alex garland – Horror Ghouls

28 Years Later (2025)

Posted on June 24, 2025June 25, 2025 by HorrorGhouls

28 Years Later starts 28 years earlier with an opening sequence somewhere over the hills and far away in the countryside of the Scottish Highlands. The rage virus has spread across the country and a group of kids have been locked inside a living room with the Teletubbies on TV to be kept calm and safe, which doesn’t last long. One of the kids are Jimmy, who escapes from the home as the freshly infected are raging their way in while Jimmy’s dad, a priest, has gone completely insane as he’s on his knees at the church, welcoming the apocalypse to kill him and the rest of humanity. Because the Bible says so. Amen. Jimmy escapes, followed by a childhood that we only can imagine as a traumatic hellride that will segway itself into a fine and stable adulthood. Ha-ha. And no, this is not the first and last we see of Jimmy. He will be important later, you can be sure of that.

Then we take the huge leap of 28 years later where parts of Britain are still in full quarantine, after the rage virus has been wiped out from the rest of Europe. So maybe the last ten seconds of 28 Weeks Later happened after all in the lost tapes of 28 Months Later. We’re in a small community of survivors on the island of Lindisfarne off the northeast coast of England that is connected to the mainland through a causeway. Here they have their own fortified Animal Crossing village where the modern technology that we once knew is a faded memory. No smartphones, no internet, no telly, no cars and no botox. Most kids today wouldn’t even survive a day without their daily dose of Guess My Fart on TikTok. We meet the twelve-year-old boy Spike (Alfie Williams), his dad Jamie (Aaron Taylor-Johnson) and the bedridden mum Isla (Jodie Comer), who’s suffering from an unknown disease. And since there are no doctors on the island to examine her, there’s only to hope for the best.

But today is a big special day when Jamie takes Spike outside of the village to the open world mainland for the very first time, to teach him to scavenge and protect himself with bow and arrows. Because the infected is still roaming, which has since mutated into new variants. Now there’s not just the regular infected to be aware of, but also the Alphas, this film’s version of the Volatiles (yes, another Dying Light reference). These giants are not sensitive to light though, and once they spot you, it’s Game Over, unless you’ve unlocked the skill to run like Tom Cruise. And all the infected are buck naked, and if you’ve never seen tits before and especially dicks, you may get traumatized. Just a friendly warning/sarcasm. Another new type of species we may stumble upon is the fat slobs (jabbas) that mostly crawl deep in the forest and slurps worms like noodles. Maybe that explains why all the jabbas are… Asians. I still have questions.

It’s all quite a surreal and eerie experience for Spike, and we feel it too, as the soundtrack is mixed with disturbing chants from the poem Boots by Rudyard Kipling, while we have some grainy war clips from the middle-ages to set up the mesmerizing mood. As Spike lets The Breath of the Wild sink in, he and Jamie enter an abandoned house where they find an infected that is hanging from his feet from the ceiling. The name Jim is carved on his chest. Huh. The infected is still alive and Jamie orders Spike to give him an arrow to his skull to make him his first kill. The trip escalates into getting chased by an Alpha all the way to the village gate. Safe and mission accomplished.

The village celebrates Spike’s coming-of-manhood quest with a big party where Spike witnesses Jamie cheating on his wife. At the same time, Spike has a little chat with his grandad (if I remember correctly), who mentions Dr. Kelson (Ralph Voldemort Fiennes), a mysterious hermit who lives some hills and forests away from the island. And Jamie is very aware of this doctor. Spike confronts Jamie the next morning and understandably gets angry at him when it’s obvious that Jamie just wants Isla to die so he can be with his new mistress. After Jamie slaps him, like the first-class scumbag that he actually is, Spike tells Jamie to fuck off and later sneaks out of the village with Isla to get her to this Dr. Kelson. Who’d know that Spike has bigger bollocks than the Alphas. Balls with Spikes, if you will.

Spike and Isla also come across a Swedish Nato patrol soldier, Erik (Erik Sundqvist), who’s been stranded in Britain after his unit patrol boat got destroyed. Since he has got nothing better to do, he joins the quest for Dr. Kelson. He also has this thing called a smartphone, something that Spike has never seen before. Erik proudly shows a picture of his girlfriend, a standard botox doll with duckface and all. You know, the regular stuff. Spike then asks what’s wrong with her face. Ooof… the comedy writes itself.

28 Years Later, where director Danny Boyle and screenwriter Alex Garland returns to the franchise since the first one, was not exactly as expected. I’d say that. What we basically have here is a very spiritual coming-of-age film where the subject of death is explored in such a raw and honest way, but at the same time, with an empathic, somber and unpretentious approach which I can’t remember to have seen in any horror film. I especially like the whole concept of the bone temple, without going more into that. It’s beautiful, emotional, and it’s been eons since I actually got teared-up in a movie theater. And I’m not that easy to manipulate. And yeah, there is action and several wild and brutal scenes here as the threat of the infected looms everywhere, even though the weather in Britain is better than ever. The gore doesn’t hold back, which is all good old practical.

While the ground story itself is nothing new, the execution is quite something else. The cinematography, the use of the idyllic summer landscapes with the blue sky and all, makes a stark contrast to the morbid and ugly, almost like a dreamlike paradox. There are some really haunting images here and some brilliant use of silhouettes while the kinetic camerawork amps up the intensity. That this thing was shot on iPhones with a budget of 60 million dollars and looks more crisp, lively and just overall way more vibrant and epic than a 200 million Disney film is just hilarious. The acting is top-tier and the newcomer Alfie Williams has a bright future ahead as he manages to carry the whole film. Jodie Comer is fantastic as the more and more sick and disorientated mother, and Ralph Voldemort Fiennes as Dr. Kelson is an eccentric oddball I’d like to see more of. Also say hello to Cillian Murphy’s long-lost twin brother. So yeah, I was highly impressed with this one, how it explored some themes in a new, fresh way, the world building and the overall vibe and atmosphere. It all just clicked.

28 Years Later is the first part of a trilogy. The second one, 28 Years Later: The Bone Temple, was shot back-to-back and is directed by Nia DaCosta. And I won’t deny that the director choice has given me some mixed feelings. I just hope for the sweet love of Belzebob that this trilogy is, at the very least, carefully planned with a clear roadmap so we don’t end up with another slow and embarrassing car crash incident like The Last Jedi and The Rise of Skywalker …

And then we have the quite special and super-non-controversial ending, which connects some elements from the opening scene in the most British way that I actually found to be pure genius. It comes straight from the blue with the zany apocalyptic madness that we’re most used to in Mad Max and Dead Rising. No spoilers here, but some of the clothing choices of these individuals that pop up in the last minutes have made people on the internet completely lose their collective minds, as the one and only thing they now see is The Great Satan himself, Jimmy Savile! Yes, the former best buddy of King Charles and the once protected golden pedophile of the BBC (not big black cock). Some NPC’s are programmed to see only what they wanna see with zero ability to pick up any nuances and the several additional layers here. During the rewatch they’ll maybe also spot Epstein, Pootin and the double chin of Dan Schneider. That being said, have a cold one, smell some flowers, have sex, enjoy the summer and Memento Mori.

Director: Danny Boyle
Writer: Alex Garland
Country & year: UK/USA, 2025
Actors: Alfie Williams, Aaron Taylor-Johnson, Christopher Fulford, Jodie Comer, Ralph Fiennes, Edvin Ryding, Chris Gregory, Celi Crossland, Rocco Haynes
IMDb: https://www.imdb.com/title/tt10548174/

Prequels:
– 28 Weeks Later (2007)
– 28 Days Later (2002)

28 Days Later (2002)

Posted on June 17, 2025June 25, 2025 by HorrorGhouls

This British and relatively low-budget zombie film was a hUUUUUUge success when it came back in 2002 and is today, 23 Years Later, regarded as one of the big, fat zombie classics that more or less reinvented the whole zombie sub-genre after a decade of almost overdosing on Zoloft. Strong British tea seemed to do the trick. Director Danny Boyle and screenwriter Alex Garland were actually surprised over the giant success of the film, especially how it blew up in the US. They were just making a small zombie film, after all, with (at the time) no-name actors. A classic case of lightning in a bottle, I guess. It gave the genre the same resurgence as Scream did for slashers in the 90’s and opened the doors for George Romero to finally make his first zombie film under a Hollywood studio with Land of the Dead. And, of course, we have another British classic, that is Shaun of the Dead, and tons of other shitty zombie films that got sharted out at full speed in step with the shark films during the early 2000s (and still going strong). We Norwegians finally got our first zombie fest with Dead Snow plus an even better sequel, and I’m still hoping for a third one.

Then came the mega-hit TV show The Walking Dead and the whole planet was in full-blown zombie mania. It was a fun ride as long as it lasted, until the show fell completely on its arse, and we were forced to forgive Negan. B o l l o c k s. I digress.

A group of activists break into a lab to save some monkeys used in experiments. And these monkeys are not to be messed with as they’ve been injected with this so-called rage virus. As soon as they release the monkeys, they get attacked, bitten and turned into zombies within seconds. Sorry, I meant “infested“, as this virus turns them into red-eyed flesh-eaters with a non-stop rage psychosis that also gives them the skill-upgrade to run like Tom Cruise. What a great combination. And no, this rage virus wasn’t coughed out from some shady lab in China, but at Cambridge University. Yes, in Cambridge, England, of all places. God save the Queen. Then we skip to some days later, 28, to be precise, where sheriff Mick Graves wakes up in a hospital… uhm, sorry, wrong universe. The first issue of the comic book series The Walking Dead was released one year after the release of this film, by the way. A young lad named Jim (played by an unknown Cillian Murphy) wakes up in a hospital bed after being in a coma, to quickly discover that he’s the only one in the building. It’s eerie, quiet and a bit spooky. What the hell happened. Is he the Last Man on Earth? Huh…

From here on, we follow the footsteps of a confused, hazy and disoriented Jim as he walks into a deserted London, like an open-world game where all the NPCs have been glitched away. Then we have the classic scene which the film is most known for where he walks through an empty and trash-filled London Bridge with Big Ben in the background with not a single soul to spot. This scene was shot very early in the morning, a hangover Sunday morning I’d guess, where they had to shoot in a big hurry before a car would enter the frame. Jim enters a church filled with bodies where he has his first encounter with “the infected“, among them a creepy priest. Athletes were used as the running zombies. Makes sense, but I find it a bit funny at the same time, since Britain has its fair share of obesity. Although jabbas have their physical limitations, they sure can be angry too. Anyway – he manages to get away, and pays his mum and dad a visit, which he finds in their bed, rotting away after committing suicide during the outbreak. A horrific sight where you actually can smell it. This scene made me think of the poor guy in Dying Light who shot himself in front of a photo of his cat. Jim eventually meets some other survivors, the young chick Selena (Naomie Harris), Frank (Brendan Gleeson) and her younger daughter Hannah (Megan Burns). With Frank’s car, they join forces, looting a grocery store before escaping London and driving to Manchester. And instead of a nice sunrise on the horizon, they only see a city in flames. More shit and bumps in the road (to say it mildly) happens, but then they meet the military. Thank goodness! Finally safe. Oh, well…

So the big question is: does the film still hold up? Has it survived (no pun intended) the test of time and all that? I recently rewatched this, and the sequel, 28 Weeks Later, for the first time in two decades, and I’d say yeah. That is much thanks to the grounded story and the rock-solid acting by everyone involved. 28 Days Later focuses way more on the fight-or-flight mode and getting the hell out of the big city and hoping for the best, rather than action and gore and collecting skill points. There are gory moments here, but that aspect is not the main focus. The first two acts of the film is more of an escape journey where we get more of a sense of the apocalyptic surroundings and the overall grimy atmosphere of sheer hopelessness as they stumble from A to B… and eventually to C. They have a terrifying moment in a tunnel where they have to change a tire while we hear the infected screaming in the distance as they come closer and closer. Then we see their running shadows, and it’s time to change that damn tire! A simple but very effective scene. It all builds up to a more intense and action-packed third act where we see some clear parallels to George Romero’s films, and, of course, to mention The Walking Dead for the third time, where humans are as much a threat as the zombies/infected, and how we flush all forms of basic moral sense in the toilet as the society collapses.

Without spoiling, Cillian Murphy gradually reaches the breaking point and goes in full shirtless Rambo mode, Ramboheimer, if you will. The deeper meaning behind his mental development is obvious where the last thirty minutes or so could as well be something from a war film. Makes more sense now in the wake of Alex Garland’s last two films, Civil War (2024) and this year’s Warfare. The subject of war is clearly his thing. Garland and Boyle were clearly on the same page here as they took a lot of ideas from real events to put in the script to not just make it as another zombie film. The Rwanda and Sierra Leone war were some of the inspirations for the piling bodies in the church. The rage virus was inspired by the scares of anthrax (not the band), bio-terrorism and the spread of mad cow disease in the 1980’s. So yeah, 28 Days Later has aged pretty well – because humans will always be humans, for the better, but mostly for the much, much worse. The soundtrack is also outstanding, where the tunes of In the House, in a Heartbeat by John Murphy capture the eerie emptiness, the sadness and the overall bleak atmosphere perfectly.

The one and only gripe I have here, is that damn low-resolution image quality. And I’m not the only one. The answer is short and simple: 28 Days Later is one of the very first films that was shot digitally, with a Canon XL1, which doesn’t allow it to be remastered to 4K. That’s why the film has the overall image quality like an old YouTube video from 2007, and also why the Blu-ray looks the same as the DVD. Director Danny Boyle wanted to give the film a more gritty and authentic look, aside from being shot like a documentary. Sometimes it works, but for the most part it just looks outdated. Bummer, but it is what it is, so… Still a solid film though.

The film is reviewed from the Norwegian streaming site Viaplay, after our 20 plus years old DVD crashed.

Director: Danny Boyle
Writer: Alex Garland
Country & year: UK, 2002
Actors: Cillian Murphy, Naomie Harris, Brendan Gleeson, Megan Burns, Luke Mably, Stuart McQuarrie, Ricci Harnett, Leo Bill, Junior Laniyan, Ray Panthaki, Christopher Eccleston, Toby Sedgwick
IMDb: https://www.imdb.com/title/tt0289043/

Sequels:
– 28 Weeks Later (2007)
– 28 Years Later (2025)