Lord of Illusions (1995)

Lord of IllusionsThe year is 1982, and a man called Nix has gathered his cult members in an old house in the Mojave Desert. His disciples refer to him as “The Puritan”, and he’s got real magic powers. He plans to sacrifice a young girl, and convinces his followers that this will save the world and grant them wisdom. At the same time, a group of former cult members are driving through the desert in order to stop him. Among them is Philip Swann, who ends up being attacked by Nix’s magic but is then saved by the young girl who manages to shoot Nix through the heart with Swann’s gun. Of course, this isn’t enough to kill the guy, so Swann takes a hellish-looking iron mask and fastens it on Nix’s head in order to “bind” him and his powers. Apparently, he then dies, and his body is buried in the desert. Fast forward to present day, which is thirteen years later, we’re in New York City where a private detective named Harry D’Amour is investigating occult cases, including an exorcism case which shakes him badly. During a new investigation which is supposed to not have any occult-related cases, he still ends up in a messy attack on a fortune teller which warns him that “the Puritan is coming”, hinting that Nix may return from the dead. The fortune teller dies before he can reveal anything more. Then, he gets hired by a woman named Dorothea, who is Philip Swann’s wife. Swann now works as a famous stage illusionist, and she fears for her husband and wants D’Amour to investigate if he’s being targeted. He’s invited to Swann’s next magic show, which then goes terribly wrong…and that’s just the start of D’Amour’s descent into a world of magic and madness.

 

Lord of Illusions is a neo-noir supernatural horror film from 1995, written and directed by Clive Barker. It is based on one of his own short stories, named The Last Illusion, which was published in 1985 in Volume 6 of the anthology Books of Blood. The movie stars Scott Bakula as the private detective D’Amour, and Kevin J. O’Connor (Swann) and Famke Janssen (Dorothea), the latter two both starring in Deep Rising from 1998. While Clive Barker kept many of the elements from the short story, he made enough changes so it’s practically a new story, which was apparently met with mixed opinions from the readers of his original work.

 

Those familiar with Clive Barker’s work knows that he’s most known for Hellraiser, and that his stories often range from traditional horror to dark fantasy and sometimes even comedy. A recurrent theme is how seemingly ordinary people end up in situations that are either supernatural or violent/mysterious in some kind of way. The stories can often be morbid and disturbing, and while some of them are more fun than unsettling, there is one story of his that really stuck with me, and that’s In the Hills, the Cities which was published in the first Books of Blood volumes. It was also published in the comic anthology Tapping the Vein with haunting visuals by John Bolton. His most famous work to this day is still Hellraiser, which was based on his short story The Hellbound Heart. A remake was also made in 2022, directed by David Bruckner.

 

Lord of Illusions is a movie that is nowhere close as renowned as Hellraiser, however. And it’s definitely more of an odd film, and thus destined to bounce off the radar for a lot of people. It’s a shame, though, as it really offers a nice blend of neo-noir with cosmic horror. A masterpiece it ain’t, but it’s still damn entertaining. The movie starts off with a bang, giving us a glimpse into a crazy cult leader’s world and his brainwashed followers, and a fight which ends in a brutal scene. While there are some parts in the film that move along a little slowly, it doesn’t really let up from there as we’re being presented with a steady delivery of action, murders, magic and insanity. There’s a few twists and turns underway as well, and some decent gore. Most specifically it’s got style; it’s pleasant to watch with a lot of intriguing scenes and settings like the creepy decrepit house in the desert and the magician’s victorian mansion for example. As for the movie’s special effects, there’s a range of the good to the pretty outdated. Some of the death and gore scenes are fairly well executed with believable effects, while some of the otherworldly elements looks like something from a Nintendo 64 game…but honestly, that’s part of the fun, and adds to the overall peculiar atmosphere of the movie.

 

So all in all I think that Lord of Illusions is a fun spooky ride, providing a bit of mystery and a lot of dark magic. It was the last film Clive Barker directed, and it may not be Clive Barker at his best, but it is definitely enjoyable.

 

Lord of Illusions Lord of Illusions Lord of Illusions

 

Writer and director: Clive Barker
Country & year: US, UK, 1995
Actors: Scott Bakula, Kevin J. O’Connor, Famke Janssen, J. Trevor Edmond, Daniel von Bargen, Joseph Latimore, Sheila Tousey, Susan Traylor, Ashley Tesoro, Michael Angelo Stuno, Keith Brunsmann
IMDb: www.imdb.com/title/tt0113690/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

Leprechaun 3 (1995)

Lep 2 didn’t hit the box office gold as Trimark Pictures had hoped for, and because of that it was the second and final film in the franchise to be given a theatrical release. Despite this, Trimark had no plans to call it quits when they still had Warwick Davis on board and saw further potential to dig for more gold in the home video market. And the best way they could ever go from here was to no other place than the city of sins, casinos, strippers and pawn shops: Las Vegas.

 

Leprechaun 3 starts with a guy, with one leg and a hook for a hand, enters a pawn shop. He’s stressed out and frightened, carrying a Leprechaun statue with an amulet around its neck, and a pot of gold in a bag. He wants to sell it so he can buy gas and get the fuck away. And before he leaves, he warns the shop owner that he must never take the amulet off its neck, which … he of course does shortly afterwards. Lep comes back to life, bites the man’s ear and one of his big toes off, before he eventually kills him with his magic powers. One of the gold coins goes missing and falls in the hands of the naive young man Scott, the film’s unlucky protagonist, (played by the future Oscar nominee John Gatins) who has already fallen in love with the blonde girl Tammy (Lee Armstrong). She works as an assistant to a douchebag of a magician, and spends most of the screentime giving the viewer some eyecandy in her kinky, black corset. After Scott has lost all his money on gambling, he uses the coin to grant his wish to win it all back, plus some extra, on the casino roulettes.

 

The luck seems to strike for Scotty until the boss gets his eyes on him and makes sure that he won’t leave the building with his fresh new fortune. Things goes from bad to worse when the coin is rolling from hand to hand, granting one wish after another which escalates into full chaos. And the night has just begun when Lep is roaming the streets of Las Vegas in search of his precious coin. He seems pretty stimulated by the dazzling surroundings and even gets the pleasure to be a part of the greatest moment in the history of cinema by meeting the king himself, Elvis. The luck also seems to completely run out for poor Scotty when he himself slowly gets transformed into a Leprechaun, after having gotten bitten by Lep and infected with his green blood. He’s not aware of the transformation until he can’t say a sentence without adding a rhyme to it. Two Leps in one film? How much worse can it possibly get from here?

 

The gory aspects in the Leprechaun films is pretty minimal and as cheap as a moldy piece of bread, but there’s at least not one, but two memorable death scenes to mention here. The first one involves Lep using his magic to make a blond stripper crawl out of a TV screen to give a sleazy guy some pleasure. Well, think again. As she lays upon him and getting ready to suck his dick, Lep transforms her into a cyborg that electrocutes him. And a wet, special thanks goes to the nude Penthouse model Heidi Lynne Staley for making this scene happen. Then we have the scene where Caroline Williams makes her wish: to be young and beautiful again. The result is the whole film in a nutshell, where her lips, boobs and ass blows up like a balloon and explodes in pure Looney Tunes fashion, then followed by on of the best punchlines from our favorite comedian Lep: Now that was quite a LOAD to have to EXPLODE. What a lovely LASS, I had to blow up your ASS, but now I must hit the road!”

 

Lep 3 is regarded as the best in the franchise, or best-worst, if you will. The film is delightfully bad on every level and surely deserves its place on the Hall of Shame of so-bad-its-good-movies, and no one seems to take the franchise seriously for a second at this point. The acting, the dialogues, the shoddy effects filled with outlandish cartoon logic, a flavor of naughty nudity only to piss off the parents, makes this a great time and perfect film to watch on little junior’s birthday party! Warwick Davis is at his peak here with his best lines and embraces the insanity to its fullest with his performance. The tone and the humor, whether is intentional or not, suits Lep’s wit and personality perfectly and the Las Vegas setting adds even more to the fun. This is also Davis’ personal favorite in the series, and it’s hard to not be on the same page with him on that one. Leprechaun 3 was shot in 14 quick days, and  became the highest selling direct-to-video film of 1995 which kept the spaceship ready to send Lep to his next adventure.

 

Lerprechaun 3 Lerprechaun 3 Lerprechaun 3

 

Director: Brian Trenchard-Smith
Writer: David DuBos
Country & year: USA, 1995
Actors: Warwick Davis, John Gatins, Lee Armstrong, John DeMita, Michael Callan, Caroline Williams, Marcelo Tubert, Tom Dugan, Leigh-Allyn Baker, Richard Reicheg, Linda Diane Shayne, Heidi Lynne
IMDb: www.imdb.com/title/tt0113636/

 

Related posts: Leprechaun (1993) | Leprechaun 2 (1994) | Leprechaun 4: In Space (1996) | Leprechaun in the Hood (2000) | Leprechaun returns (2018)

 

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

Evil Ed (1995)

Edward Tor Swenson (Johan Rudebeck) is editing dull swedish drama-films that nobody wants to see. When the former editor in the building’s “Splatter and Gore Department” became mad and stuffed a grenade in his mouth, Ed is set up to replace him, a task he would quickly regret. Ed gets his own, dark house in the woods where he sits through the newest film in a horror movie series called «The Loose Limbs», which serves as a parody of all of the trashy horror sequels we got in the 1980’s. Ed becomes increasingly influenced by all the cruel violence he must sit through and it drives him crazy, or drives him “Evil Ed”, if you will. Now the world shall pay for making these influential garbage films, and he goes on a wild rampage.

 

«Evil Ed» is first and foremost a satire and spoof against the Cinemabureau of the State in Sweden that edited out explicit and gory scenes in horror movies to such an extent that it was only dry meat left. The scenes where the gory things happened would jump-cut right into the end of the scene. Not only did we miss the gory stuff, but also the whole context of the scenes. It looked choppy and messy and was irritating as hell. Those of us who grew up in the 80s and 90s, are aware of how horror movies on VHS were brutally treated by cencorship, especially in Norway (where I am from). They really showed no mercy to those poor celluloids, and even a scene in “Ghostbusters” were cut from the VHS in the norwegian release back in the day. Fortunately, things are different now.

 

With the cencorship history in the back of your mind, you will probably get more out of «Evil Ed», but this is still a fun little low-budget slasher made with lots of energy, enthusiasm, and a ton of horror references and cheesy dubbing. And music by E-Type, of course.

 

Evil Ed

 

Director: Anders Jacobsson
Country & year: Sweden, 1995
Actors: Johan RudebeckPer Löfberg, Olof Rhodin, Camela Leierth, Gert Fylking, Cecilia Ljung, Michael Kallaanvaara
IMDb: www.imdb.com/title/tt0116247/

 

Tom Ghoul