Popcorn is the title and popcorn is what you get – with a lot of cheese and confusion. On the surface, if not judging by the movie poster itself, this may look like one of the numerous slashers from the mid 1980s. It managed to trick me until the very distinct early 90s hip-hop music hit the speakers.
Popcorn starts off with some strange nightmares from the head of the young teenager Maggie (Jill Schoelen, The Stepfather‘s girl, here at age 28) about a younger girl who gets trapped in a fire and chased by some guy who tries to kill her. This is not just some random nightmare, however, as Maggie has subconsciously developed psychic abilities. Unlike her lost twin sister, Lydia Deetz, she can’t see dead people, though. But yeah, her nightmares and visions have some more relevance later in some way or another.
But enough of dreaming, because a big event is just around the corner. You see, Maggie and her film student classmates are preparing for an all-night horror movie marathon-screening at the old local and out-of-business movie theater, Dreamland. Here they’ll show a bunch of schlocky public domain films in the hope of funding some money for the university’s film section. To make it more eventful, they’re adding some inventive gimmicks in the purest William Castle style with three of the films. We have Mosquito in 3-D with a big mosquito model that flies on strings over the audience. The second is The Attack of the Amazing Electrified Man with the use of “Shock-o-Scope”, or simply called electrical “buzzers” in seats. The third one is called The Stench with Smell-O-Vision and you can just imagine that one.
The theater also has a dark history of the film director Lanyard Gates, who killed his own family while he shot the final scene of the film The Possessor – a short, cryptic avant-garde reel that looks much like the nightmares Maggie has recently been having. So, the question is why and how. Well, she’s soon to find out when a killer is lurking around the theater, who’s also stealing the victims’ faces.
Popcorn had a troubled production, which shows more and more as the film progresses. The film was first helmed by Alan Ormsby, a veteran who’s already worked on films such as Children Shouldn’t Play with Dead Things (1972), the Ed Gein flick Deranged (1974) and Cat People (1980). After the first weeks of shooting, he was gone, just poof, and replaced with first-time (and last time) director and Porky’s actor Mark Herrier, of all people. Uhm…okey, then. Porkman does a steady job, though, despite the hiccups and a script that gets more convoluted. The third act is quite messy where we have twists and turns with a Saturday Morning Cartoon goofball of a villain that I would guess came out of the fart pipe of Freddy Krueger while he was playing Nintendo. We also have an intermission in the middle where the audience gets entertained by a reggae band to keep the party-mode going. Quite fitting considering that the whole film was shot on location in Kingston, Jamaica.
That Popcorn was released in a time when the slasher genre was more or less dead, didn’t do the film much favor. Despite the box-office failure, the film has since grown a cult-following and was also an inspiration for films like Wes Craven’s New Nightmare (1994), In The Mouth of Madness (1995) and Troma’s Shock-O-Rama (2005). In other words, Popcorn is overall an entertaining and fun little oddball flick with an original take on the genre. It’s also far more light-hearted and jovial than the average slasher with little to no blood n’ guts. With a theater packed with teens, you’ll have some expectations, but the film doesn’t grab that opportunity, sorry to say. What we have is a scene where a body count gets stabbed by the mosquito model with its stinger and a cheesy electrocution scene just to add an extra flavor to the gimmick shtick. But what really does the film is that we get the pleasure to see some scenes from the films featured in the theater. Attack of the Amazing Electrified Man is already a personal favorite where a manic Bruce Glover alone steals the whole show. I’d love to see the full version of that film.
Directors: Mark Herrier, Alan Ormsby
Writers: Mitchell Smith, Alan Ormsby
Country & year: US, Canada, 1991
Actors: Jill Schoelen, Tom Villard, Dee Wallace, Derek Rydall, Malcolm Danare, Elliott Hurst, Ivette Soler, Freddie Simpson, Kelly Jo Minter, Karen Lorre, Ray Walston, Tony Roberts, Bruce Glover
IMDb: https://www.imdb.com/title/tt0102690/
