Jaws 2 (1978)

Jaws 2It is now four years since a great white shark terrorized the villagers and tourists on Amity Island. After Chief Martin Brody and his companions finally managed to kill it and give the seagulls a nice sushi-buffet in the same go, everything has been fine. Of course something must happen to disturb the peace. Two scuba divers are photographing the wreckage of the Orca, and another great white shark appears and kills them both. Uh-oh, here we go again! Already the next day the shark is out for more blood, and kills a water skier who manages to burn the shark’s face by using a flare gun in self defense. It all ends with both skier and the boat pilot getting killed, and we now have four victims in just two days.

 

Just like last time, no real evidence of anything being caused by a shark is clear from the start, but when Brody finds an orca carcass in the beach with some severe bite marks on it, nothing is going to convince him we’re not in for yet another round of shark terror. As bodies start piling up, the Mayor is once again more worried about the island’s tourism. Money comes before everything when it comes to these guys. Brody, suspected of being mentally unstable after the incident four years ago is not taken seriously, and he grows more and more concerned for the safety of his family. He forbids his 17-year old son, Mike, from going out in the water. We all know how that goes…tell a teenager what they aren’t allowed to do, and you can bet that this will be on their to-do list pretty soon. And sure enough, Mike goes sailing with his friends and even brings his younger brother Sean with them, mostly because the little bugger saw him sneaking out and threatened to tattle on his big bro. Ah, younger siblings…such fun. And we all know that this sailing trip will be just another setup for additional meals to the big fish.

 

Jaws 2 is the 1978 sequel to the success of Jaws from 1975, a success which was of course bound to spew out a few sequels afterwards. And just like the first film, the production was troubled. The first director, John D. Hancock, proved to not be the right guy for directing this one, and was replaced with the French director Jeannot Szwarc. Steven Spielberg was of course not interested as he thought making a sequel to anything is just a cheap carny trick and apparently didn’t even bother to respond when the producers asked him. He also admitted later on that the production hell of the first film scared him from trying to reprise the ordeal…

 

Once again, mechanical sharks were constructed for the film, where special mechanical effects supervisor Robert Mattey and Roy Arbogast used the same body mold from the first film. Why they didn’t use the originals, you may ask? Well, they had started to rust and rot away after being stored behind sheds in the lower lot of Universal Studios. So that’s where the creation of Bruce 2 came into place. Martha’s Vineyard once again became the filming location for the town scenes, and many of the locals were cast as extras. The beach scenes were shot at Navarre Beach in Florida. John Williams, who won an Academy Award for Best Original Score for the first film, also returned to score. Jaws 2 also became considerably more expensive, and cost $30 million to produce, more than three times the first movie…but hey, they knew this would be an immediate success anyway since loads of people would watch it purely because of the first film, and they were right as the box office was $208.9 million. Not as much as the first movie, but still a success.

 

Now, it shouldn’t come as a surprise that this movie is nowhere near as good as the first one, but to be honest that’s mostly the deal with sequels (with some very few exceptions). That being said, it’s still entertaining and it’s fun to see a movie playing a little around with the so-called aftermath and of course focusing on some of the same characters. The pacing is not quite as tight compared to the first, and with the same town and setting you can’t help but feeling that it’s a little repetitive.

 

The shark itself is still an obvious threat, but there isn’t that feeling of a constantly threatening atmosphere as in the first. It ventures more into pure creature-feature territory where the shark is more monstrous and often a bit over-the-top. I mean, there’s a scene where it’s attacking a helicopter…something that’s right out of a monster movie. But Bruce 2 is pretty alright (whom fans have nicknamed Brucette since the shark is a female in this movie). Definitely some fun to be had here, just don’t expect a movie on the same level as the first. So, while Jaws 2 doesn’t have nearly enough bite as the first one, it’s still a decent sequel worth watching.

 

Jaws 2 Jaws 2

 

Director: Jeannot Szwarc
Writers: Carl Gottlieb, Howard Sackler
Country & year: USA, 1978
Actors: Roy Scheider, Lorraine Gary, Murray Hamilton, Joseph Mascolo, Jeffrey Kramer, Collin Wilcox Paxton, Ann Dusenberry, Mark Gruner, Barry Coe, Susan French, Gary Springer, Donna Wilkes
IMDb: https://www.imdb.com/title/tt0077766/

 

Vanja Ghoul

 

 

 

 

 

The Legacy (1978)

The LegacyMargaret (Maggie) Walsh and her boyfriend Pete Danner are interior decorators, and currently busy with a client in California. One day Maggie receives a large financial retainer from an anonymous client in Britain, but they can’t really leave because of their current obligations. Then, their client in California suddenly dies under mysterious circumstances. Well, off to England then! They end up in a rambling country estate: Ravenhurst. The place is owned by Jason Mountolive, who has invited several potential heirs to his estate. Jason is dying, and he wants someone to take over when he’s gone. All the guests also have to wear a signet ring with the Mountolive family crest upon it, and Maggie discovers that she cannot take it off. Maggie and Pete then decide this all looks shady as hell, and leaves the place. Except no matter how much they drive around, they always end up back at the Ravenhurst grounds. They cannot leave…and must stay until the heir has been chosen. And then the guests start dying…

 

The Legacy is a horror film from 1978, directed by Richard Marguand in his directorial debut. The Ravenhurst mansion is the musician Roger Daltrey’s residence, and he lent out the building for the movie on the condition that he would be a co-star in it, and he plays a character called Clive Jackson. There’s also a novel, but here’s a twist: the novel is based on the movie, and not vice versa. It was released in 1979.

 

The movie is a mystery-fueled occult horror film, where characters are dying one by one under mysterious circumstances. Despite having several kills, the movie is not at all gory. There’s several inventive death scenes, although they do lack a bit of buildup to be properly effective. The most chilling death scene is the one involving the Clive Jackson character, where he is choking on a chicken bone (despite not having eaten any chicken) and it all ends up with a botched attempt at tracheotomy. Other deaths includes a mirror that explodes and the glass shards kill the person in front of it, a fireplace that suddenly shoots out a large deadly flame, and of course a swimming pool death. The film shows pretty early that there are supernatural elements at force here, and several of the death scenes are obviously not done by human hands alone. There’s several body counts here that needs to be disposed of, and let’s just say that there are some rottweilers that aren’t going hungry. It’s always nice to have some pets that can take care of certain business matters. Speaking of animals, there’s also a mysterious white cat with heterochromia (one blue and one green eye).

 

While you don’t really wonder who will be the survivor considering we have a very clear protagonist here, the story is kept intriguing due to the mystery about why the other people are killed off and what the deal with everything here really is. The location with the English countryside, and the old mansion’s exterior and interior sets a spooky haunted-house like atmosphere. The pacing is actually quite good, where there’s a gradual build-up and a heightened sense of mystery. So overall, The Legacy is a 70’s supernatural horror film that’s worth checking out, with some great atmosphere and fun kills. And of course, the also that adorable white cat!

 

Here’s a sweet little fun fact: Sam Elliot (who played Pete) and Katharine Ross (who played Maggie) fell in love for real when they co-starred in this movie, and married in 1984 and are still a couple to this day. Aww.

 

The Legacy The Legacy The Legacy

 

Director: Richard Marquand
Writers: Jimmy Sangster, Patrick Tilley, Paul Wheeler
Country & year: UK, 1978
Actors: Katharine Ross, Sam Elliott, John Standing, Ian Hogg, Margaret Tyzack, Charles Gray, Lee Montague, Hildegard Neil, Marianne Broome, William Abney, Patsy Smart, Mathias Kilroy
IMDb: https://www.imdb.com/title/tt0079450/

 

 

Vanja Ghoul

 

 

 

 

 

The Swarm (1978)

The Swarm With titles such as Invasion of the Bee Girls (1973), Killer Bees (1974), The Savage Bees (1976), The Bees (1978) and Terror Out of the Sky (1978), we can fairly say that the 1970s was also the decade of the killer bees. While most of them were obscure TV movies, it was The Swarm that stood out, mainly because this was a big Hollywood studio film with as many Oscar winners as possible on the cast list, fronted by Michael Caine. And before Roland Emmerich and his Independence Day, which revived the disaster-film genre in the mid 90s, there was Irwin Allen. Master of Disaster he was called in positive terms for the success of producing blockbusters like The Poseidon Adventure (1972) and The Towering Inferno (1974) which is regarded as the very first disaster-film. He also directed numerous TV series. So, in 1978, it was time to not only to produce, but also direct his first disaster feature with a big star cast and the most notable of all: 20 million bees!

 

The plot centers around Texas where a large legion of African killer bees have invaded the state. While the bees spread further into the country and starts terrorizing cities and leaving thousands of body counts, the scientist Dr. Bradford Crane (Michael Caine) is constantly on track to figure out a plan to stop them while fighting against the government. With him he has his trustworthy Dr. Walter Krim (Henry Fonda) to develop an antidote to the bee venom. We quickly learn that these bees are not to be underestimated as they’re capable of attacking military helicopters and plunging them to the ground in an explosion. A sight you don’t see everyday. So yeah, these bees are pissed as hell. We have a picnic scene where a young boy witnesses his parents getting swarmed right before his eyes. He isolates himself in the car, wipes the thick layer of bees on the front windshield and manages to escape by driving off to the nearest town. He later makes matters worse by going back to the area with some friends to throw molotovs at the swarm. It all escalates to the point where cities have to evacuate, which also leads to an infamous scene with a train and a chaotic climax with doomsday mayhem which includes flamethrowers and explosions.

 

And the question is: is this really as bad as its reputation, even being on the list of  worst films ever made? Nah. On the technical aspects, the film is, for the most part, pretty solid although it has its stains. The script, however, and if not the pacing of its runtime of 156 minutes (judging Warner Archive’s Blu-ray), has a lot of issues. We have boring subplots with love affairs that go nowhere. Some people come and go and are never to be seen again. There’s some eye-rolling and wonky dialogue here as well, some of which are delivered as if this was an Adam West Batman movie. There’s a bunch of dry science talk, a lot of filler-scenes, which makes the film look more dated, clunky and overall an unfocused mess. The scenes where the stung victims hallucinate and see a big bee hoovering right in front of them looks just goofy, out-of-place and -again- dated like a public-domain 50s monster movie, while the film takes itself dead seriously. Not a masterpiece in any shape or form, but the bees alone makes it worth a watch.

 

Then we have Michael Caine’s character, who comes across like a stone-cold psychopath who would fit more as a sinister villain in a James Bond film. He always bears a duper-delight and smirks in the most inappropriate moments. His off-putting demeanor may be linked with the fact that this was one of Caine’s notorious list of paycheck movies and he later claimed that it was the worst film he ever starred in. A-ha… He never saw Jaws: The Revenge, another paycheck, so that film doesn’t count. Sir Caine turned 90 recently, by the way. Cheers.

 

But the real stars of the film is the 20 million bees that got used and sacrificed. God bless and no wonder why they’re furious. Today all would be CGI, no question about it, but here we actually have sets with thousand of bees that swarms around actors and crew as they do their best to not have their mouth open. While there are some dated edges here, the scenes with the bee attacks looks as real as they can get and are quite spectacular, highly ambitiously made and is an unnerving sight. Even though 800,000 of them got their stingers removed, they couldn’t avoid to mix them with those who had the stingers intact which caused several actors to get stung. How anyone would sign up for something like this is beyond me. And the amount of children that’s involved must have parents that really hates them. We always hear about difficult filming conditions, especially from the pre-CGI era where most of the effects had to be shot on set but bruh…  I refuse to believe that anyone involved would look back and say; yeah, being in that bee movie was such a fun time and I would do that again. You couldn’t even pay me a million. Mr. Not-The-Bees himself would agree (that meme just had to be shoved in here).

 

The Swarm was a massive flop and was ridiculed by the few critics that saw it. Producer and director Irwin Allen was so devastated by all the money he lost on the film that he refused to ever mention the film in future interviews. And besides the short 22-minutes making-of documentary on the Blu-ray there isn’t much insight to behold. At least the trivia section on IMDb can tell us that actor Michael Caine stated in an interview that during filming he thought the little yellow spots left by the bees on his clothing was honey, so he began to eat them, entirely unaware that what he was eating was actually bee feces. In other words: honey and bee poop tastes the same. Yummy.

 

The Swarm The Swarm The Swarm

 

Director: Irwin Allen
Writers: Arthur Herzog III, Stirling Silliphant
Country & year: USA, 1978
Actors: Michael Caine, Katharine Ross, Richard Widmark, Richard Chamberlain, Olivia de Havilland, Ben Johnson, Lee Grant, José Ferrer, Patty Duke, Henry Fonda & 20 million bees
IMDb: www.imdb.com/title/tt0078350/

 

Tom Ghoul

 

 

 

Terror (1978)

A lady called Mad Dolly is being chased by some mob in a forest who believe she is a witch. She gets captured and about to get burned at the stake, on order by Lord Garrick. Before they get the chance to lit her on fire, she gives her final speech with silly facial expressions, and summons some demonic forces that causes one of the executioners to catch fire, and then all hell breaks loose. Lord Garrick runs back to his mansion where an arm bursts through the wall and strangles him. Lady Garrick, who wanted to see Mad Dolly dead more than anyone else, finds her Lord dangling from the ceiling. The Lady is then confronted by a resurrected and vengeful Mad Dolly, who chops her head off and gives the most cheesy, evil laugh ever. And only eight minutes in it’s fairly okay to ask what the hell this is.

 

What we just saw was the ending sequence of the fresh, new supernatural horror film by James Garrick, which he screened for some of the cast members. What a load of rubbish, says one guy in the audience. The film is supposed to be based on true events that happened to James’ ancestors 300 years ago, and he has inherited the mansion from Lord and Lady Garrick. The inheritance includes the most important item of all: the sword that chopped the head off the Lord, hanging over the fireplace. While James is throwing a party in his inherited mansion, we meet Gary who can’t stop bragging about who great he is to hypnotize people. He gives a demonstration on Ann, a struggling actress who works for James. Things gets an unexpected turn when she slips into full trance, and picks up the sword and tries to attack James. Ok, party’s over! After she wakes up, she runs out the door and back to the hostel where her roommate sees her on the bathroom, washing her hands for what we can assume is blood.

 

And the morning after, James’ girlfriend Carol is found dead near the woods, knifed to death. James highly suspects that Ann did it after she tried to stab him with the sword the previous night and is determined to expose her.

 

This is an odd, little film, made by the English horror film director Norman J. Warren, known for his obscure low-budget exploitation flicks such as Satan’s Slave (1976), Outer Touch (1979), Inseminoid (1981) and Bloody New Year (1987). With Terror he wanted to make something new since the horror films at that time was pretty much the same, and he took a lot of inspiration from the new wave of Italian Giallo films and his new favorite, Suspiria. The inspirations are clearly visible for sure, with the use of colors, but as a whole there isn’t much new to behold here. And that’s a shame since there’s some potential here with its flexible camera work, gothic imagery and classic, gloomy atmosphere with fog machines and all. It has the visual package, but the script turns it into an unfocused mixed bag of supernatural horror, whodunnit mystery, slasher, cheese and sleaze and God knows what, stitched together frankenstein-style with several long and pointless scenes that drag on for too long.

 

One of the highlights is the scene with Peter Mayhew, who played Chewbacca in a certain film called Star Wars the year before. His appearance comes in the most unexpected moment, it took me completely off guard. And there’s also a scene with a nude stripper in a sleazy bar in London, a long and pointless filler scene. Director Norman J. Warren added this in to make the film more commercial. And he’s really determined to give us shots from all different angles and close-ups so we can enjoy some fresh nudity and forget the rest of the movie for some minutes. But it seemed to work, though, since Terror became a box-office success in England after its release, despite the censorship from Video nasty. A fun little nugget of trivia: the stripper in the film was a real stripper they had to hire because the other stripper who auditioned for the scenes seemed too tired and bored. “She was indeed sexy and scary“, Warren said, and her act was so outrageous, they had to cut part of it because there was no way the censors would let it through.

 

There’s some decent gory moments here, such the traditional knife stabbings, glass panels that falls and chops off a head, a drunk dude who gets fence stabbed and then crushed in a garbage truck. Awesome. And then we have…a flying car. Ok, I didn’t expect that one. The last four minutes is the best part which at least ends with a great, colorful and crazy climax. Not a terrible film, but not great either. As a 70’s oddity it works fine as a curiosity, I guess, and it has its moments. Terror is available on Blu-ray/DVD Combo on amazon.com

 

Terror Terror Terror

 

Director: Norman J. Warren
Country & year: UK, 1978
Actors: John Nolan, Carolyn Courage, James Aubrey, Sarah Keller, Tricia Walsh, Glynis Barber, Michael Craze, Rosie Collins, Chuck Julian, Elaine Ives-Cameron, Patti Love, Mary Maude, William Russell, Peter Craze
IMDb: www.imdb.com/title/tt0141897/

 

 

Tom Ghoul