horror movie review – Page 2

Vermines (2023)

Posted on November 12, 2024 by HorrorGhouls

In a Middle Eastern desert, a bunch of Arab smugglers are hunting for spiders. One of them gets bitten, and it becomes obvious that these little eight-legged creatures carry something worse than a sting with their bite: his companion immediately kills him with a machete. When a bite by a spider may cause something worse than swift death, you know it’s bad. I almost expected one of the Arabs to shout “Singaya!” because this opening reminded me a lot of Braindead (Dead-Alive) by Peter Jackson. I’m actually wondering if perhaps it was a subtle reference.

After this we head over to Paris, where young Kaleb wants to buy something for his girlfriend. For her, he gets a pair of earrings, and for himself, an exotic spider. Because why not. Kaleb is not only a sneakers dealer (yes, you got that right, not drugs but actual sneakers, like in the shoes) he is also an exotic animal lover who’s got his room full of little creepy crawlies. Back home in his run-down apartment building, he puts the spider in a shoebox and plans to find a better place for it later. The spider’s got other plans though: it chews itself out of the place, lays some eggs and all hell breaks loose. When more and more people end up dying due to bites, the entire building is put in lockdown by the authorities as they suspect some viral disease. The inhabitants are then trapped inside with an ever-growing amount of deadly spiders…

Vermines (english title: Infested) is a French horror film from 2023, directed by Sébastien Vaniček and co-written with Florent Bernard. The exterior buildings are filmed in the Picasso arenas in Noisy-le-Grand, near Paris, designed by architect Manuel Núñez Yanowsky in the 80s. This sets the film up for some really unique visuals for the exterior shots. It also doesn’t rely solely on CGI for the spiders, and in fact, most of the scenes are filmed with real ones (so no actors with arachnophobia here, I guess).

If spiders gives you the creeps, you better brace yourself for this one. The setting of a decaying apartment building, infested with dangerous spiders, sure makes a claustrophobic and nightmarish setting. What makes everything even creepier is how they use real spiders for most of the scenes, with several close-up shots and scenes where the spiders come crawling out of places, all of it sure to make your skin crawl! The classic spider horror movie Arachnophobia (1990) also used real spiders: Avondale spiders (Delena Cancerides), while in Vermines they used approx 200 giant huntsman spiders (Heteropoda maxima). No cute Lucas-spider types to be seen here, in other words.

The characters in the movie are people who live in the poorer French suburbs, struggling with getting by. The director also stated that the film is based on his own experience living in such tight-knit communities, which were often viewed upon with strong bias by outsiders, causing discrimination and irrational fears of the places and the people who lived there. So yeah, the movie does offer a bit of social commentary, with the original title literally meaning “vermin“, a term which can be used for both parasitic and harmful insects/animals, but also for people perceived to be causing problems for the rest of society. So all of that mixed with a neglected apartment building, some tension between the characters and a bunch of real spiders, and you end up with a very decent animal-attack movie. I guess it does end up more in the creature-feature category along the ride, though.

Vermines (Infested) is a solid spider horror film, with some effectively creepy scenes that gives you the ick whether you actually have arachnophobia or not.

Vaniček is also going to direct the next Evil Dead movie, and it will be interesting to check that one out when it comes.

Director: Sébastien Vanicek
Writers: Sébastien Vanicek, Florent Bernard
Country & year: France, 2023
Also known as: Infested
Actors: Théo Christine, Sofia Lesaffre, Jérôme Niel, Lisa Nyarko, Finnegan Oldfield, Marie-Philomène Nga, Mahamadou Sangaré, Abdellah Moundy, Ike Zacsongo, Emmanuel Bonami
IMDb: https://www.imdb.com/title/tt26744289/

Terrifier 3 (2024)

Posted on November 8, 2024November 8, 2024 by HorrorGhouls

Terrifier 3 picks up the story right after the ending of Terrifier 2, where Art the Clown was beheaded by Sienna, and the final girl from the first movie, Victoria Heyes, has been possessed by the Little Pale Girl and gives birth to Art’s head. Now, in the third movie, we start off with Art’s headless body finding its way to the asylum where Victoria is located, where they both body-count a little before going into some kind of hibernation phase in an abandoned house. Then, five years later and close to Christmas, Sienna has just been released from a mental health center and has come to stay with her aunt Jess, her husband Greg, and their daughter Gabbie, who pretty much idolizes her. While Sienna is struggling with reconnecting with her brother Jonathan, who is now in college and trying to move on with his life, Art the Clown has decided to bring another nightmare to Miles County, and this time before Christmas.

Terrifier 3 is the third movie in the Terrifier franchise, all written, edited and directed by Damien Leone. Terrifier 3 premiered at Fantastic Fest on September 19, 2024, and later released theatrically in the US on October 11. It is currently the highest-grossing unrated film of all time. Damien Leone stated in interviews that the main reason for choosing a Christmas theme for the movie, was that he was directly influenced by the 1972 film and 1989 TV series Tales From the Crypt, as they both featured a story about a mentally insane person dressed up as Santa and going on a killing spree. The opening of Terrifier 3 is a homage to that episode which is called “And All Through The House”. He also got to “fix“ one of his bigger regrets from the two other movies, regarding Victoria Heyes who was the original “final girl“ in the franchise (who got her face eaten off by Art in the first movie which explains her looks). This is a character Damien Leone regretted not fleshing out further, and thus he decided to feature her more in the third film, as a heroine turned villainess.

Now, most people within the horror circle are well familiar with this murderous clown called Art. Wearing a Pierrot-like costume, uttering not a single sound under any circumstance at all, and with antics and behavior very reminiscent of Mr. Bean, he sure is a character easy to recognize whether you like him or not. The guy is now all over the place, with another movie sequel already in development and even an upcoming game and other merchandise. Art has more or less become a gore-icon, so if you go and see this movie mainly for the gore and practical effects, you won’t be disappointed. There’s gore a-plenty, some really visceral kills and even a scene with a rat forced down a tube in someone’s throat that made Art’s actor (David Howard Thornton) a little green around the gills. I can’t say any of the scenes really got under my skin though (I’ve gotten far too desensitized for that) but I can easily recognize and admire the jolly playfulness and the great use of practical effects during scenes like this and had a fun time watching it. I also found the opening of the movie to be quite moody and with a fitting soundtrack. So, will you have a fun time if you want to see Art the Clown going crazy during the holidays where he kills and maims and wreaks havoc? Yeah, no doubt. This movie does more of what most of its fanbase loves it for, and that’s expanding the horizon for how much gore you can possibly add and adding new ways to dismember and spill the blood ‘n entrails on screen.

Now, what Terrifier 3 unfortunately lacks, is more story to the bone. Maybe this sounds a little unreasonable considering that the first movie pretty much had no plot whatsoever, and the franchise’s selling point is obviously blood and gore. Nothing wrong with that, by all means…but the second film did take things many steps further story-wise, teasing us with what appeared to be more in-depth lore and possibly an interesting background story for the franchise’s namesake (which is not the clown, but an abandoned haunted attraction we got to know about in Terrifier 2). Everything was pretty much set up for some further development of Art’s background story…but that’s not really what we got much of in the third film. Now, Damien Leone stated that it took 6 years to make Terrifier 2, and that he had completely underestimated how ambitious it would eventually become. It’s obvious he’s planned for some deeper lore and background story for Art, the Terrifier attraction, and the Little Pale Girl (whom we know is the demon possessing Art), but we’ll probably get more of that in the 4th film. Terrifier 3 was made with a considerably stricter deadline, and the production barely made it on time for its premiere at Fantastic Fest. In addition to this, the long time it took to make Terrifier 2 is also the reason why the storyline of this movie is set to five years later, as especially Elliot Fullam (who plays Jonathan, Sienna’s younger brother) has aged very obviously since they started filming Terrifier 2 in 2018. Personally, I have no problems enjoying mindless gore-fests as long as they’re somewhat upbeat and fun, but at this point this movie felt more like a Christmas-special to me than an actual sequel, I guess..?

Terrifier 3 definitely delivers on the gore and practical effects, and Art the Clown is more jolly, more evil, and more Mr. Bean-ish than ever. I just personally wish there had been some more story development at this point, but I’ll consider this as Art the Clown’s X-Mas special. The fourth film is already in development, which is stated to be the final film in the franchise. Hah, yeah, we’ll see how that goes. Everyone knows that slasher villains never truly stay dead, that’s Horror 101. So by the end of this decade we’ll probably have Terrifier Returns, Terrifier Origins, The First Terrifier, Terrifier in Space, and Terrifier in the Hood. And that’s not even a joke.

Writer and director: Damien Leone
Country & year: USA, 2024
Actors: Lauren LaVera, David Howard Thornton, Antonella Rose, Elliott Fullam, Samantha Scaffidi, Margaret Anne Florence, Bryce Johnson, Alexa Blair Robertson, Mason Mecartea, Krsy Fox
IMDb: https://www.imdb.com/title/tt27911000/

Prequels:
– Terrifier 2 (2022)
– Terrifier (2016)

Paperhouse (1988)

Posted on November 1, 2024 by HorrorGhouls

Anna Madden is an 11 year old girl, who one day starts having fainting spells at school and when playing with her friend. She’s suffering from glandular fever, and must stay at home and finds herself bedridden much to her dismay. She draws a house, and when she falls asleep she starts having disturbing dreams about this house. Later she draws a face in the window, and the next time she dreams there’s a boy there. His name is Marc, and he’s suffering from muscular dystrophy and cannot walk. She keeps adding things to the drawing in order to form the house more to her liking, like adding stairs and furniture. She also tries an attempt at fixing Marc’s legs, but this proves futile. Something’s not right in her dreams, however, and in real life Anna’s having troubles with her relationship with both her mother and her absent father who’s struggling with alcoholism and is often away for work at long periods of time. One day when her doctor comes for a visit, Anna finds out that the doctor has another patient whose name is Marc. And now she’s starting to realize that the house in her dreams may not just be a pure fantasy after all.

Paperhouse is a dark fantasy film from 1988, directed by Bernard Rose who later directed Candyman (1992). This movie is based on a novel from 1958, called Marianne Dreams by Catherine Storr. This novel was also the basis of a British TV series made for children in the early 1970’s, called Escape Into Night. This movie, however…is clearly not a movie suitable for the young’uns, despite being originally marketed as a children’s fantasy film. Sure, the horror elements aren’t very explicit and it takes a while for them to settle in, but there’s a definite ominous atmosphere throughout, and the scene where her blind father appears in her dream (blind because she didn’t draw his eyes properly) and starts hunting her with a hammer, isn’t exactly Saturday morning material.

I have to say that the work they did on the dreamworld is pretty well made, where everything looks like it’s trapped in a closed space where nothing else exists. It’s filmed in a desolate field, where you can see the ocean nearby but it’s all just vast and empty. No other islands to spot, no trees, other buildings, absolutely nothing. The surrealism and weirdness of the place is spot-on, and the strange interior of the already strange and crooked-looking house only adds to the vibe.

Paperhouse is a pretty strange coming of age movie, not outright a horror movie but it certainly has some elements thereof. The surreal tone, the somewhat unconvincing acting (especially by the lead actress, who also never played in any other film after this one) gives the whole film a very weird vibe. Also some nice music from Hans Zimmer which strengthens the incredibly dreamy and outlandish mood. Worth a watch if you want something strange and different.

Director: Bernard Rose
Writer: Matthew Jacobs
Country & year: UK, 1988
Actors: Charlotte Burke, Jane Bertish, Samantha Cahill, Glenne Headly, Sarah Newbold, Gary Bleasdale, Elliott Spiers, Gemma Jones, Steven O’Donnell, Ben Cross, Karen Gledhill, Barbara Keogh
IMDb: https://www.imdb.com/title/tt0098061/

Trick ‘r Treat (2007)

Posted on October 31, 2024 by HorrorGhouls

It’s Halloween, the best time of the year! Well, for us Horror Ghouls at least. And for Sam, a cute little trick-or-treater you’ll get to know better here in Trick ‘r Treat.

In the fictional town of Warren Valley, Ohio, several people are celebrating Halloween night. The stories here are told in a nonlinear narrative, and first we meet Emma and her husband Henry. Emma is a Halloween hater (yup, one of those), and blows out the jack-o’-lantern before midnight. This is not according to Halloween rules! And she’ll soon find out the consequences. Then we meet Steven Wilkins, who is a serial killer who sticks to his own rules and traditions on Halloween. Just a reminder to all the kids out there to check their candy. We later also meet a group of teenagers, who visits a flooded quarry where the urban legend of the “Halloween School Bus Massacre“ was supposed to have taken place. And then, we have a group of young women in sexy costumes, where one of them wears a Little Red Riding Hood outfit. Hmmm…I wonder if she’s going to meet any wolves tonight. Then, of course, there’s little Sam, who is always nearby. Some of the stories and characters have a relation to each other, and all will be revealed before Halloween night is over.

Trick ‘r Treat is a horror anthology film from 2007, written and directed by Michael Dougherty in his directorial debut. The film was delayed for two years, and only had a limited number of screenings at film festivals. It grossed only $27,909 on a budget of $12 million. Ouchie. Over the years, though, the film has since garnered a cult following. Fans have been teased with a sequel for several years but so far nothing seems to happen. Only time will show. In the meantime, Dougherty directed Krampus (2015) and Godzilla: King of the Monsters (2019).

If you’re a Halloween lover, like any horror ghoul with the slightest ounce of self-respect does, then this movie is certain to feel like a treat. Like many horror anthologies out there, including The Mortuary Collection and Tales from the Hood, all the stories are in some way interwoven with the rest. Aside from the aforementioned anthologies however, this one is told in a nonlinear way and mixes the stories a bit back and forth. It doesn’t require too much attention to get the coherence, so don’t worry about it being too hard to follow. There’s a little bit of twists and turns, including some characters appearing in one story only to prove a significance later on in one of the other stories. It’s all pure popcorn entertainment, never even remotely frightening but offers a little bit of gore here and there and a lot of lighthearted amusing fun. The cute little character Sam is derived from the word Samhain which is the ancient Celtic festival of the dead. It’s from Samhain that the modern-day Halloween is derived. In this movie they’ve taken the name a little further and turned him into the most adorable little deity. Just don’t be fooled by his cuteness, though, he sure knows how to play tricks on those who disrespect the traditions!

The actors playing the deformed children from the Halloween School Bus Massacre segment all had real disabilities or injuries, and they apparently had a total blast during the filming. And we also got one of those famous “gumball rolling down the stairs“ scenes, which is of course a nod to the excellent ghost horror movie The Changeling (1980), and the cameraman working on this sequence also filmed that exact scene in that film.

Trick ‘r Treat is a solid Halloween movie, with enough ghoulish pleasantries to satisfy the most. Happy Halloween!

Writer and director: Michael Dougherty
Country & year: USA/Canada, 2007
Actors: Dylan Baker, Rochelle Aytes, Quinn Lord, Lauren Lee Smith, Moneca Delain, Tahmoh Penikett, Brett Kelly, Britt McKillip, Isabelle Deluce, Jean-Luc Bilodeau, Alberto Ghisi, Samm Todd, Anna Paquin, Brian Cox
IMDb: https://www.imdb.com/title/tt0862856/

Dolls (1987)

Posted on October 28, 2024 by HorrorGhouls

Young Judy has brought along her beloved teddybear, Teddy, on a trip together with her father and stepmother. And Teddy is pretty much the only comfort she’s got, as both her father and stepmother sees her as nothing but an inconvenience. A thunderstorm leaves them stranded as their car gets stuck, and in frustration the stepmother takes Teddy from Judy and throws him far into the bushes, where Judy can’t get to him. This then leads to a strange scene where Judy actually imagines that Teddy comes back as a giant monster-teddy and kills both her stepmother and her father. Yeah, there ain’t any happy family vibes to find around here, that’s for sure, but who can really blame the little girl, both her stepmother and her father are assholes.

The trio ends up seeking shelter by getting into a nearby mansion, owned by a charming elderly couple named Gabriel and Hilary Hartwicke. The couple immediately takes to young Judy, and when learning that she “lost“ her teddybear, Gabriel gives her a Jester-doll whose name is Mr. Punch. Then, three more people also arrive at the mansion, seeking shelter from the weather: Ralph, a very kind-hearted dude who maybe suffers from being a tad bit naive, and two hitchhikers named Isabel and Enid, who are two more additions to the asshole-group. So, we have an innocent little girl, a nice man with a good heart, and four douchebags who are now invited to stay by the elderly couple, who are both dollmakers. The mansion is filled with toys and dolls, but these soon prove to be anything but harmless.

Dolls is a horror film from 1987, directed by Stuart Gordon (Re-Animator, From Beyond, Castle Freak), written by Ed Naha, and produced by Charles Band and Brian Yuzna through Empire Pictures. The story was inspired by a book called The Uses of Enchantment, by Brunio Bettelheim. The film was shot in Italy at Empire Studios, prior to the director’s next film From Beyond. However, due to all the effects for the dolls that were added in post-production, the movie wasn’t released until almost a year later.

Now, what could possibly be the highlight in a movie from the 80’s titled Dolls? Take a wild guess. This was released before any Child Play‘s, and way before any Annabelle‘s. One could look at it as a little precursor to a certain film series involving puppets, though: the Puppet Master franchise, where the first movie was released in 1989. Because this movie, just like the Puppet Master films, uses a mix of stop motion animation, puppets and animatronics for the dolls by David W. Allen, who worked on special effects for numerous films and especially several Empire/Full Moon movies. He unfortunately died from cancer in 1999, and had been intermittently working on stop motion effects for a film called The Primevals, which was actually his own production, a true passion project of his. Despite seeming like what would be a lost project for so many years, The Primevals was actually completed and released in 2023.

There aren’t any big names on the cast list here, but the actors are a mix of people whom you may have seen in other movies and TV Series, so it’s far from being a no-name actors movie either. The one playing Isabel for example, is Bunty Bailey, who plays the girl in the famous music video for the Norwegian pop group A-Ha’s Take on Me from 1985. Dolls was her feature film debut. Their performances are solid enough for a movie like this, which is overall childishly cheesy and with that strange tone you mostly only find in movies made during the 80’s. It’s whimsical and slightly goofy, and the effects for the dolls and puppets are of course the raison d’être for the movie.

Despite being a pretty fun movie, Dolls wasn’t well received by the viewers, and the fans of Stuart Gordon in particular thought it was tame and lacking in gore compared to his previous works. Well…this one’s quite different for sure, where despite the little bit of gore there is it could have been a cute little horror movie for kids. It’s charming in its own way, and overall a fun little film where the baddies gets their comeuppance and the goodies can have their happily ever after.

Stuart Gordon was initially interested on making a sequel for the film, but that never came to be.

Director: Stuart Gordon
Writer: Ed Naha
Country & year: USA/Italy, 1986
Actors: Ian Patrick Williams, Carolyn Purdy-Gordon, Carrie Lorraine, Guy Rolfe, Hilary Mason, Bunty Bailey, Cassie Stuart, Stephen Lee
IMDb: https://www.imdb.com/title/tt0092906/

Häxan (1922)

Posted on October 27, 2024October 27, 2024 by HorrorGhouls

Häxan is the Swedish word for “the witch“, and this is a 1922 silent horror essay film which was written and directed by Benjamin Christensen. It’s partly documentary, and partly dramatized scenes, all about witches and witchcraft and superstitions beginning from the Middle Ages through the 20th century. The film was produced by AB Svensk Filmindustri, but it was shot in Denmark in 1920-1921. It was the most expensive silent film ever made in Scandinavia, costing almost 2 million SEK (Swedish Kronor). And it shows, with its detailed set pieces and recreation of medieval scenes, and of course its lengthy production period. It received fairly positive reception, but of course the censors in several countries (Germany, France and the US) found it to be too graphic with its depictions of torture, nudity, sexual perversion, and of course the worst of all: anti-clericalism. How dare they, those blasphemers! The movie didn’t avoid the censors in Sweden either, there were a bunch of Evil Ed‘s even in the 1920’s. Before the censors authorized its release, they required numerous cuts: the scene of a hanged man’s finger being removed, the trampling of the cross during a witch’s sabbath, and several others. Fortunately, all of these scenes have since been restored to the film.

In 1968, Metro Pictures Corporation re-edited and re-released the film in the US, giving it the title Witchcraft Through the Ages. This version includes an English-language narration by William S. Burroughs. It is today considered an old masterpiece with its combination of documentary-style and narrative storytelling, with some very inventive and great visuals. Many different techniques are used here, including some stop motion animation scenes, puppetry, reverse motion and other special effects and creative makeup. Most of the film was even shot at night, which was almost unheard of at the time, but the director wanted the actors to be influenced by as dark and ominous a setting as possible to enhance their performances. The director himself even performed as Satan in this movie, and he honestly looked like he had a blast doing so. One of the old ladies playing a persecuted witch was discovered by the director when she was selling flowers on a street corner in Denmark, and she claimed she was the first Red Cross nurse in the country. When filming one of her scenes, she once turned to him and said “The Devil is real. I have seen him sitting at my bedside“. The director was so struck by this that he decided to include that anecdote into the film itself.

One of the best things with Häxan, is how it manages to blend the dark themes of superstition and human nature, with some dark humor and of course the very striking visuals. Despite a somewhat humorous undertone, it’s all told with a focus on the dark subjects at hand. Witches were executed for simply being different, looking ugly, being poor, and all kinds of other completely unfounded reasons which could lead people to spiral a small rumor into a massive paranoia. The poor “witches“ were often tortured to such an extent that they’d admit to anything just to make it stop. There are several scenes during a witch’s torture and execution that are, albeit not nearly as graphic as the torture-porn movies we are accustomed to these days, pretty unnerving stuff. Visually, Häxan is a treat with so many innovative special effects, makeup, costumes and whatnot. There’s witches, possessed nuns, torture scenes, grave robbing, a Satanic sabbath where the witches are trampling the cross and kissing the devil’s behind, and…oh my, no wonder it got whacked by the censors!

Häxan is without a doubt a film that was ahead of its time, with its libertarian undertones. And while the movie condemns the practices during the Middle Ages and how superstition makes people treat others horribly, the film also wraps it up excellently by pointing out the parallels to modern day (which, at the time, was the 1920’s of course). It is easy to sit and laugh at how people were afraid of witches and wanted to have them executed in hopes of protecting themselves from evil, but similar misconceptions, beliefs, practices and fears can make people treat others horribly even to this day, despite how much more “enlightened“ we have become. They may have feared witches in the Middle Ages, but there will always be “witches“ for each era we live in, someone to place blame and hatred towards. This is something that will never get better, because humans will always be filled with fear, and too many of us need something to pin those fears on, despite how unfounded they may be.

Writers and director: Benjamin Christensen
Country & year: Sweden/Denmark, 1922
Also known as: Witchcraft Through the Ages
Actors: Maren Pedersen, Clara Pontoppidan, Elith Pio, Oscar Stribolt, Tora Teje, John Andersen, Benjamin Christensen, Poul Reumert, Karen Winther, Kate Fabian, Else Vermehren, Astrid Holm
IMDb: https://www.imdb.com/title/tt0013257/

Dr. Giggles (1992)

Posted on October 26, 2024October 26, 2024 by HorrorGhouls

– If you think that’s bad, wait until you get my bill.

Evan Rendell (Larry Drake) is a mentally deranged man who manages to escape the mental asylum (a time when mental asylums still existed) and return to his abandoned little rundown mansion on the outskirts of the small town of Moorehigh. We learn that Rendell is the son of the town’s previous doctor, and the apple doesn’t fall far from the tree. His father did some pretty shady things to his patients, such as stealing their hearts and such, for reasons I won’t spoil, because there’s actually a fun little twist to the whole thing. But his approach to his patients with zero empathy, sure had its impact on Rendell Jr’s frontal lobe. So in order to continue his father’s legacy, he gets a list of names so he can sneak into the townsfolk’s homes at night to pay them an unexpected doctor visit. Dad would be proud.

And here’s the big question; why the nickname Dr. Giggles? That’s because he giggles in a demented high-pitched note, as if someone tickles his ballsack with the tip of a feather – or getting an unexpected blowjob while standing on a podium, if you take the reference. It’s a pretty distinct kind of giggle that I believe that only Larry Drake could pull off. While it’s pretty gimmicky and goofy at times, it puts an extra flair on his twisted personality, and adds more creep factor to his stone-cold Slavic-like face. The film itself isn’t creepy for one second though, but Larry Drake makes up for an oddly entertaining villain with some cheesy one-liners. He’s maybe best known for being the antagonist, Duran, in the first two Darkman films.

But there’s no slasher without a big group of teens, some meat balloons, or at least a final girl. And since it happens to be the start of the summer break, the timing of Dr. Giggles return couldn’t be more perfect. Here we follow the 19-year-old main protagonist, Jennifer Campbell. She has a serious heart condition that prevents her from living out her final year as a teen to the fullest. Well, thank God that Dr. Giggles is finally in town, which she eventually will get the un-pleasure to meet. Jennifer is played by the Charmed star Holly Marie Combs, who actually was 19 during the filming, and not a 27-year-old pretending to be 19. That’s rare, as most of the teens in slashers, especially from the 1980s, look like they’re in their late 30s. Jennifer Aniston auditioned for the role as the final girl, but luckily she didn’t have to wait for long to make her big film debut in Leprechaun. Let’s have a long, sarcastic giggle for that one.

Although Dr. Giggles was released in 1992, it has the vibe and the standard formula of a 80s slasher. Thus, the film did not perform at the box office as the slasher genre had gone into hiatus with a severe hangover alongside with the hair metal bands. That’s a shame as there could be a fun franchise to develop here. Oh, well. Dr. Giggles is an enjoyable little slasher flick with some great gore, silly humor – and bonkers performance by, again, Larry Drake, who alone makes the film a standout. And while we’re speaking about doctors, also give The Dentist a visit for a check-up, because health is important, you know…

Dr. Giggles is available on Blu-ray from Shout! Factory and is maybe to be found on Tubi.

Director: Manny Coto
Writers: Manny Coto, Graeme Whifler
Country & year: USA, 1992
Actors: Larry Drake, Holly Marie Combs, Cliff De Young, Glenn Quinn, Keith Diamond, Richard Bradford, Michelle Johnson, John Vickery, Nancy Fish, Sara Melson, Zoe Trilling
IMDb: https://www.imdb.com/title/tt0104139/

Killer Klowns from Outer Space (1988)

Posted on October 25, 2024 by HorrorGhouls

Mike Tobacco and his girlfriend Debbie Stone have gone to the local lover’s lane to make out. Suddenly, they spot a strange glowing object falling down from the sky. They’re not the only ones who saw that, as the farmer Gene Green decides to find the impact site as he believes it to be Halley’s Comet. Well, he finds something quite different. A large circus tent has been raised in the place where the “comet“ landed, and the poor farmer and his dog are captured by aliens looking like clowns. What they are? Killer Klowns, of course! Mike and Debbie arrive at the place and decide to enter the strange-looking circus, and find themselves in a bizarre place with an interior that resembles a spaceship. They’re discovered, and after being able to flee they try reporting the incident to the local police station. A large circus in the forest, and alien clowns from outer space? Yeah, that’s believable of course. Or not. But even the police must realize that something funny is happening around here, when the Klowns begin attacking the townspeople. Why they’re attacking people? Because they’re hungry! And the people they capture are encased in large cotton-candy cocoons, where they drink the mushed-up fluids from inside in true spider-style (well, not exactly, they use drinking straws). Mike and Debbie know they must defeat the Klowns, but how? The answer is simple, of course: you need to shoot them in their red nose!

Killer Klowns from Outer Space is a colorful sci-fi horror comedy from 1988, written and directed by the Chiodo Brothers. They also made the practical effects and makeup for the movie, much of it also carried out by other artists. Thus, there’s a ton of practical effects, rubber suits and masks. It was filmed in Watsonville, California and at the Santa Cruz Beach Boardwalk, and have pretty much been considered a cult classic for quite some time. There’s been talk of sequels, but they’ve been in development hell since the original film’s release. If there should ever be some kind of sequel, though, then at least it would be one people have wanted for some time, just like the Beetlejuice Beetlejuice movie.

Just looking at the title, the description, and the images of the Killer Klowns themselves, you can’t blame anyone but yourself if you watch this and expect something different than what it is. It’s pure childish, silly nonsense. Originally, the film was supposed to just be called Killer Klowns, but in order to prevent people from assuming it was a simple slasher film, they added the “from Outer Space“ just to let people know what they were in for. Good choice. It’s obviously both a parody and a homage to the 50’s and early 60’s sci-fi classics about alien and monster invasions.

The special effects are the movie’s most admirable part, where the Killer Klown costumes look pretty darn good. The acting is, well, very typical B-movie fare, which suits a film like this perfectly. And as you might expect, this being alien clowns and all, there’s gags aplenty and a lot of wild stupidity with popcorn-guns, shadow puppets eating people, and a lot of other loony stuff. While it’s hard to imagine anyone finding any moments in this movie to be scary in any way, the cotton-candy cocoons with melted human bodies inside is a little bit nasty. And yeah, there is a bit of gore here but there’s nothing really over the top. The film also has a pretty cool and campy theme song called Killer Klowns, performed by the pop/punk band The Dickies. Ah, theme songs! Those were the days.

Killer Klowns from Outer Space is just as deranged, absurd, childish and sickly sweet as you can imagine. You can almost feel a sugar-overdose after watching it, despite not having eaten any candy or ice cream at all. And in space no one can eat ice cream, or so the film’s slogan says. It’s had several DVD and Blu-ray releases over the years, and can be seen on several streaming sites.

Director: Stephen Chiodo
Writer: Charles Chiodo, Stephen Chiodo, Edward Chiodo
Country & year: USA, 1988
Actors: Grant Cramer, Suzanne Snyder, John Allen Nelson, John Vernon, Michael S. Siegel, Peter Licassi, Royal Dano, Christopher Titus, Irene Michaels, Irene Michaels, Karla Sue Krull
IMDb: https://www.imdb.com/title/tt0095444/

House III: The Horror Show (1989)

Posted on October 24, 2024October 24, 2024 by HorrorGhouls

House III, aka The Horror Show, aka House III: The Horror Show has nothing to do with the House franchise. So what the hell is this supposed to be? Well, it’s a horror movie, I can say that. And like the second film, the house from Psycho is also displayed on the DVD cover, just to make you even more confused. This was actually also the official theatrical release poster. Now it just starts to look like a parody of the Italian films that capitalized on cheap, faux sequels. But the story behind this messy production is a tale of itself, which I’ll come back to.

In this relative faux sequel, we’re in a far more gritty, urban surroundings that center around the detective Lucas McCarthy (Lance Henriksen). He and his partner are on the huntdown of the deranged serial killer Max Jenke (Brion James). He goes by the nickname “Meat Cleaver Max“ and he has body counted the city for too long. The party’s over when he gets captured and thrown in the electric chair and fried to the nether. And as Lucas has dedicated too much time and mental health to this homicidal clown, he can now at least take a deep breath, relax and maybe spend some more time with his family. Dream on, pal, because the horror show is far from over.

Because you see, Mr. Meat Cleaver comes back as a trickster demon with a mix of Beetlejuice and Freddy Krueger to fuck so much with his head to the point that the line between reality and not becomes a big fat blur. And since Lance Henriksen is a top tier working actor who can say a thousand words just with his facial expressions alone, it’s hard not to believe all the fucked-up visions he starts to see while he tries his very best to be in the moment with the family. He already struggles with PTSD and nightmares where our killer chops the head off a young girl, which he blames himself for. Now it’s up to Lucas to call a ghostbuster and chase down the ghost of Mr. Meat Cleaver, before he goes totally insane and loses both his mind and his family.

The strongest cards here are Lance Henriksen and Brion James. They’re both very intense and intimidating actors who are like thunder and lightning on screen, and give their 100%. Brion James is maybe not the most familiar name, but you certainly know his face. A great, charismatic character actor who died way too early at the age of 54 of a heart attack. RIP. There’s also some fun, practical effects here which gives some Elm Street vibes, that also the DVD covers refer to and actually got right. An overall entertaining supernatural slasher worth watching with a strong beer and fresh-made popcorn. Just make sure to pick up the Blu-ray from Arrow Videos for the complete uncut version.

So, House III/The Horror Show is far from the shitshow you’d expect considering the circumstances – especially when one of the screenwriters is credited as the legendary, the one and only Alan Smithee himself. The film manages to stand on its own feet for what it is. So what did actually go so horribly wrong here, apart from the fake, clickbait title? The film was originally going to be a third entry in the House franchise, but when a new distributor came on board (MGM) they wanted to go for another approach with killer Max, where they saw a new potential iconic villain like Freddy Krueger. Yeah, you don’t say. They were maybe into something here though, as this was Brion Jame’s favorite acting gig of all the 178 films he starred in. That never happened, of course.

Director David Blyth (Death Warmed Up) from New Zealand was fired a short time after the production started and was replaced with newcomer James Isaac. And again, despite the circumstances, he does a decent job, I would say. He also made the schlock classic Jason X (2002) and a couple of other obscure horror films before he died of blood cancer at age 51. RIP. The script was changed to the point that the original screenwriter, Allyn Warner, had no interest in being associated with the film, and thus painted himself behind the notorious Allan Smithee pseudonym. And since both Allan and Allyn sounded too similar, and Alan was at that time apparently written with two L’s, he was credited with one L. Just in case.

The film was released as The Horror Show in America, and as House III in other countries. And of course, it was a flop, despite having the same modest budget, of 3 million dollars, as the previous two films. House III/The Horror Show followed up with House IV in 1992, a direct-to-video sequel to the first film. I’ve yet to see that one, so maybe another time.

Director: James Isaac
Writers: Allyn Warner (as Alan Smithee), Leslie Bohem
Country & year: USA, 1987
Actors: Lance Henriksen, Brion James, Rita Taggart, Dedee Pfeiffer, Aron Eisenberg, Thom Bray, Matt Clark, David Oliver, Lewis Arquette, Terry Alexander, Armand Asselin
IMDb: https://www.imdb.com/title/tt0097527/

Prequels:
– House II: The Second Story (1987)
– House (1985)

House II: The Second Story (1987)

Posted on October 23, 2024November 1, 2024 by HorrorGhouls

In this odd little sequel we meet the young couple, Jesse and Kate, who move into an old mansion, which is not the same house we saw in the first film, just to point that out. The house has been a multigenerational home for Jesse’s bloodline, and I can bet I’ve seen the exteriors of that building in numerous movies, without being able to mention a single one. Anyway – Jesse’s parents were murdered when he was a kid, and after some exploring they find an old picture of his great-great-grandfather where he’s holding a crystal skull while standing in front of an old temple. OK, he was the real Indiana Jones. C o o l.

And things slide straight into weird land when Jesse and his best friend Charlie decide to…uhm…dig up his dusty corpse to get the crystal skull. Because why not. After some digging, they get met with a skeletal zombie simply credited as Gramps, but no need to worry, cuz he’s friendly, even though they tried to steal the crystal skull from him. Whatever, because nothing here makes any sense either way. Now that he’s been resurrected, barely, he joins the life of Jesse and Charlie and lives in the house’s basement.

And… lives go on, until things get even weirder. Because we also need a kind of a villain shoe-horned in here, and Gramps has a nemesis from the old west who also wants to claim this crystal skull. And now that the house has opened several portals to alternative dimensions, it’s a matter of time before our villain finds his way inside the house.

House II: The Second (NeverEnding) Story is a cluttered mess overstuffed with camp, molded cheese and zero logic. The most noteworthy is the horror elements that are mostly wiped out. We have two half-rotted skeletons, one friendly and the other not so much with his skeleton horse, and that’s pretty much as far as the horror goes. The first one also had its overtly goofy aspects, but here it goes overboard with childish acting, a series of nonsensical scenes just thrown at each other. Several sets and scenes also gave me some Full Moon/Empire vibes, which is not a bad thing. And then we have some innocent, cute-looking claymation puppets, one of which looks too alike the Luck Dragon from The NeverEnding Story (1984). The only link this sequel has to the original is a house that has portals to other dimensions.

And what is up with the old DVDs that display the house from Psycho on the covers? And if my ghoulish little brain isn’t already confused, the cover says “Endelig uklippet!” which is Norwegian for “The uncut version!“. Huh, yeah right. I assume they misunderstood this for being House III: The Horror Show, which ironically didn’t get a fully uncut release until 2017.

House II is overall a fun, charming little whimsical 80s cheese flick most suitable for the youngest audiences. Very light-hearted, oddly entertaining, and family-friendly that could easily be aired on Disney Channel alongside with Mr. Boogedy. The polar opposite could be said about the unofficial sequel that is the aforementioned House III: The Horror Show. Because when that film starts rolling, it’s time to get the kids in bed.

Writer and director: Ethan Wiley
Country & year: USA, 1987
Actors: Arye Gross, Jonathan Stark, Royal Dano, Bill Maher, John Ratzenberger, Lar Park-Lincoln, Amy Yasbeck, Gregory Walcott, Dwier Brown, Lenora May
IMDb: https://www.imdb.com/title/tt0093220/

Prequel:
– House (1985)

Sequel:
– House III: The Horror Show (1989)