Cannibal Apocalypse (1980)

Cannibal ApocalypseWe’re in the jungles of Vietnam where two American POWs are being held captive by some natives. A group of troops, lead by Norman Hooper (John Saxon) is about to rescue them. While they succeed after a tirade of bulletstorm, flamethrowing and throat-slicing, the two captives seems to have been turned into cannibals by some virus. And those who gets bitten leaves people with serious cravings for human flesh like a hardcore heroin addict. Or just zombie cannibals, if you will. The next who’s to be infected is Norman, when he gives out a helping hand to get them out of the hole they’re trapped in.

 

This was a flashback nightmare, by the way, and Norman wakes up sweaty besides his wife in their home in Atlanta, Georgia, and now struggles daily to not get his cravings and triggers by looking at raw meat, and fears ending up a cannibal himself. He especially struggles not to take a bite out of the teenage girl next door, who has a crush on him.

 

Things doesn’t get better when Norman receives a phonecall by Charles Bukovski (Giovanni Lombardo Radice) who wants to hook up for a drink. He’s one of the guys who’s gotten turned into cannibalism, and Norman smells Bad News and says “another time”. Charles seems to have lost his mind completely, as he’s just hunting for his next fix and wanders around like a deranged serial killer. He goes into a movie theater, where he can’t resist it no more when a coupe starts to make out in front of him. He bites the chick’s neck like Dracula, and the Zombie Apocalypse has just started.

 

I hadn’t heard of this film until it suddenly popped up on Netflix (Norway) of all places, fully uncut and ready for the whole family to watch on a Friday night. I remember there was a time when films like this was totally banned in most countries, and you had to import a VHS copy from US to watch in the basement with friends while the parents were far out of sight. Yeah, things have changed. This film was also on the Video nasty list because of two seconds where a sewer rat is getting torched by a flamethrower.

 

And no, as you’ve probably already figured, this is not your typical cannibal flick with confused half-naked natives running around sunny jungle surroundings, big turtles getting ripped apart, penis severing/castration, et cetera… We’re in a gritty urban setting where the police, and some angry bikers, gets involved to hunt down the cannibals through the streets and sewers. It’s more action-packed with some really great tension filled moments, and of course a bit of the mandatory Italian sleaze. Not the most complicated plot, really, but overall an entertaining Grindhouse flick with an interesting take on the cannibal genre and a crazy, unhinged character. But I’ll never  get used to hear saxophone music during killing scenes, though…

 

Also known as Invasion of the Flesh Hunters and Cannibals in the Streets.

 

Cannibal Apocalypse

 

Director: Antonio Margheriti
Original title: Apocalypse domani
Country & year: Italy, Spain, 1980
Actors: John Saxon, Elizabeth Turner, Giovanni Lombardo Radice, Cinzia De Carolis, Tony King, Wallace Wilkinson, Ramiro Oliveros, John Geroson, May Heatherly, Ronnie Sanders, Vic Perkins, Jere Beery, Joan Riordan, Laura Dean
IMDb: www.imdb.com/title/tt0080379/

 

 

Tom Ghoul

 

 

 

 

Manhattan Baby (1982)

Manhattan BabyWe are in Giza, Egypt, where the archaeologist George finds a stone tablet with mysterious writings which he believes is the answer to an ancient riddle that is linked to the tomb nearby. He enters the tomb with a guide who falls right into one of the traps with spikes, while George is attacked by dark forces that shoot two cheesy neon-laser beams in his eyes, which makes him temporarily blind. At the same time his wife and daughter are tourists in the local area, where Susie meets a mysterious blind lady who offers her to buy an antique amulet before she cryptically says “tombs are for the dead” and disappears into thin air like a ghost.

 

Then we cut back home in Manhattan, New York, in an apartment complex where we are introduced to Susie’s annoying little brother, Tommy (most known as Bob from (The House By the Cemetery). The amulet is around Susie’s neck, which soon turns out to be a cursed object (who could ever imagine), and lots of weird things start to happen. The apartment transforms into some kind of warp zone that teleports people to the desert area we saw in the beginning, and things such as scorpions, poisonous snakes and desert sand appears in the apartment while Susie loses her mind and gets possessed by the dark forces of the amulet.

 

And we also get a completely random scene were some random dude falls through an elevator floor. Just because.

 

As mentioned, the blonde kid from The House by the Cemetery shows up, with far more screentime and dialogues. Uh-oh. And if you thought his dubbing was bad in the aforementioned film, they managed to fuck it up even worse here, believe it or not. I laughed and chuckled every time he opened his mouth, but since the film itself is an incoherent goofball which is hard to take seriously anyway, it didn’t ruin or distract my attention from anything, really. So, yeah, Manhattan Baby is clearly one of Lucio Fulci’s weaker films when it comes to tone, pacing and…well, the absent of any logic when it’s actually needed. It isn’t totally hopeless, though, and just to repeat myself as I always do when I’m talking about a Fulci film, it has some great qualities among the cheesyness. The horror elements sticks out with some gory scenes, as always, with the highlight being a scene with some attacking stuffed birds (with the wires clearly visible). There’s a great soundtrack, competent camerawork, and a dose of atmosphere.  I especially liked the Egyptian scenes which are beautifully shot. And of course there’s no Fulci film without a countless use of obsessive eyes-close-ups.

 

Manhattan Baby

 

Director: Lucio Fulci
Country & year: Italy, 1982
Actors: Christopher Connelly, Laura Lenzi, Brigitta Boccoli, Giovanni Frezza, Cinzia de Ponti, Cosimo Cinieri, Andrea Bosic, Carlo De Mejo, Enzo Marino Bellanich, Mario Moretti, Lucio Fulci, Tonino Pulci
IMDb: www.imdb.com/title/tt0084298/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Buio Omega (1979)

Buio OmegaFrank Wyler is a three-year-old boy living with his housekeeper Iris in a millionaire-villa in the country. Iris has taken care of Frank since his parents died in a car accident when he was young, and since then, the relationship between Iris and Frank has developed into something… rather bizarre and toxic, to say the least. After growing up living isolated with Iris, she is now using him as a sextoy by giving him a handjob while he sucks her tits like an infant… he’s gotten pretty messed up in his head. But when he finds the great love of his life in the much more beautiful Anna, Iris becomes mad with envy and goes to a voodoo witch/doctor to throw a curse over Anna in order to get rid of her. The curse works perfectly where she ends up in a hospital and dies, and Iris finally gets Frank for herself again.

 

However, this doesn’t last long since Frank drives straight to the cemetery the night after Anna’s funeral to dig up her body and take her back home. On the way back he gives a random young lady a lift, who falls asleep in his car. He brings his “corpse bride” down in the basement where a pretty graphic embalming scene takes place. The young lady wakes up and sees a glimpse of what’s going on before Frank tortures her by ripping out her nails, then he gets help from Iris who chops her body up in pieces and throws her remains in the bathub with corrosive acid. Iris saves some of the flesh which she and Frank eats for breakfast. Then, Frank goes jogging and meets a another young lady whom he takes home and have sex with. While having sex with her, he imagines he’s having sex with Anna, who lies in the double bed right beside them, covered in sheets. And then, the woman he brought home with him notices his dark secret…

 

Those who are familiar with sleazy, underground italian horror from the 70’s that were banned left and right around the world, will probably know the name Joe D’Amato, the man with as many pseudonyms as there is gender options on facebook. Buio Omega, or “Beyond the Darkness” as it’s called internationally, is one of his most known works. The film is a remake of “The Third Eye” from 1966, an other italian horror film which I haven’t seen, so I can’t come with any comparisons. But I doubt it is as sick, dark, raw and unfiltered as Buio Omega, which really tests the boundaries on what’s allowed to be shown on screen. Correct me if I’m wrong, though. Mutilation, necrophilia, cannibalism, detailed torture scenes and other taboo stuff with higly convincing gore effects that punches you in the nose.

 

The film takes itself dead seriously where there’s no room for imagination, which in this case could have turned it into a spectacular turkey, but despite its narrow budget it’s so well constructed that it works fine the way it is. It’s as gory as it is psychological, and explores the darkest corners of the human mind.

 

Also, great soundtrack by Goblin.

 

Buioomega

 

Director: Joe D’Amato
Country & year: Italy, 1979
Actors: Kieran CanterCinzia Monreale, Franca Stoppi, Sam Modesto, Anna Cardini, Lucia D’Elia, Mario Pezzin
IMDb: www.imdb.com/title/tt0078916/

 

Tom Ghoul