The Innocents (2021)

The InnocentsIda is a 9-year old girl who moves to a seemingly normal and boring suburban neighborhood with her parents and her older sister, Anna, who has non-speaking autism. It’s also during the summer holiday, and with enough free time Ida starts exploring the surroundings in the nearby forests and playgrounds. She meets a young boy, Ben, who shows her one of his special tricks: he’s able to sling rocks with his mind. Ida is curious and delighted by seeing his Carrie-esque ability, and after meeting another girl with a special ability, Aisha, who is seeming to bond nicely with Anna on the playground, the foursome start playing together. However, their innocent intentions inevitably end up taking a dark turn.

 

De Uskyldige (The Innocents) is a Norwegian supernatural thriller from 2021, written and directed by Eskil Vogt. The title of the film, as suggested, challenge the perceived notion that children are inherently innocent. Through their play, one gets to see the thin line between what is simple and childish fun, and how little it can take to tread over the barrier into something outright evil. While horror movies have its own sub-genre for “evil children”, this movie differs in its depiction of them. When most horror movies about evil kids are either about them being demonic/possessed, monsters, or total psychopaths, this movie displays a group of kids where some of them simply have supernatural abilities, while they are still very much normal children in a normal world…and not all of them grow up under good circumstances. For this reason, the movie makes an obvious effort to describe how childish innocence can be completely tainted by awful parenting and a toxic living environment. This is a movie seen from the children’s perspective, and the adults in the movie are merely bystanders. The children are living out their secret lives in the playground, in the forest, in the surrounding areas, just “playing”. Like most children do, without their parents ever really knowing exactly what they’ve been up to, and don’t really care either as long as they’re home in time for dinner or curfew.

 

The child actors are all doing a controlled and convincing display of their characters, which is important since the movie is heavily carried along due to the performances by the actors. There’s equal amount of childish glee in their faces when they have fun, as well as obvious fear and confusion when things go wrong. It’s never really any outright in-your-face horror (aside from a couple scenes that are quite uncomfortable to watch), but it’s creeping steadily under your skin, where you always have the anticipation of something going wrong. And of course, it really does.

 

De Uskyldige (The Innocents) is a slow burning thriller which gradually turns up the heat, and the underlying tension builds up in a way that grips you from start to finish.

 

The Innocents The Innocents The Innocents

 

Writer and director: Eskil Vogt
Original Title: De Uskyldige
Country & year: Norway, 2021
Actors: Rakel Lenora Fløttum, Alva Brynsmo Ramstad, Sam Ashraf, Mina Yasmin Bremseth Asheim, Ellen Dorrit Petersen, Morten Svartveit, Kadra Yusuf, Lisa Tønne
IMDb: www.imdb.com/title/tt4028464/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Prosjekt Z (2021)

Prosjekt Z

We’re in the 1980s somewhere in the Norwegian forests, where the young couple Rebecca and Thomas are on a car trip. They run over a dog, and assume that the owner lives in the old victorian-styled hotel not so far away. Rebecca takes on the task to enter the hotel, which seems to be abandoned at first glance. But a horde of zombies suddenly show up, with the transsexual zombie-hotel owner itself Mor Monsen (Mother Monsen). This is not really happening, by the way, we are at the beginning of a clunky student film called “De Døde Våkner” (The Dead Awakens) and we get a series of behind-the-scenes footage that documents the film shooting, that goes from chaotic to the brink of disaster, and a showcase of how the film industry may not be as glamorous as one might think.

 

We meet the insecure director Julie Lundgreen with a big ego who has her script carved in stone, and is constantly in a protecting mode of “her vision” while the film’s main character, Rebecca, played by Iben Akarlie, is a feminist who tries to persuade the director to skip the scene where she has a threesome with two zombies. Nearly everyone are obviously amateurs, and gets really starstruck when they hear that the veteran Dennis Storhøi, which is one of the biggest movie stars from Norway, will play the role of the transsexual zombie. It does not take long before he starts fighting with the film crew and makes the director cry, and realizes that this is way too amateurish for a serious movie star like him, while he strongly misses the good ole’ days. So what else can go wrong here? Of course, a meteor strikes right next to the filming location, that could have been something straight from Alien, and someone is stupid enough to stick his hand in it. Not a good idea..

 

So what exactly is this? Drama? Comedy? Horror? All of the three, I would say, plus some turbulent relationship drama and how crazy you have to be to make a film with a low budget, little resources and zero experience. Meta-film, as it is called, although it is more in the mockumentary territory with a clear inspiration from The Blair Witch Project. The Japanese One Cut of the Dead also comes to mind even though this is a completely different beast. This is far from a traditional horror film, and in fact the first of its kind that has been made in Norway which puts it in a unique light. The monster scenes are placed in the back seat where the focus is mostly on the chaotic film-making, which may be a disappointment for some. What makes the film work so well is the dysfunctional relationship between the characters, and surprisingly good acting with dialogues and a dynamic that seem both organic and natural, while the line between fiction and reality gets somewhat unclear.

 

Prosjekt Z

 

There are many fun moments here, especially the scenes where the stressed director goes into full Stanley Kubrick mode and wears out the actors with an x-​​number of takes till they act badly just on purpose to taunt her. And Dennis Storhøi as the more eccentric version of himself made me laugh several times. Unlike the role he plays, he seems to really have a blast in Project Z and is one of the main reasons I will re-watch this movie several times. The only thing that does not work as well, is the ending, which seemed a bit anti-climatic.

 

Technically, the film looks really good. It’s limited with shaky-cam, which is a plus, and the aesthetic with the victorian-like surroundings gets a lot of room to shine, thanks to steady cinematography by Oskar Dahlsbakken, the brother of the director, Henrik Martin Dahlsbakken. The older audiences will also appreciate the fact that “The Dead Awakens” segments are filmed in the old-school way at 35mm, while the documentary is shot digitally in various formats. Considering that director Dahlsbakken can make two films a year, completely independently and outside the studio system, one could expect some direct-to-DVD cheapness, but it’s surprisingly competent. And the guy seems to have a good sense of humor and the ability to mix genres without it getting muddy. So yeah, it will be interesting to see what he does next. And as we speak he is already in post-production with his next horror film titled “Possession” which seems to go in a far more serious direction. I’m already excited.

 

Prosjekt Z

 

Director: Henrik Martin Dahlsbakken
Country & year: Norway, 2021
Actors: Eili Harboe, Vebjørn Enger, Iben Akerlie, Dennis Storhøi, Ole Christoffer Ertvaag, Alfred Ekker Strande, Regina Tucker, Jonis Josef, Arthur Berning, Alexandra Gjerpen, Laila Goody, Benjamin Helstad
IMDb: www.imdb.com/title/tt11444644/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mørke Sjeler (2010)

Mørke Sjeler (2008)During a morning jog through the woods, the teenager Johanna is attacked by a guy in an orange dress, who is wearing goggles and a mask. After a quick chase with some running and stumbling, he drills a hole in her head, and then places some black goo in her brain. Despite having been pronounced dead, the murder victim suddenly wakes up in the morgue and goes back home to her father: the music teacher Morten Ravn. But Johanna is not at all the same girl, but has been reduced to a disoriented, apathetic lifeless shell with a blank stare. In the meantime, more and more victims are being reported, all of whom come to life again with the same symptoms. Since the police are just a bunch of incompetent fools, Morten decides to investigate the mystery himself, uncovering an apocalyptic conspiracy that revolves around a large oil company.

 

Mørke Sjeler (Dark Souls) was the passion project of two French guys, César Ducasse and Mathieu Peteul, with the intention of creating a Norwegian satirical zombie-comedy. And the result was a stumbling, amateurish, hopeless little trainwreck that looks more like a cheap student film. The acting is goofy, bad and just absurd. Karl Sundby (rest in peace), who was a profiled, seasoned and professional actor in little Norway, is surprisingly giving us the most memorable scene in this movie as a homeless hobo.

 

The directors promoted this as a comedy, as mentioned. And yes, it’s a comedy for sure, and has some entertainment value, but not in the intentional way in the slightest. The weird tone is all over the place, which makes it impossible to separate the “satire” elements from the seriousness. Sloppy camera work, with lazy, uninspired killing scenes that happens mostly off-screen, which makes it look like there was not enough budget to hire a single competent makeup artist on set. In other words: this doesn’t impress much. The zombie growls sound like pigs squealing. I’m sorry, but that’s just pathetic. It took three years to shoot this film, but it feels far more like something done in a short week, all in one, quick take, Ed Wood-style.

 

Mørke Sjeler is distributed in the US by Lions Gate, and in Germany under the titles Dark Souls and Zombie Driller Killer. It also found its way to France and Japan.

 

Mørke Sjeler

 

Director: César Ducasse, Mathieu Peteul
Country & year: Norway | France, 2010
Actors: Johanna Gustavsson, Kristian Holter, Ida Elise Broch, Morten Rudå, Kyrre Haugen Sydness, Lise Froyland, David Hernandez, Christopher Angus Campbell, Bård Eirk Nilsson, Trine Dürbeck, Eirik Halvorsen, Kristine Braaten, Marianne Rødje, Jan Hårstad, Henrik Scheele
IMDb: www.imdb.com/title/tt1617145/

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bread and Circus (2003)

Bread and Circus (2003)Here we have the film that was heavily promoted as “Norway’s first splatter film ever”, which is not really true. But I can at least agree that this is the first Norwegian splatter film that got a wide DVD distribution, which was quite a unique thing in a small, tiny country like Norway. This is almost twenty years ago. Time flies.

 

The film starts with Mother Earth having sex, and a young man in his twenties (Martin Loke) then pops out from a vagina located at the earth’s grassy surface, while the sun shines on a hot, ordinary summer day. A monk-like creature comes along and cuts the umbilical cord as the new-born screams like a schizophrenic mental patient. He then suddenly wears a suit, and has a suitcase handcuffed to his arm as he gets thrown into the society. He follows a pathway and meets a random guy. While they have a beer, he tells our new-born a life lesson-story about how evil society is if you don’t kneel to the authority, and conform to the social norm in a perfect sheep mentality. All forms of outcasts and those who dear to think freely are seen as serious threat to the society, and they get hunted down and killed by the military under orders of The King himself. As the story goes on with a tirade of amateurish, messy, incoherent scenes, including a scene with a guy getting a bottle stuffed in his butthole, you start to wonder what the hell you’re really watching.

 

The acting is unbelievably, ridiculously, bafflingly bad, and is the funniest thing about the movie. And the dialogue was sloppily dubbed in post-production, which doesn’t synchronize at all. It’s reeks of amateur-hour all the way, and the “humour” is on the cringiest middle school level. Director and screenwriter Martin Loke is a huge fan of Peter Jackson’s Bad Taste which reflects in the effects and some of the camera work. But when Bad Taste had  its own style and energy to it, this comes across as the drunken poor man’s version. With a budget of 600,000 Norwegian kroner (approx. $ 68,3348), the film should at least look better. I suspect that most of the budget went to  municipal goods like military stuff and access to certain restricted locations. And almost like there wasn’t any budget for a half-decent soundtrack, the score is primarily filled with classical music from Beethoven, which just feels completely out of place and makes the movie even weirder. The “Actors” are mainly friends and family of Martin Loke, who mostly give the impression of standing in front of the camera as a big favor they would never do again. The political and social statements Martin Loke is trying to make us reflect on is for sure more relevant today than it was twenty years ago. But aside from that, this is nothing but a demented, bizarre and messy oddball of a movie which will guarantee some great laughs for sure. Some of them unintentionally, of course.

 

The most impressive thing about Bread and Circus is that Martin Loke showed it at the Cannes Film Festival of all places, and sold it to seven countries. How he actually managed to do that with a film like this, God knows. But, okay, I give him my respect for that.  The film was later given a 10-year anniversary edition from the Nordic Another World Entertainment with some extras. A U.S. release is also available at Amazon.com.

 

Bread and Circus

 

Director: Martin Loke
Original title: Brød & Sirkus
Country & year: Norway, 2003
Actors: Oliver Boullet, Miriam Johansson, Martin Loke, Magne Jahrestein, Silje Andresen, Benjamin Rørstad, Lars Torp, Lars Erik Ringstad Nordrum, Lise Løke, Hilde Løke, Fredrik Løke, Frank Løke, Eivind Pedersen, Andre Iversen, Vegar Bakke
IMDb: www.imdb.com/title/tt0377543/

 

Tom Ghoul