The Black Phone (2022)

The year is 1978, and the streets of a seemingly sleepy Denver suburb is prowled by a serial killer nicknamed The Grabber, who mockingly leaves black balloons in the places of abduction. We follow the daily life of siblings Finney and Gwen, who lives with their abusive alcoholic father. School is tough on the timid boy Finney, where he is frequently bullied and harassed, only occasionally getting saved by his badass friend Bruce. However, one day Bruce is abducted by The Grabber, and Gwen starts having psychic dreams regarding his kidnapping. Only days later, Finney encounters what at first appears to be a clumsy magician who needs his help, but when the boy notices the black balloons inside the magician’s truck, it’s already too late and he becomes another abductee. When Finney wakes up, he finds himself trapped in a small soundproofed basement, with a disconnected black phone hanging on the wall. His abductor is the terrifying mask-wearing “Grabber”, who appears to be playing some kind of game which Finney knows will eventually lead to his death…just like with all the other kids that were kidnapped and murdered before him. Unexpectedly, help comes from the ominous, disconnected black phone which starts ringing and gives Finney phone calls from the world of the dead…

 

The Black Phone is directed by Scott Derrickson (The Exorcism of Emily Rose, Sinister, Deliver Us From Evil), and is based on a short story by Joe Hill (Stephen King’s son). After Deliver Us From Evil, which was released on 2014, Scott was absent from horror movie directing for a while as he was working on the Doctor Strange movie, so his comeback into this genre was long awaited. The story starts off a little slowly as we get to know the youths and prepare for the inevitable, and once Finney gets kidnapped a lot of the movie unfolds mainly in the bare-bones basement as he tries to escape and avoid playing the serial killer’s sadistic game, aided by the previous victims who contacts him through the black phone. There are some creepy scenes and the setting is atmospheric enough, although it never really breaks the surface of becoming truly scary. It is mostly the performances that really carries the movie, especially the child actors, and of course, the serial killer himself.

 

The Grabber’s creepy masks are made up of several parts, each exposing different portions of his face and giving a variation in expressions. The mask was designed by makeup artist Tom Savini. Ethan Hawke plays The Grabber in his first villain role (in stark contrast to the worried family man he plays in Sinister), and he does an admirably good job on portraying the crazy and unpredictable serial killer with his various facial expressions portrayed through the use of masks, body language and tone of voice. The Grabber is someone who obviously can’t be reasoned with, and while we do not really get to know all that much about him, that actually adds to the creep factor. And while the supernatural elements aren’t even remotely scary, they help powering up the direction of the story, working more as part of the suspense component rather than the horror. We root for the boy trapped in the creepy basement, and the ghosts who try to help him.

 

Overall, The Black Phone is a welcome horror comeback for Scott Derrickson. It’s not really a very unique or original movie, but it’s a solid and tense horror thriller that’s well worth a watch.

 

The Black Phone

 

Director: Scott Derrickson
Writers: Scott Derrickson, C. Robert Cargill
Country & year: USA, 2022
Actors: Mason Thames, Madeleine McGraw, Ethan Hawke, Jeremy Davies, E. Roger Mitchell, Troy Rudeseal, James Ransone, Miguel Cazarez Mora, Rebecca Clarke, J. Gaven Wilde, Spencer Fitzgerald
IMDb: www.imdb.com/title/tt7144666/

 

 

Vanja Ghoul

 

 

 

In the Tall Grass (2019)

In the Tall Grass (2019)A sister (Becky) and brother (Cal) is driving close by a vast field area of tall grass in the middle of Kansas. She is pregnant, and they stop by a deserted church because she’s gotten a bit carsick. There, they hear a young boy’s cry for help from the tall grass, claiming he’s lost and cannot find his way out. They both go in there to save him, but ends up finding themselves lost as well. Something is not right about that vast field of tall grass…and something evil is lurking within.

 

In The Tall Grass is based on a novella by Stephen King and his son Joe Hill. A father & son collaboration, in other words. The director is Vincenzo Natali (director of Cube from 1997, Splice from 2009, and among many other things he’s also been directing some of the episodes in the Locke & Key TV Series). This movie is available on Netflix, and was released on October 4th. This makes it the third Stephen King original on Netflix (the other two includes 1922 and Gerald’s Game).

 

The film starts off pretty interesting. and for those familiar with more of Stephen King’s work, Children of The Corn is easily coming to mind. This story has nothing to do with that, however, and instead throws the characters into a never-ending green maze. There they meet the boy and his parents (the father played by Patrick Wilson), and they all find themselves stuck in a Groundhog Day-like time-loop, in an ever expanding maze of tall grass.

 

There’s no denying that the first part of the movie is the best, and there’s especially one scene in particular that comes to mind when the movie is building the atmosphere and tension: where Becky and Cal tries jumping in the tall grass to see each other’s arms reaching above it, in order to try locating each other. Upon their second jump, just a few seconds later, they see the distance between them has grown considerably…despite none of them having moved an inch. This tells us early on that there’s something totally wrong with the maze of tall grass, and that there’s no easy way out of there.

 

In The Tall Grass is pretty far from a flawless movie, where there’s very little of an actual plot which makes it feel a bit shallow. There isn’t much of an explanation either…there’s some hints as to what the area is, but nothing properly explained or delved into. The area around the church is filled with other cars, giving us a hint that a lot of people have gone missing there for quite a while…but not much of anything is really revealed. It’s prone to confuse you more than scare you…and it’s definitely not a movie for everyone. That being said, it is still entertaining, atmospheric and visually strong. Hopefully it won’t be the last Netflix original featuring Stephen King / Joe Hill based movies.

 

In the Tall Grass

 

Director: Vincenzo Natali
Country & year: Canada, 2019
Actors: Laysla De Oliveira, Avery Whitted, Patrick Wilson, Will Buie Jr., Harrison Gilbertson, Tiffany Helm, Rachel Wilson
IMDb: www.imdb.com/title/tt4687108/

 

 

Vanja Ghoul