The New South Wales State government plans to recycle the huge amounts of trapped water in a network of abandoned train tunnels. However, these plans suddenly come to a halt, and publicly no one is ever told why. Rumors are spreading, like how homeless people using the tunnels end up going missing. This brings a young journalist, Natasha, to start an investigation into what she thinks is some kind of government cover-up. She and her crew decide to enter the tunnels and look for answers, but after being refused entry by a security guard, they do of course find an alternative entrance into the place. While exploring the tunnels, they start hearing strange noises through the audio headphones, and when one of the crew members go missing they eventually realize that they might not be alone in these deep, dark tunnels.
The Tunnel is a crowd-funded Australian horror film made in the mockumentary style (faux documentary), directed by Carlo Ledesma and written by Enzo Tedeschi and Julian Harvey. While found footage movies have pretty much become dime-a-dozen these days, it is still a format that can be quite effective. By the time of this movie’s release back in 2011, Australia already had an other gem in their mockumentary-horror repertoire: Lake Mungo from 2008, a movie that’s mostly been obscure and little known but have had some kind of re-discovery as of late. While Lake Mungo is a movie that plays more on loss and grief with some supernatural vibes underneath, The Tunnel hits heavier on the creep-keys with atmospheric scenery and things going wrong in the dark. It does have a fair amount of creep factor and plays a lot on the fear of what might be lurking in the dark, and the creepy setting helps to set the mood. The claustrophobic and dark atmosphere is pretty much what carries the movie, and easily manages to give you a whiff of the heebie jeebies since the darkness implies more than it shows, and leaves a bit to your own imagination.
The movie isn’t fast-paced and spends some time before plunging the characters (and viewers) into the tunnels and the horrors that lurk there, and it also spends some time on “interviews” in order in order to maintain the documentary-style. If you have patience for the somewhat slow build-up and can appreciate that the creep-factor is more focused on what you can imagine instead of actually seeing, then you should be able to enjoy this low-budget Australian mockumentary.
Director: Carlo Ledesma
Writers: Enzo Tedeschi, Julian Harvey
Country & year: Australia, 2011
Actors: Bel Deliá, Andy Rodoreda, Steve Davis, Luke Arnold, Goran D. Kleut, James Caitlin, Ben Maclaine, Peter McAllum, Rebecca Clay, Shannon Harvey, Arianna Gusi, Russell Jeffrey, Jessica Fallico, Ben James
IMDb: www.imdb.com/title/tt1735485/
![]()




Adam Green starts working on a documentary about monster/creature artwork. Out of the blue, a man suddenly contacts him and claims he has proof of the existence of monsters. This man’s name is William Dekker, and he is a retired detective who is convinced that there’s underground monsters in a place he calls “The Marrow”. Green sees this as an opportunity to refocus his documentary into the story of Dekker and his efforts to expose these so-called underground monsters. They set up cameras in the woods nearby the hole where Dekker claims the monsters sometimes come out from, but Green and his crew are not sure whether this man is just setting up an elaborate hoax, or if he is just batshit crazy…or, maybe, if he’s actually telling the truth.








We are introduced to the YouTube channel Prankstaz.tv, run by two mildly sociopathic douchebags who make prankster-videos where they break into a morgue (among other things) and takes a selfie with one of the cadavers. And all just to see those precious views on YouTube. Reminds me of a certain guy with a similar channel who went to Suicide Forest in Japan in late 2017, to film a fresh corpse hanging from a tree and laugh at it and mock it afterwards. So, here we get a satirical glimpse at how toxic and obnoxious the YouTube prankster-community can be, and how far they are willing to push the shock factor to get the desired attention and views.
“Hell House LLC” starts with some news-clips where we learn that an abandoned hotel, which has been transformed into a haunted house tour in a small town outside New York, ended in disaster on 8th October 2009. Several people were killed and injured, and nobody knows what really happened, but the police vaguely blames the outburst on a major malfunction. With the suspicion that the police are holding back some info from the public, it creates conspiracy theories among some local journalists who starts their own investigation. They get in contact with one of Hell House’s crew members, Sarah, who gives them all the raw footage that documents the whole process which spans from August 23rd to October 8th. When she is asked why she hasn’t turned this over to the police, she simply says “you’ll see”. Alright, so let’s take a look.

