Monster House (2006)

Monster HouseIt’s only one day before Halloween, and 12-year-old Dustin James (or D.J. for short) is busy spying on his creepy elderly neighbor, Horace Nebbercracker. He sees that the old man steals a little girl’s bicycle, and that’s a habit that’s been going on for quite some time. Whenever something enters Nebbercracker’s lawn, it’s his. This same day, D.J.’s parents leave for a convention, and the teenage girl Elizabeth (aka Zee) will babysit him. When Dustin and his friend Charles Chowder play basketball outside, they end up losing it on Nebbercracker’s lawn. Ooops, we all know where this is headed. Still, D.J. tries to retrieve it before the old, cranky neighbor notices it, but too late. Nebbercracker comes out of his old house, furious like a bat from hell and wants to give these snotty brats a piece of his mind! He goes completely crazy, lifts D.J. up while shouting you think you can just terrorize my lawn?! while the boy desperately tries to claim his innocence. Then the inevitable happens: the old geezer suffers a heart attack and is taken away in an ambulance.

 

That same evening, Zee’s boyfriend, Bones, pays a visit and starts talking about rumors relating to Nebbercracker, about how he supposedly cannibalized his wife. He also says that Nebbercracker once stole his kite. Later, when D.J. spies on the now empty house across the street, he notices that when Bones leaves the house, a kite is coming out of the front door of the old Nebbercracker house. Bones goes to retrieve it, and is then dragged into the house. D.J. starts to believe that the old house is now haunted, and the next day they save a candy-selling girl called Jenny from becoming another one of the house’s victims. No one believes them about the monster house of course, especially since today is Halloween, so it’s all up to them to stop the house from claiming more victims.

 

Monster House is an animated supernatural horror comedy from 2006, directed by Gil Kenan as his directorial debut. Originally, the movie was set up to be at DreamWorks, but one thing lead to another and he ended up having a meeting with Steven Spielberg and Sony Pictures Entertainments picked up the project. The movie was filmed using a technique called motion-capture, where the actors performed the characters’ movements and lines while they were being linked to sensors. And while there were a bunch of parents that got pissed off due to the movie’s horror elements and dark themes, it received generally positive reviews and grossed $142 million worldwide on a budget of $75 million.

 

Despite being an animated PG-rated movie, it’s one that can be appreciated by adults just as much as the younger ones. It does not only have an intriguing story and a creepy mystery, it also has very charming and likable characters where they’ve done a great job at matching the perfect voices. There’s a sense of both horror and adventure, with an 80s throwback style that fits so well with everything. This being a children’s movie and all, the horror elements are still very prominent and there’s even some nods to Hitchcock’s Psycho and Rear Window. It’s got a predominantly dark theme, which gets even darker than you might initially expect, and kudos to them for having the balls to take it all out. The final part of the movie does go totally wild and proves that it aimed to live up to the title, and while this strays a bit from the more subdued horror elements from earlier in the movie where everything about the house was still a mystery, it’s a very fitting way to end it. After the final showdown we even get a cute little aww-moment.

 

Monster House is a great animated thrill ride for the young yet not-so-young audience, and I’m afraid this one was very much lightning in a bottle which we’ll never get close to seeing again. An animated movie filled with the sense of adventure reminiscent of what could be found in movies like The Goonies (1985) and filled with an actual horror story and horror elements, very much working as a perfect introduction to scary movies to a young audience…yeah, I doubt that’ll ever happen again.

 

Kenan later made the Poltergeist remake from 2015, and his latest release was Ghostbusters: Frozen Empire this year. There’s no doubt that Monster House remains his strongest entry into the horror genre. Even to this day it has kept its spooky charm, and I’m sure many of the children who were originally frightened by watching this one when it was released back in 2006, now remembers it fondly. Well, that’s at least how I remember the movies that scared me when I was a kid…

 

Monster House Monster House Monster House

 

Director: Gil Kenan
Writers: Dan Harmon, Rob Schrab, Pamela Pettler
Country & year: USA, 2006
Voice actors: Ryan Whitney, Steve Buscemi, Mitchel Musso, Catherine O’Hara, Fred Willard, Sam Lerner, Woody Schultz, Ian McConnel, Maggie Gyllenhaal, Jason Lee, Spencer Locke, Kevin James
IMDb: https://www.imdb.com/title/tt0385880/

 

 

Vanja Ghoul

 

 

 

 

 

Behind the Mask: The Rise of Leslie Vernon (2006)

Nazis at the Center of the EarthHave you always wondered why every damn serial killer in slasher movies tends to walk after their victims, like they’re about to shit their pants, rather than running? Well, Leslie Vernon (Nathan Baesel) is finally here to explain.

 

Being a top-tier serial killer like Freddy Krueger, Jason Vorhees, Michael Myers or Art the Clown, is not just about grabbing a weapon and going on a killing-spree, you see. A ton of preparation, planning and complex study of the chosen victims to the final girl has to be examined to the smallest details. And be sure to eat well and do your cardio exercise regularly, cause this is not a job for out-of-shape lard asses.

 

A small group of young film students led by Taylor (Angela Goethals) has gotten the privilege to follow the aspiring serial killer Leslie Vernon. He’s a month away from his upcoming murder-spree where he’s planning to kill a group of kids while they are having a party in an old abandoned house, and the film crew are invited to document the whole process. Sounds like the standard slasher premise we’ve seen two thousand times already. Vernon looks like a little brother of Andrew Divoff and Michael C. Hall, and like his role models, he has a tragic backstory to paint his alter ego with. We get a never-seen-before glimpse of the secret underworld of serial killers when the film crew gets to meet Vernon’s best friend and colleague, Eugene (Scott Wilson). He’s a retired veteran and has learned Vernon some tricks. We don’t know much of Eugene’s many roles in the slasher arena throughout the decades other than there’s some theory that he’s actually Billy Lenz, the unseen killer from Black Christmas (1974). C o o l. He also shares his dark past and double-life in a happy marriage… while he sleeps in a tank under the ground outside the house.

 

We also met Dr. Halloran (Robert Englund), the film’s version of Dr. Loomis if you will, who once treated Leslie Vernon and now is on his tail to chase him down. I find zero joy in saying this, but it’s not wrong to point out that Robert Englund has appeared in a string of terrible dogshit films during the last 10, 15, 20 years or so, and this is one of the very few watch-worthy flicks he’s in, post Freddy. We see Zelda Rubinstein as a librarian, her final role before she passed away four years later, and wandered into the light.

 

The film is mostly presented as a raw, handheld documentary with segments that switch back and forth to conventional. This may take some of the edge off, but this is not a film to take seriously to begin with, and Behind the Mask is overall a clever and entertaining satire on the cheesy slasher genre that dominated the 1980s. It’s also, of course, a big plus if you’re a big fan of the genre and have seen most of the catalogs of slashers from that era and its resurgence after the mid 90s. If not, the inside-jokes and the references will fly over your head while you’re just sitting and waiting for the blood’n gore which there’s not much focus on.

 

And one thing is for certain: You’ll never be able to watch a body-count slasher in the same way ever again.

 

Behind the Mask: The Rise of Leslie Vernon Behind the Mask: The Rise of Leslie Vernon

 

Director: Scott Glosserman
Writers: Scott Glosserman, David J. Stieve
Country & year: USA, 2012
Actors: Nathan Baesel, Angela Goethals, Robert Englund, Scott Wilson, Zelda Rubinstein, Bridgett Newton, Kate Miner, Ben Pace, Britain Spellings, Hart Turner, Krissy Carlson, Travis Zariwny
IMDb: https://www.imdb.com/title/tt0437857/

 

 

Tom Ghoul

 

 

 

Cold Prey (2006)

Triangle Herre hær kjæm te å gjør littegrainnj vondt. E du klar? Æ tælle te tre.

 

And no, it wasn’t my keyboard that just had a stroke. It’s the Norwegian for This will hurt a little. Are you ready? I’m counting to three. Also in the dialect of trøndersk, just to mention.

 

The year was 2006, on Friday the 13th of October when we got our very first Norwegian slasher, titled Fritt Vilt (with the international title Cold Prey). Yay! So this wasn’t just any slasher you see, it was a cultural event that would have its new chapter in Norwegian film history. Yes I know, it’s quite strange that the country that had the biggest export of black metal, church burnings and Satan didn’t have any horror films to showcase until after the millennium. What held us back while the wave of New French Extremity was already near its peak, is a good question.

 

We, of course, had Villmark (Dark Woods) from 2003, which leans more into the thriller section, and from there on we have to rewind way, waaaay back to the year 1958 (!) with De Dødes Tjern (Lake of the Dead), which has not aged particularly well. What was left was decades of a pretty stiff, wooden and a ridiculously conservative film industry which had not much to offer other than sloggish, forgettable and painfully dry obscure drama films made for god knows who. Yawn. There were some very few exceptions much thanks to Ivo Caprino (RIP). So aside from that, a film like Cold Prey was a big fresh air in my tiny gnome country. A game changer and a complete shift on how films in Norway would be made from here on, which also included other genres.

 

With the success and the cultural impact of Cold Prey, it also opened the door to several young genre filmmakers to show their muscles, most notably Tommy Wirkola (Dead Snow) and André Øvredal (Troll Hunter). Roar Uthaug, along with the two mentioned, would also eventually work in Hollywood with various outcomes. But it’s also valid to say that we have our fair share of terrible, shitty horror movies and the last ten years hasn’t been much to be excited about. So I’m not being a blind patriot waving my flag here. There’s also several Norwegian horror movies that seem to be impossible to find anywhere due to lack of release and distribution, so for all I know there could be a hidden gem somewhere. The only titles I’ve seen which are worth watching from recently are Project Z and The Innocents, both from 2021. And soon Norway will give birth to its first sea monster flick called Kraken, which will start filming in the Norwegian coast later this year. So we’ll see how that one turns out.

 

Cold Prey follows a group of youngsters who are going snowboarding in the mountains of Jotunheimen. The sky is blue, the air is crisp with even some sprinkles of love, and life is good… until one of the poor bastards fall and breaks his ankle. Luckily, they find an abandoned hotel nearby where they take shelter. And nothing bad happens here. After spending the night, they get met by a rescue team and The End. I’m joking, of course. You know that they’re in deep shit when one of the in-love couple checks into one of the rooms that have the numbers 2 3 7. Redrum!

 

It’s not the biggest surprise that they’re not alone in the hotel. How boring would that be. We already learn in the opening sequence that the place has a dark history where a kid once disappeared under some questionable circumstances. Our group of friends also learn that a mysterious person called the Mountain Man lives like a hermit somewhere in the dark corners of the hotel, and kills anyone who has the nerve to trespass.

 

If the premise sounds familiar, you’re not wrong. On paper, Cold Prey is as formulaic as it can be, which basically follows the same footsteps of the most generic slasher films you’ve seen hundreds of already. There’s nothing much new on the surface here, nor was it back in 2006, and the film’s biggest sin is that it’s pretty tame with lackluster kills. The brutality from the early films of Alexandre Aja and other extreme Frenchmen are worlds apart, just to make that clear. Us slow Norwegians still have a lot to learn in the splatter and gore department, unfortunately.

 

And I almost forgot to mention that there’s no cringe sex scene here, so kudos for at least breaking that cliché.

 

That being said, there’s more to enjoy here. The setting itself gives the movie an eerie, grim vibe and the acting is solid. Ingrid Bolsø Berdal stands out as the heroine who can also handle a shotgun. The story is intriguing enough with a pacing that keeps the entertaining value on track. The film also looks fabulous, where the bleak coldness really spices up the claustrophobic tension and atmosphere. Cold Prey was filmed at Leirvassbu, a tourist cabin in Jotunheimen where the actors lived during the filming. So I wouldn’t be surprised if the isolated and stone-cold surroundings messed a little with their heads.

 

So overall, despite not being more ballsy with the violence, Cold Prey is an entertaining watch with some unique scenery, great suspense and a fine addition to winter horror. Still, I must be honest enough to say that it would work more as a horror film for beginners. This is also the directorial debut of Roar Uthaug, who in 2018 made Tomb Raider. If you want more of the primitive Norwegian landscape, check out Escape (2012), also directed by Uthaug.

 

The film got two sequels: Cold Prey II, which is more of a Halloween II (1981) ripoff, and I don’t remember much of Cold Prey III other than it was a prequel. The first two is on DVD from Anchor Bay and Shout Factory. Kos dåkk!

 

Cold Prey

 

Director: Roar Uthaug
Writers: Thomas Moldestad, Martin Sundland, Roar Uthaug
Original title: Fritt Vilt
Country & year: Norway, 2006
Actors: Ingrid Bolsø Berdal, Rolf Kristian Larsen, Tomas Alf Larsen, Endre Martin Midtstigen, Viktoria Winge, Rune Melby, Erik Skjeggedal, Tonie Lunde, Hallvard Holmen
IMDb: https://www.imdb.com/title/tt0808276/

 

 

Tom Ghoul