Hokum (2026)

HokumOhm Bauman is sitting at home, sipping whiskey and writing the epilogue of his latest novel. It’s not going to end on a happy note, and we also realize that Ohm is a miserably guy (as if sitting there and sipping whiskey while writing the bleakest ending he could probably come up with wasn’t proof enough of that), but it appears he’s also haunted. Whether by actual ghosts or memories…who knows. But we see him glimpse his mother on the staircase, something that triggers him into packing his bags and going all the way to rural Ireland, to visit The Bilberry Woods Hotel. This was the place where his parents had been on their honeymoon, and he’s keeping a photo of his mother who is standing nearby a large tree, where she’s smiling from ear to ear and looks as happy as can be. Quite the contrast to her gloomy son, but there’s of course a reason for this. There always is.

 

Once arriving at the hotel, we do notice that Ohm is…kind of a dick. He’s dismissive and mean towards nearly everyone he meets, with perhaps the exception of the no-bullshit bartender Fiona whom he shows the photo to and asks if she knows where the tree is located. She does, of course. Once he’s there, he spreads his parents ashes, carefully placing his mother’s around the tree’s roots, while emptying the container of his father’s ashes the same way you shake the last few drops from a can of beer you’re about to discard. Sometimes a small scene like that tells you a lot more than words can do.

 

Close by, he meets the groundskeeper Jerry, who lives in his van and drinks milk mixed with magic mushrooms. Probably a fun guy to be around, and seemingly a very kindhearted dude. Once Ohm gets back to the hotel, he gets as shitfaced as possible at the bar, and gets in talk with Fiona again and the bellhop Alby, where they tell him about the closed off honeymoon suite that’s supposedly haunted by a witch that the hotel owner once trapped inside. To this, Ohm’s simple reply is hokum! He doesn’t believe a single word they say, and thinks of it all as nonsense (and yes, hokum means nonsense). Despite Ohm’s original plans for the stay at the hotel, though, he is soon to find out that there’s less hokum to the story than he’d expected…

 

Hokum is a supernatural horror film, written and directed by Damian Mc Carthy in his third feature length film. We have already reviewed his earlier films Caveat (2020) and Oddity (2024), and ever since watching those two we have been looking forward to Mc Carthy’s next entry into the horror field. This is the first movie of his that we’ve been able to view at the theater, and it was a great experience to watch a spookfest like this at the big screen!

 

Just like his two previous films, it’s filled with thick atmosphere and a constant eerie vibe. While there are a few jump-scares, the movie doesn’t rely on them in the slightest. The setting, locations and scenery are all spot-on when it comes to creating such a moody, isolated and foreboding place ideal for a horror story like this. I so, so much prefer these old-fashioned spooky places over any modern-looking place. I also think Mc Carthy nails the feeling of isolation in the places he use in his films.

 

Adam Scott is doing a solid performance as the alcoholic, depressed and unlikable Ohm. It just goes to show that you don’t always need a charismatic and likable protagonist. He’s a jerk but we still want to root for him. And yes, of course he’s got a backpack of trauma and childhood shit to drag alongside with him, and even though this doesn’t explain or excuse his behavior in the slightest, we do at least get a bit of sympathy for him. There is also a little bitty redemption arc in store for him, and no, that still doesn’t make him a good or likable guy but we don’t always need a character to be that in order to deliver a good story. And speaking of story, this one has a lot more of it than Caveat and Oddity. While the previous ones relied a lot more on atmosphere and slow build, this one presents several mysteries between it all, adding more layers to the narrative.

 

It has also become apparent that Mc Carthy’s got a thing for rabbits, and in Hokum there’s a rabbit man/entity (which I first actually believed to be the witch upon seeing the trailer), having a very small yet not insignificant role. We only see this creature in a few scenes, mostly during what appears to be some kind of children’s TV show, and while the significance is never fully explained it’s not hard to get the underlying meaning of it once you learn more about Ohm’s past. Gotta give props to the design of this rabbit-man thing, it looks menacing as hell! Speaking of creepy-looking creatures, I also have to say the witch in the movie is also pure nightmare fuel. Some of the scenes involving her are terrifying, especially the early ones where we only see glimpses of her in the dark. I know for a fact that had I seen this movie in my less desensitized days, sleep would have been less comfortable for at least a few nights to come…

 

Hokum is a horror movie that makes us even more excited to see what Mc Carthy will brew next! According to an article at Dread Central, he’s mentioned that For my next film, I definitely want to make the ultimate haunted house movie which is a statement that I (not gonna lie) hypes me up a bit. He also stated that I really feel like if I was to make another horror film, I think I’d really nail it, although personally I think he very much “nailed it” with Hokum. Already looking so much forward to what comes next from this director.

 

Hokum

 

Writer and director: Damian Mc Carthy
Country & year: Ireland/United Arab Emirates, 2026
Actors: Adam Scott, Mallory Adams, David Wilmot, Michael Patric, Will O’Connell, Brendan Conroy, Peter Coonan, Florence Ordesh, Sioux Carroll
IMDb: https://www.imdb.com/title/tt35672862/

 

Vanja Ghoul

 

 

 

 

 

OBEY – Horror Short Film

After the tragic death of her viral dog, Max, a pet influencer is confronted by a vengeful spirit demanding an apology for a life of exploitation.

 

Horror Short Sunday is here again, and this time we’re taking a look at OBEY! Well, this doggie got tired of just “obeying” all the time, and with good reason…

 

OBEY - Horror Short Film

 

Director: Jordan Wippell
Writer: Jordan Wippell
Country & year: US, 2025
Actors: Paige Phillips, OpieQ
IMDb: www.imdb.com/title/tt42300568/

 

 

 

 

Hellhole (2022)

HellholeWe’re somewhere in Poland in 1957, where a priest enters a church with a baby that bears a unique scar. He’s not there to drop the baby off for some nuns to take care of, though, he proceeds to try killing the infant. Fortunately for the baby, the Milicja (the Polish militia) enters the place and shoots the priest dead.

 

Fast forward to thirty years later, we meet another priest: Father Marek. He arrives at a Polish monastery where women are brought in to undergo an exorcism. He’s vetted and checked before entering the place, but when he starts unpacking in his room we see that the suitcase he’s brought with him has a concealed compartment where he’s hidden a gun, a flashlight, and some other stuff. Seems like he’s come prepared…but for what? We’ll find out.

 

Marek is then taken to a room where they’re performing an exorcism on a woman. All kinds of textbook-exorcism stuff go on in there, with a cross suddenly starting to burn, a shaking bed, and the usual demonic shenanigans. When Marek investigates the room later, he discovers that things are not exactly what they might seem at first glance, though. Marek’s mission at the place is, in fact, to investigate some cases of many missing local women which he believes has something to do with this place. And things are certainly happening in this dark, foreboding hellhole where everything looks rotten, and the food being served is so horribly foul and nasty that it looks even more biohazardous than the fridge contents in Resident Evil 8.

 

Hellhole (original title: Ostatnia wieczerza, which literally means Last Supper) is a Polish horror film from 2022, written by Mirella Zaradkiewicz and directed by Bartosz M. Kowalski. It is available on Netflix as one of the Netflix originals. It was filmed in Lubiaz, Poland.

 

Starting off, this movie doesn’t offer too much new to the typical demonic/possession genre, but it’s atmospheric and creepy, much aided by the setting and visuals. It’s very mystery-fueled for the most part of the film, where you follow Marek as he keeps investigating the place and finds the one ominous thing after the other. And poor Marek pretty much finds himself in Hell already, with no means of actually leaving the place and being served the worst meals possible. Yes, those nasty meals have a deeper meaning, of course.

 

While we follow Marek on his investigative routes (and in between him violently vomiting for obvious reasons) it all becomes a little muddled with a mix of him finding apparent hoax effects that the monks use during the exorcisms, to him experiencing some really weird supernatural devilry. It never manages to elevate the atmosphere and creepy settings to some real scares, though, and it’s definitely a little slow at times, but it does gradually reveal bits and pieces along the ride which is pretty much what I crave and expect from mystery-based stories: just give us a few nuggets here and there and keep us wondering for a while still. Then…we get towards the final part of the movie, and oh boy, things certainly take a different turn! In some ways, it reminded me a little of how the buildup was presented in They’re Watching, even though those movies have very little in common otherwise. I’m talking about the somewhat generic start which later presents you with something totally bonkers. Hellhole is one of those movies that saves the best parts for last, and there’s even a scene where it all also turned unexpectedly comedic. This certainly wasn’t a movie I expected to get some good laughs from.

 

With all of the above being said, Hellhole is for the most part a creepy, mystery-based horror film. If you want something with a sinister atmosphere, with some twists and turns and a fun finale thrown into that mix, then give Hellhole a watch!

 

Hellhole Hellhole

 

Director: Bartosz M. Kowalski
Writers: Bartosz M. Kowalski, Mirella Zaradkiewicz
Original title: Ostatnia wieczerza
Country & year: Poland, 2022
Actors: Piotr Zurawski, Olaf Lubaszenko, Sebastian Stankiewicz, Lech Dyblik, Rafal Iwaniuk, Krzysztof Satala, Malwina Dubowska, Zbigniew Walerys, Antoni Augustyniak
IMDb: https://www.imdb.com/title/tt19724142/

 

Vanja Ghoul

 

 

 

 

 

Stir of Echoes (1999)

Stir of EchoesIn a working-class Chicago neighborhood, Tom Witzky and his wife Maggie are going to a party after getting a babysitter for their 5-year old son Jake. Lisa, who is Maggie’s sister, is a firm believer in the supernatural and claims that she can hypnotize people… and to this Tom just snorts and thinks of it all as pure nonsense. It all ends with the non-believer being put under hypnosis by Lisa, where she gives him a post-hypnotic suggestion (an instruction given to someone under hypnosis which they will carry out once the trance ends) telling him to be more open-minded. Yup, you can already imagine how this goes. Shortly afterwards, he begins seeing and experiencing things, and to top it all, it also seems that their young son Jake is doing so, too, and that Jake has been seeing dead people for much longer than both Tom and Maggie have been aware. Now daddy’s in for the ride too. What Tom and Jake are experiencing in the house, seems to be connected to the disappearance of a 17-year old girl named Samantha Kozac. It all turns into an obsession where Tom tries to turn the entire place upside down in order to find out what happened to this girl, and why he and his son keep seeing her.

 

Stir of Echoes is a supernatural horror film from 1999, based on a book by Richard Matheson, and written and directed by David Koepp (who later directed Secret Window from 2004 starring Johnny Depp, and You Should Have Left from 2020 once again starring Kevin Bacon in the leading role). Now, if you asked someone if they’ve seen that supernatural horror film from 1999, about a man and a boy seeing dead people, they would most likely answer oh, yeah, you mean that film called The Sixth Sense! At least they would not be very likely to answer Stir of Echoes. The Sixth Sense became a major success, while this movie more or less got thrown in the shadows…which is a little bit of a shame because this is a pretty decent supernatural thriller, but it came and went like so many other movies. Typical example of truly bad timing.

 

Now, one thing I tend to really love about supernatural horror movies, at least in the ones that goes for a darker and more serious tone, is the mystery and gradual build of it. All of that what really happened, what is really going on, that makes you wonder and anticipate the answers. In a story about a ghost you already know that the ghost is dead, but what you want to know is why and what happened to them. This movie works very well in that regard. Sure, there’s the usual ghostly tropes and clichés as can be expected, but the solid execution makes it very enjoyable for those who want a mystery-fueled supernatural horror film. Unless you’re one of those who expects people to reinvent the wheel for every new movie, of course.

 

Kevin Bacon is fine in the role as the skeptic man turned believer, and he’s often so irrational in his behavior that you almost start wondering what exactly is up with this guy. Yeah, we all know that seeing dead people can take its toll, but c’mon man, even your five-year old son is able to cope with this in better ways than you do! With that being said, a lot of people in the neighborhood seem to cope with things in the wrong ways, which of course goes a long way in describing how certain working-class neighborhoods who are striving to appear like a “decent upper-class” place, will often hide their issues rather than deal with them.

 

Compared to The Sixth Sense, there aren’t really any truly scary moments in Stir of Echoes, but it is an entertaining and mysterious supernatural horror film mixed with some crime elements, and one that should be a pleasant watch if you want a ghostly crime mystery from the end of the 90’s.

 

Note: David Koepp was also writer and producer of this year’s Cold Storage, which we haven’t seen yet but most likely will soon.

 

Stir of Echoes Stir of Echoes

 

Writer & director: David Koepp
Country & year: USA, 1999
Actors: Zachary David Cope, Kevin Bacon, Kathryn Erbe, Illeana Douglas, Kevin Dunn, Conor O’Farrell, Lusia Strus, Stephen Eugene Walker, Mary Kay Cook, Larry Neumann Jr.
IMDb: https://www.imdb.com/title/tt0164181/

 

Vanja Ghoul

 

 

 

 

 

BILL – Horror Short Film

Bill is one of those guys who wants to make his wife undergo all kinds of surgeries in order to look like the perfect “doll” for him. During one of their dinners, the woman has finally had enough and the tables are turned…

 

It is Horror Short Sunday again, and this time we’re taking a look at Bill. A fun and cartoony horror short!

 

BILL - Horror Short Film

 

Director: Emily Dhue
Writer: Deana Taheri
Country & year: UK, 2024
Actors: Zac Branciforte, Yianni Sines,Deana Taheri
IMDb: www.imdb.com/title/tt28670502/

 

 

 

 

Pretty Lethal (2026)

Pretty LethalA group of ballerinas from Los Angeles have gotten the opportunity of their lifetime: to attend a prestigious international competition in Budapest. Too bad the group have as much chemistry as water and hot oil. The teacher, Thorna Devenport, tries her best to make the girls work together but their differences are creating too much of a gap between them. You have rich and bratty Princess (yes, that’s her name), deeply religious Grace (fitting name, right?) Zoe and her hearing-impaired sister Chloe, and rebellious and street-smart Bones. Well, ahead to Budapest for the time of their life anyway…and of course, things go bad already from the get-go: there are mix-ups at the airport, resulting in them having to take a bus which breaks down. As they leave the bus to find a cab, they are invited to a place called Teremok Inn, which is run by a former prima ballerina called Devora Kasimer. Huh! What a coincidence. And this place is located in the middle of…bumfuck nowhere, it seems, with nothing but forest around for miles. How convenient…for some.

 

As they’re trying to wind down a bit inside the inn that looks like a colorful Haunted Mansion, the one red flag after the other is waving in front of their faces. Devora Kasimer is also the head of a small crime family, and bad things happen at Teremok Inn. Bad things that doesn’t really have anything to do with the American troupe, but they get mixed into the shit anyway, because, well…Europe is always so, so dangerous for Americans, ya know! At least according to American horror movies. After their teacher gets killed and the girls locked up and ready to be slaughtered, they finally band together and use their ballerina skills to survive.

 

Pretty Lethal is an action thriller film, directed by Vicky Jewson and written by Kate Freund. It premiered on South by Southwest Film & TV Festival on March 13, 2026, and released worldwide on Prime Video on March 25. It was originally announced as Ballerina Overdrive back in 2023 and was supposed to be filmed in Serbia, but things changed and it was instead filmed in Budapest, Hungary.

 

If you want something fun, colorful and vibrant, then this is it. This movie doesn’t only promise some kick-ass ballerina fights and blood ‘n gore to follow with it, it actually delivers. It is fast paced, highly energetic and so, so much fun! In stark contrast to the more dark and brooding Livide from 2011 (which is also a great horror movie featuring a ballerina), this one is a different kind of beast that pumps up the fun and action!

 

The choreography during the fight scenes are just awesome, and the fight where they take on a group of people in the inn’s pub while having Tchaikovsky’s Waltz of the Flowers playing is pure gold. These ballerinas kick ass, and the Hungarian mob doesn’t stand a chance! That being said, I love how the movie doesn’t give them some kind of magical-girl superpower where they’re suddenly practically invincible. They get kicked around, punched and hurt too, their ballet-fu isn’t going to stop the Hungarian mob from being a very, very dangerous threat. But this is a bonkers setting where a high tolerance for pain, flexible bodies, and ballerina shoes armored with razor blades manage to beat guns and knives, and it works surprisingly well. Ballerinas are known for having a very high pain tolerance, often disassociating to perform their best, so it makes sense for them to endure as much as they do. A scene where one of them is being tortured by a guy starting with pulling our her toenails makes for a nice gag – she’s a fucking ballerina, you idiot! A broken toenail is almost an everyday occurrence for these ladies…

 

Visually, the movie looks good with rich visuals and contrasts, with lovely interior matching the setting. Performances are solid, with all the ballerinas doing well with their roles, and Uma Thurman in the role of Devora Kasimer does a pretty good job on portraying a vicious crime-queen with a thick Eastern European accent. The hearing-impaired girl Chloe is played by Millicent Simmonds (A Quiet Place) who is deaf in real life.

 

Pretty Lethal is a high-energy wild ride from start to finish, with a lot of gore and silly violence, and it’s always totally aware of what it is. A fun time with some killer ballerinas who dance and slash their way out of danger!

 

Pretty Lethal Pretty Lethal

 

Director: Vicky Jewson
Writer: Kate Freund
Country & year: USA/Hungary
Actors: Maddie Ziegler, Lana Condor, Lydia Leonard, Avantika, Millicent Simmonds, Iris Apatow, Tamás Hagyó, Uma Thurman, Tamás Hagyó, Julian Krenn, Miklós Béres, Péter Végh, Adam Boncz
IMDb: https://www.imdb.com/title/tt26678938/

 

Vanja Ghoul

 

 

 

 

 

Lee Cronin’s The Mummy (2026)

Lee Cronin's The MummyEvil Dead Mummy, Egyptian Evil Dead, Evil Dead Wrapping, Bring Her Back from the Evil Dead, The Exorcist of the Evil Dead, Resident Evil Dead… a dear child has many names, as we say in Scandinavia. But what this is certainly not, is a new entry from the Universal Monsters Universe. To avoid more confusion and potential legal copyright issues, Blumhouse/Atomic Monster took the easy fix by adding the director’s name above the title — while the grimy, necro promo posters alone spoke loud and clear by itself that this is a whole new take on the mummy concept. And if you still expected something in the same style of the more lighthearted and adventurous approach of The Mummy from 1999 and only waited for Brendan Fraser to show up, well, then you have no one but yourself to blame (LOL). Lee Cronin’s The Mummy is pure mean-spirited horror, through and through, and to quote Emil from RoboCop: I LIKE IT!!

 

We’re in Cairo, Egypt, where the little girl Katie gets kidnapped by a creepy horse-faced-looking lady. She’s the type of person who looks like a walking spell, and has groomed Katie with candy for some time. Dad Charlie, who’s a TV reporter, runs after her through some narrow streets until he gets slowed down by a sudden sandstorm and loses them. The local police won’t do shit as the scummy lead detective only suspects the parents. What can you say…

 

Eight years go by where the family, Charlie, his wife Larissa and their two children, Sebastian and Maud, have since moved to dusty Albuquerque, New Mexico. Then the phone rings. Their daughter has been found – alive. Well, sort of. The bad news is that she was found in a sarcophagus, of all things, from a crashed cargo plane in the desert of Aswan — and is now in a locked-in catatonic state in a wheelchair looking like a ghoulish, rotting corpse that has just been dug up from the grave by Wednesday 13. Time has not been kind to her, to put it mildly. Besides all that, her heart is in great condition. Hm..

 

A top comment I’ve seen floating around is the lack of logic of bringing her back home in the condition that she’s in, rather than just discard her like trash and let her rot at the hospital. Well, if we’re gonna have some serious talk here about logic, and a quick psychology course for dummies while we’re at it, it could maybe have something to do with the sweet health insurance? Since this is the United States of ‘Merica, BOY, where the power of thoughts and pears are way more lifesaving than one’s basic rights to proper healthcare will ever be. Or maybe the parents aren’t, you know, just some cold psychopaths. I’m not a parent, so what do I know.

 

The big question is, of course, what the hell really happened to her, and why. Hell happened, that’s for sure. And Hell will happen again as soon as she gets rolled back home with her parents and two siblings. Katie starts to act more weird, uncanny and unpredictable with sudden violent tics, one that ends up headbutting poor grandma to a nosebleed. At night, she runs on all fours like a wild dog in the crawlspace to hunt for scorpions to eat before puking green goo. While this sounds more like a generic possession movie, you’ll be surprised…and disgusted… and maybe lose your appetite for the rest of the week.

 

Not to slip into spoiler territory, but yes, we have a possession thing going on here that was on full display in the trailers. But on the surface, this is actually a mummy movie — with even a mummy. Yeah, I know, I’m as surprised as you. There’s a lot to chew on here (and swallow, for that matter), just from the aggressive visuals alone, where Lee Cronin seems to be a big fan of the so-called split diopter-effect, shot by cinematographer David Garbett, who also did Evil Dead Rise (2023) with Cronin. It’s icky, which puts an extra flavor to it. The dusty and old, almost Resident Evil’ish haunted house-setting that is the home of the family in New Mexico works perfect for the backdrop. The heavy atmosphere is consistent with much of the same edge as the first two Conjuring films, mixed with the gritty detective aspects like Deliver Us from Evil (2014), without the rain, of course.

 

All the actors do a solid job, but Natalia Grace, who plays the mummy girl, doesn’t get enough roses. She has the perfect balance of looking like a vulnerable vegetable while at the same time reeking with the same intimidating force like Pazuzu, or maybe Mumzuzu in this case. The film is way more brutal and bleak than expected, especially having in mind that this is Blumhouse, where I assumed that only The Grabber had full access to the Splatter & Gore department. All, if not most effects are practical, and they all rip, in all literal sense.

 

Then there’s the already infamous gross-out scenes which goes all up to eleven during a wake/funeral scene that starts off with an old wine-sipping lady saying the embalming fluid is the new Botox. Haha. It’s something straight out from the dinner scene from Braindead where the pitch-dark gallows humor shouldn’t work, but it somehow does. Some moments here are truly disgusting, even for a ghoul like me — and after witnessing the young girl grinning with the uncanny teeth in full context, is now a still image that will lives rent-free in my head for a while. This could easily have been a muddled, tonal mess, especially judging by the trailers, but Lee Cronin manages to stitch it all together into a cohesive and highly entertaining dark wild ride where the runtime of two hours and fifteen minutes flew away like a crispy leaf on a windy autumn day. One of the best horror films of 2026.

 

Lee Cronin's The Mummy Lee Cronin's The Mummy

 

Writer & director: Lee Cronin
Country & year: USA/Ireland/Spain, 2026
Actors: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Shylo Molina, Billie Roy, Veronica Falcón, Hayat Kamille, May Elghety, Emily Mitchell, Husam Chadat, Tim Seyfi, Mark Mitchinson
IMDb: https://www.imdb.com/title/tt32612507/

 

Tom Ghoul

 

 

 

THE GIRL IN THE STREET – Horror Short

Malachi moves to a small town for his new job but is suddenly faced with a moral quandary when a bloody and scarred young woman in a strange mask appears outside his house, screaming for help in the street.

 

Horror Short Sunday is here again, and this time we’re taking a look at The Girl in the Street. Sometimes, being a good person can lead to negative consequences…

 

THE ANGEL - Horror Short Film

 

Director: Miles August, Chris Paicely
Writer: Chris Paicely
Country & year: US, 2026
Actors: Hunter Alfonso, Chris Anthony, Tabitha Kushlakus, D’Andra Laneé, Heather Langenkamp, Grace Marengo, Whitney Masters, Shawn Roundtree Jr.
IMDb: www.imdb.com/title/tt37593496/

 

 

 

 

The Mummy Theme Park (2000)

The Mummy Theme ParkIt’s been a while since the last amateur show, but here we have the forgotten and buried gem that is The Mummy Theme Park from the year 2000. And no, this is actually not a mockbuster version from The Asylum of the highly successful film with Brendan Fraser that came the year before. This is…uhm, well, something else.

 

Picture a superhigh ambitious Hollywood studio-level concept with none to zero resources, budget or talent, cast a bunch of first (and last-time) amateur actors, and just make it anyway, in the most borderline stubborn and deluded fashion imaginable. There you basically have The Mummy Theme Park in a nutshell, and one of those fascinating cinematic trainwrecks you have to see with your own eyes to believe.

 

And speaking of being ambitious: We’re in modern-day Egypt where the goofy businessman Sheik El Sahid has some big plans to open, which the title says, a theme park, something in the style of Jurassic Park and Westworld. Because here’s the thing: A Cleopatra named Nekhebet, has managed to open an enormous, ancient necropolis tomb with the help of an earthquake caused by the Egyptian gods Osiris and Ra. Cool. And Sheik El Sahid smells big business for a tourist attraction. Who wouldn’t. But those with an actual sense of smell will only smell the strong reek of cheese, plain and simple. I mean, bruh, just look at it. It’s not as bad as the Willy Wonka Experience, but still. I think visiting Disneyland would be a better idea. If you happen to be around the Paris area and survived the catacombs, make sure to swing by Parc Astérix, where you can ride the god of Osiris’ roller coaster itself. Been there twice. Awesome stuff.

 

The Mummy Theme Park

 

Where was I… oh yeah, The Mummy Theme Park. Daniel, a model photographer and his blonde bimbo assistant Julie, gets invited to an exclusive before-the-opening tour of the fresh park by Sheik El Sahid himself. A miniature train guides them through the underground caverns on a model railroad where every scene looks more fake than the other. Plastic human skeletons are placed around the tunnels while we see workers as the train passes them by from a green screen. Epic stuff. The only thing missing is some adventurous score by John Williams. And then we, of course, have the Egyptian mummies themselves, which are controlled by microchips. Of course. What can possibly go wrong. One of the mummies suddenly pops up from nowhere in Sheik El Sahid’s palace, kills several guards while Julia enjoys her bubble bath and the Sheik himself never seem to get some intimate privacy with his harem of four or five wives.

 

It’s easy to look at this and assume that the film was just made for the shits n’ giggles by a group of drunk film school students… but when you have a director who looks like an average university professor, the kind of individual who just wouldn’t even be dreaming of wasting his time on watching a minute of these kinds of retarded, juvenile trash cinema, you can’t be too sure. The mastermind behind The Mummy Theme Park is Alvaro Passeri, an Italian special effects artist who’s worked in the movie biz since 1979. There isn’t much info to dig up about this signore other than he has directed five obscure horror schlocks during the 1990s and early 2000s, and has a YouTube channel where he showcases his special effects work which is way more impressive than his filmmaking skills.

 

Trying to describe Mummy Park is like remembering an obscure fever dream you had after a long night of binge-drinking. There is the one absurd scene and moment after another with not much time to even process what you just saw on the screen. Yes, it’s one of those movies. The fugly visuals are the most striking here, where you have sets mixed with miniatures and small cute dollhouse furniture placed in the foreground and middle to make the exteriors of Sheik’s palace appear bigger than it is. It looks even more fake when the actors have to be close to the wall because of the limitations of movie magic. That being said, and despite all the cheap cardboard-looking props, I have to give Al Passeri some credit for at least trying rather than just take the quick Ed Wood solution by filling the backgrounds with big curtains and call it a day.

 

The retarded acting, the overly bright fake cheesy costumes, the overall bizarre fuzzy atmosphere, the look of it all is just the tip of the iceberg here, or the tip of the pyramid, if you will. I could sit here and pick apart the film down to five thousand pieces, but I won’t spoil the fun. Words wouldn’t make it justice anyway. The film was recently discovered in Germany after being a part of the SchleFaZ (shortened from the worst movies of all time) series and streamed on RTL+ in September 2025. Better late than never. It’s also on several streaming sites, none of which is, of course, available for us in Norway, but you can find it in 4K on YouTube.

 

The Mummy Theme Park The Mummy Theme Park The Mummy Theme Park

 

Director: Alvaro Passeri
Writers: Alvaro Passeri, Antony Pedicini
Country & year: Italy, 2000
Actors: Adam O’Neil, Holly Laningham, Cyrus Elias, Helen Preest, Peter Boom, Paola Real, John Gayford, Clive Riche, Mark Anazald
IMDb: https://www.imdb.com/title/tt0391355/

 

Tom Ghoul

 

 

 

Re/Member (2022)

Re/MemberAsuka is a high school student who’s a bit of a loner. She’s very shy, apparently doesn’t have any friends, and keeps walking to school by herself while the other students keep laughing and clinging together. Then everything changes when Asuka sees the apparition of a dead girl named Haruka, who simply asks her to find her body. After some other strange incidents during the day, Asuka gets back home like it’s just been another normal day in Japan, preparing for the next lonely day at school. Well, she’s in for a new kind of normal from now on. After going to sleep, she wakes up in the middle of the night together with several of her classmates. They’re inside the school, and no one has any idea how they got there. What they quickly find out, however, is that they are now part of some kind of occult game called Body Search, and they need to find the eight pieces of Haruka’s body and place it inside a coffin. Sounds like fun, eh?

 

Not exactly, as their biggest problem isn’t finding the body parts, but being stalked and killed by an entity called the Red Person. When the first night is over, the Red Person has successfully killed them all before they’ve been able to find as much as a single body part. Game Over? Nope, it seems we have a fair share of continues. Asuka wakes up, and initially believes it all to be a strange nightmare…but the date remains the same as of yesterday. Her mother repeats the same lines and actions from the day before. Asuka and the other students who were with her on the Body Search last night, are all now stuck in a time loop. And they will all remain stuck, until they’ve found all of Haruka’s body parts.

 

Re/Member is a Japanese horror film directed by Eiichirō Hasumi, produced by Warner Bros. Japan. It is based on a Japanese manga series called Karada Sagashi, written by Welzard and illustrated by Katsutoshi Murase. Upon checking this movie out on Netflix we didn’t know much about it, and plot-wise I was actually surprised it wasn’t based off of a video game. The whole setting is quite reminiscent of Corpse Party, the RPG Maker indie game which also centers around a group of students in a school, chased by a girl in red. In the world of the supernatural, the Lady in Red is often a very benevolent ghost, compared to her more friendly counterpart the Lady in White, which is mostly a western thing. I guess red means danger even in the ghost world.

 

The movie starts off very straightforward, presenting the characters and mystery in a somewhat generic manner but it’s still interesting enough from the get-go, and I really liked the build-up of atmosphere and mystery, together with some nice kills. The pacing can sometimes feel pretty wonky though, where it’s trying to balance gory horror with the anime-esque romantic comedy elements. But overall I never found myself bored with it. From the introduction of the characters, the old murder mystery and the Body Search itself, it was all packed with enough suspense and atmosphere to always keep me interested. It’s also such a huge plus that it doesn’t shy away from showing some gory kill scenes! And, while this is too much fun and action-packed to really be scary, it did manage to build some tight, creepy atmosphere in several of the scenes. And my heart always melts a little when I see the use of practical effects. Sure, there is some CGI here too, but a good amount of practical is used here which looks way more decent than the CGI (which is often the case). Nothing had me prepared for the scenes later in the movie involving a monster though! It’s such a fun mix of uncanny, goofy and creepy at the same time. Must’ve been a struggle for the actor inside that costume though…

 

Re/Member was more fun that I’d expected it to be, and despite some pacing issues here and there and some strange tonal shifts, I had a pretty good time with it. I totally loved some of the old-school practical effects, especially for the monster. While it’s not exactly anything groundbreaking or awesome, it’s a fun Japanese teen-horror movie mixing supernatural elements with time loops and monsters.

 

In 2025 a sequel to this movie was released, called Re/Member: The Last Night. And this takes a considerably bigger tonal shift where it’s much more of a teen comedy. Wasn’t our thing, but if you’re interested in checking it out it’s also available on Netflix, at least in some regions.

 

Re/Member Re/Member

 

Director: Eiichirô Hasumi
Writer: Harumi Doki
Country & year: Japan, 2022
Actors: Kanna Hashimoto, Gordon Maeda, Maika Yamamoto, Fûju Kamio, Kotaro Daigo, Mayu Yokota, Yumemi Ishida
IMDb: https://www.imdb.com/title/tt21250176/

 

Vanja Ghoul