horror comedy movie review

Dead Talents Society (2024)

Posted on September 5, 2025September 5, 2025 by HorrorGhouls

In the world of the living, we have Golden Globe Awards, while in the underworld they celebrate the Golden Ghost Awards. As the name implies, the awards are given to the ghosts that manages to scare as many people as possible, much aided with today’s social media where “scary videos“ are shared all over the internet. While it may sound like a silly award show made just for fun, there’s a darker backside to its popularity, something a rookie ghost girl (who is unnamed in the movie) discovers when she suddenly starts experiencing her body disintegrating. Much like we could see in Disney’s Coco (2017), the dead are at risk of disappearing if they are not remembered by the living. Rookie realizes that her piano competition certificate, which was her token in the world of the living that valued her existence the most, had been accidentally discarded when her family moved away from their house and her former home. Unlike the premise in Coco where you’d only disappear if no living person remembered you at all, the dead people in this movie have it much, much worse. Rookie will perish in 30 days as the result of her memory having faded due to the loss of her token. With the help of her ghost friend Camilla, she decides to join the entry contest for the Dead Talents Society, where a dead person can receive a permit to work as a ghost in the living world which must be signed by a haunting agency. What better way to keep being remembered by living people than constantly scaring the shit out of them and hopefully ending up in a viral video, right? And while Rookie’s performance at the entry contest is terrible, she catches the attention of a guy named Makoto, who is the agent of a washed-up ghost named Catherine. Together they try to make Rookie able to scare people so she can get her ghost working pass. No easy task, of course, when the competition is…deadly.

Dead Talents Society is a Taiwanese horror comedy from 2024 (released on Netflix this year) directed and co-written by John Hsu. After his success with Detention from 2019 which was based on a Taiwanese video game called Red Candle Games, he wanted to do something more lighthearted and funny. And he sure did! If the Beetlejuice movies had an Asian spinoff, then this movie would be as close as you could get. While Beetlejuice Beetlejuice (2024) aimed a lot for nostalgia, this one aims more for a more modern audience where social media is a huge part of everyone’s life. And yes…for this millennial and old-fashioned Ghoul lady, that premise sounds like something totally out of my field of interest, but holy haunted fuck did this a movie turn on all my feel-good switches!

In Dead Talents Society you get presented with an afterlife that is colorful and vibrant, but also with its fair share of darkness. What makes the movie shine, though, are the interactions between the living and the dead, where the whole premise is that ghosts are desperately trying to scare people in hopes on becoming popular enough to avoid the fate of disappearing completely. And the deaddies in the afterworld have made an entire show for this, the Golden Ghost Awards (which is an obvious parody on the Golden Globe Awards). Needless to say, you’ll be getting more than a few references to real urban legends, Asian horror in general, and viral videos.

The characters are fun, with Rookie being the typical shy, lack-of-belief-in-herself character that keeps growing throughout the movie, aided by those around her. The defamed ghostress whose haunted hotel gig just isn’t as popular anymore, appears to be cold and arrogant while being much softer than she first leads you on to believe. Then you have fake-moustache-guy Makoto who’s got his own secrets. A loving group of misfits with dynamics filled with charm.

Just like how watching Behind the Mask: The Rise of Leslie Vernon makes you see slasher movies in a slightly different way afterwards, Dead Talents Society has the same effect on horror movies featuring ghosts. All the preparations to pull off the perfect scare, the perfect reaction from the living, making them notice things at just the right time…holy hell, how stressful that could actually be..! And this movie shows that off so perfectly, where they do everything from drawing letters on the wall at just the right time, moving a chair at the right moment, all totally dependent on getting their victim’s full attention in the hopes of conjuring up a scare big enough to become an urban legend. Poor ghosts, it must be a hell of a job indeed…so the next time I watch a horror movie with ghosts, I’m probably gonna think “I wonder how much stress and effort the ghost must have gone through to pull that off“…

The movie does have a fair share of social commentary/satire mixed in with all the silliness going on, including a very clever satire on the ghost-hunting YouTubers. Mostly, though, it’s a portray of the influencer lifestyles and how some people will literally do anything to keep from losing their fame. So many people are craving the attention to be seen, often chasing ridiculous trends in hopes of getting enough recognition and hopefully get that one successful viral video which will provide their continued success. Which, of course, is never really the case anyway. Even in the afterlife, some of the biggest hits from earlier are at the risk of oblivion as few things will stay equally popular forever, and if you get popular, it will always be a constant struggle to stay at the top. The movie mixes comedy with some intriguing themes of life and death, love and loss and the desire to be seen.

Dead Talents Society is so much fun, a high-energy horror-comedy with a lot of colorful spooks and even a bit of heart. A total feel-good film for everyone who wants something a bit spooky-silly!

Director: John Hsu
Writers: John Hsu, Tsai Kun-Lin
Country & year: Taiwan, 2024
Original title: Gui cai zhi dao
Actors: Gingle Wang, Sandrine Pinna, Zach Ireland, Chen Bolin, Yao Yiti, Nina Ye, Chang-Ying Hsieh, Pai Ching-I, Yen-Tzu Lin, He-Hsuan Lin
IMDb: https://www.imdb.com/title/tt17079606/

Monsturd (2003)

Posted on June 6, 2025September 5, 2025 by HorrorGhouls

And no, just to put the big fat joke aside: this is not a biopic of Amber Heard. Har-har.

But what’s this supposed to be then..? Well, it’s a movie that was made. And released. And it’s exactly what the title tells you: a big goofy-looking monster turd who goes on a shitting/murder spree until it steps on a bee. Pure quality cinema from start to finish where the poster and title should speak for itself. The only thing missing here is the Troma Entertainment logo proudly slammed on the poster, just to put the icing on the turd cake. And maybe that was the hopes and dreams of the amateur writers/directors duo Dan West and Rick Popko, who the hell knows. They teamed up again in 2008 with the zombie flick Retardead (yep, you read that right) that went nowhere, other than being flushed straight to the sewer section on Tubi years later, including Monsturd. A big two in the loo, as they say in Britain.

It’s bedtime for a little girl, simply called Munchkin. It’s a thunderstorm outside and she’s scared. She wants her dad to tell her a bedtime story. But he’s tired of telling bedtime stories, and now he wants her to tell a bedtime story, for a change. That should be interesting. Ok, but it’s really SCARY, she says. And she’s not kidding. OoOoOohh…

Once upon a time, in a place called Butte County in California, there was this serial killer, Jack Schmidt, who managed to escape from a maximum security prison. He hides in the sewers (filmed in some caves that look nothing like sewers) where some toxic waste has just been dumped. After getting chased by a local cop and a federal Marshall, he gets shot and falls into a tank with the freshly exposed toxic waste that transforms him into a decent skeleton Halloween decoration after his skin falls off. Jack Schmidt is dead, or so they thought. Because you won’t believe in your wildest imagination what happens next. Listen to this: The serial killer has been mutated into a monster of human feces! Say hello to Monsturd. The poop is loose and no one in Butte County is safe as he comes out of peoples’ toilets to make sure they have a shittier day than usual. And who are you gonna call to get this mess cleaned up? Turdbusters? Oh well… If this Turdman was smart enough, he’d just skidmark himself to San Fransisco where he’d blend perfectly in.

This stinky, little passion project of a motion picture took over two years to shoot (yes, really), the biggest number two you can squeeze out, with a whopping budget of 3000 dollars. And I bet that every cent was put on screen. Most of the actors were coworkers from Rick Popko and Dan West’s dayjob, and rumors on the trustworthy internet say that some of them were blackmailed to be in the film. You couldn’t blackmail me to be in this movie, because who in the right mind wouldn’t want to be a part of a film called Monsturd?? Sign me up! I don’t see much point in picking apart a film like this that was made of pure shits n’ giggles (no pun intended). I’d just get a splitting headache if I did. By just looking at the poster and the trailer you know what you’re gonna get, nothing more, nothing less. The humor is as juvenile as it can get, with cringe jokes that’ll give you more brainfart than diarrhea, whatever you may prefer, and maybe more suitable for kids around the age of eight to twelve.

That being said, Monsturd is the perfect film to kill some time with on the smartphone as you’re having a nice dump and just, oh shit, noticed that you have to wait for someone to hand you over a new pack of toilet paper!

Writer and directors: Rick Popko, Dan West
Country & year: USA, 2003
Actors: Paul Weiner, Beth West, Dan Burr, Dan West, Rick Popko, Dan Ellis, Timm Carney, Hannah Stangel
IMDb: https://www.imdb.com/title/tt0364527/

Frostbiter: Wrath of the Wendigo (1995)

Posted on February 28, 2025September 5, 2025 by HorrorGhouls

This wild, crazy, silly little flick starts with an introduction of a lone trapper who calls himself the Guardian, played by some dude with schlocky old makeup that looks like dried mud. He tells us the story with a raspy Robert Englund-ish voiceover where he once upon a time came into a battle with none other than the mythical snow beast Wendigo at Manitou Island in Michigan. And this island is no joke as it has a snowy mountain shaped like a human skull. C o o l.

After he defeated the beast, he dedicated the rest of his life to protecting the world from its resurrection, like a Sentinel, if you will. And by doing so, he marks the beast’s burial ground with a circle of skulls of the victims to create a spiritual shield. Clever. But, of course, if the circle is ever broken, he’ll be reborn and more powerful than ever. So there’s no time to retire.

The Guardian is now a hundred years old and lives as a hermit in his small cabin to guard the sacred burial ground. Too bad that the old fool never thought of having a loaded shotgun, just in case. Because this is America, after all, where there’s not only Wendigos and other fairytale monsters to be highly aware of. And the ones to come here and ruin his life’s work and screw everything up, is none other than two trigger-happy hunters in the holy name of the Second Amendment. One of them, the most trigger-happy one, is played by Ron Asheton, the guitarist and co-founder of the legendary rock band The Stooges. And speaking of: the whole soundtrack is blasted with rock music from obscure artists. Because I can’t proudly say that I’ve ever heard of Elvis Hitler. No songs from Iggy Pop here, though. Anyway: They shoot one of the skulls that breaks the circle before shooting the old man.

His final words are The circle … has been … broken. The wind … whispers. Wendigo… God bless, thank for your service and rest in peace. It’s full nonstop B-movie showtime from here on as the Guardian’s body decomposes in some classic stop-motion fashion (just like we saw in the first Evil Dead from 1984) before his possessed skeleton attacks the hunters. They cut the skeleton’s head of with an axe, but then comes a big hand and grabs one of the hunters who ends up decapitated. Back on the mainland the young woman Sandy gets her beauty sleep interrupted when the ghost of the Guardian gives her a visit to pass her the torch. She gets on a plane to the island to close the circle, and her job gets more complicated when a group of drunk guys having a party in a cabin ends up conjuring the wendigo from a ghoulish shapeshifter with a wig to his full glory form.

We also have a chili stew that turns into a monster. And I should be careful with my words from here on as I drink chili beer as I’m writing this …

Frostbiter: The Wrath of the Wendigo was made sometime in the late 1980s after a group of friends got a complete life-changer after watching Evil Dead II and wanted to become filmmakers themselves. And who wouldn’t, after watching that film for the first time, whether you’re 14 or an old fart. The film collected dust for some years after Troma Entertainment finally came to the rescue and gave it a VHS distribution in 1995. In Japan, the film was released under the title Shiryo no harawata (which is simply translated as Evil Dead) to cash-in on Sam Raimi’s trilogy, in some good old shameless Italian style. The true Japanese counterpart to Evil Dead, however, was released around the same time with the colorful title Bloody Muscle Body Builder in Hell.

The love and homage to Evil Dead really shines through where they do their best to imitate the distinct loose camerawork and chaotic atmosphere. The Troma vibe is also all over the place, though, so don’t expect any creep factor. Instead we have full on dumb, silly comedy performed by a handful of enthusiastic amateur actors who obviously had a blast. The dialogues are even dumber. Fun stuff, in other words, to spend with tacos and beer on a Friday night. There’s also a lot of ambitions in the effects’ apartment with some cute miniature sets, matte paintings, prosthetic effects, and of course the Wendigo monster itself, that could be straight from a Ray Harryhausen film. Some really impressive work here, for sure, where every penny of the shoe-string budget was wisely spent. The audio mixing has some serious issues, though, as the music drowns out the dialogues. So thanks for the subtitles.

The film was recently released on Blu-ray from Vinegar Syndrome and could be conjured on, yes, you guessed it – Tubi.

Director: Tom Chaney
Writers: Tom Chaney, Rick Cioffi, Steve Quick
Country & year: USA, 1995
Actors: Ron Asheton, Lori Baker, Patrick Butler, Devlin Burton, Tom Franks, Alan Madlane, John Bussard
IMDb: https://www.imdb.com/title/tt0116371/

The Monkey (2025)

Posted on February 25, 2025September 5, 2025 by HorrorGhouls

The pilot Petey Shelburn enters an antique shop in the hopes of getting rid of a drum-playing toy monkey, saying he wants it to be someone else’s problem. Suddenly, the toy monkey starts playing its drums, which causes a chain reaction where the shop owner gets killed. Petey on the other hand disappears, never to be heard from again. This leaves his wife, Lois, to raise their two children Hal and Bill alone. Several years later, in 1999, the two boys discover the toy monkey while going through their father’s belongings. Curious, they wind its key, and the first victim is their babysitter Annie. They realize that the toy monkey caused it for some reason, and when Hal gets tired of Bill’s constant bullying he decides to wind up the toy once again in the hopes it will kill his brother. Instead, their mother suffers a sudden aneurysm and dies as soon as Bill comes home. Obviously, the monkey doesn’t take orders. Hal chops the toy in pieces, and disposes of it before they move to their aunt Ida and uncle Chip. There, the monkey reappears and another death ensues. The brothers then decide to try a final attempt of getting rid of it by sealing it inside a box and throwing it into a well. And, well…according to the law of horror stories, nothing that is cast into a well will remain hidden forever. Twenty-five years later, Hal is estranged from his brother and barely has any contact with his son Petey. Then, Bill suddenly calls because he thinks the monkey is back.

The Monkey is a comedy horror movie written and directed by Osgood Perkins, and is loosely based on a short story from 1980 by Stephen King. Originally, Frank Darabont (director of The Mist from 2007) held the film rights to this story, but the project never materialized.

We’ve come to know Osgood Perkins as the master of atmospheric slow-burn horror movies (with his debut The Blackcoat’s Daughter and last year’s hit Longlegs), and this time he wanted to try something completely different. Perkins wanted to give the film comedic elements because he thought it was more fitting for a film about a killer toy:

“I took liberties like a motherfucker. They [Atomic Monster] had a very serious script. Very serious. I felt it was too serious, and I told them: ‘This doesn’t work for me. The thing with this toy monkey is that the people around it all die in insane ways. So, I thought: Well, I’m an expert on that.’ Both my parents died in insane, headline-making ways. I spent a lot of my life recovering from tragedy, feeling quite bad. It all seemed inherently unfair. You personalize the grief: ‘Why is this happening to me?’ But I’m older now and you realize this shit happens to everyone. Everyone dies. Sometimes in their sleep, sometimes in truly insane ways, like I experienced. But everyone dies. And I thought maybe the best way to approach that insane notion is with a smile.”

While the film does have a lot of the moody visuals which is identifiable in Perkins’s earlier works, the suspense is unfortunately lacking so it all feels a little misplaced. There isn’t really any actual tension here, and the kills are mostly setup as pure jokes. Nothing wrong with that, but it gets a bit repetitive, and the comedy parts fall a little flat for me and gives a feeling of trying a little too hard which just makes it stumble. I’ll admit I did like the design of the monkey toy itself, it’s similar enough to the original toy with cymbals (the Jolly Chimp from the 1930s) while giving it a slightly ominous flair without going over the top (like with the Annabelle doll). I can easily imagine that it would have worked pretty well in a more serious movie, too. In many ways, I think this movie is a little reminiscent of movies like Wish Upon, with a dose of Final Destination. It’s kind of silly, kind of gory, and never tries to fool you into taking any of it seriously. The premise itself is of course totally bananas: a toy monkey causing someone to die every time it’s playing the drums. It was also fun to see some well-known faces throughout the movie. Also fun to see Perkins himself playing a minor role here, as the eccentric uncle Chip.

Granted, The Monkey isn’t any masterpiece, but there’s no doubt that it’s still granted a success. The film has already grossed $20 million against a budget of $10-11 million. Not much of a surprise when keeping the success of Longlegs from last year in mind (although these two films can barely be compared), and the trailer for The Monkey got millions of views.

My verdict? The Monkey is a movie where the kills are the most entertaining and fun part, and the movie is best enjoyed when turning off your brain completely and not expecting anything similar to what Perkins has made earlier. I’m fine with him wanting to do some monkeying around for a change, but I also personally hope that we’ll see more of his slow-burn atmospheric horror movies in the future.

Writer and director: Oz Perkins
Country & year: USA/UK/Canada, 2025
Actors: Theo James, Tatiana Maslany, Christian Convery, Colin O’Brien, Elijah Wood, Rohan Campbell, Sarah Levy, Osgood Perkins, Tess Degenstein, Danica Dreyer, Beatrix Perkins, Kingston Chan
IMDb: https://www.imdb.com/title/tt27714946/

Mom and Dad (2017)

Posted on January 28, 2025 by HorrorGhouls

We’re in a suburban town where a mother is putting on some music in the car for her child. Static starts playing…and she then drives her car to some railroad tracks and leaves her child to die there. Then we head over to the Ryans, a family consisting of the mom Kendall (Selma Blair), the dad Brent (Nicolas Cage), the daughter Carly (Anne Winters) and the son Joshua (Zackary Arthur). Things are, like in most normal families, stressful and a little strained here and there: the dad’s going through a mid-life crisis, brother and sister are picking fights with each other, and the mom is trying to occupy herself with taking fitness classes. The kids go to school as usual, and then the TV screens and radios starts transmitting the static we saw in the opening scene of the film. All hell breaks lose, and parents all over the place are going crazy and hellbent on killing their own offspring. Brent and Kendall are no exception to this mass hysteria, and the children must try to stay safe from the people who should’ve been the safest of all.

Mom and Dad is a black comedy horror film from 2017, written and directed by Brian Taylor (who also directed the recent Hellboy movie Hellboy: The Crooked Man from 2024). It had a limited release, and while getting a generally positive reception it underperformed badly, grossing only $286,313 against its $4 million budget. Still, Nicolas Cage said it was his favorite movie that he had filmed in 10 years, and John Waters named it as one of his top 10 favorites released that year.

Now, a movie about parents going insane and wanting to kill their children sounds like a pretty fun idea for a horror movie, right? While it could have been anything from a serious and grisly movie to something that takes itself too seriously, it fortunately takes the road of black comedy instead which fits perfectly here. It’s pretty fast-paced, and easily entertaining despite not exactly having the thickest of plot. Originally, I expected the movie to be a bit more gory, though… sure, there is a bit here and there but not that much as many of the kills are off-screen.

The major theme of the movie is parents feeling trapped in parenthood. There is a line in the movie, where Brent says: “I mean, I used to be Brent… and you used to be Kendall… and now we’re just… Mom and Dad “. And I think this rings true for many parents, who might end up losing themselves in a busy family life and not having enough time to nurture the relationship to their spouse, their hobbies, and all the other things that gets thrown into the backburner because when you become a mom and dad, that’s your priority. And of course, we understand that this is how it needs to be: no children ask to be born, and making this choice involves all those responsibilities. Some are able to balance being a parent with all the other things in life, and some end up feeling “trapped“ in their own self-made bed, regretting their life choices, regretting getting older, and putting the blame on the children they chose to have. This by itself doesn’t turn them all into child-killing crazies, of course, but something in this movie triggers these deep-laden feelings. It is not entirely clear what actually caused the murderous rampage by parents, except we know it’s got something to do with the static that starts playing everywhere.

Mom and Dad is an entertaining movie filled with madness and fun, and fortunately never takes itself too seriously. Cage is in full unhinged Cage-Rage mode which is always a joy to watch, and even Lance Henriksen shows up here as Brent’s dad to push things even further as all the moms and dads are on a killing spree. Overall a good time, despite not getting much of a conclusion to anything.

Writer and director: Brian Taylor
Country & year: USA/UK, 2017
Actors: Nicolas Cage, Selma Blair, Anne Winters, Zackary Arthur, Robert T. Cunningham, Olivia Crocicchia, Lance Henriksen, Marilyn Dodds Frank, Samantha Lemole, Joseph D. Reitman
IMDb: https://www.imdb.com/title/tt5462326/

Renfield (2023)

Posted on January 10, 2025September 5, 2025 by HorrorGhouls

Who’d think that Dracula was actually a full-blown narcissist? Wuut? Mr. Renfield, Dracula’s primary source of supply, which also includes being a scapegoat, slave, bitch, punching bag etc., can tell some stories. We’re in present day where Dracula (Nicolas Cage) has moved to a condemned hospital in New Orleans where he plans to turn the whole humanity into his slaves. USA is the big, great land of opportunity where dreams come true, after all (s a r c a s m).

Renfield (Nicolas Hoult, who also plays the Jonathan Harker version in the recent Nosferatu) is still his servant who’s been cursed with immortality, so Dracula can use him as long as needed. His self-esteem is down the toilet and his guilt for bringing his boss victims to satisfy his constant need for human blood, is eating him alive. So what he does next is to attend a therapy group for Co-Dependency / toxic relationships to hunt down the victims’ abusers to then hand them over to Dracula. What a wholesome idea. I guess he just watched Dexter.

The more he attends the group session, the more he realizes that something has to change, and Dracula (or just let’s call him Narcula) is not good for his mental health. No, you don’t fucking say. He starts reading self-help books like “How to Defend Yourself Against a Narcissist“, while I bet he’s already deep in the YouTube-rabbit hole of the subject. Narcula won’t have any of this, of course, and does all the familiar mindfuck games to distract him, such as the classic phrases like: I am the REAL victim here, YOU are the monster, and my dog stepped on a BEE..! Anyway … Plot thickens when Narcula joins forces with mafia queen Bellafrancesca Lobo (Shohreh Aghdashloo) while Renfield only has the frustrated police officer Rebecca (Awkwafina) by his side and gets the ability of super powers when chewing on bugs.

It’s a big understatement to say that Nic Cage has a fun time here, as he’d dreamed about playing Dracula on the silver screen since he was a kid. Rumors also say that he at some point visited Dracula’s ruins in Romania and spent a night there to get a sense of the atmosphere and its surroundings. All that being said, I must admit that I didn’t see much of The Prince of Darkness here, but rather the opposite of Dracula playing Nic Cage, something that only Cageula could get away with. A lot of fun regardless, as Cage is a top-shelf showman who’s always putting out a unique performance with high, manic energy. And with the make-up and the sharp razor teeth, I also kept wondering when he’s finally going to play Marilyn Manson in an X-rated biopic.

Renfield is co-written by The Walking Dead creator Robert Kirkman, which also explains the gore, which goes from solid old school to pure, mushy CGI slop. Most of the latter, unfortunately. I’ve seen way worse, as said in the trailer. A subtle hint that the film is fully aware of what it is and goes full in on the silliness and wild over-the-top action scenes that made me think of some of the manga-splatter films from Japan.

Renfield is far more a parody of the Universal Dracula films than a respectful sequel. And parodies are very hit’n miss, comedies in general for that matter, especially in these days when modern, mainstream humor is nothing but a cringe and painful endurance test to sit through, even in a small trailer. Yes, I’m pointing at you, Marvel. Renfield has the right balance, which the amputated runtime of 90 minutes is maybe to thank for, as there’s more action and pacing than pause segments with insufferable jokes. More of this, please!

But what makes the film stand out and not just being a silly, lowbrow splatter cartoon show, is the metaphors of the non-stop widespread epidemic that is pathological narcissism. We’ve seen a more grounded take on the subject in films like Sleep Tight (2011), Gone Girl (2014) and The Invisible Man (2020), although I think it overall nailed it in a fun and morbid, colorful fashion between the Dark Overlord Narcula and the super empath Renfield. I have myself been there, and as painful as it is, the time will eventually come when you can lean back, enjoy a megapint and just laugh at these miserable clowns as a reminder that you’re not doing so badly in life.

Director: Chris McKay
Writers: Ryan Ridley, Robert Kirkman, Ava Tramer
Country & year: USA/UK/Canada, 2023
Actors: Nicholas Hoult, Nicolas Cage, Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez, Camille Chen, Bess Rous, Jenna Kanell, Danya LaBelle, Rhonda Johnson Dents
IMDb: https://www.imdb.com/title/tt11358390/

Chuck Steel: Night of the Trampires (2018)

Posted on January 3, 2025January 3, 2025 by HorrorGhouls

A woman and a man who is piss-drunk are stumbling back home after a night out in L.A. They decide to take a shortcut through a dark alley (of course they are), where a large hobo violently attacks the man by biting him on the neck. The woman also gets attacked by similar monster-looking hobos, but she manages to escape, only to get hit by a speeding police car.

Then, we head over to a “flashback“ scene where our protagonist Chuck Steel must try to save his kidnapped wife from the local Yakuza. After a totally over-the-top action-packed fight and chase scene, the tragic outcome is that Steel’s wife falls from a helicopter to her death. And that’s the story of how our hero lost his wife, which explains his moody “fuck off assholes and leave me alone“ attitude. Or…at least that’s the story he tells everyone. He also tells every new partner he gets that he is in no way interested in a partner, hates working with a partner, and is a guy that wants to work alone, something that a rookie cop named Barney is about to find out. Poor Barney is also about to find out that Steel has no problems with causing huge collateral damage whilst haunting some gangsters, all the while ranting his ass off to the poor rookie. Needless to say, Steel is soon without a partner again. His captain, determined to team him up with somebody at last, gives him a final choice: a Swedish woman, a monkey, or a cheese plant. He chooses the woman (much to his regret as she’s not exactly what he hoped for). They go to interview the woman from the opening scene who is now in hospital, but when arriving there he meets an old British man standing over her, ready to ram a stake into her heart. This man is supernatural hunter Professor Van Rental, warning Steel that this woman is about to become a Trampire. Yes, you read that right: a Trampire, because back when vampires ruled over Transylvania they were driven out by the locals who finally had enough, which forced the vampires to live like tramps and took to binge drinking, causing their thirst for blood to become as strong as their thirst for alcohol. Thus, the Trampires now hunt the street for those with a high blood alcohol level, and staying sober has never been more important! Of course, it would be an impossible task to ask the general public to stop getting shitfaced, so the only option is to get rid of the Trampires. Does Steel believe in any of this insane hogwash? Well, of course not…but he’s soon to find out that the professor was speaking the truth, which turns this already bonkers movie into a totally crazy, blood-soaked balls-to-the-wall love-letter to the action films from the 80’s!

Chuck Steel: Night of the Trampires is a stop-motion action horror comedy film from 2018, written and directed by Mike Mort who is also voicing the titular lead role, and this was his feature debut. Budget is said to have been $20 million, of which it doesn’t seem that even a fraction of it was earned back (such a shame). It premiered on the Annecy International Animation Film Festival in France, on 12 June 2018. And this one’s been a long time in the making, as Mike Mort wrote the early draft for it back in 2001. The character of Chuck Steel was something he came up with all the way back in 1986, however, which makes this an even more fitting 80s throwback film. In 2013, Chuck Steel appeared in the short Raging Balls of Steel Justice, and in 2014 Animortal Studio was setup, where the impressive amount of 425 puppets where made for the movie, plus dozens of giant scale-model sets. The movie was finished in early 2018. Then, distribution hell happened and it didn’t get a release until October 2021.

A stop-motion animated horror action comedy, not giving a turd about political correctness and whether the jokes are being “offensive“ by today’s standards , filled with gore, 80’s throwback action and other pleasantries…what’s not to love? The trailer for this movie got me interested immediately, and oh boy, were we in for a ride with this one! First of all, the stop motion in this movie is absolutely fantastic. It’s easy to see that there’s been put so much love and care into all the puppets, model sets and details. The references to the 80s actions flicks, including both the good and the bad, are spot on: there’s an abundance of explosions, car crashes and chases, all accompanied by the beats of typical 80’s music. It’s just as hilarious and energetic as the trailer indicates, but it’s also surprisingly cinematic and polished.

Chuck Steel: Night of the Trampires is one of those movies where I just can’t help thinking: why the hell isn’t this movie more known, why isn’t it receiving more appreciation..? With throwback movies being all the rage these days, this should’ve been a goddamn cult classic by now! Yeah, yeah… the crude humour was probably off-putting for some, but seriously. It’s not often we see something as inspired, something so filled with ridiculous energetic glee as this movie! Sure, you probably need to not only be a fan of 80’s action movies or the 80’s in general to fully appreciate a movie like this, but also have a bit of fondness for some of the typical B-Movie schlock as well. Playing this one to the general audience who are used to watch the latest generic and safe blockbusters will probably put their brain in automatic nah-mode, especially with all the jokes putting the modern offense-level up to eleven which would make them squirm in their seats with discomfort. So, yeah…this is one of those movies where I know it’s not got a very wide audience (obviously), but I still can’t recommend it enough and I think that there’s a much larger audience out there who would have loved the shit out of this film if they just found out about it. It’s filled with awesome animation, fantastic creature designs, gore, has a totally crazy plot, and is a hilarious action-filled adventure featuring the most badass maverick cop ever. A pleasure to watch! Glad we got this one on Blu-ray, which also included a poster and booklet.

Writer and director: Mike Mort
Country & year: UK, 2018
Voices by: Mike Mort, Jennifer Saunders, Paul Whitehouse, Dan Russell, Jonnie Fiori, Samantha Coughlan, Romano Marenghi, Geoff Robbins, Jonnie Price, Mark Richard Jones, Laura Tofarides
IMDb: https://www.imdb.com/title/tt4278346/

TerrorVision (1986)

Posted on October 29, 2024September 5, 2025 by HorrorGhouls

– Hey, remember that movie? You know, the one about the little space guy. Made you cry like a butthole?

After the insanely catchy theme song, we get the pleasure of meeting the Puttermans. They are… uhm, well, a lot could be said about the Puttermans, but first and foremost, they are a family. And not just a family, but an American family, living in Los Angeles. They’re THE most American family of all time. And the year is also 1986, with its peak of technology, and being a wealthy upper-class, what can be more perfect than that? Here we have mom Raquel and dad Stan, a swinger-couple, living the American dream with their two kids, a wacky survivalist/doomsday prepper grandpa and some other middle-aged dude who should be in jail for his fashion choice. The family’s daughter, Suzy, likes to dress up as Cyndi Lauper and dates a stoner dude named O.D. (overdose). He’s an over-the-top stereotypical metal head who’d make Beavis and Butt-Head look like Jehovah’s Witnesses.

The family dad puts up a big satellite dish with no success. It isn’t after a lightning bolt hits the dish from the blue sky when the family can enjoy Channel 69, MTV and Medusa’s Midnight Horrorthon. C o o l. The lighting comes from a garbage disposal on the distant planet Pluton, by the way, that teleported a “Hungry Beast“ to eventually come out of the Putterman’s TV and terrorize the family. But you just wait, cuz it gets crazier. The best way to describe TerrorVision is a live-action Saturday-morning cartoon on mushrooms, shot like a demented sitcom with three episodes stitched together. Absolute zero logic and all over the place. The only thing missing here, to put the satirical cherry on top, is a laugh track.

TerrorVision is written and directed by the Full Moon bat Ted Nicolaou, here under the banner of Empire Pictures. This is his directorial debut after working over a decade as sound engineer and editor on films such as The Texas Chain Saw Massacre (1974) and with his first collab with Charles Band on Tourist Trap (1979). The monster design was made by John Carl Buechler, who also made Troll the same year, another Charles Band production. Nicolaou said to Buechler as he was making the monster: “make it look really stupid“. The result is something that looks like if Sloth from The Goonies was mutated with a dog, Pizza the Hutt and one of my classmates from elementary school. So, mission accomplished, I’d say. The youngest actor who plays the family’s son was permitted by his Christian parents to be in the film on one condition: to not have him in the same frame with the nude paintings which you’ll see everywhere in the house. And Mr. Nicolaou sure broke that promise more than one or three/four times.

The film was panned by the critics upon its release, where we have a quote from Time Out Film Guide saying: — The aesthetics of trash sink to new depths of delirium in this kooky sitcom variant of Poltergeist. Couldn’t be more true though. It wasn’t until years later it found its niche audience and is viewed as a so-bad-it’s-good film, which I beg to differ. Yes, it has its clear elements of such, but it’s way too self-aware to fully earn a spot in that category. Not for everyone, but sure a wild, doozy ride if you’re in for it. It’s basically the best and worst of the pop-cultural 1980s in a nutshell, exaggerated up to the max. Maybe some Aha..hahaha’s for the adults and just mesmerizing birthday party schlockfest for the kids with some gooey light-hearted gore. It will leave an impact, nevertheless, even in the year of 2024 where 1980s throwback films are more popular than ever.

TerrorVision is available on a DVD/Blu-ray double feature with The Video Dead from Shout! Factory.

Writer and director: Ted Nicolaou
Country & year: USA/Italy, 1986
Actors: Diane Franklin, Gerrit Graham, Mary Woronov, Chad Allen, Jon Gries, Bert Remsen, Alejandro Rey, Randi Brooks, Jennifer Richards, Sonny Carl Davis, Ian Patrick Williams, William Paulson, John Leamer
IMDb: https://www.imdb.com/title/tt0092074/

Dr. Giggles (1992)

Posted on October 26, 2024January 1, 2025 by HorrorGhouls

– If you think that’s bad, wait until you get my bill.

Evan Rendell (Larry Drake) is a mentally deranged man who manages to escape the mental asylum (a time when mental asylums still existed) and return to his abandoned little rundown mansion on the outskirts of the small town of Moorehigh. We learn that Rendell is the son of the town’s previous doctor, and the apple doesn’t fall far from the tree. His father did some pretty shady things to his patients, such as stealing their hearts and such, for reasons I won’t spoil, because there’s actually a fun little twist to the whole thing. But his approach to his patients with zero empathy, sure had its impact on Rendell Jr’s frontal lobe. So in order to continue his father’s legacy, he gets a list of names so he can sneak into the townsfolk’s homes at night to pay them an unexpected doctor visit. Dad would be proud.

And here’s the big question; why the nickname Dr. Giggles? That’s because he giggles in a demented high-pitched note, as if someone tickles his ballsack with the tip of a feather – or getting an unexpected blowjob while standing on a podium, if you take the reference. It’s a pretty distinct kind of giggle that I believe that only Larry Drake could pull off. While it’s pretty gimmicky and goofy at times, it puts an extra flair on his twisted personality, and adds more creep factor to his stone-cold Slavic-like face. The film itself isn’t creepy for one second though, but Larry Drake makes up for an oddly entertaining villain with some cheesy one-liners. He’s maybe best known for being the antagonist, Duran, in the first two Darkman films.

But there’s no slasher without a big group of teens, some meat balloons, or at least a final girl. And since it happens to be the start of the summer break, the timing of Dr. Giggles return couldn’t be more perfect. Here we follow the 19-year-old main protagonist, Jennifer Campbell. She has a serious heart condition that prevents her from living out her final year as a teen to the fullest. Well, thank God that Dr. Giggles is finally in town, which she eventually will get the un-pleasure to meet. Jennifer is played by the Charmed star Holly Marie Combs, who actually was 19 during the filming, and not a 27-year-old pretending to be 19. That’s rare, as most of the teens in slashers, especially from the 1980s, look like they’re in their late 30s. Jennifer Aniston auditioned for the role as the final girl, but luckily she didn’t have to wait for long to make her big film debut in Leprechaun. Let’s have a long, sarcastic giggle for that one.

Although Dr. Giggles was released in 1992, it has the vibe and the standard formula of a 80s slasher. Thus, the film did not perform at the box office as the slasher genre had gone into hiatus with a severe hangover alongside with the hair metal bands. That’s a shame as there could be a fun franchise to develop here. Oh, well. Dr. Giggles is an enjoyable little slasher flick with some great gore, silly humor – and bonkers performance by, again, Larry Drake, who alone makes the film a standout. And while we’re speaking about doctors, also give The Dentist a visit for a check-up, because health is important, you know…

Dr. Giggles is available on Blu-ray from Shout! Factory and is maybe to be found on Tubi.

Director: Manny Coto
Writers: Manny Coto, Graeme Whifler
Country & year: USA, 1992
Actors: Larry Drake, Holly Marie Combs, Cliff De Young, Glenn Quinn, Keith Diamond, Richard Bradford, Michelle Johnson, John Vickery, Nancy Fish, Sara Melson, Zoe Trilling
IMDb: https://www.imdb.com/title/tt0104139/

Killer Klowns from Outer Space (1988)

Posted on October 25, 2024September 5, 2025 by HorrorGhouls

Mike Tobacco and his girlfriend Debbie Stone have gone to the local lover’s lane to make out. Suddenly, they spot a strange glowing object falling down from the sky. They’re not the only ones who saw that, as the farmer Gene Green decides to find the impact site as he believes it to be Halley’s Comet. Well, he finds something quite different. A large circus tent has been raised in the place where the “comet“ landed, and the poor farmer and his dog are captured by aliens looking like clowns. What they are? Killer Klowns, of course! Mike and Debbie arrive at the place and decide to enter the strange-looking circus, and find themselves in a bizarre place with an interior that resembles a spaceship. They’re discovered, and after being able to flee they try reporting the incident to the local police station. A large circus in the forest, and alien clowns from outer space? Yeah, that’s believable of course. Or not. But even the police must realize that something funny is happening around here, when the Klowns begin attacking the townspeople. Why they’re attacking people? Because they’re hungry! And the people they capture are encased in large cotton-candy cocoons, where they drink the mushed-up fluids from inside in true spider-style (well, not exactly, they use drinking straws). Mike and Debbie know they must defeat the Klowns, but how? The answer is simple, of course: you need to shoot them in their red nose!

Killer Klowns from Outer Space is a colorful sci-fi horror comedy from 1988, written and directed by the Chiodo Brothers. They also made the practical effects and makeup for the movie, much of it also carried out by other artists. Thus, there’s a ton of practical effects, rubber suits and masks. It was filmed in Watsonville, California and at the Santa Cruz Beach Boardwalk, and have pretty much been considered a cult classic for quite some time. There’s been talk of sequels, but they’ve been in development hell since the original film’s release. If there should ever be some kind of sequel, though, then at least it would be one people have wanted for some time, just like the Beetlejuice Beetlejuice movie.

Just looking at the title, the description, and the images of the Killer Klowns themselves, you can’t blame anyone but yourself if you watch this and expect something different than what it is. It’s pure childish, silly nonsense. Originally, the film was supposed to just be called Killer Klowns, but in order to prevent people from assuming it was a simple slasher film, they added the “from Outer Space“ just to let people know what they were in for. Good choice. It’s obviously both a parody and a homage to the 50’s and early 60’s sci-fi classics about alien and monster invasions.

The special effects are the movie’s most admirable part, where the Killer Klown costumes look pretty darn good. The acting is, well, very typical B-movie fare, which suits a film like this perfectly. And as you might expect, this being alien clowns and all, there’s gags aplenty and a lot of wild stupidity with popcorn-guns, shadow puppets eating people, and a lot of other loony stuff. While it’s hard to imagine anyone finding any moments in this movie to be scary in any way, the cotton-candy cocoons with melted human bodies inside is a little bit nasty. And yeah, there is a bit of gore here but there’s nothing really over the top. The film also has a pretty cool and campy theme song called Killer Klowns, performed by the pop/punk band The Dickies. Ah, theme songs! Those were the days.

Killer Klowns from Outer Space is just as deranged, absurd, childish and sickly sweet as you can imagine. You can almost feel a sugar-overdose after watching it, despite not having eaten any candy or ice cream at all. And in space no one can eat ice cream, or so the film’s slogan says. It’s had several DVD and Blu-ray releases over the years, and can be seen on several streaming sites.

Director: Stephen Chiodo
Writer: Charles Chiodo, Stephen Chiodo, Edward Chiodo
Country & year: USA, 1988
Actors: Grant Cramer, Suzanne Snyder, John Allen Nelson, John Vernon, Michael S. Siegel, Peter Licassi, Royal Dano, Christopher Titus, Irene Michaels, Irene Michaels, Karla Sue Krull
IMDb: https://www.imdb.com/title/tt0095444/