John Trent used to be a freelance insurance investigator, who is now a patient in a psychiatric hospital. One day, Dr. Wrenn visits him, where Trent recounts his story: after the disappearance of the popular horror novelist Sutter Cane, Trent is having lunch with a colleague. Suddenly, Trent is attacked by an axe-wielding man who is shot dead by the police, and is later revealed to be Cane’s agent. This man went insane after reading one of Cane’s books, and killed his family as a result. And he is not the only one…apparently, some people seem to go crazy after reading Cane’s novels. Shortly afterwards, Trent is hired by the director of Arcane Publishing who wants him to investigate Cane’s disappearance, and also to recover the manuscript for his final novel. Linda Styles, who is Cane’s editor, is assigned to accompany him. While she explains to Trent that Cane’s novels are known to cause paranoia, disorientation and memory loss in some readers, Trent believes it’s all hogwash and considers his disappearance to be a bluff, something done entirely as a publicity stunt. But bizarre phenomena starts happening, and during their investigation, Trent and Linda enters a small town which looks like and includes people that are exactly as described in one of Cane’s fictional novels. Is it all staged, or is something else at play?
In the Mouth of Madness is the third film in John Carpenter’s (unofficial) Apocalypse Trilogy, with the first being The Thing (1982) and the second being The Prince of Darkness (1987). The movie is focusing majorly on atmospheric and creepy imagery, and John Carpenter really is good at creating an amazing atmosphere in many of his films. This one comes off as a surreal and bizarre detective story, with some interesting visual effects. Sam Neill does a convincing portrayal of the detective who is gradually falling into the abyss of pure madness as he’s investigating the alleged disappearance of the famous writer.
In the Mouth of Madness is a ride that takes you through a bizarre world of madness, although it might appear a little disorientating at times and there’s not offered too many explanations when wrapping things up. Regarding the movie’s concluding and final act…there are some parts that doesn’t make all that much sense. There are also some bits during the movie that appears to be a little involuntarily funny at times, but nothing too distracting. It’s still an interesting and enjoyable experience if you don’t take it all to seriously, where there’s a mix of elements from H.P. Lovecraft and Stephen King (whom Carpenter based the Sutter Cane character on). While there’s a lot of Lovecraftian stuff all over the place, the Stephen King vibe cannot be missed.
So, overall, it’s well worth a watch if you want something strange with a little bit of Lovecraft mixed with a Stephen King flavour and maybe a little pinch of Twilight Zone.
Fun fact: the film that Trent is watching at the end of the movie is called Robot Monster, which Carpenter has stated was his favorite monster movie when he was a kid.
Director: John Carpenter
Country & year: USA, 1995
Actors: Sam Neill, Julie Carmen, Jürgen Prochnow, David Warner, John Glover, Bernie Casey, Peter Jason, Charlton Heston, Frances Bay, Wilhelm von Homburg, Kevin Rushton, Gene Mack, Conrad Bergschneider
IMDb: www.imdb.com/title/tt0113409/
Judith Albright suffers a stroke on her 70th birthday, and is diagnosed with Parkinson’s disease. She is moved to a nursing home, a beautiful old-fashioned mansion. While her grandson opposes the move, both Judith and her daughter Barbara insists that this is what will be best for everyone. Judith is a given a room which she shares with another woman. Her roommate is called Annette, but she is nothing but a disturbed, babbling fool who clutches her bible like her life depends on it. Upon staying at the home for a short while, Judith is starting to witness strange behaviour in several of the residents, but doesn’t think much of it, considering that many of the people there are suffering from dementia and are prone to be confused and acting strangely. She befriends a group of other residents whom she starts playing bridge with, and things seem to be rather well…until one evening, when Annette is more disturbed than ever, especially after the cat Ozzie jumps into her bed. That night, Judith wakes up and sees a dark shadow leaning over Annette, and no one believes her about what she’s seen. When Annette dies and Judith also starts seeing that shadow creature in the bedroom, she knows something is very wrong at the nursing home, but of course…no one will believe an old, confused woman…
Enid works as a film censor, and her daily life includes watching some truly brutal and gory movies, choosing what is acceptable for the audience to handle and what should be banned completely. One day she views a movie that makes her believe she can finally solve the mystery of her sister’s disappearance, and she embarks on a quest that blurs the line between what is real and what is not.
We are in one of the darker corners of Hollywood, Los Angeles, where the young man Raymond Everett (Lenny Von Dohlen) owns a horror-themed wax museum. One day he gets some new deliveries, all the way from Romania, one of which is a casket that contains something you’ll never guess what – Vanessa, Dracula’s widow (Sylvia Kristel). Yes, a living, bloodsucking vampire. So why has she gotten herself all the way over to Los Angeles, you may wonder? No one knows. She doesn’t know, the script doesn’t know, even the Man Who Knows poster we see on the wall on Raymond’s apartment, doesn’t know. So where do we go from here? Who knows.
Jessica is a recently widowed woman, who has decided to move on with her life and start afresh. While traveling, she encounters a suspicious-looking guy multiple times. Hoping that it’s all a coincidence, things become pretty evident when she crashes her car due to a slashed tire. The creep who has been stalking her manages to drug and kidnap her, and the cat ‘n mouse game has started.
Corey Thornton has just inherited a mansion from his recently deceased father, and travels to Louisiana to check it out. Upon his arrival at the grand estate, he meets with a beautiful young girl which is described as “jailbait” (but who is clearly in her mid-20s…) and his father’s live-in housekeeper, who is the mother of said girl. And of course, a black-gloved and somewhat fishy-looking lawyer. Corey discovers that his father has written a will which includes a description of how the old man has, supposedly, found a way to return back from the dead, and in doing so he needs the help of his son. Corey soon ends up at the local pub/brothel called Tonk’s, where he meets a witchy prostitute who harbors the secrets of black magic. And she turns people into birds if she feels like it. Corey is now obsessed with the task of fulfilling his dead father’s wish of bringing him back to life, and seeks help from the strange people in the weird voodoo-brothel in the bayou.
After going through a traumatizing event, Madison starts having visions of grisly murders which are carried out by her childhood imaginary friend, Gabriel. Having believed that Gabriel was just a figment of her own imagination, she must try to figure out who he really is and why he has come back to torment her and those around her.
Mimarin Kirigoe is a J-Pop star who decides to leave her group (“Cham”) in order to pursue a life as an actress. But her life takes on a quick turn for the worse after this decision, and Mimarin starts losing her grip on reality. An online fansite of her appears, describing things from her life in such detail, and in such a personal way, that the only person who could know about these things is herself…and she is constantly confronted with sightings of her alter-ego: the Mimarin who wanted to remain a pop-star. While struggling with differentiating between fantasy and reality in her now paranoid existence, people around her gets murdered.
