A grieving young man falls into the final act of a cult leader’s ritual. Seven friends, each embodying one of the deadly sins, are drawn into a cult, seeking personal growth. Unaware of its true nature, they find their darkest traits magnified, spiraling into chaos.
It is Horror Short Sunday again, and this time we’re taking a look at Agonist. A creepy horror short where the director was inspired by her own grief and getting into a religious group.
Director: Annie Marie Elliot Writer: Annie Marie Elliot, Aidan Fiske, Garrett Wareing, Erica Mary Wright Country & year: US, 2024 Actors: Devin Druid, Hale Appleman, Peyton List, Annie Marie Elliot, Garrett Wareing, Brianne Tju, Andrew Matarazzo, Sarah Yarkin, Devin Craig, Saxon Trainor, Rooter Wareing IMDb:www.imdb.com/title/tt30768605/
I am you. And you are me. And we are here Yo. I am the dreamer and you are the dream. Deez nuts.
Whitley Strieber woke up on a December night in 1985 in a little room surrounded by what he calls “nightmare creatures“. A needle was put into the side of his head and he was raped by a machine. He then woke up, again, this time in his bed, as if he just had a wild fewer dream after eating too many mushrooms. Happens to us all. Although Strieber had already, at the time, reached success as a horror writer with The Wolfen and The Hunger (both made into films), his nonfiction Communion: A True Story, based on his bizarre abduction experience, would be the bestseller. The book was released in 1987 and was adapted two years later to the silver screen by schlock filmmaker Philippe Mora from a script by Whitley Strieber himself. Christopher Walken was cast to play Strieber. What could go wrong?
Well, from the get-go, Strieber already acts like an eccentric and unpredictable goofball, and maybe the last person you’d believe was kidnapped by aliens in track pants. No I’m not kidding. Strieber lives in a New York apartment with his wife and son where he writes his books while wearing a wolf mask and cowboy boots with no pants, like the best writers do. Where he hides the cocaine is no one’s business. Whitley’s nightmares starts during a weekend at a remote cabin far in the woods where a bright light shines over the area. No one can explain what happens, and after they head back to New York, Whitley acts more strange and erratic, as if he wasn’t already. After he sees visions and snaps at a Halloween party, Whitley’s wife, Anne, is concerned about his mental state and their marriage, and sends him to a psychiatrist to do some hypnotic regression therapy. And, well, get ready for something really special, where we get to see funny-looking aliens and creatures that could be from the puppet warehouse of Charles Band.
Yes, this is what you could call a weird-ass movie. Whitley Strieber had a friendship with Philippe Mora that went way back to the 1960s, but it would soon be clear that they weren’t much on the same page after all. Mora focused way more on Strieber’s mental collapse, as if he was just gone ko-ko while he tried to balance a normal family life as a frustrated writer. And he didn’t like that, and was not a fan of how Christopher Walken portrayed him. Can’t really blame him, even though Christopher Walken is the highlight here. The film plays more as a humiliation ritual for Strieber, if not a parody of American UFOlogy, where he only comes across like a super pretentious nutcase where even Fox Mulder would roll his eyes. Or maybe that’s just the price for having the director of Howling II: Your Sister Is a Werewolf to make your biopic about getting ass played by aliens.
Christopher Walken got complete freedom to do whatever he wanted with the role and improvise whenever he felt like it. And his performance here can be described as schizophrenic at best. He shows his real reaction by laughing because of how funny the aliens looked. Director Mora kept it in the film as he thought it made it more disturbing. And we laugh as much with him as at him. The scenes with the aliens are pure comedy and bizarro hour where you have the classic cinematic moment of close encounters of the fourth kind, which on paper should be terrifying, traumatic and disturbing but, well…not here. Christopher Walken doesn’t even try to look scared, even when he’s about to get analprobed where he randomly says It looks like you’re gonna sing White Christmas. Yeah, sure. Bruh. Whatever. And if dancing with aliens wasn’t enough, he also sees himself cosplaying as Gomez Addams. Weird, Weird, to quote R. Zegler. Communion is open to endless interpretations, if you even manage to take this seriously.
Director: Philippe Mora Writer: Whitley Strieber Country & year: UK/Australia/USA, 1989 Actors: Christopher Walken, Lindsay Crouse, Frances Sternhagen, Andreas Katsulas, Terri Hanauer, Joel Carlson, John Dennis Johnston, DeeDee Rescher, Aileen Fitzpatrick, R.J. Miller IMDb: https://www.imdb.com/title/tt0097100/
… and no, we’re not talking about Simon Cowell. We follow the tragic odyssey of Steve, who’s on a space flight to Saturn (which I first assumed was the sun) where he gets exposed to some radiation of the Saturn rings. Next, we see him at a hospital bed, his face covered with bandages. His arms are like fried chickens, and we can only imagine what his face looks like. Well, it doesn’t look good. He sees himself in a mirror where he looks like a mix of an outcast from Tromaville and a zombie escaped from a Lucio Fulci filmset. He panics, kills two nurses and runs away in the Californian desert. I’d guess he had no health insurance.
Only two (yes 2) actors are credited in the opening sequence: Alex Rebar as The Incredible Melting Man, and Burr DeBenning as Dr. Ted Nelson. In other words; it’s really reassuring to know from the very start that there’s at least one surviving doctor in the house, ’cause Melty needs help ASAP. Instead, he now goes around and kills everyone he stumbles upon, and eats their skin in hope to slow the melting process. Sorry bud, but that only works in silly horror movies. Oh well. While Melty goes on his murder spree, Dr. Ted tracks him down by following his gooey footprints with a radiation detector. Good luck.
The Incredible Melting Man is the title, and that’s what you get. No clickbait BS. And the film is, for the most part, as self-aware as the title suggests — a throwback to the schlocky, cartoonish and campy monster films from the 1950s that are not to be taken seriously for a second. The producers, however, wanted more horror and less silliness, where some scenes were edited as a silent film, of all things, that were later removed. So much bullshit escalated behind the scenes that writer and director William Sachs almost replaced himself with Alan Smithee. The incoherency and tonal shift is all over the place where you have kids smoking cigarettes, and a scene with an elderly couple with goofy music that could be something from a sitcom. Then there’s the horny photographer with his blonde model in the middle of the desert, where I guess Roger Corman gave some input. Because it’s after all the 1970s where you gotta show some tits, even a little.
We see right away that the strongest part here is the make-up effects, done by Rick Baker, which later was the inspiration for a certain melting man in RoboCop (1987). Gallons of goop mixed with syrup and paint were used to make it look like Melty was constantly, well, melting. The actor who plays Melty, Alex Rebar, hated the process and being in make-up, and turned out to be quite a primadonna. He even refused to wear several of the prosthetics, and said to Rick Baker once that I’m a big star in Italy, you know. Baker replied: I’ve never heard of you, and you’re playing The fucking Incredible Melting Man, so cut the crap! Haha, I bet that crushed his ego. This is no masterpiece, but a fun little dumb campy schlock filled with Z movie charm, some gory moments (most notably a floating head), and it surely lives up to its title.
Writer and director: William Sachs Also known as: Smeltende terror (Norway) Country & year: USA, 1977 Actors: Alex Rebar, Burr DeBenning, Myron Healey, Michael Alldredge, Ann Sweeny, Lisle Wilson, Cheryl Smith, Julie Drazen, Stuart Edmond Rodgers, Chris Witney IMDb: https://www.imdb.com/title/tt0076191
A young fashion designer receives a mysterious sewing machine left at her doorstep, only to discover it is connected to a demonic entity determined to destroy her.
Horror Short Sunday is here again, and this time we’re taking a look at Sewing Machine. A fun and gory horror short!
Asia Reaves and her younger sister Maria are trying to escape from their abusive father, but this doesn’t go too well. It ends up with Asia shooting him (not dead, though) and running away while abandoning Maria. Asia is, of course, arrested and has to spend a long time in jail, all the while Maria has to remain in their father’s custody.
Fast forward 10 years later, we see Asia arriving at a place called The Virgil, which is some kind of exclusive high-rise building in NYC. She’s there to become a new maid, and as the building manager Lilith Woodhouse welcomes her inside, Asia quickly learns that this place is filled with a wealthy cultist elite. And yes, they’re satanic and commit human sacrifices…what a shocker. As Asia was planned to be their latest sacrificial lamb, things take an unexpected turn as she’s come prepared and stacked with lots of weapons, plus badass fighting skills like she’s been taking lessons with Pai Mei. And things really turn deadly, bloody and crazy! Asia finds herself in a bigger challenge than expected, though, when it appears the satanic cultists respawn like low-level enemies in a video game, no matter how many times they are killed. A nice perk they’ve been given after all the human sacrifices…
They Will Kill You is an action comedy horror film directed by Kirill Sokolov, co-written with Alex Litvak. The movie was filmed in Cape Town, using the South African Mutual Life Assurance Society building, CGI’ing the hotel’s name “The Virgil“ on it. Virgil is a reference to Dante’s Inferno, where the ancient poet Virgil is leading Dante through the nine circles of hell. Sokolov said that the inspiration behind the film came from when he and his wife moved to a different city in Russia, where they rented an apartment on the 17th floor. They started joking amongst themselves how the whole building probably belonged to some kind of cult and that eventually they’d end up sacrificed. I’m sure there’s a lot of large apartment buildings that will easily give off that kind of feeling…
Prior to watching this movie, I wasn’t sure exactly what to expect. Something fun and fast-paced, sure…but would it be as bloody and crazy as I hoped? Well, it certainly was, because goddamn, does the movie hit hard with its blood-soaked frenzied ride! There are the good old blood-fountains, a fair amount of gore and totally insane scenes like the one involving a disembodied roving eyeball. Wicked! It was what I had hoped it would be and then some, for sure. It does absolutely not hold back, there’s so much over-the-top moments that I got some Braindead and Re-Animator vibes all mixed with Kill Bill and a dose of the good old Sam Raimi. And, if I’m going to be completely honest…I actually got more of a Sam Raimi feeling from this film than Send Help from earlier this year…
Zazie Beetz who plays Asia, delivers her performance with just the right amount of ferocious and unhinged brutality. Her little one-person-army is kicking satanic ass all over the place while she must battle her way through the hordes of cultists. They Will Kill You is bloody, ultra-violent and outrageous in such a fun way, and as far as horror-action movies go this is top-tier entertainment. If you want a thrill-ride filled with blood fountains and craziness, you should definitely check this one out!
Despite this being such a fun, bloody and upbeat movie, it didn’t fare too well at the box office with $19 million against its $20 million budget. Oof. Perhaps this had a bit to do with Ready or Not 2 being released at the same time, who knows. Hopefully it will grow in popularity over time.
Director: Kirill Sokolov Writers: Kirill Sokolov, Alex Litvak Country & year: USA/South Africa/Canada, 2026 Actors: Zazie Beetz, Patricia Arquette, Myha’la, Paterson Joseph, Tom Felton, Heather Graham, Willie Ludik, David Viviers, Gabe Gabriel, Viktoria Korotkova, James Remar IMDb:https://www.imdb.com/title/tt31728330/
On an isolated farm somewhere in Texas, Thomas (“Tommy“) Graham lives with his alcoholic father Josiah. Tommy is a man with intellectual disability, and his father Josiah…well, let’s just say he doesn’t seem to be the best company for Tommy. Between emptying one bottle of whisky after the other, Josiah rambles on about all kinds of things, including when he saw a leprechaun farting a rainbow of of his ass. Josiah has seen quite some things, it seems. But this story isn’t about something as jolly as rainbow-farting leprechauns, as you might’ve guessed. The Graham farm has a dark and troubled past, and we get a flashback story to how Josiah’s wife Miriam hanged herself from a tree in the garden while Tommy and his two siblings were still young. And speaking of his siblings…they’re not faring too well off either.
Tommy’s brother and sister are Eli and Mary, who are twin siblings. They have long since left the farm, and have more than enough troubles to deal with. Eli is a drug addict, gambler, and you can add sex offender to the list. Scumbag, in other words. Mary is struggling with trauma and tries to live a normal life wanting a child of her own…which is a problem since she decided to have a tubal ligation operation 20 years back. When she was young she was convinced she wouldn’t want to become a mother, but now there’s a total u-turn for that…because her apparently wrecked marriage and the feeling of emptiness inside will be totally fixed if they can just have a baby, right..? Pfft. Then, when the three siblings all receive a letter from an oil company wanting to buy the farm and the land around it for oil drilling, it sounds like an opportunity that’s very hard to say no to. Except Eli and Mary now have to return to the place…and face the horrors from their past.
What Josiah Saw is a Southern Gothic psychological horror drama film from 2021, written by Robert Alan Dilts and directed by Vincent Grashaw in his directorial debut. While this movie is mostly a psychological drama, the horror elements are more than present enough. I really liked the bleak, dark atmosphere that remained like a blanket over the entire movie, even in the segments that took quite different turns than I imagined.
Now, they say all families have their issues. And that’s no doubt true, but some have far more serious issues than others. In this twisted family drama there are past trauma and horrific acts committed, all presented in chapters where each one focuses on each of the siblings. When we start off with Tommy, there’s that oppressive and dark vibe already from the very start, sprinkled with some supernatural elements. When coming into Eli’s segment, though, there’s a very big tonal shift and we’re suddenly in a drug-drama with child-napping gypsies. Not…exactly what I expected. It all still connects and blends with the rest, and in order to fuel the story and climax it was pretty much needed to spend some time with each of the characters. They all have committed sins of the past and have had sins committed against them, and it all unravels towards the end.
There are some twists in this movie that can be figured out very early on if you pay enough attention to certain details, especially in one of the early scenes with Tommy. This didn’t ruin anything, though, as there’s more than enough mystery surrounding the three siblings and their past, and why things turned out the way it did and what Josiah actually saw. It also reminded me a little of another family farm horror movie from 2020, called The Dark and the Wicked. That one is pure supernatural horror very much throughout so they’re not all that similar in story, but it has some of that same vibe and atmosphere of an isolated and worn farmhouse and family drama coming to the surface.
What Josiah Saw is kind of a trauma film with more focus on the family drama than any supernatural stuff, and these kinds of movies are often a bit hit or miss with me. I really think the horror elements worked well here, though, bleak and gritty with a tense slow-burn and dark atmosphere. Not the kind of movie you put on when you want to have a fun popcorn type of time, but for those days when you want something a little gloomy.
Director: Vincent Grashaw Writer: Robert Alan Dilts Country & year: USA, 2021 Actors: Robert Patrick, Nick Stahl, Scott Haze, Kelli Garner, Tony Hale, Jake Weber, Ronnie Gene Blevins, Troy Powell, Louanne Stephens, Winston James Francis, Billy Blair, Anthony Gaudioso, Dana Namerode IMDb:https://www.imdb.com/title/tt3097396/
In the midst of the Seven Years’ War, a company of hardened soldiers force their young bagpipe player into battle, only to discover that their enemy is not what they expected.
It is Horror Short Sunday again, and this time we’re taking a look at The Lone Piper. A creepy folk horror short set during the Seven Year’s War period.
Director: Matthew Kravchuk Writer: Matthew Kravchuk Country & year: US, 2025 Actors: Amanda Bearmedicine, Maximilian Macdonald, Matthew Woods, Lucian Zanes IMDb:www.imdb.com/title/tt33096188/
Eegah! The Crazed Love Of a Prehistoric Giant For a Ravishing Teen-Aged Girl! (Played by a woman in her late 30s) Eegah Had Never Seen a Girl, Until One Fell Into His Arms. Boy Fights Giant For Girl! Eeeeegahhh!
Yep, this is the retarded drunk clown show where Jaws himself from James Bond (Richard Kiel) plays a not-so-convincing prehistoric caveman with the cleanest skin and fakest beard, and lives on sulphur water. Then you have the incompetent sound guy who forgot to push the record button during most of the filming, later fixed with bad dubbing. Classic. Add some cringe and desperate nepotism to eleven where the director had some big hopes to plant his son as the new Elvis Presley. And according to the film’s poster: Desert dune buggy first time on screen! This film has it all.
So, this Eegah-guy (his name never gets mentioned, by the way) is wandering one night on some road not so far from the Californian desert with his club where he almost gets run over by Roxy. While Eegah looks like someone doing a Flintstones cosplay, the same could be said about Roxy, who looks more like Betty, as she wears a cute blue dress, and even talking like a low-IQ Hanna-Barbera character. After she faints of shock, Eegah heads back to the desert. Her boyfriend, Tom, suddenly shows up and takes her back to her dad. She tries to convince her dad, Robert (played by the director himself, Arch Hall Sr.) and Tom that she just saw a giant. And guess what — dad believes her, because according to the Book of Genesis, the giants once walked the Earth. Amen and God bless. Her boyfriend isn’t so sure, though. Here you have some of the dialogues between Roxy and Tom. Roll the clip:
Roxy: My dad still doesn’t believe! (Uhm, ok?)
Tom: Suuure he does.
Roxy: And neither do YOU!
Tom: I swear on my Elvis Presley LP. How big did you say he was?
Roxy: Oh, bigger than anybody YOU ever saw!
Tom: I bet you were scared, huh?
Roxy: A little. But I had the funniest feeling that he wouldn’t hurt me.
Next morning Betty, I mean Roxy, shows her dad the spot where she saw the giant. Watch out for snakes! Holy COW, he was standing right here WATCHING us, Tom says. Then he took off for Shadow Mountains. While Roxy’s dad flies to the mountains in a helicopter to search for this giant, our love couple spends some quality time by the pool. Here we get our first song number (of three) from Tom where he sings the love ballad of Vicky to Roxy while she has a little swim:
♫ ♪I LoOOove You Vicky, Yoouu Know I DoOOo, Vicky Oh Viickyy♪ …
My heart just melts. The random singing doesn’t come from nowhere though. Tom is played by Arch Hall Jr, the son of the director, who, as mentioned, had big plans to make him the new Elvis. He thought it was a good idea to utilize several parts of the film to showcase his talent, where he has more of the charisma as an average roadhouse singer while the songs are mixed with some laughable bad lip-sync. Hall Sr tried for the last time to put him that same year in the comedy/romance Wild Guitar. Didn’t go so well. Junior retired from showbiz in 1965 and was never keen on talking about his short-lived acting career ever again. Who can blame him.
Anyway… When Roxy’s dad goes radio silence, her and Tom goes out to the desert in a buggy where Roxy gets kidnapped by Eegah (no shit) and taken to his cave where she gets reunited with her dad. The cave entrance is, of course, filmed at the iconic Bronson Caves, which was also used in Robot Monster (1954) and numerous other movies and TV shows. The exteriors of Eegah’s cave looks as fake as you can imagine. It’s now up to Barney, I mean Tom, to save his girlfriend Betty, I mean Roxy, and her dad.
Some highlights:
— When Tom and Roxy are buggy-cruising through the desert while Roxy shouts Weee!, like Lucas the Spider.
— When Roxy shaves Eegah’s fake beard. Yes, really.
— When Eegah then eats some of the shaving cream. Comedy gold!
— When Eegah introduces Roxy to his dead, mummified family in the corner of his cave. Here it gets a little creepy.
— All of the Eegah’s mumbling dubbed “dialogue“.
— The fight scenes where Eegah bitch-slaps like a real caveman instead of using his club.
— When Eegah crashes a party and does everything he can to not destroy a single valuable thing with his big club, since there wasn’t any budget for expendable set pieces. The one and only thing he destroys during the entire film is a door.
— The whole movie.
Eegah is on the public domain and easy to find. Yabba Dabba Cheese!
Director: Arch Hall Sr. Writers: Bob Wehling, Arch Hall Sr. Country & year: USA, 1962 Actors: Arch Hall Jr., Marilyn Manning, Richard Kiel, Arch Hall Sr., Clay Stearns, Bob Davis, Deke Richards, Ron Shane, Addalyn Pollitt IMDb: https://www.imdb.com/title/tt0055946/
Ohm Bauman is sitting at home, sipping whiskey and writing the epilogue of his latest novel. It’s not going to end on a happy note, and we also realize that Ohm is a miserably guy (as if sitting there and sipping whiskey while writing the bleakest ending he could probably come up with wasn’t proof enough of that), but it appears he’s also haunted. Whether by actual ghosts or memories…who knows. But we see him glimpse his mother on the staircase, something that triggers him into packing his bags and going all the way to rural Ireland, to visit The Bilberry Woods Hotel. This was the place where his parents had been on their honeymoon, and he’s keeping a photo of his mother who is standing nearby a large tree, where she’s smiling from ear to ear and looks as happy as can be. Quite the contrast to her gloomy son, but there’s of course a reason for this. There always is.
Once arriving at the hotel, we do notice that Ohm is…kind of a dick. He’s dismissive and mean towards nearly everyone he meets, with perhaps the exception of the no-bullshit bartender Fiona whom he shows the photo to and asks if she knows where the tree is located. She does, of course. Once he’s there, he spreads his parents ashes, carefully placing his mother’s around the tree’s roots, while emptying the container of his father’s ashes the same way you shake the last few drops from a can of beer you’re about to discard. Sometimes a small scene like that tells you a lot more than words can do.
Close by, he meets the groundskeeper Jerry, who lives in his van and drinks milk mixed with magic mushrooms. Probably a fun guy to be around, and seemingly a very kindhearted dude. Once Ohm gets back to the hotel, he gets as shitfaced as possible at the bar, and gets in talk with Fiona again and the bellhop Alby, where they tell him about the closed off honeymoon suite that’s supposedly haunted by a witch that the hotel owner once trapped inside. To this, Ohm’s simple reply is “hokum“! He doesn’t believe a single word they say, and thinks of it all as nonsense (and yes, hokum means nonsense). Despite Ohm’s original plans for the stay at the hotel, though, he is soon to find out that there’s less “hokum“ to the story than he’d expected…
Hokum is a supernatural horror film, written and directed by Damian Mc Carthy in his third feature length film. We have already reviewed his earlier films Caveat (2020) and Oddity (2024), and ever since watching those two we have been looking forward to Mc Carthy’s next entry into the horror field. This is the first movie of his that we’ve been able to view at the theater, and it was a great experience to watch a spookfest like this at the big screen!
Just like his two previous films, it’s filled with thick atmosphere and a constant eerie vibe. While there are a few jump-scares, the movie doesn’t rely on them in the slightest. The setting, locations and scenery are all spot-on when it comes to creating such a moody, isolated and foreboding place ideal for a horror story like this. I so, so much prefer these old-fashioned spooky places over any modern-looking place. I also think Mc Carthy nails the feeling of isolation in the places he use in his films.
Adam Scott is doing a solid performance as the alcoholic, depressed and unlikable Ohm. It just goes to show that you don’t always need a charismatic and likable protagonist. He’s a jerk but we still want to root for him. And yes, of course he’s got a backpack of trauma and childhood shit to drag alongside with him, and even though this doesn’t explain or excuse his behavior in the slightest, we do at least get a bit of sympathy for him. There is also a little bitty redemption arc in store for him, and no, that still doesn’t make him a good or likable guy but we don’t always need a character to be that in order to deliver a good story. And speaking of story, this one has a lot more of it than Caveat and Oddity. While the previous ones relied a lot more on atmosphere and slow build, this one presents several mysteries between it all, adding more layers to the narrative.
It has also become apparent that Mc Carthy’s got a thing for rabbits, and in Hokum there’s a rabbit man/entity (which I first actually believed to be the witch upon seeing the trailer), having a very small yet not insignificant role. We only see this creature in a few scenes, mostly during what appears to be some kind of children’s TV show, and while the significance is never fully explained it’s not hard to get the underlying meaning of it once you learn more about Ohm’s past. Gotta give props to the design of this rabbit-man thing, it looks menacing as hell! Speaking of creepy-looking creatures, I also have to say the witch in the movie is also pure nightmare fuel. Some of the scenes involving her are terrifying, especially the early ones where we only see glimpses of her in the dark. I know for a fact that had I seen this movie in my less desensitized days, sleep would have been less comfortable for at least a few nights to come…
Hokum is a horror movie that makes us even more excited to see what Mc Carthy will brew next! According to an article at Dread Central, he’s mentioned that For my next film, I definitely want to make the ultimate haunted house movie which is a statement that I (not gonna lie) hypes me up a bit. He also stated that I really feel like if I was to make another horror film, I think I’d really nail it, although personally I think he very much “nailed it” with Hokum. Already looking so much forward to what comes next from this director.
Writer and director: Damian Mc Carthy Country & year: Ireland/United Arab Emirates, 2026 Actors: Adam Scott, Mallory Adams, David Wilmot, Michael Patric, Will O’Connell, Brendan Conroy, Peter Coonan, Florence Ordesh, Sioux Carroll IMDb:https://www.imdb.com/title/tt35672862/
After the tragic death of her viral dog, Max, a pet influencer is confronted by a vengeful spirit demanding an apology for a life of exploitation.
Horror Short Sunday is here again, and this time we’re taking a look at OBEY! Well, this doggie got tired of just “obeying” all the time, and with good reason…
Director: Jordan Wippell Writer: Jordan Wippell Country & year: US, 2025 Actors: Paige Phillips, OpieQ IMDb:www.imdb.com/title/tt42300568/
