Reptilicus (1961)

ReptilicusMonster schlock madness from Denmark. We’re of course talking about the one and only… REPTILICUS! Be afraid. Be very afraid! This is also known for being the one and (for the time being) only sea monster flick that was made, not only in Denmark, but in Scandinavia. And if the poster itself wasn’t enough to set the tone right away, then let’s just say that this is the type of film that Ed Wood would have made, if he hadn’t become best friends with Jack Daniels and Martini Rosso.

 

How to even start with this absurd, mental clownshow … yes, it’s one of those. Well, it’s important to know that the film was simultaneously made in two versions, in Danish and in English for American audiences. Poul Bang directed the Danish version while the American version was done by Sidney W. Pink. The shooting was as simple as right after Poul Bang shot his scene, Sidney Pink took over and shot his scene for the American version. And of course, not all the Danish actors could speak English very well, so some dubbing had to be added. Why they just didn’t dub the whole thing from the Danish version to both save a lot of time and money, god knows.

 

The Danish version was released in Denmark by Saga Studios in 1961, and the English-speaking version was released in the US by American International Pictures in 1963. And yes, both versions exists.

 

Reptilicus starts somewhere in the forest of Lapland where a group of oil-drilling miners digs up a mysterious tail from a prehistoric monster that has been frozen for thousands of years. C o o l. After it is transported to Denmark’s Aquarium in Copenhagen, it soon looks like the tail is actually in the process of regenerating itself into a brand-new animal. Or maybe a… monster! And then there’s this mentally-challenged caretaker, whom I’ll come back to. The whole crew at the aquarium goes for a cabin trip, while we spend some time with General Greyson at the famous Tivoli Gardens. Here we have a song number by none other than the famous Danish Eurovision representative Birthe Wilke who sings her song Tivoli Nights. What a cute Ad for tourism, nevertheless. Tivoli Gardens is still spinning, by the way, which  is actually the second-oldest operating amusement park in the world. Anyway: In the meantime, the monster escapes the aquarium and roams into the countryside of Denmark, where he kills cows and ruins a family dinner. Kors i røven!

 

Reptilicus

 

What we have next is basically the whole Danish military force assembled to track down the monster with tanks, missiles, flamethrowers and all the firearms they could get their hands on. Yes, this shit gets real. When Reptilicus enters Copenhagen we see a handful of extras who jog with their hands in the pockets through the streets in full panic-mode as they’re smiling and giggling, and just being thrilled about having their fifteen-minutes-of-fame moment in a motion picture. General Greyson, on the other hand, is certainly not smiling as he’s sweating like a pig. The chief of the aquarium has two mild heart attacks. So no, this is no laughing matter.

 

Then we have the monster itself, which is exactly what you imagined: an e-grade Ray Harryhausen funny-looking puppet on strings who destroys miniature buildings of Copenhagen. And the reveal of Reptilicus is just, like Martin Scorsese would have said, absolute cinema!

 

As earlier said, the film was shot in two versions. But things were drastically changed after the Danish version had its first screening in its home country, where the film was just laughed at and got bad reviews. Well, what a surprise. The American distributors got very cold feet, looked at each other and said: We can’t release this shit. Look at it! So they brought Reptilicus back to the editing room where they removed several scenes, some of which where Reptilicus flying over a not-so-convincing silhouette over Copenhagen. Nothing looks convincing here though. And to make the monster look more threatening, some special effects were added, such as making the monster spit out green goo. And I honestly don’t know how to describe it. Just see for yourself.

 

Some quick scenes were added where we see Reptilicus eating some of his victims, which looks like it was directed by Terry Gilliam while he was having a stroke. Other scenes were cut out in the American version, such as a completely random scene where the mentally challenged caretaker is suddenly in a park, surrounded by a group of children and sings a song about Reptilicus. This guy is played by Dirch Passer, who was a big comedian in Denmark and an institutionalized figure at Saga Studios. So, of course, he had to be in Reptilicus, where he mostly makes funny faces and gets himself electrocuted after goofing around with an eel. The American version is also more fast-paced with less talk and more campy action, or in other words, more retarded B to Z-movie goodness.

 

So yeah, they pulled a Shelby Oaks here, only in this case these changes was done without Sidney Pink’s knowledge. And that made him pissed. So pissed in fact that his last name was changed to Red. But somehow they made the film worse and better at the same time. And this also seems to be the case with the upcoming Kraken (the first sea monster film from our home country Norway) which has been abruptly delayed to next year, by some very suspicious hush-hush reasons. So we just have to wait and see what that’s about and if Denmark will have the last laugh.

 

And there you have Reptilicus, the first and only sea monster spectacle from little Denmark. A must-see for fans or pure old-school schlock. Also lighthearted enough to work fine for the whole family. It’s available in 4K Ultra HD by Vinegar Syndrome where you get both versions and a cool poster.

 

Reptilicus

 

 

Directors: Poul Bang, Sidney W. Pink
Writers: Sidney W. Pink, Ib Melchior
Country & year: Denmark, 1961
Actors: Bent Mejding, Asbjørn Andersen, Povl Wøldike, Ann Smyrner, Mimi Heinrich, Dirch Passer, Marlies Behrens, Carl Ottosen, Ole Wisborg, Birthe Wilke, Mogens Brandt, Kjeld Petersen
IMDb: https://www.imdb.com/title/tt0056405/

 

Tom Ghoul

 

 

 

 

Nightwatch: Demons Are Forever (2023)

Nightwatch: Demons Are ForeverIt’s been approximately 30 years since the events of Nightwatch aka Nattevakten (1994), and the survivors aren’t actually faring so well. Martin is a complete wreck, not just because of his obvious PTSD but also because his wife Kalinka committed suicide after never getting over the trauma this incident caused her. He’s without a job and haven’t even received any welfare pay, and he tries to chase away his demons with drink and pills. Yeah, that always works great. His daughter, Emma, is trying to help him out but it’s apparent that she hasn’t properly processed her mother’s suicide either, which isn’t too surprising considering that she’s the one who found her. Not to mention the impact it all had on Jens, who bailed ass out of the country and have been living in Thailand ever since. Trauma has indeed dug its claws deep into everyone involved. Emma was never told about what happened, but when looking through some old newspaper clippings she finds out about the serial killer Wörmer and her parents involvement with him. History often likes to repeat itself, and Emma ends up taking a night watch job at – you guessed it – the exact same place as her father worked. Good choice! And when she finds out that Wörmer is still alive and just woke up from his coma, she wants to meet him in the hopes of finally exorcising both her father’s demons and her own. Unwittingly, she just ends up letting even more demons loose…

 

Nightwatch – Demons are Forever (original title: Nattevagten – Dæmoner går i arv) is a danish thriller/horror movie from 2023. It’s a direct sequel to the first film from 1994, Nightwatch, and both are written and directed by Ole Bornedal. A sequel almost 30 years later may feel like an odd choice, but considering how this movie became a danish cult classic back in the days it’s a fun way to re-introduce the film while giving a follow-up to the story, including the original actors coming back to play their earlier roles. It’s definitely a nice watch for those who have seen the original, and while some may argue that a sequel this long afterwards feels unnecessary, I’d like to counter-argue with what the hell kind of sequel these days are really necessary anyways..?

 

Just like the first film, there is a mystery and several red herrings attempting to throw you off guard. While this isn’t as effective as in the first, it’s compelling enough to keep you engaged. The red thread here is trauma and its effect on everyone involved, and while this sequel can’t even come close to being as effectual for today’s audience as the first film was (which would have been a bit weird to expect anyways) it’s still a well-crafted thriller. It’s also a lot of fun to see the old actors from the first film getting back together again for this sequel, and the actor playing Emma, Fanny Bornedal, is the director’s own daughter. It was also enjoyable to see Ulf Pilgaard back as the serial killer Wörmer, although quite reduced due to old age (83 years) he manages to come off as an intimidating predator who of course still likes to repeatedly listen to some creepy-ass old song (Lille Lise lett på tå).

 

Overall, Nightwatch – Demons are Forever is a decent sequel that comes incredibly late, but better late than never as they say. Or at least that’s true in some cases. Sure, there’s nothing groundbreaking here, and if we are going to be perfectly honest there wasn’t really any of that in the original either, it was just presented to an audience where the majority had never seen something like that before. The film offers up a nice thriller mystery and will probably work best for those who have seen the original, although it isn’t a must.

 

Nightwatch: Demons Are Forever Nightwatch: Demons Are Forever Nightwatch: Demons Are Forever

 

Writer and director: Ole Bornedal
Country & year: Denmark, 2023
Original title: Nattevagten – Dæmoner går i arv
Actors: Fanny Leander Bornedal, Nikolaj Coster-Waldau, Alex Høgh Andersen, Sara Viktoria Bjerregaard, Kim Bodnia, Vibeke Hastrup, Pelle Emil Hebsgaard, Ulf Pilgaard, Sonja Richter, Paprika Steen
IMDb: https://www.imdb.com/title/tt6318608/

 

Prequel: Nightwatch (1994)

 

Vanja Ghoul

 

 

 

Nightwatch (1994)

NightwatchMartin is a young law student who’s looking for a typical student job: something that will earn him a bit of money but won’t get in the way of his studies. He ends up seeking a job as a night watchman at the Forensic Medicine Institute, which seems to be perfect. Just sitting there all alone at night, being able to spend some of that time studying. It doesn’t take many nights before paranoia starts setting in, and several unexplained things start happening at the place. Is the job just getting under his skin and fraying his nerves, or is something else at play here? Things get worse as one of the victims of an uncaught serial killer is brought in to the morgue, and just as Martin seriously starts wondering if he’s losing his mind, something happens that ends up making him the prime suspect of the murders.

 

Nightwatch (Danish title Nattevagten) is a Danish horror thriller from 1994, written and directed by Ole Bornedal. After Bornedal released his television film Masturbator (1993), he got the inspiration for Nightwatch after visiting the morgue, which he found to be “both scary and beautiful”. It made him think about how, on the outside of a morgue the daily life continues on, while on the inside you’re standing there with the realization that this is where everything ends. Upon release, the film was a huge success in Denmark where it sold 465.529 tickets. In fact, it got so popular that it ended up being a bigger box office hit in the country than Jurassic Park the previous year.

 

The movie starts out fine enough, with a quick introduction to Martin and the other main characters. When he gets the job and the old, soon to be retired, night guard shows him around, there’s a checklist of “rules” the guard advices him to follow: get yourself a radio. When going into the room with the stiffs, just look straight ahead and never to the sides. And so on. If this wasn’t a movie from 1994, you could’ve thought this setup was based on some kind of classic Creepypasta story. However, like with many things that happen in this movie, you’re thrown a load of red herrings already from the start in order to make you just as confused as the main character ends up being.

 

Originally, the movie was seen as a rather gruesome little flick, and while there are some topics that certainly are controversial (necrophilia, under-aged prostitutes, etc.) none of these topics are displayed in a manner that’s exposed enough to be adequately disturbing. Sure, it was probably an entirely different experience back in ’94 when Scandinavian movies didn’t have much to offer in the horror genre to begin with, but seen with modern eyes it’s not really going to crawl under your skin. There are several effective scenes here though, especially when Martin takes his rounds in the morgue when he’s not sure exactly what is going on, and the scene of a grisly murder that happens during the soundtrack of a cheesy, upbeat Danish song (Lille Lise let på tå) that provided a perfect paradoxical effect. Overall it’s a fun and exciting thriller with lots of twists and turns, and although there are some slight pacing issues throughout, it keeps you entertained and guessing what will happen next.

 

While the movie was a huge success in its home country, there were some who didn’t exactly find themselves pleased with the whole situation. Apparently, the film caused a rise in number of people who had withdrawn their organ donation wills, and Professor Morten Møller claimed it was due to the film’s distorted image of doctors, students and researchers’ treatment of the dead and their body parts. He stated: “The movieNightwatch’ has certainly not had a positive effect on us. I don’t know what people imagine. That we should be sexually interested in the dead and want to lie down on their bed? A crazy fantasy that has not the slightest hold in reality.” Oh well…in any case, there’s no doubt that Nightwatch certainly had quite an impact in its home country.

 

There was also an english-language remake of the film released in 1997, also directed by Bornedal, and this year, a whole 30 years later, we get a sequel which is called Nightwatch – Demons are Forever. It was originally released in Denmark in December 2023, but it’s starting to hit the theaters elsewhere in May this year.

 

Nightwatch Nightwatch Nightwatch

 

Writer and director: Ole Bornedal
Country & year: Denmark, 1994
Original title: Nattevagten
Actors: Nikolaj Coster-Waldau, Sofie Gråbøl, Kim Bodnia, Lotte Andersen, Ulf Pilgaard, Rikke Louise Andersson, Stig Hoffmeyer, Gyrd Løfquist, Niels Anders Thorn
IMDb: https://www.imdb.com/title/tt0110631/

 

Sequel: Nightwatch: Demons Are Forever (2023)

 

Vanja Ghoul

 

 

 

Grotesk (2015)

GroteskWe’re told that a radioactive slime from the moon has found its way to Earth from a space shuttle that plunges into the sea near the coast of Denmark, and infects humans and turn them into murderous mutants. One of them, with a head that looks like a rotten potato, brutally kills a random couple who are having a picnic by the beach. And after this quick opening, we have basically seen the whole movie in a nutshell which oozes of zero budget and amateur hour all the way. We then get introduced to some guy who is on his way to a campsite near the radioactive area where he has rented a trailer for the summer. We can assume that this is the film’s protagonist, but he’s more like another random dude who likes to sniff at women’s panties while jerking off. And … uhm, well…

 

… what more should one really say when there’s basically no plot to summarize. “Denmark’s answer to Plan 9 From Outer Space” it says on the DVD cover. It’s more like Bad Taste meets Violent Shit in a septic tank.

 

The film looks like pure shit, like as if the camera lens was rubbed with a layer of piss and puke before every shot, just to make the visuals as ugly as possible. I can assume that the green filter, or whatever it is, is supposed to illustrate the toxic radioactivity, but it doesn’t take long before it hurts your eyes. Don’t watch this on a big screen, just trust me on that one. We also get some goofy out-of-sync dubbing, Zombie ’90-style, and amateur actors from the bottom of the barrel who probably haven’t been in front of a camera before or since Grotesk. The effects are cheap and cheesy, the micro-budget standard one would expect. Then we have one of the movie props, which is supposed to be some kind of tracking device from the military, which is made out of a cardboard box. Yeah, really. It’s so retarded to the point that you get the impression that the film was either made bad intentionally, or by some twelve-year olds with their dads, moms and creepy uncles in the roles, but I’m not so sure.

 

And what else..? Not much, and I think you know by now exactly if this is your thing or not. But with the short running time of approx. 1 hour, it’s a cheesy fun-bad movie that doesn’t require too much of your time (or your brain cells). You can find the DVD from Another World Entertainment after a quick search on eBay.

 

Grotesk

 

Director: Peter J. Bonneman
Country & year: Denmark, 2015
Actors: Heine Sørensen, Jørgen Gjerstrup, Mai Sydendahl, Jack Jensen, Justin Metzger, Mai Edelgaard, Rune Jacobsen, Kim Kofod, Rune Dybdahl, Frederik Tolstrup, Jens Kofoed, Natasha Joubert
IMDb: https://www.imdb.com/title/tt4418130/

 

 

Tom Ghoul