On Maryland’s Eastern Shore, there’s a cozy town called Claridge. A reporter named Donna Thompson, totally fresh in the game, has decided to cover the local’s celebration of 4th July, but amidst all the fun a lot of the citizens start falling ill. And severely so. The hospital gets overwhelmed with patients, and the head doctor calls the CDC who believes it must be some kind of viral outbreak. Things keep getting worse, with people dying showing some really bizarre symptoms, like severe lesions and their tongues missing. What could be the cause of this? Well…some months earlier, two oceanographers discovered that the bay had high toxicity levels, and even encountered multiple fish that had been consumed from the inside out, by some kind of mutated isopod. Hmm…could this have something to do with the chicken farm nearby that have polluted the bay when dumping their chicken excrement and god knows what else into the water? One thing is for certain: everything turns into full chaos mode as people keep dying.
The Bay is a found footage horror movie from 2012, directed by Barry Levinson and written by Michael Wallach. It is based on a story created by the duo. The inspiration for the film came when Levinson was asked to produce a documentary about the problems facing the Chesapeake Bay, a project he chose to abandon when he learned that Frontline was already covering the issue. Deciding to make use of all the research, he produced a horror film instead and promoted it as “80 percent factual information“. The movie was shot on locations in North Caroline and South Carolina.
The Bay is a horror movie that may feel like yet another zombie-outbreak movie at first, but instead its playing around with a concept that sells itself as something that “could have happened“. While that is a bit of a stretch, of course, it’s still a horror movie that can make you quite uncomfortable, especially if you’ve either experienced or are aware of just how much damage bacteria and parasites can do to a human body. I’m still getting chills from remembering some of the episodes of the Monsters Inside Me series that was broadcast on Discovery…bloody nine hells, how disturbing some of that actually was..! And while a horror movie like this is of course exaggerating things, it’s kind of nasty to think of how close it still is to reality. Yes, the parasitic isopod eating tongues is a real thing: it’s called Cymothoa exigua. Not believed to be harmful to humans in real life, though…so, uhm, I guess that’s a relief…
The format, found footage docudrama, works pretty well for a movie like this. It feels a little chaotic at times with all the “footage“ put together in order to form the narrative, but this only adds to the perceived realism as the citizens are literally thrown into a deadly chaos. The extremely fast-acting way the parasitic infections occur in people reminds us a bit of the typical zombie-infestation buildup where things go from zero to a thousand in the blink of an eye. No one knows what’s happening until it’s too late, and then there’s the inevitable societal crumble. In that regard, the realistic approach falters a bit, but strengthens the horror elements.
Overall, The Bay is a nice found footage horror film which makes you more afraid of the tiny things in the water that you can’t see, rather than any big monster. Probably not a good watch for those suffering from Parasite phobia, though…
Director: Barry Levinson
Writers: Michael Wallach, Barry Levinson
Country & year: USA, 2012
Actors: Nansi Aluka, Christopher Denham, Stephen Kunken, Frank Deal, Frank Deal, Kether Donohue, Kristen Connolly, Will Rogers, Kimberly Campbell, Beckett Clayton-Luce
IMDb: https://www.imdb.com/title/tt1713476/
A team of investigators, consisting of Deacon (a religious brother who is some i kind of skeptic – however that makes sense) Gray (an englishman who is both a layman and a technology expert) and Father Mark (who is, of course, sent by the Vatican to team up with these guys in order to investigate reports of supernatural activity in an old thirteenth century church. The guys arrive at the old church, where they set up their recording equipment and stuff, Ghost Adventures-style. The local priest believes that the things happening inside the church is a miracle, until he later starts questioning what is happening as being something completely different – and leaps to his death from the bell tower. After this, the inhabitants in the village become hostile towards the investigators…
Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.
The New South Wales State government plans to recycle the huge amounts of trapped water in a network of abandoned train tunnels. However, these plans suddenly come to a halt, and publicly no one is ever told why. Rumors are spreading, like how homeless people using the tunnels end up going missing. This brings a young journalist, Natasha, to start an investigation into what she thinks is some kind of government cover-up. She and her crew decide to enter the tunnels and look for answers, but after being refused entry by a security guard, they do of course find an alternative entrance into the place. While exploring the tunnels, they start hearing strange noises through the audio headphones, and when one of the crew members go missing they eventually realize that they might not be alone in these deep, dark tunnels.
Adam Green starts working on a documentary about monster/creature artwork. Out of the blue, a man suddenly contacts him and claims he has proof of the existence of monsters. This man’s name is William Dekker, and he is a retired detective who is convinced that there’s underground monsters in a place he calls “The Marrow”. Green sees this as an opportunity to refocus his documentary into the story of Dekker and his efforts to expose these so-called underground monsters. They set up cameras in the woods nearby the hole where Dekker claims the monsters sometimes come out from, but Green and his crew are not sure whether this man is just setting up an elaborate hoax, or if he is just batshit crazy…or, maybe, if he’s actually telling the truth.
