocket. When the alien gets the sight of it, he freezes. Because you see, those who holds the artifact can command the alien to do what they want, like John Connor did with Arnie in Terminator 2, so to speak. As the kids they are they see him as a big new toy and gives him the catchy name “Psycho Goreman”, PG for short just to play ironically with the title in case the film would end up with a PG-rating, which instead got unrated. Oh, well.

 

So, where does the plot go from here? A lot of shit happens, but not in the way you’d probably imagine it. Since Mimi outshines the entire cast with her energetic and manic presence and seems to be as psycho as Goreman himself, it would be easy to picture these two as a deadly duo going on an epic genocide crusade-mayhem while being chased by tanks, choppers and the military. Hopefully in a sequel. Mimi and Luke doesn’t know much about what to do with him other than first disguise him in some clothes, like in Frankenstein: The College years (for the few that have seen that film) and hope he gets accepted by their mum and dad. They forgot to cover his face though, but no one would notice such minor details, lol emoji. I couldn’t care much for the scenes with the parents. They’re just there with their own marriage issues to make us know that the kids aren’t orphans. Their goofy deadbeat dad (played by Adam Brooks) has some comedic nuggets here and there, and yeah, he alone got some chuckles out of me. His best scene is where he gets a mental breakdown while taking a dump. Meanwhile when Luke and Mimi gets along with PG as they start  a garage band together with PG on drums, play videogames and what kids would do with a huge toy as PG, the council from his homeplanet sends the galactic warrior Pandora, an angelic creature with small wings as eyes, to save us Earthlings from PG’s destruction.

 

Psycho Goreman is written and directed by Steven Kostanski, a young man from Canada who seems to dedicate his film career with his production company Astron-6, by producing a pastiche of  low-budget, 80’s-centric films with titles such as Manborg, The Void, Father’s Day, Leprechaun Returns to name some. With his latest feature he takes inspiration from the early 90s with films like Teenage Mutant Ninja Turtles, Power Rangers, Transformers, Star Wars, the epic intros from the Saturday-morning cartoons from the 80s, martial arts, some spices of Troma and everything from the obscure corners from the 80s, puts it all in a grinder and out comes Psycho Goreman. So, how does it taste? Hmm..

 

There’s not as much blood and gore as the title would make you believe, though. If there was some malfunction with the grinder, I don’t know, but the result is more sweet, more innocent and light-hearted that you’d expect. The film relies more on slapstick, goofy fight scenes, and overall a showcase of impressive, if not charming, make-up effects/costume designs and a handful of references. There’s something for everyone to like here, I personally have a weak spot for Death Trapper, a walking meatgrinder filled with body parts. And then we have a giant, wobbling brain with some terrified eyes. The miniatures seen in PG’s flashback scene were nothing but gorgeous which also gave some Mad God vibes. The musical trio Blitz/Berlin adds a fitting retro soundtrack to enhance that fuzzy feel of nostalgia. And then there’s probably a drinking game of references. The most notable are the  scenes with the council on PG’s homeplanet which clearly mocks the political nonsense we had to sit through in A Phantom Menace that still seems to haunt us. We also have a reference to Steven Kostanski’s favourite film Phantasm with an extended dream sequence. So, yeah, there’s a lot to chew on here and get inspired by, and with its colorful cartoonish and over-the-top silly, naive tone, Psycho Goreman suits perfectly for the the whole family to enjoy with pizza, coke and root beer on a Friday night.

 

Psycho Goreman is available on DVD/Blu-ray on Cd Universe and can be watched on various streaming sites.

 

Psycho Goreman Psycho Goreman Psycho Goreman

 

Writer and director: Steven Kostanski
Country & year: Canada, 2020
Actors: Nita-Josée Hanna, Owen Myre, Matthew Ninaber, Steven Vlahos, Adam Brooks, Alexis Kara Hancey, Kristen MacCulloch, Anna Tierney, Roxine Latoya Plummer, Alex Chung, Scout Flint
IMDb: www.imdb.com/title/tt11252440/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Terrifier 2 (2022)

Terrifier 2Terrifier 2, or A Nightmare on Terrifier Street 2: The Clown Master as a fitting alternative title, starts right off where the previous film ended. And if you haven’t already seen the first one, here comes the spoiler of the century: Art the Clown (still with an energetic and dedicated David Howard Thornton behind the costume) survived, even though he’s got a big hole at the back of his head after a gun shot, which means the supernatural aspects are already well established. To start off the film with the right tone, he slices the coroner’s throat, and finishes him off by crushing his face with a hammer. And if that wasn’t enough, he rips one of his eyes out and plays with it for a few seconds, and places it in his own eye socket. Art hasn’t changed one bit since we saw him back in 2016, that’s for damn sure. As his costume is drenched with blood, he pops into the nearest laundry center where he encounters a twisted, little girly version of himself, also known as The Little Pale Girl (portrayed by the child actress Amelie McLain.) They quickly bond together where it’s like creepy uncle Joker finally meets his creepy, little niece Harley Quinn, to put it that way. It’s a kinda cute little moment they’re having, actually. Kawaii.

 

But there is no time to waste, and Art heads to the next scenario, with his bag of torture tools which he is carrying over his shoulder, to continue his journey of spreading some cozy family-friendly Halloween spirit. Just kidding. Just like in the first film: get ready for more of the same, just on a much bigger platter packed with a full menu of pain, suffering, goreghasm, worms, wasps, insanity and utter chaos – nicely spiced with a deranged and pitch black sense of humor that requires a certain level of sick cynicism to fully enjoy. After the first ten minutes we already know that this is a grindhouse flick in the purest sense, made only for us sub-humans of horror ghouls and hardcore-fans in general. But the more average surface-horror-goers are welcome, of course. Art likes everyone, you see. Just play with him or at least give him some candy and you’ll have a slight chance to survive.

 

After the batshit opening sequence we meet the stressed widow mom Barbara (Sarah Voigt) with her two teens, Sienna (Lauren LaVera) and Jonathan (Elliott Fullam) , living in a middle-class suburb. Sienna has been working on her Valkyrie-like Halloween outfit for months, a passion project based on an illustration made by their deceased dad. And when the nerd-looking Jonathan isn’t busy with interviewing aging rockstars, he’s obsessed with serial killers. Especially with a certain clown that has hit the news after the massacre in Miles County, which took place in the previous film. There’s also a mysterious sketchbook that their dad left behind after committing suicide. It’s filled with drawings of monsters, but the most weird of all: Art the Clown and his earlier victims. What connection their dad could have to Art, who knows, but we can assume that this sketchbook is the equivalent of the Necronomicon/Book of the Dead from The Evil Dead that eventually brings them to our killer clown. Already filled with more questions than answers, it all begins when Sienna starts having bizarre lucid nightmares about Art. During her dream, her bedroom is also set on fire which burns the wings of her costume to ashes. Later Jonathan gets chased by hallucinations/visions of Art and his little pale girl, and this all happens before Hell is about to get real.

 

Terrifier 2

 

As minimal as the first one was with basically no story or character development, other than to show us the demented nature of Art, a showcase of competent gore effects, technical competence, this one pays for it. Watching them now back-to-back makes the first one more of a prologue, a warm-up, if you will. Without spoiling anything, we get a tiny nugget of the history about the pale girl we saw in the beginning, which I hope we see more of in the next sequel. Art however… well, we learn that his alias “Terrifier” is attached to a haunted house attraction. More questions than answers, as I earlier said, and don’t look for much logic. The acting is pretty solid and I was a little surprised to even see Felissa Rose (that girl from Sleepaway Camp) acting like an A-lister with the little screen time she had. Lauren LaVera is great as the “final girl” and knows how to kick some clown ass. I also like the “Phoenix Rising” symbolism behind her costume. The chemistry between her and her mother and brother is believable in the middle of all the madness, which shows that Damien Leone is able to depict more in the script other than how Art is going to dismember the next victim.

 

The first film had a budget of 35.000 dollars, while this had the price of a crowndfunded amount of 250,000. Money well spent, especially on the prosthetic gore effects which is also made by director Leone. The guy has clearly learned from the best. With a much larger budget we also get a more polished look, although Leone has kept enough of the rawness to make it look like the film is straight from the mid 80s to blend with the universe of the first one. The visual esthetics with its use of vibrant color and contrast screams Halloween all the way through. And the retro synthwave soundtrack just fits perfectly.

 

While the film has a cartoonish and sometimes surreal look to it, the effects make a stark contrast and look as real they can get. I think we have to rewind back at some of the titles from the New French Extremity wave from early 2000’s to find something in the same gritty, realistic nature. It’s also filled with references from probably every single slasher film from the 80s. The most notable is the scalping from Maniac which Art takes to a whole new level of extreme ghoulishness. The infamous “bedroom scene” is the wildest shit I’ve ever witnessed on the silver screen, which have earned the hype alone. The serial killer buffs will also take notice of the homeage to one of the crime-scenes of Jack the Ripper.

 

So overall, there’s no doubt in hell that writer and director Damien Leone is a die hard fan of the video nasty-era of VHS horror, and Terrifier 2 projects that to the fullest. But I’ve also got an other theory; that the guy is actually sent by a phone booth-shaped time machine from the 80s, sent by Rufus himself to save us from all the modern watered-down and glossy PG-horror that’s been dominating the mainstream for god knows how long. And not to mention the more recent attempts to adapt them to the “current times” of “checklist” movies, which have been nothing but failed flops thus far. Let’s only hope that Terrifier 2, with its global success, has opened the golden can of killer clowns that makes room for a new wave of more extremity like this to hit the mainstream silver screens. If not, well, at least Damien Leone has created his own universe here with a lot of  potential to evolve as a lucrative franchise that could be an (annual, if I dare say so) highlight for years to come.

 

And finally, here’s the million-dollar questions everyone are asking:

Is Terrifier 2 too violent, even for horror fans? Will the film make me puke or faint? Will it cause a heart attack, or even a miscarriage? Will it make my botox lips explode? Will it make my dick fall off?

Terrifier pin & Barf Bag Yes, to all of them. Joking aside, let’s be serious for just a few split seconds; being concerned if a slasher film is too violent is like expecting a porn film with less porn, even though this is mainly nothing but a cheap, yet effective, marketing strategy that’s been used since the birth of horror cinema and seems to work every time. And thanks to its enormous hype, which I haven’t seen for a slasher at the mainstream surface since way back in 1996 with Wes Craven’s Scream, it managed to sneak its way to the silver screens in our narrow penis shaped home country Norway of all places. My only concern was the unusual long runtime for a film like this, with its 2 hour and 18 minutes, but both I and Miss Ghoul had a blast. The movie theater was almost packed with only kids from Gen Z on a Friday night, where we kind of stood out a little as being old enough to be their parents. The audience reactions should be interesting. A group on the row in front of us giggled nervously here and there, but otherwise it was an awkward dead silence. The best way to describe it as a collective movie experience was to sit on a roller coaster through the Big Gory Mountain with a bunch of mute people. So if any negative physical reaction is to expect, it will slice your vocal cords. So, there’s the only warning, I guess. But just in case, we got handed a barf bag and a cool pin before the screening. Barf bags are a common gimmick, but I cant remember it having been provided in Norway on such an occasion. Not even with Alexandre Aja’s Piranha 3D, which is objectively the goriest film screened on a regular movie theater in our home country, twelve years before Terrifier 2 broke that record. So, who’s next?

 

Terrifier 2 Terrifier 2 Terrifier 2

 

Writer and Director: Damien Leone
Country & year: USA, 2022
Actors: Lauren LaVera, David Howard Thornton, Jenna Kanell, Catherine Corcoran, Samantha Scaffidi, Kailey Hyman, Chris Jericho, Casey Hartnett, Katie Maguire, Amelie McLain, Elliott Fullam, Sarah Voigt, Felissa Rose, Jackie Adragna, Griffin Santopietro, Charlie McElveen
IMDb: www.imdb.com/title/tt10403420/

 

Related post: Terrifier (2016)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Smile (2022)

SmileOne day at work, the psychiatrist Dr. Rose Cotter meets with a recently admitted patient called Laura Weaver. Laura is a PhD student, who appears to be having some kind of mental breakdown, caused by witnessing her professor committing suicide some days earlier. She claims that some kind of entity is trying to kill her, and it pretends to be other people smiling at her. As Rose tries to calm her down, Laura suddenly screams in panic and falls to the floor, convulsing. Rose calls for help, but after making the call she turns to see that Laura is standing on the floor, smiling widely at her. And then she cuts her own throat with the shard from a broken vase.

 

After this, Rose is understandably upset. And she starts seeing and experiencing things she can’t quite explain. At first, both she and everyone around her believes that it’s the stress and trauma of witnessing a patient committing suicide right in front of her, but as the supernatural occurrences continue she starts noticing the smiling entity Laura mentioned in their brief session. Things escalate quickly, causing misery to both her and everyone around her, including her sister Holly whom she’s already got a strained relationship with ever since the death of their abusive mother, who overdosed when Rose was a child. So, when Rose tries to explain what is happening to her, no one believes her and thinks it’s either the trauma from her childhood flaring up, or even that she’s starting to show traits of her own mother’s mental illness. Desperate for answers, she embarks on a stressful and frightening journey in the hopes of breaking the curse.

 

Smile is a horror film directed by Parker Finn, which is his directional debut. It is based on his 2020 short Laura Hasn’t Slept. At first, Paramount originally planned for this $17 million dollar budget movie to head straight for a streaming-only release on Paramount+. Thankfully they changed their mind! During the test screening the audience feedback scored much higher than they expected, which prompted them to give the movie a theatrical release. And the budget was already earned back during the opening weekend, where it grossed $22 million, to where Paramount’s distribution chief Chris Aronson said it exceeded their wildest expectations.

 

So, Smile has already made a place for itself in the horror genre, proving that using some well-known horror tropes and familiar ideas can still give us an effective experience and make for a good movie. In some ways it highly resembles It Follows (another horror movie that was highly effective and scared the bejeezus out of some people) as well as a little bit of ideas from other movies like for example The Ring. There were even some parts later in the movie which had a little bit of Resident Evil vibes. But most importantly, it also has a flair of its own stuff.

 

Smile is a horror movie that centers around trauma and its impact on not only the people who experience it, but how those who suffer from trauma may also affect their surroundings. The entity in Smile isn’t just something that wants to scare you and simply kill you, it feasts on emotional pain, which means it must make you suffer. While both the title and the entity displays a surface-level metaphor (how people suffering from trauma and depression are often forced to just “smile” and put on a mask in order to pretend to their surroundings that everything is okay), there are also a few other subjects which is delved a little into, like for example the lackluster healthcare services which often doesn’t give people with mental illnesses the treatment and care they need, how mental illness is something that is highly stigmatized, how people close to those with mental illness may be affected by it, and how those who suffer may get turned away with a “I can’t deal with this right now”, often leaving the sufferer alone and feeling helpless. Smile is a dark and grim horror movie, executed with an obvious understanding of tension building and how to make the jump-scares effective as a whole and with the full context. It’s a curse-themed horror movie that’s got teeth, and it bares them with a smile.

 

Smile Smile

 

Writer and director: Parker Finn
Country & year: USA, 2022
Actors: Sosie Bacon, Kyle Gallner, Jessie T. Usher, Robin Weigert, Caitlin Stasey, Kal Penn, Rob Morgan, Gillian Zinser, Judy Reyes, Jack Sochet, Nick Arapoglou, Perry Strong, Matthew Lamb, Dora Kiss
IMDb: www.imdb.com/title/tt15474916/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Willy’s Wonderland (2021)

Willy's WonderlandA quiet drifter finds himself in a situation where he’s stranded in an isolated little town. His car is in need of repairs, but he’s not able to pay for it…however, he gets an opportunity to pay for the expenses by spending a night in an abandoned family fun center called Willy’s Wonderland, by cleaning it from top to bottom and thus preparing it for its supposed re-opening. While locked inside the place, however, he finds himself in battle with a bunch of possessed animatronic mascots whose obvious intent is to rip him apart.

 

Willy’s Wonderland starring Nicolas Cage as the quiet/mute janitor, is a ridiculous yet entertaining horror movie, with a premise that probably rings some bells if you’ve ever heard about the game series Five Nights at Freddy’s (FNaF). While I haven’t personally played any of the games, it’s also about killer animatronics (although they only come alive at night) and a security guard that needs to survive the nights. Other than that there appear to be several differences, but since I haven’t played any of the games I can’t really delve too much into any of that.

 

Now, the plot itself is kind of ridiculous, but it actually works pretty well for a movie like this. Willy’s Wonderland, before its abandonment, was a typical Chuck E. Cheese type of restaurant aimed for children, with animatronics who would happily sing songs like Head, Shoulder Knees and Toes, and everything seemed to be all fun and pleasantries. Except that the place was run by a child killer, and the employees had the same urges as he did. When the police got on to what they’d been secretly doing at the place, that’s when all hell would break lose.

 

As for performances, Nic Cage is, well… Nic Cage, he pretty much plays himself and there’s nothing wrong with that. He doesn’t deliver a single line during the entire movie, and his lack of surprise towards the murderous animatronics (despite going in full Cage-Rage mode and smashing them to bits and pieces), somehow implies that he knows fully well what’s going on at the place, and can make you speculate whether he might be a a sibling to one of the children that were killed at the place in its hay-days, or something like that, and has seen it as his mission to take on the child killers once and for all. We don’t know anything about his character (not even his name), which makes you wonder if a sequel (or prequel) has ever been in the plans. The other characters provide decent performances as well, but everything is pretty much carried on Nic’s back. Now, as for the animatronics…they actually look pretty good, and were played by stunt people in costumes (with the exception of Ozzie the Ostrich, which was a puppet).

 

With some fun practical effects and a silly yet entertaining plot, Willy’s Wonderland is a campy cheese-fest filled with whimsy and blood spatter, and definitely not for people who want their entertainment to have a more serious tone, but pleasant enough for those of us who every now and then like to watch a movie that doesn’t take itself too seriously. It’s fun and cheesy, and sometimes, that’s enough.

 

Willy's Wonderland

 

Director: Kevin Lewis
Country & year: USA, 2021
Actors: Nicolas Cage, Emily Tosta, Beth Grant, Ric Reitz, Chris Warner, Kai Kadlec, Caylee Cowan, Jonathan Mercedes, Terayle Hill, Christian Delgrosso, David Sheftell, Jiri Stanek, Jessica Graves Davis, Taylor Towery, Chris Schmidt Jr., Christopher Bradley, Duke Jackson, Billy Bussey, BJ Guyer
IMDb: www.imdb.com/title/tt8114980/

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Resurrection Corporation (2021)

Resurrection CorporationDottor Caligari is an undertaker who finds himself in an existential crisis since no burials are taking place in the city anymore. Why? Because “Resurrection Corporation”, a company run by a man named Potriantow, has found a way to bring the dead back to life. Caligari and his companion Bruta, a loyal young woman whose heart is a clockwork-mechanism which Caligari himself has inserted into her, decide to find out more about Potriantow and his death-defying business who has turned Caligari’s life and ambitions upside down. They visit the castle of Potriantow’s supposed mentor, but soon find themselves facing unexpected dangers.

 

Resurrection Corporation is an indie black and white animated movie from Italy, which pays an inspiring homage to films like The Cabinet of Doctor Caligari, Nosferatu, Der Golem and Vampyr. The movie was completed in 2020, which fits perfectly with the 100th anniversary of The Cabinet of Dr. Caligari. It mixes Gothic expressionism with comedy, and oh boy, does it get crazy at times! The director, Alberto Genovese, is also behind a Troma-distributed film called Sick Sock Monsters From Outer Space, which from the trailer looks so mind-blowingly hilarious that we decided we just have to check it out sometime.

 

The animation is reminiscent of the South Park-style, which probably sounds a bit weird considering this is actually a pretty dark and atmospheric movie despite the comedic parts in it… but together with the more detailed and surreal backgrounds it actually fits pretty well. The voice acting is overall engaging and solid (we watched the Italian version). The protagonist, Dottor Caligari, is pretty much a very self-centered man who, to be honest, comes off as a bit of an asshole… in contrast to his companion Bruta, who comes off as the most sympathetic character in the whole movie. This does make for some interesting character interactions, and the viewing experience was anything but predictable.

 

Overall, Resurrection Corporation is a fun and unique ride, with amusing characters, a crazy plot, and a music score that together with the atmospheric graphics manages to set the tone in all the scenes. It is an inspired indie animated feature that pays homage to several black and white classics, while adding its own bizarre comedic elements.

 

Resurrection Corporation is currently available on streaming on Amazon (US and UK).

 

Resurrection Corporation Resurrection Corporation

 

Director: Alberto Genovese
Country & year: Italy, 2021
Voice actors: Antonio Amoruso, Alessandro Bianchi, Eliana Farinon Lazzarino, Erik Martini, Paola Masciadri, Marco Soldá
IMDb: www.imdb.com/title/tt9890120/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rent-A-Pal (2020)

Rent-A-PalDavid is a 40 year old single man who has dedicated his life to take care of his mother, who is suffering from dementia. Since we’re in the 90’s, there’s no internet dating services or other easy ways of getting to know someone, so in a desperate attempt to find someone he can share his life with, he signs up on Video Rendezvous, a video dating service (yes, this was a real thing back then). After failed attempts and little response, he one day comes over a VHS tape with the curious title Rent-A-Pal. Deciding to try it out, he brings it back home with him and meets his new friend Andy, who is sitting in a chair and pretending to have a real conversation with whoever is playing the VHS. Finding it awkward at first and struggling to make proper replies to Andy’s lines, he soon becomes accustomed to the conversations, and to David it feels like an actual friendship. Except, it’s just a simple VHS tape…or is it?

 

Rent-A-Pal is a well crafted psychological thriller, which gets pretty dark and depressing at times. Set in the 90’s, it does a very good job on recreating the era and makes it feel genuine. The portrayal of David and his dementia-suffering mother is both realistic and sad, without being dramatically overdone. It’s like seeing small glimpses of what an everyday life can be when taking care of someone with a condition like that. It is also interesting how the movie initially portrays David as a pretty nice guy, not the clichéd “loser” type or some new Norman Bates. He is genuinely caring and kind, and in one of his video dating performances he actually gives a really good and sympathetic speech about himself and his life, and how he takes care of his mother. However, the video dating service’s cameraman asks him to cut it down and have a re-take, so the end result ends up making him look like a total write-off instead. You can’t help but feeling sorry for the guy…

 

When the Rent-A-Pal tape starts playing, you don’t really know what to expect, but it feels somewhat creepy and uncanny. There’s nothing explicitly wrong with it, it’s just a normal-looking guy sitting in a chair, pretending to be the viewer’s “friend”, asking questions and delivering simple statements and jokes. And David becomes more and more obsessed with watching the video. Andy, despite being pre-recorded, gives him exactly what he needs: someone who seems to care, someone he can talk to, someone who listens. So, it’s not real…but for David it starts feeling real, and he starts rewinding the tape to certain parts that fits with what he wants to tell Andy, and what he wants him to say. Well…we can all see a few red flags here already, right?

 

Despite David’s increased obsession with the VHS tape, there are a few instances where something feels a bit off…and Andy’s lines become a bit strange. Andy’s effect on David becomes more and more apparent, and it’s not a good one…so when David finally has a chance of going on a date with a girl who even appears to be perfect for him, Andy’s influence actually makes it harder for him to get what he initially wanted: a girlfriend. Whatever black hole of loneliness that originally filled David’s heart, it has now been filled with Andy’s toxic influence. And it makes it even harder for David to live the life he wished for. While this being a 90’s centered movie, I guess you could easily draw some parallels to all kinds of negative internet influences. People who find themselves in a bad place (whether it be because of loneliness, depression, feeling of exclusion, or other things), might find a connection with someone or something online which gives them a feeling of belonging, but eventually just ends up destroying their every chance of living the life they hoped for as they sink further and further into a harmful rabbithole. And maybe that was the intention of Andy (and all “Andy’s) all along…

 

Driven by strong performances, Rent-A-Pal is a strange and dark journey, where you always keep wondering what’s going to happen next and where it’s all going to lead.

 

Rent-A-Pal

 

Directors: Jon Stevenson
Country & year: USA, 2020
Actors: Wil Wheaton, Brian Landis Folkins, Amy Rutledge, Kathleen Brady, Adrian Egolf, Josh Staab, Luke Sorge, Olivia Hendrickm, Karin Carr, Sara Woodyard, Brandon Fryman
IMDb: www.imdb.com/title/tt12274228/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Prosjekt Z (2021)

Prosjekt Z

We’re in the 1980s somewhere in the Norwegian forests, where the young couple Rebecca and Thomas are on a car trip. They run over a dog, and assume that the owner lives in the old victorian-styled hotel not so far away. Rebecca takes on the task to enter the hotel, which seems to be abandoned at first glance. But a horde of zombies suddenly show up, with the transsexual zombie-hotel owner itself Mor Monsen (Mother Monsen). This is not really happening, by the way, we are at the beginning of a clunky student film called “De Døde Våkner” (The Dead Awakens) and we get a series of behind-the-scenes footage that documents the film shooting, that goes from chaotic to the brink of disaster, and a showcase of how the film industry may not be as glamorous as one might think.

 

We meet the insecure director Julie Lundgreen with a big ego who has her script carved in stone, and is constantly in a protecting mode of “her vision” while the film’s main character, Rebecca, played by Iben Akarlie, is a feminist who tries to persuade the director to skip the scene where she has a threesome with two zombies. Nearly everyone are obviously amateurs, and gets really starstruck when they hear that the veteran Dennis Storhøi, which is one of the biggest movie stars from Norway, will play the role of the transsexual zombie. It does not take long before he starts fighting with the film crew and makes the director cry, and realizes that this is way too amateurish for a serious movie star like him, while he strongly misses the good ole’ days. So what else can go wrong here? Of course, a meteor strikes right next to the filming location, that could have been something straight from Alien, and someone is stupid enough to stick his hand in it. Not a good idea..

 

So what exactly is this? Drama? Comedy? Horror? All of the three, I would say, plus some turbulent relationship drama and how crazy you have to be to make a film with a low budget, little resources and zero experience. Meta-film, as it is called, although it is more in the mockumentary territory with a clear inspiration from The Blair Witch Project. The Japanese One Cut of the Dead also comes to mind even though this is a completely different beast. This is far from a traditional horror film, and in fact the first of its kind that has been made in Norway which puts it in a unique light. The monster scenes are placed in the back seat where the focus is mostly on the chaotic film-making, which may be a disappointment for some. What makes the film work so well is the dysfunctional relationship between the characters, and surprisingly good acting with dialogues and a dynamic that seem both organic and natural, while the line between fiction and reality gets somewhat unclear.

 

Prosjekt Z

 

There are many fun moments here, especially the scenes where the stressed director goes into full Stanley Kubrick mode and wears out the actors with an x-​​number of takes till they act badly just on purpose to taunt her. And Dennis Storhøi as the more eccentric version of himself made me laugh several times. Unlike the role he plays, he seems to really have a blast in Project Z and is one of the main reasons I will re-watch this movie several times. The only thing that does not work as well, is the ending, which seemed a bit anti-climatic.

 

Technically, the film looks really good. It’s limited with shaky-cam, which is a plus, and the aesthetic with the victorian-like surroundings gets a lot of room to shine, thanks to steady cinematography by Oskar Dahlsbakken, the brother of the director, Henrik Martin Dahlsbakken. The older audiences will also appreciate the fact that “The Dead Awakens” segments are filmed in the old-school way at 35mm, while the documentary is shot digitally in various formats. Considering that director Dahlsbakken can make two films a year, completely independently and outside the studio system, one could expect some direct-to-DVD cheapness, but it’s surprisingly competent. And the guy seems to have a good sense of humor and the ability to mix genres without it getting muddy. So yeah, it will be interesting to see what he does next. And as we speak he is already in post-production with his next horror film titled “Possession” which seems to go in a far more serious direction. I’m already excited.

 

Prosjekt Z

 

Director: Henrik Martin Dahlsbakken
Country & year: Norway, 2021
Actors: Eili Harboe, Vebjørn Enger, Iben Akerlie, Dennis Storhøi, Ole Christoffer Ertvaag, Alfred Ekker Strande, Regina Tucker, Jonis Josef, Arthur Berning, Alexandra Gjerpen, Laila Goody, Benjamin Helstad
IMDb: www.imdb.com/title/tt11444644/

 

Tom Ghoul