Memories (1995)

Memories (aka Otomo Katsuhiro’s Memories) is an animated science fiction anthology film from 1995, and it is based on three of Katsuhiro Otomo’s short manga stories: Magnetic Rose, Stink Bomb, and Cannon Fodder. While Katsuhiro is best known for his work on Akira (both the manga and the movie), he does have other works that are worthy of recognition, and Memories is one of them. Since there are three segments, I’ll write about each of them separately:

 

MAGNETIC ROSE:

The crew at The Corona, a deep space salvage freighter, encounters a distress signal while out on a mission. They decide to respond to it, and come upon a spaceship graveyard orbiting a giant space station. Intrigued, they want to take a closer look, and once inside, they are met with a splendor of European interior and furnished rooms showing various states of decay…almost like a haunted house in space. The ship belonged to a opera diva named Eva Friedel, who disappeared after her fiancé was murdered. They split up in order to find the source of the distress signal, and start experiencing what could be perceived as paranormal encounters, like strange noises and visions…

 

Magnetic Rose is the longest of the three segments, and I guess the best description would be that it’s a little bit of Event Horizon mixed with a haunted house tale, and it’s my favorite of the three. The artwork of the ship’s interior, together with the atmospheric setting and eerie vibe throughout makes this a solid science fiction ghost story. It’s chilling, beautiful and filled with all the right ingredients for a spooky story.

 

 

STINK BOMB:

Nobuo Tanaka is working at a lab, but feels really down as he’s battling a bad case of the flu. He mistakes some experimental pills for being cold pills (which are, in fact, part of a biological weapon program). He takes one, and soon develops a deadly body odor which kills everyone in the laboratory (except himself, of course). Not realizing what’s going on, he reports the incident to the headquarters, who instructs him to deliver the experimental drug to Tokyo. Upon traveling there, his body odor grows stronger and kills everything in his path…

 

Stink Bomb, with its pretty absurd premise, goes in a very different route from the more serious and chilling segment Magnetic Rose. This is absurd comedy hour all over, and strangely upbeat as you see both humans and animals drop dead as the confused and horrified Nobuo keeps going in order to complete his mission. It’s funny and weird, utilizing its dark humour pretty well.

 

 

CANNON FODDER:

In a walled in city which considers itself to be constantly at war, everyone’s livelihood depends on maintaining the enormous cannons which are placed all over the place. We follow the story of a young boy and his father, who works as a cannon loader. And while the city constantly fills their news regarding “successful bombings” of the “enemy”, there actually exists no evidence of any of this…or any evidence of there actually being an enemy at all.

 

Cannon Fodder is the segment which differs most in art style, with the characters being drawn with what is a little reminiscent of the “Animal Crossing”-style red triangle noses. But it’s also the segment which, although not providing any overt horror, gives most food for thought. It’s a story about a city and its people, constantly riled up with fear over that horrible and dangerous “enemy” that they constantly need to battle…except there is no evidence for this enemy’s existence whatsoever, other than what their local media is telling their citizens. It’s a grim depiction of how people can be misled by their leaders into a war against something that doesn’t even provide a threat…

 

 

Overall, Memories is holding up really well despite its age. The animation is fluid and visually mesmerizing, as well as hauntingly beautiful, and each segment provides a different yet captivating experience.

 

 

Directors: Kôji Morimoto, Tensai Okamura, Katsuhiro Ôtomo
Writers: Satoshi Kon, Katsuhiro Ôtomo
Original Title: Memorîzu
Country & year: Japan, 1995
Voice actors: Shigeru Chiba, Hisao Egawa, Kayoko Fujii, Nobuaki Fukuda, Ami Hasegawa, Isamu Hayashi, Yu Hayashi, Michio Hazama, Masato Hirano, Hideyuki Hori, Hiroaki Ishikawa, Takkô Ishimori, Tomoko Ishimura, Tsutomu Isobe
IMDb: www.imdb.com/title/tt0113799/

 

 

Vanja Ghoul

 

 

Perfect Blue (1997)

perfect blueMimarin Kirigoe is a J-Pop star who decides to leave her group (“Cham”) in order to pursue a life as an actress. But her life takes on a quick turn for the worse after this decision, and Mimarin starts losing her grip on reality. An online fansite of her appears, describing things from her life in such detail, and in such a personal way, that the only person who could know about these things is herself…and she is constantly confronted with sightings of her alter-ego: the Mimarin who wanted to remain a pop-star. While struggling with differentiating between fantasy and reality in her now paranoid existence, people around her gets murdered.

 

Perfect Blue is more or less what you would get if you decided to mix anime, David Lynch, Hitchcock, and a dose Dario Argento. The result is an animated psychological thriller that works incredibly well. You get your eyes as well as your brain cells stimulated, and you never know exactly which of Mimarin’s experiences are rooted in reality, and what happens only inside of her fragmented head.

 

Satoshi Kon (R.I.P.) knows how to build a story of this type, something he’s proven time and time again (like in Paprika, Paranoia Agent, Millennium Actress, etc.) Building a story where you’ll witness a character’s gradually broken psyche can easily be a difficult task, where you’re supposed to make it a bit confusing and mystical, while also making sure the viewer doesn’t get thrown off completely. The reason Satoshi Kon for the most part does this very well, is probably because he doesn’t seem to give a damn whether the viewer pays attention to everything or not. He’s got a story to tell, and he tells it the way he thinks best. If the viewer loses track, it’s due to not paying proper attention. When the director gives himself a free reign like that, he also avoids any tedious “spoon-feeding”. The result is a movie that is rare in many ways, and can be perceived as both exciting and surprising along the ride.

 

The violence is executed in a very effective way, and the animation (although it could be perceived by some as a little bit outdated today) is holding up to a good standard. Facial expressions, body language and movements look natural, and fits the situations the characters find themselves in. The music also fits very well, where you make transitions from the cheesy and lively J-Pop music from Cham, to the more action-filled and sometimes ominous music score in the other scenes. This makes the atmosphere successfully creepy.

 

When it comes to the movie’s conclusion, you may sit back with a feeling of thinking that this choice was a tad bit too easy. Not that the ending is predictable – far from it – but there’s something about the otherwise complexity of the rest of the movie that kind of warranted a bit more complex ending as well. Still, it’s at least good that the movie decided to let the viewer have a proper explanation without a lot of loose threads.

 

Simply put, Perfect Blue is a well done anime psycho-thriller that is likely to hold on to being a classic for a good time to come.

 

Perfect Blue Perfect Blue

 

Director: Satoshi Kon
Original title: Pâfekuto burû
Country & year: Japan, 1994
Voice actors: Junko Iwao, Rica Matsumoto, Shinpachi Tsuji, Masaaki Ôkura, Yôsuke Akimoto, Yoku Shioya, Hideyuki Hori, Emi Shinohara, Masashi Ebara, Kiyoyuki Yanada, Tôru Furusawa, Shiho Niiyama, Emiko Furukawa, Aya Hara, Shin’ichirô Miki
IMDb: www.imdb.com/title/tt0156887/

 

Vanja Ghoul