Brodie is a heavy metal-outcast whose meth-head mom is sent to a mental ward after trying to give a mall-santa a blowjob, and thus he needs to live with his uncle, aunt and cousin. They are “some good Christians”, by the way, who thinks Ricky Martin is the heaviest thing they’ve ever heard. Not much in common between him and them, in other words. His cousin is a complete sport-idiot-psychopathic douche who calls Brodie a “devil worshipper” and bullies him at school, but at least he’s got two friends at school who thinks playing board games at lunchtime is the most badass thing to do.
Also, there’s one really cool thing about this new place: Alien Records, which is a record shop that specializes in 80’s metal on vinyls and cassettes. Here he meets the like-minded Zakk, who plays bass guitar, and they start a black metal band with the catchy title Deathgasm. When they come across some obscure note-sheets from their black metal-idol Rikki Daggers, “Black Mass”, they make it into a Deathgasm song, and unintentionally conjure the demon Aeloth who then possesses the towns residents to be devil worshippers. With the help of heavy metal, chainsaws and sex toys, it’s now up to Brodie and his friends to prevent a full-blown hellraising metalapocalypse.
Written and directed by Jason Lei Howden, a young newbie from New Zealand, who won a contest and a price of NZ$200,000 to make his first feature film. Howden took inspiration from his own experience as a metal-outcast in the mid-90’s, combined with a lot of splatter-fun and blood puking. When Howden isn’t behind the camera, he works at Weta Digital, Peter Jackson’s CGI company. Impressive.
Horror and metal goes hand in hand, and “Deathgasm” shows it to the fullest, with a plot that reminds us of “Trick or Treat” (1986) and some elements of Rob Zombie’s “Lords of Salem” (2012). The Evil Dead-ish demons look pretty cool, and the humour is a mix of “Bad Taste” and “Braindead” (or “Dead Alive” as it’s called in the states). There’s also some funny references to the Norwegian black metal-fans. The zero-budget music video our friends in Deathgasm makes in the woods, Immortal-style, is spot on. Otherwise, there’s a lot of crazy zombie action going on with dildos, vibrators, chainsaws and whatnot to keep you entertained. The perfect recipe for a party movie, in other words. And I have to mention the chopper-scene reference from Dawn of the Dead, which was awesome.
With a title like Deathgasm and its satanic imagery, it’s not completely without some controversy. The title was a little too much for Walmart, who refused to sell it. Pretty ironic since Walmart can be a horror-shitshow in itself (search “people of Walmart” on YouTube to get a great lol). They agreed to sell it when the title was changed to “Heavy Metal Apocalypse”.
Director: Jason Lei Howden
Country & year: New Zealand | USA, 2015
Actors: Milo Cawthorne, James Blake, Kimberley Crossman, Sam Berkley, Daniel Cresswell, Delaney Tabron, Stephen Ure, Colin Moy, Jodie Rimmer, Nick Hoskins-Smith, Erroll Shand, Kate Elliott
IMDb: www.imdb.com/title/tt3705412/
Tree Gelbman, a young college student, wakes up in a guy’s room, hungover as hell and barely no memory from last night. On top of it all, it’s her birthday today, a day she is not too fond of for reasons later revealed in the movie. She leaves the guy’s room with a pissy attitude, and we see pretty quickly that this is a girl that tends to make bad choices in her life, and treat people around her like crap. At the end of the day, she gets chased by someone wearing a mask, and ends up being killed. And then she wakes up in the guy’s room again, repeating the day all over again. In a desperate fight to reveal the identity of the killer, and try to figure out how to avoid being killed by him/her, she relives the day of her birthday and murder over and over…
Jeffrey Franken (James Lorinz) is a young medical student whose fiancee, Elizabeth Shelley, gets overrun by a lawnmower at a backyard party and gets shredded to pieces. The only thing left of her is her head, which he puts in the freezer. He’s determined to get her back in some way, and arranges his garage into a typical “mad scientist” lab. Then he drives around New York’s dark streets to pick up the finest hookers to assemble body parts for his new girlfriend.
Edward Tor Swenson (Johan Rudebeck) is editing dull swedish drama-films that nobody wants to see. When the former editor in the building’s “Splatter and Gore Department” became mad and stuffed a grenade in his mouth, Ed is set up to replace him, a task he would quickly regret. Ed gets his own, dark house in the woods where he sits through the newest film in a horror movie series called “The Loose Limbs”, which serves as a parody of all of the trashy horror sequels we got in the 1980’s. Ed becomes increasingly influenced by all the cruel violence he must sit through and it drives him crazy, or drives him “Evil Ed”, if you will. Now the world shall pay for making these influential garbage films, and he goes on a wild rampage.