NATO sends out a crew in order to find out what happened to their missing submarine, the Siren I. For this, they use the experimental submarine the Siren II, and along with this crew the designer of the sub is amongst them. He finds that the corporation who had the submarine built, Contek, has made several modifications to the original design. He is not very happy about this, and the mood is already a bit strained and a lot of things definitely feels a bit off with the whole mission. When they get signals from Siren I‘s black box, they are led to an underwater rift that is full of toxic weed, something the on-board scientist points out should have been impossible since there shouldn’t be any plant life at this depth. Of course, they find out that Contek and Siren I had a lot of secrets, and the full truth of their mission is yet to be revealed to them.
The Rift (aka Endless Descent) is a B-horror movie from 1990, directed by Juan Piquer Simón who also directed movies like Pieces (1982) and Slugs (1988). There were a lot of underwater horror and thriller movies released around this time, most notably The Abyss from 1989, which was also one of the very few of these that became a box-office hit. Of course, like with many prior movie successes, there will always be those who try to jump on the bandwagon in hopes of traveling along with the popularity. The results are often a blend of meh-movies and some true B-horror schlock, in which the latter often deserves their own little spot here in the crypt of the Horror Ghouls.
Sure, the plot if somewhat threadbare and slightly silly, but the acting is overall decent enough for a movie like this, with Ray Wise having one of his more typical roles. The effects aren’t that bad either for an obvious low budget, and even though there isn’t an abundance of blood and gore, the death scenes are often vicious enough. While the movie starts off a little slow and sluggish, barely threading the water it’s supposed to dive into, it does start offering up some more intensity and surprises as we go along. There are at least some deep sea atrocities to set your eyes on here, including some giant killer seaweed, although the best creature feature parts are saved for the final scenes of the movie.
The Rift has its fair share of brutality, and serves up some amusing underwater sci-fi schlock. While it isn’t a movie that’s crazy enough to be especially funny, it is at least an okay popcorn-flick. Overall an average B-Horror movie, not great but entertaining enough.
Director: Juan Piquer Simón
Writers: Juan Piquer Simón, Mark Klein, David Coleman
Country & year: Spain, USA, 1990
Actors: Jack Scalia, R. Lee Ermey, Ray Wise, Deborah Adair, John Toles-Bey, Ely Pouget, Emilio Linder, Tony Isbert, Álvaro Labra, Luis Lorenzo, Frank Braña, Pocholo Martínez-Bordiú
IMDb: https://www.imdb.com/title/tt0099701/
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We’re in Ireland, and the year is 1905. Two carnies, Angus Shaw and his infertile wife Lily, runs a fake mermaid show where Lily plays the role of a beautiful and enchanting mermaid. One evening, during one of their shows, a mysterious fellow named Mr. Woolrich appears and privately calls them out on their act, while at the same time appearing strangely relieved that Lily was, in fact, not a real mermaid. They offer him a ride home, where it’s revealed that he’s got a mermaid captured. A real one. Naturally, Angus wants to use this creature as part of the freak show, but Woolrich strongly warns against it. Not easily deterred, Angus later brings a few colleagues back with him to abduct the mermaid, and smuggles her aboard a ship in order to take her to America. Lily tries to object to this idea, but to no avail. And onboard the ship, the mermaid soon reveals her darker side…


A group of happy passengers on a cruise ship is having a jolly good time, until they suddenly gets hit by another ship. The outcome is, of course, fatal. The few survivors gets aboard a lifeboat, and gets picked up but a mysterious black ship that emerges from the fog. When they all get on board the mysterious and eerie ship, they quickly notice that there’s not a single person there except themselves, and they realize something is terribly wrong on this creepy ship. That feeling gets confirmed when they find out that this has actually been a Nazi-torture ship that’s been sailing the seas for years, controlled by the Nazi-ghosts who are tricking people aboard. And when one of the survivors from the cruise ship, the captain, gets possessed by the Nazi-captain that once ruled this death ship, they all seem to be doomed…


Georgia Perry (Radha Mitchell) is a stubborn and strong-willed young woman: she’s decided to travel around the world in her 44-foot sloop, all by herself (well, almost…she’s got her cat for company). Being used to spending time at sea, and also spending time alone, it goes pretty well at first. She’s used to enjoying her own company, and the cat provides just enough social comfort. Then, the solitude starts taking its toll…while starting with small and insignificant things like starting to talk to her cat…which isn’t uncommon…I mean, who doesn’t talk to their feline companion once in a while? Except, of course, the cat starts talking back to her. A big red flag for her mental well being there, all right. But when she also starts hearing strange noises, and a mysterious fog appears which brings with it a whole array of deceased family members who have suddenly decided to drop in for a visit, it’s time to take it seriously. Is this just a severe case of cabin fever, or is something else happening at sea?
Ben and Tina are a young couple from New York, who have a YouTube channel where they are traveling to supposedly haunted houses in Europe while recording their experiences. These urban explorers decides to travel to south-west France in order to seek out a sanatorium that is submerged in an artificial lake, in hopes of getting more likes, views and followers…but upon their arrival to the place they find it crowded with people as it proves to be a popular vacation spot. Not sure exactly what to do next, they meet a local called Pierre, who offers to take them to another place of the lake where he claims that a mansion is located under the water, perfectly preserved and ready to be explored.




