Dani is the wife of a psychiatrist named Ted Timmis, and she’s alone in their newly acquired country house which they are renovating. Suddenly, Dani realizes that something’s wrong, and a man named Olin Boole appears outside the house. Olin is one of her husband’s former patients, and he claims that there’s someone in the house with her, and demands that she lets him in. Naturally skeptical of this seemingly unhinged person, she refuses. Until she actually starts believing him…and opens the door. Then we fast forward to one year after Dani’s murder which Olin Boole was believed to be responsible for, and Ted’s got a new woman, Yana, in the country home and appears to have moved on pretty well. Dani’s twin sister, Darcy, has not…she’s a blind clairvoyant with psychometric powers, meaning she can touch an object and sense its story. She also runs an antique shop, of course. Ted promised to hand her the glass eye that belonged to Olin, who is also dead, so he makes a hasty visit and hands it to her. Shortly afterwards Darcy makes an unexpected visit to Ted’s residence, much to Yana’s dismay, and she’s brought with her an odd and creepy looking life-sized wooden mannequin as a gift…
Oddity is an Irish horror film from 2024, written and directed by Damian McCarthy. It was shot in County Cork, Ireland, in a converted barn where the director also shot his first film Caveat. He worked on both films simultaneously. The creepy mannequin was created by effects artist Paul McDonnell, and since McCarthy is a guy who frequently browses antique stores, many of the props we see in the film are from his own collection.
This film surely is a slow-burner, where atmosphere and a creeping sense of dread is the foundation of what is essentially a straightforward murder mystery. It does have that classic old-fashioned ghost story vibe to it, and while the mannequin doesn’t necessarily play as much of a role in this movie as I initially expected, it does serve its purpose. The setting where Ted’s country house is almost castle-like in its appearance, and of course located far out in the middle of nowhere, helps setting the mood and a feeling of isolation. Haunted houses, murder mysteries and revenge isn’t an uncommon mix in the horror genre, but it is the excellent atmosphere that lifts Oddity up from what could have been standardized and too familiar. The creepy looking doll is of course also what keeps the anticipation up even higher.
Oddity doesn’t have that much to play around it, but it makes it all work nonetheless. It’s pure atmosphere and anticipation, and while the murder mystery isn’t really all that mysterious, the story still unfolds slowly enough while keeping you guessing a little bit. The ending is almost a bit sardonic, but also quite satisfying.
Writer and director: Damian Mc Carthy Country & year: Ireland, 2024 Actors: Carolyn Bracken, Johnny French, Steve Wall, Joe Rooney, Gwilym Lee, Tadhg Murphy, Caroline Menton, Ivan de Wergifosse, Shane Whisker IMDb: https://www.imdb.com/title/tt26470109/
Ben Mears is a writer who has decided to return to his hometown of Jerusalem’s Lot in order to write a book about his childhood. When arriving there, he very quickly meets and befriends a woman named Susan Norton, just so we have established the love interest right away. At the same time, as kid named Mark Petrie must defend himself from the school’s bully, and a newcomer called Straker opens an antique store. This mysterious man, a European, has moved into the Marsten House which has been abandoned for a long time due to a history of murders. We soon learn that Straker is some kind of Renfield, and his vampire master is the Orlok look-alike Kurt Barlow. It doesn’t take long for people to start dying with strange bitemarks on their necks, and the survivors must try and combat the evil that has invaded their hometown.
Salem’s Lot is based on a 1975 novel by Stephen King, directed by Gary Dauberman. The novel was previously adapted for television in 1979, a mini series directed by Tobe Hooper (Poltergeist, Texas Chain Saw Massacre). There was also a sequel called A Return to Salem’s Lot which was released in 1987, and even a TV mini series called Salem’s Lot which was released in 2004. They sure have given the novel a lot of adaptions, but none ever got to be shown in the theaters, which includes this 2024 version. This movie also had a fair bit of hiccups during its production, to the point where many suspected the entire film would end up scrapped. In 2023, however, Warner Bros decided to release the film on Max.
The film’s reception was not particularly good, and the trailers didn’t exactly promise anything of golden standard either, and this dampened our expectations. Overall, though, we found it to be.. quite decent, actually. There characters are ok, although not portrayed in such an in-depth manner that you could give too much of a shit about any of them. There are some creepy atmospheric scenes and it was able to create enough suspense to keep your interest up. It’s even a bit campy, which shouldn’t come as a surprise in a movie where a 12-year old is running around killing vampires and saving people like he’s some primary school Van Helsing.
Overall, Salem’s Lot is pretty fine for what it is, there is some decent atmosphere here and there and Barlow can come off as creepy enough when you don’t get to see him too clearly. Many people prefer Tobe Hooper’s 1979 mini series, and others again prefer the book. Without making any comparisons between neither book nor previous adaptions, this movie works well on its own. You just can’t avoid being left with a feeling that they didn’t really hit the nail on its head compared to what was probably the intended original vision (which had a 3-hour long duration).
Writer and director: Gary Dauberman Country & year: USA, 2024 Actors: Lewis Pullman, Makenzie Leigh, Jordan Preston Carter, Alfre Woodard, Bill Camp, John Benjamin Hickey, Nicholas Crovetti, Spencer Treat Clark, Pilou Asbæk, Alexander Ward IMDb: https://www.imdb.com/title/tt10245072/
This is the so-called “twin film“ of The First Omen, even though the script for Immaculate was already written way back in 2014. Sydney Sweeney was 17 when she auditioned for the film to play an aspiring nun. Nothing much happened after that and the film fell into development hell. What a fitting situation for a nun film. However, the script stuck with Sweeney and after some well-earned money after being in the hit TV show Euphoria, she bought the rights to produce the film herself. So this clearly became a passion project for her. She hired Michael Mohan to direct, who she’d worked with on the erotic thriller The Voyeurs (2021), and got a distribution deal with Neon.
The film starts with a spooky opening scene with a young nun who fails to escape from a secluded convent, a place we, of course, are going back to later. As she’s about to get through the locked gates, she breaks her leg and gets captured by a group of obscure cloak-wearing persons who then… bury her alive. God bless.
Then we’re introduced to the rookie nun Cecilia (Sydney Sweeney) who’s just moved to Italy, all away from Detroit, to devote her life to her great Savior. Because when she managed to survive after drowning under the ice of a frozen lake, and being clinically dead for seven minutes, she swallowed the shiny Christian pill and never looked back.
The first act is pretty straight forward. She settles in the convent where she meets a variety of nuns. Some are young, some are old, and then we have those you’d stay far away from. The convent is also far in the middle of the countryside where the sense of isolation starts to creep in sooner than later. The language barrier is also strong, as she can hardly speak Italian. But if she did, the film would’ve had to require subtitles. And Americans are too lazy to bother with such a thing, so …
While she does the best she can to blend in, she starts having nightmares and sees creepy visions in her bedroom. And after taking a bloodtest, she finds out that she’s – pregnant. Just out of the blue. Huh. The staff is, however, ecstatic as they now see her as a Virgin Mary with a gift from God himself, and against her will, hold her captive in the convent during her trimesters. From here on, the similarities to The First Omen goes in their separate directions, where Immaculate serves its own unique little spin on the nun/pregnancy horror sub-genre.
Director Michael Mohan does a pretty good job, considering this is his first horror film with primary romcoms under his belt. A big leap, for sure. Solid camerawork all the way through with tasty visuals where the inspiration from classic Italian horror films really shines. While there are some cheap jumpscares shoehorned in here, the film relies mostly on mood and atmosphere where we have the isolated eeriness of the convent to creepy catacombs, all shot on locations in Rome and the outskirts. No frontal nudity here, unfortunately, just to make that clear. Sydney Sweeney is, for some, known for two things, but she’s also a top tier actress who conveys layers of intense emotions with her eyes alone – while she carries the whole film with a big bucket of blood to the s h o c k i n g ending.
Director: Michael Mohan Writer: Andrew Lobel Country & year: USA/Italy, 2024 Actors: Sydney Sweeney, Álvaro Morte, Simona Tabasco, Benedetta Porcaroli, Giorgio Colangeli, Dora Romano, Giulia Heathfield Di Renzi, Giampiero Judica, Betty Pedrazzi, Giuseppe Lo Piccolo IMDb: https://www.imdb.com/title/tt23137390/
In a Middle Eastern desert, a bunch of Arab smugglers are hunting for spiders. One of them gets bitten, and it becomes obvious that these little eight-legged creatures carry something worse than a sting with their bite: his companion immediately kills him with a machete. When a bite by a spider may cause something worse than swift death, you know it’s bad. I almost expected one of the Arabs to shout “Singaya!” because this opening reminded me a lot of Braindead (Dead-Alive) by Peter Jackson. I’m actually wondering if perhaps it was a subtle reference.
After this we head over to Paris, where young Kaleb wants to buy something for his girlfriend. For her, he gets a pair of earrings, and for himself, an exotic spider. Because why not. Kaleb is not only a sneakers dealer (yes, you got that right, not drugs but actual sneakers, like in the shoes) he is also an exotic animal lover who’s got his room full of little creepy crawlies. Back home in his run-down apartment building, he puts the spider in a shoebox and plans to find a better place for it later. The spider’s got other plans though: it chews itself out of the place, lays some eggs and all hell breaks loose. When more and more people end up dying due to bites, the entire building is put in lockdown by the authorities as they suspect some viral disease. The inhabitants are then trapped inside with an ever-growing amount of deadly spiders…
Vermines (english title: Infested) is a French horror film from 2023, directed by Sébastien Vaniček and co-written with Florent Bernard. The exterior buildings are filmed in the Picasso arenas in Noisy-le-Grand, near Paris, designed by architect Manuel Núñez Yanowsky in the 80s. This sets the film up for some really unique visuals for the exterior shots. It also doesn’t rely solely on CGI for the spiders, and in fact, most of the scenes are filmed with real ones (so no actors with arachnophobia here, I guess).
If spiders gives you the creeps, you better brace yourself for this one. The setting of a decaying apartment building, infested with dangerous spiders, sure makes a claustrophobic and nightmarish setting. What makes everything even creepier is how they use real spiders for most of the scenes, with several close-up shots and scenes where the spiders come crawling out of places, all of it sure to make your skin crawl! The classic spider horror movie Arachnophobia (1990) also used real spiders: Avondale spiders (Delena Cancerides), while in Vermines they used approx 200 giant huntsman spiders (Heteropoda maxima). No cute Lucas-spider types to be seen here, in other words.
The characters in the movie are people who live in the poorer French suburbs, struggling with getting by. The director also stated that the film is based on his own experience living in such tight-knit communities, which were often viewed upon with strong bias by outsiders, causing discrimination and irrational fears of the places and the people who lived there. So yeah, the movie does offer a bit of social commentary, with the original title literally meaning “vermin“, a term which can be used for both parasitic and harmful insects/animals, but also for people perceived to be causing problems for the rest of society. So all of that mixed with a neglected apartment building, some tension between the characters and a bunch of real spiders, and you end up with a very decent animal-attack movie. I guess it does end up more in the creature-feature category along the ride, though.
Vermines (Infested) is a solid spider horror film, with some effectively creepy scenes that gives you the ick whether you actually have arachnophobia or not.
Vaniček is also going to direct the next Evil Dead movie, and it will be interesting to check that one out when it comes.
Director: Sébastien Vanicek Writers: Sébastien Vanicek, Florent Bernard Country & year: France, 2023 Also known as: Infested Actors: Théo Christine, Sofia Lesaffre, Jérôme Niel, Lisa Nyarko, Finnegan Oldfield, Marie-Philomène Nga, Mahamadou Sangaré, Abdellah Moundy, Ike Zacsongo, Emmanuel Bonami IMDb: https://www.imdb.com/title/tt26744289/
Terrifier 3 picks up the story right after the ending of Terrifier 2, where Art the Clown was beheaded by Sienna, and the final girl from the first movie, Victoria Heyes, has been possessed by the Little Pale Girl and gives birth to Art’s head. Now, in the third movie, we start off with Art’s headless body finding its way to the asylum where Victoria is located, where they both body-count a little before going into some kind of hibernation phase in an abandoned house. Then, five years later and close to Christmas, Sienna has just been released from a mental health center and has come to stay with her aunt Jess, her husband Greg, and their daughter Gabbie, who pretty much idolizes her. While Sienna is struggling with reconnecting with her brother Jonathan, who is now in college and trying to move on with his life, Art the Clown has decided to bring another nightmare to Miles County, and this time before Christmas.
Terrifier 3 is the third movie in the Terrifier franchise, all written, edited and directed by Damien Leone. Terrifier 3 premiered at Fantastic Fest on September 19, 2024, and later released theatrically in the US on October 11. It is currently the highest-grossing unrated film of all time. Damien Leone stated in interviews that the main reason for choosing a Christmas theme for the movie, was that he was directly influenced by the 1972 film and 1989 TV series Tales From the Crypt, as they both featured a story about a mentally insane person dressed up as Santa and going on a killing spree. The opening of Terrifier 3 is a homage to that episode which is called “And All Through The House”. He also got to “fix“ one of his bigger regrets from the two other movies, regarding Victoria Heyes who was the original “final girl“ in the franchise (who got her face eaten off by Art in the first movie which explains her looks). This is a character Damien Leone regretted not fleshing out further, and thus he decided to feature her more in the third film, as a heroine turned villainess.
Now, most people within the horror circle are well familiar with this murderous clown called Art. Wearing a Pierrot-like costume, uttering not a single sound under any circumstance at all, and with antics and behavior very reminiscent of Mr. Bean, he sure is a character easy to recognize whether you like him or not. The guy is now all over the place, with another movie sequel already in development and even an upcoming game and other merchandise. Art has more or less become a gore-icon, so if you go and see this movie mainly for the gore and practical effects, you won’t be disappointed. There’s gore a-plenty, some really visceral kills and even a scene with a rat forced down a tube in someone’s throat that made Art’s actor (David Howard Thornton) a little green around the gills. I can’t say any of the scenes really got under my skin though (I’ve gotten far too desensitized for that) but I can easily recognize and admire the jolly playfulness and the great use of practical effects during scenes like this and had a fun time watching it. I also found the opening of the movie to be quite moody and with a fitting soundtrack. So, will you have a fun time if you want to see Art the Clown going crazy during the holidays where he kills and maims and wreaks havoc? Yeah, no doubt. This movie does more of what most of its fanbase loves it for, and that’s expanding the horizon for how much gore you can possibly add and adding new ways to dismember and spill the blood ‘n entrails on screen.
Now, what Terrifier 3 unfortunately lacks, is more story to the bone. Maybe this sounds a little unreasonable considering that the first movie pretty much had no plot whatsoever, and the franchise’s selling point is obviously blood and gore. Nothing wrong with that, by all means…but the second film did take things many steps further story-wise, teasing us with what appeared to be more in-depth lore and possibly an interesting background story for the franchise’s namesake (which is not the clown, but an abandoned haunted attraction we got to know about in Terrifier 2). Everything was pretty much set up for some further development of Art’s background story…but that’s not really what we got much of in the third film. Now, Damien Leone stated that it took 6 years to make Terrifier 2, and that he had completely underestimated how ambitious it would eventually become. It’s obvious he’s planned for some deeper lore and background story for Art, the Terrifier attraction, and the Little Pale Girl (whom we know is the demon possessing Art), but we’ll probably get more of that in the 4th film. Terrifier 3 was made with a considerably stricter deadline, and the production barely made it on time for its premiere at Fantastic Fest. In addition to this, the long time it took to make Terrifier 2 is also the reason why the storyline of this movie is set to five years later, as especially Elliot Fullam (who plays Jonathan, Sienna’s younger brother) has aged very obviously since they started filming Terrifier 2 in 2018. Personally, I have no problems enjoying mindless gore-fests as long as they’re somewhat upbeat and fun, but at this point this movie felt more like a Christmas-special to me than an actual sequel, I guess..?
Terrifier 3 definitely delivers on the gore and practical effects, and Art the Clown is more jolly, more evil, and more Mr. Bean-ish than ever. I just personally wish there had been some more story development at this point, but I’ll consider this as Art the Clown’s X-Mas special. The fourth film is already in development, which is stated to be the final film in the franchise. Hah, yeah, we’ll see how that goes. Everyone knows that slasher villains never truly stay dead, that’s Horror 101. So by the end of this decade we’ll probably have Terrifier Returns, Terrifier Origins, The First Terrifier, Terrifier in Space, and Terrifier in the Hood. And that’s not even a joke.
Writer and director: Damien Leone Country & year: USA, 2024 Actors: Lauren LaVera, David Howard Thornton, Antonella Rose, Elliott Fullam, Samantha Scaffidi, Margaret Anne Florence, Bryce Johnson, Alexa Blair Robertson, Mason Mecartea, Krsy Fox IMDb: https://www.imdb.com/title/tt27911000/
Anna Madden is an 11 year old girl, who one day starts having fainting spells at school and when playing with her friend. She’s suffering from glandular fever, and must stay at home and finds herself bedridden much to her dismay. She draws a house, and when she falls asleep she starts having disturbing dreams about this house. Later she draws a face in the window, and the next time she dreams there’s a boy there. His name is Marc, and he’s suffering from muscular dystrophy and cannot walk. She keeps adding things to the drawing in order to form the house more to her liking, like adding stairs and furniture. She also tries an attempt at fixing Marc’s legs, but this proves futile. Something’s not right in her dreams, however, and in real life Anna’s having troubles with her relationship with both her mother and her absent father who’s struggling with alcoholism and is often away for work at long periods of time. One day when her doctor comes for a visit, Anna finds out that the doctor has another patient whose name is Marc. And now she’s starting to realize that the house in her dreams may not just be a pure fantasy after all.
Paperhouse is a dark fantasy film from 1988, directed by Bernard Rose who later directed Candyman (1992). This movie is based on a novel from 1958, called Marianne Dreams by Catherine Storr. This novel was also the basis of a British TV series made for children in the early 1970’s, called Escape Into Night. This movie, however…is clearly not a movie suitable for the young’uns, despite being originally marketed as a children’s fantasy film. Sure, the horror elements aren’t very explicit and it takes a while for them to settle in, but there’s a definite ominous atmosphere throughout, and the scene where her blind father appears in her dream (blind because she didn’t draw his eyes properly) and starts hunting her with a hammer, isn’t exactly Saturday morning material.
I have to say that the work they did on the dreamworld is pretty well made, where everything looks like it’s trapped in a closed space where nothing else exists. It’s filmed in a desolate field, where you can see the ocean nearby but it’s all just vast and empty. No other islands to spot, no trees, other buildings, absolutely nothing. The surrealism and weirdness of the place is spot-on, and the strange interior of the already strange and crooked-looking house only adds to the vibe.
Paperhouse is a pretty strange coming of age movie, not outright a horror movie but it certainly has some elements thereof. The surreal tone, the somewhat unconvincing acting (especially by the lead actress, who also never played in any other film after this one) gives the whole film a very weird vibe. Also some nice music from Hans Zimmer which strengthens the incredibly dreamy and outlandish mood. Worth a watch if you want something strange and different.
Director: Bernard Rose Writer: Matthew Jacobs Country & year: UK, 1988 Actors: Charlotte Burke, Jane Bertish, Samantha Cahill, Glenne Headly, Sarah Newbold, Gary Bleasdale, Elliott Spiers, Gemma Jones, Steven O’Donnell, Ben Cross, Karen Gledhill, Barbara Keogh IMDb: https://www.imdb.com/title/tt0098061/
It’s Halloween, the best time of the year! Well, for us Horror Ghouls at least. And for Sam, a cute little trick-or-treater you’ll get to know better here in Trick ‘r Treat.
In the fictional town of Warren Valley, Ohio, several people are celebrating Halloween night. The stories here are told in a nonlinear narrative, and first we meet Emma and her husband Henry. Emma is a Halloween hater (yup, one of those), and blows out the jack-o’-lantern before midnight. This is not according to Halloween rules! And she’ll soon find out the consequences. Then we meet Steven Wilkins, who is a serial killer who sticks to his own rules and traditions on Halloween. Just a reminder to all the kids out there to check their candy. We later also meet a group of teenagers, who visits a flooded quarry where the urban legend of the “Halloween School Bus Massacre“ was supposed to have taken place. And then, we have a group of young women in sexy costumes, where one of them wears a Little Red Riding Hood outfit. Hmmm…I wonder if she’s going to meet any wolves tonight. Then, of course, there’s little Sam, who is always nearby. Some of the stories and characters have a relation to each other, and all will be revealed before Halloween night is over.
Trick ‘r Treat is a horror anthology film from 2007, written and directed by Michael Dougherty in his directorial debut. The film was delayed for two years, and only had a limited number of screenings at film festivals. It grossed only $27,909 on a budget of $12 million. Ouchie. Over the years, though, the film has since garnered a cult following. Fans have been teased with a sequel for several years but so far nothing seems to happen. Only time will show. In the meantime, Dougherty directed Krampus (2015) and Godzilla: King of the Monsters (2019).
If you’re a Halloween lover, like any horror ghoul with the slightest ounce of self-respect does, then this movie is certain to feel like a treat. Like many horror anthologies out there, including The Mortuary Collection and Tales from the Hood, all the stories are in some way interwoven with the rest. Aside from the aforementioned anthologies however, this one is told in a nonlinear way and mixes the stories a bit back and forth. It doesn’t require too much attention to get the coherence, so don’t worry about it being too hard to follow. There’s a little bit of twists and turns, including some characters appearing in one story only to prove a significance later on in one of the other stories. It’s all pure popcorn entertainment, never even remotely frightening but offers a little bit of gore here and there and a lot of lighthearted amusing fun. The cute little character Sam is derived from the word Samhain which is the ancient Celtic festival of the dead. It’s from Samhain that the modern-day Halloween is derived. In this movie they’ve taken the name a little further and turned him into the most adorable little deity. Just don’t be fooled by his cuteness, though, he sure knows how to play tricks on those who disrespect the traditions!
The actors playing the deformed children from the Halloween School Bus Massacre segment all had real disabilities or injuries, and they apparently had a total blast during the filming. And we also got one of those famous “gumball rolling down the stairs“ scenes, which is of course a nod to the excellent ghost horror movie The Changeling (1980), and the cameraman working on this sequence also filmed that exact scene in that film.
Trick ‘r Treat is a solid Halloween movie, with enough ghoulish pleasantries to satisfy the most. Happy Halloween!
Writer and director: Michael Dougherty Country & year: USA/Canada, 2007 Actors: Dylan Baker, Rochelle Aytes, Quinn Lord, Lauren Lee Smith, Moneca Delain, Tahmoh Penikett, Brett Kelly, Britt McKillip, Isabelle Deluce, Jean-Luc Bilodeau, Alberto Ghisi, Samm Todd, Anna Paquin, Brian Cox IMDb: https://www.imdb.com/title/tt0862856/
Young Judy has brought along her beloved teddybear, Teddy, on a trip together with her father and stepmother. And Teddy is pretty much the only comfort she’s got, as both her father and stepmother sees her as nothing but an inconvenience. A thunderstorm leaves them stranded as their car gets stuck, and in frustration the stepmother takes Teddy from Judy and throws him far into the bushes, where Judy can’t get to him. This then leads to a strange scene where Judy actually imagines that Teddy comes back as a giant monster-teddy and kills both her stepmother and her father. Yeah, there ain’t any happy family vibes to find around here, that’s for sure, but who can really blame the little girl, both her stepmother and her father are assholes.
The trio ends up seeking shelter by getting into a nearby mansion, owned by a charming elderly couple named Gabriel and Hilary Hartwicke. The couple immediately takes to young Judy, and when learning that she “lost“ her teddybear, Gabriel gives her a Jester-doll whose name is Mr. Punch. Then, three more people also arrive at the mansion, seeking shelter from the weather: Ralph, a very kind-hearted dude who maybe suffers from being a tad bit naive, and two hitchhikers named Isabel and Enid, who are two more additions to the asshole-group. So, we have an innocent little girl, a nice man with a good heart, and four douchebags who are now invited to stay by the elderly couple, who are both dollmakers. The mansion is filled with toys and dolls, but these soon prove to be anything but harmless.
Dolls is a horror film from 1987, directed by Stuart Gordon (Re-Animator, From Beyond, Castle Freak), written by Ed Naha, and produced by Charles Band and Brian Yuzna through Empire Pictures. The story was inspired by a book called The Uses of Enchantment, by Brunio Bettelheim. The film was shot in Italy at Empire Studios, prior to the director’s next film From Beyond. However, due to all the effects for the dolls that were added in post-production, the movie wasn’t released until almost a year later.
Now, what could possibly be the highlight in a movie from the 80’s titled Dolls? Take a wild guess. This was released before any Child Play‘s, and way before any Annabelle‘s. One could look at it as a little precursor to a certain film series involving puppets, though: the Puppet Master franchise, where the first movie was released in 1989. Because this movie, just like the Puppet Master films, uses a mix of stop motion animation, puppets and animatronics for the dolls by David W. Allen, who worked on special effects for numerous films and especially several Empire/Full Moon movies. He unfortunately died from cancer in 1999, and had been intermittently working on stop motion effects for a film called The Primevals, which was actually his own production, a true passion project of his. Despite seeming like what would be a lost project for so many years, The Primevals was actually completed and released in 2023.
There aren’t any big names on the cast list here, but the actors are a mix of people whom you may have seen in other movies and TV Series, so it’s far from being a no-name actors movie either. The one playing Isabel for example, is Bunty Bailey, who plays the girl in the famous music video for the Norwegian pop group A-Ha’s Take on Me from 1985. Dolls was her feature film debut. Their performances are solid enough for a movie like this, which is overall childishly cheesy and with that strange tone you mostly only find in movies made during the 80’s. It’s whimsical and slightly goofy, and the effects for the dolls and puppets are of course the raison d’être for the movie.
Despite being a pretty fun movie, Dolls wasn’t well received by the viewers, and the fans of Stuart Gordon in particular thought it was tame and lacking in gore compared to his previous works. Well…this one’s quite different for sure, where despite the little bit of gore there is it could have been a cute little horror movie for kids. It’s charming in its own way, and overall a fun little film where the baddies gets their comeuppance and the goodies can have their happily ever after.
Stuart Gordon was initially interested on making a sequel for the film, but that never came to be.
Director: Stuart Gordon Writer: Ed Naha Country & year: USA/Italy, 1986 Actors: Ian Patrick Williams, Carolyn Purdy-Gordon, Carrie Lorraine, Guy Rolfe, Hilary Mason, Bunty Bailey, Cassie Stuart, Stephen Lee IMDb: https://www.imdb.com/title/tt0092906/
Häxan is the Swedish word for “the witch“, and this is a 1922 silent horror essay film which was written and directed by Benjamin Christensen. It’s partly documentary, and partly dramatized scenes, all about witches and witchcraft and superstitions beginning from the Middle Ages through the 20th century. The film was produced by AB Svensk Filmindustri, but it was shot in Denmark in 1920-1921. It was the most expensive silent film ever made in Scandinavia, costing almost 2 million SEK (Swedish Kronor). And it shows, with its detailed set pieces and recreation of medieval scenes, and of course its lengthy production period. It received fairly positive reception, but of course the censors in several countries (Germany, France and the US) found it to be too graphic with its depictions of torture, nudity, sexual perversion, and of course the worst of all: anti-clericalism. How dare they, those blasphemers! The movie didn’t avoid the censors in Sweden either, there were a bunch of Evil Ed‘s even in the 1920’s. Before the censors authorized its release, they required numerous cuts: the scene of a hanged man’s finger being removed, the trampling of the cross during a witch’s sabbath, and several others. Fortunately, all of these scenes have since been restored to the film.
In 1968, Metro Pictures Corporation re-edited and re-released the film in the US, giving it the title Witchcraft Through the Ages. This version includes an English-language narration by William S. Burroughs. It is today considered an old masterpiece with its combination of documentary-style and narrative storytelling, with some very inventive and great visuals. Many different techniques are used here, including some stop motion animation scenes, puppetry, reverse motion and other special effects and creative makeup. Most of the film was even shot at night, which was almost unheard of at the time, but the director wanted the actors to be influenced by as dark and ominous a setting as possible to enhance their performances. The director himself even performed as Satan in this movie, and he honestly looked like he had a blast doing so. One of the old ladies playing a persecuted witch was discovered by the director when she was selling flowers on a street corner in Denmark, and she claimed she was the first Red Cross nurse in the country. When filming one of her scenes, she once turned to him and said “The Devil is real. I have seen him sitting at my bedside“. The director was so struck by this that he decided to include that anecdote into the film itself.
One of the best things with Häxan, is how it manages to blend the dark themes of superstition and human nature, with some dark humor and of course the very striking visuals. Despite a somewhat humorous undertone, it’s all told with a focus on the dark subjects at hand. Witches were executed for simply being different, looking ugly, being poor, and all kinds of other completely unfounded reasons which could lead people to spiral a small rumor into a massive paranoia. The poor “witches“ were often tortured to such an extent that they’d admit to anything just to make it stop. There are several scenes during a witch’s torture and execution that are, albeit not nearly as graphic as the torture-porn movies we are accustomed to these days, pretty unnerving stuff. Visually, Häxan is a treat with so many innovative special effects, makeup, costumes and whatnot. There’s witches, possessed nuns, torture scenes, grave robbing, a Satanic sabbath where the witches are trampling the cross and kissing the devil’s behind, and…oh my, no wonder it got whacked by the censors!
Häxan is without a doubt a film that was ahead of its time, with its libertarian undertones. And while the movie condemns the practices during the Middle Ages and how superstition makes people treat others horribly, the film also wraps it up excellently by pointing out the parallels to modern day (which, at the time, was the 1920’s of course). It is easy to sit and laugh at how people were afraid of witches and wanted to have them executed in hopes of protecting themselves from evil, but similar misconceptions, beliefs, practices and fears can make people treat others horribly even to this day, despite how much more “enlightened“ we have become. They may have feared witches in the Middle Ages, but there will always be “witches“ for each era we live in, someone to place blame and hatred towards. This is something that will never get better, because humans will always be filled with fear, and too many of us need something to pin those fears on, despite how unfounded they may be.
Writers and director: Benjamin Christensen Country & year: Sweden/Denmark, 1922 Also known as: Witchcraft Through the Ages Actors: Maren Pedersen, Clara Pontoppidan, Elith Pio, Oscar Stribolt, Tora Teje, John Andersen, Benjamin Christensen, Poul Reumert, Karen Winther, Kate Fabian, Else Vermehren, Astrid Holm IMDb: https://www.imdb.com/title/tt0013257/
– If you think that’s bad, wait until you get my bill.
Evan Rendell (Larry Drake) is a mentally deranged man who manages to escape the mental asylum (a time when mental asylums still existed) and return to his abandoned little rundown mansion on the outskirts of the small town of Moorehigh. We learn that Rendell is the son of the town’s previous doctor, and the apple doesn’t fall far from the tree. His father did some pretty shady things to his patients, such as stealing their hearts and such, for reasons I won’t spoil, because there’s actually a fun little twist to the whole thing. But his approach to his patients with zero empathy, sure had its impact on Rendell Jr’s frontal lobe. So in order to continue his father’s legacy, he gets a list of names so he can sneak into the townsfolk’s homes at night to pay them an unexpected doctor visit. Dad would be proud.
And here’s the big question; why the nickname Dr. Giggles? That’s because he giggles in a demented high-pitched note, as if someone tickles his ballsack with the tip of a feather – or getting an unexpected blowjob while standing on a podium, if you take the reference. It’s a pretty distinct kind of giggle that I believe that only Larry Drake could pull off. While it’s pretty gimmicky and goofy at times, it puts an extra flair on his twisted personality, and adds more creep factor to his stone-cold Slavic-like face. The film itself isn’t creepy for one second though, but Larry Drake makes up for an oddly entertaining villain with some cheesy one-liners. He’s maybe best known for being the antagonist, Duran, in the first two Darkman films.
But there’s no slasher without a big group of teens, some meat balloons, or at least a final girl. And since it happens to be the start of the summer break, the timing of Dr. Giggles return couldn’t be more perfect. Here we follow the 19-year-old main protagonist, Jennifer Campbell. She has a serious heart condition that prevents her from living out her final year as a teen to the fullest. Well, thank God that Dr. Giggles is finally in town, which she eventually will get the un-pleasure to meet. Jennifer is played by the Charmed star Holly Marie Combs, who actually was 19 during the filming, and not a 27-year-old pretending to be 19. That’s rare, as most of the teens in slashers, especially from the 1980s, look like they’re in their late 30s. Jennifer Aniston auditioned for the role as the final girl, but luckily she didn’t have to wait for long to make her big film debut in Leprechaun. Let’s have a long, sarcastic giggle for that one.
Although Dr.Giggles was released in 1992, it has the vibe and the standard formula of a 80s slasher. Thus, the film did not perform at the box office as the slasher genre had gone into hiatus with a severe hangover alongside with the hair metal bands. That’s a shame as there could be a fun franchise to develop here. Oh, well. Dr. Giggles is an enjoyable little slasher flick with some great gore, silly humor – and bonkers performance by, again, Larry Drake, who alone makes the film a standout. And while we’re speaking about doctors, also give The Dentist a visit for a check-up, because health is important, you know…
Dr. Giggles is available on Blu-ray from Shout! Factory and is maybe to be found on Tubi.
Director: Manny Coto Writers: Manny Coto, Graeme Whifler Country & year: USA, 1992 Actors: Larry Drake, Holly Marie Combs, Cliff De Young, Glenn Quinn, Keith Diamond, Richard Bradford, Michelle Johnson, John Vickery, Nancy Fish, Sara Melson, Zoe Trilling IMDb: https://www.imdb.com/title/tt0104139/
Dani is the wife of a psychiatrist named Ted Timmis, and she’s alone in their newly acquired country house which they are renovating. Suddenly, Dani realizes that something’s wrong, and a man named Olin Boole appears outside the house. Olin is one of her husband’s former patients, and he claims that there’s someone in the house with her, and demands that she lets him in. Naturally skeptical of this seemingly unhinged person, she refuses. Until she actually starts believing him…and opens the door. Then we fast forward to one year after Dani’s murder which Olin Boole was believed to be responsible for, and Ted’s got a new woman, Yana, in the country home and appears to have moved on pretty well. Dani’s twin sister, Darcy, has not…she’s a blind clairvoyant with psychometric powers, meaning she can touch an object and sense its story. She also runs an antique shop, of course. Ted promised to hand her the glass eye that belonged to Olin, who is also dead, so he makes a hasty visit and hands it to her. Shortly afterwards Darcy makes an unexpected visit to Ted’s residence, much to Yana’s dismay, and she’s brought with her an odd and creepy looking life-sized wooden mannequin as a gift…
