1980s horror movies – Page 4

Lifeforce (1985)

Posted on September 15, 2023August 16, 2024 by HorrorGhouls

A space crew is on a mission to explore the coma of Haley’s Comet, a comet that’s visible from Earth and to the naked eye every 75 years. Something else that’s naked are three humanoid creatures in suspended animation within coffin-shaped glass containers, which the captain Tom Carlsen (Steve Railsback) and his crew find as soon as they float onto the comet. Two of them being young males and a young brunette (credited as Space Girl in the 18 year old flesh of Mathilda May). They bring the containers back to the spaceship and head back to Earth. But something goes wrong as they enter the atmosphere. The crew gets burned alive and the only sign of life when the ship lands on Earth are the three humanoids, still sleeping in their coffins. An inventive little nod to the sailing ship Demeter, if you will.

We’re now in London where the containers with the space humanoids are transported to the European Space Research Centre, and the fun is about to begin. The naked Space Girl suddenly opens her eyes as she lies ready for her autopsy, stands up buck naked and sucks the life out of him (yes, from the mouth, sorry to say). She escapes as she just wanders out of the facility like a catwalk model while she flashes her tits and buttcheeks. We then learn from one of the doctors who also had an episode with the Space Girl that she’s able to seduce her victims with intense supernatural powers and french-kisses them completely empty of lifeforce, and … how can anyone say this with a straight and dry face: they then infect the victims with a virus that transforms them to rabid zombie vampires. It’s time to call Dr. Peter Cushing Van Helsing. Ha-ha, had it only been that easy…

A traumatized Dr. Carlsen, the only survivor of the space crew we saw earlier, heads over to London from Texas to join forces with the agent SAS agent Colin Caine (Peter Firth) to track down the space creature.

Lifeforce was supposed to be Tobe Hooper’s next big step after the mega success of the Steven Spielberg production Poltergeist (1982), which still asks the question who really directed that film. What the hell really happened to Tobe Hooper is also a good question. But what we know is that his destructive and downward spiral of drug use didn’t do any favors to the continuous fall of his career. He was fired from several film projects during the 1980s until he was picked up by Cannon Films which he signed a three-movie deal with: Lifeforce, Invaders from Mars and Texas Chainsaw Massacre 2.

Even though Lifeforce was doomed from the beginning by starting the shooting with an unfinished script, the film has its many moments. The set-design of the comet is pretty inventive with an entrance that looks like a giant butthole. The effects are as 80’s as they can get which goes from being pretty spectacular to crispy cheese dinner. Then we have eye-rolling dialogues mixed with a hysteric over-the top performance by Steve Railsback. When he’s not overacting to the Razzie Award, he sits with a blank stare and just says his lines, while the rest tries to take this as seriously as they can. An enthusiastic Patrick Stewart has a short screentime where he got the great honor to mouth kiss Railsback in one of the more absurd scenes.

The rubber animatronics are comical, cartoonish and just delightfully cheesy that would fit far more in a film like The Return of the Living Dead. Dan O’Bannon co-wrote the script so that maybe explains a thing or two. There was no complete script of Lifeforce, as mentioned, and it shows, especially after the second half which slides further into a weird unfocused epic mess. Miniature buildings of London burn up in flames, there’s big explosions in the street and full pandemonium of rabid zombie vampires running around. Only thing missing is cats and dogs living together and we’d had double mass hysteria!

The studio also cut out 20 minutes for its theatrical release and the film was set up to be a blockbuster in the summer of 1985, but instead became the biggest flop of the year, barely earning half of its budget back. It was mocked and panned by most of the critics and Colin Wilson, the author of the novel The Space Vampires, which the film is based on, wasn’t much impressed either. Gene Siskel, on the other hand, gave it 3 out of 4 stars and called the film a guilty pleasure. And it’s not hard to agree on that. Lifeforce is available on a Blu-ray/DVD Combo Pack from Scream Factory.

Director: Tobe Hooper
Writers: Dan O’Bannon, Don Jakoby
Also known as: Space Vampires
Country & year: UK, 1985
Actors: Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, Patrick Stewart, Michael Gothard, Nicholas Ball, Aubrey Morris, Nancy Paul, John Hallam, John Keegan
IMDb: www.imdb.com/title/tt0089489/

Guinea Pig 5: Mermaid in a Manhole (1988)

Posted on August 1, 2023September 16, 2024 by HorrorGhouls

– I smell rotten fish.

A man credited as The Artist has recently lost his pregnant wife to cancer and lives alone in his crampy, depressing crib somewhere in the urban jungle of Tokyo. The only thing left in his vacant life is his art painting and two gossiping neighbours living in the apartment under him. To keep his sanity and inspiration going he often visits the nearest sewer system, something which we artists all do. One day while visiting the sewer, he stumbles upon a young mermaid, whom he instantly gets attracted to. Who wouldn’t. He immediately starts to draw her before he takes her with him to his apartment where he puts her in the bathtub. And it’s all kawaii from here on with a cute love story which’ll make everyone’s heart melt. Uhm, well, not exactly.

Because there’s something really wrong and messed up with this mermaid, you see. The Artist tells us that there once was a river where the sewer system was built on, which the mermaid seems to have been stranded on. And it appears she’s been stranded too long in the sewer which has infected her, and her body starts to fall apart in very grotesque ways because of that. The Artist is anxiously optimistic though, and does whatever he can to nurture and save her.

And there’s only that much I can say without spoiling the whole thing given its one-hour runtime with an actual story to tell. This is also the second last film in the Guinea Pig series which steered completely away from the snuff/found footage-style of filmmaking to the traditional approach. We have the other films in the series which focused more on splatstick comedies filled with cringe kindergarten-level humor aimed for six-year olds, and no one seemed to take this seriously other than Hideshi Hino. In other words; Flower of Flesh and Blood and Mermaid in a Manhole are those two in the series that’s worth watching.

Like Flower of Flesh and Blood, it’s based on Hino’s manga with the same title, and open for any interpretation as it’s sprinkled with metaphors all over the place which will leave you down in the deepest mental rabbit hole, and lost far under any icebergs. On the surface level, the film works as a tragic and morbid body-horror love story with its plenty of gore, bodily fluids and lots of worms, projected from a deep psychotic feverdream by David Cronenberg – and is a perfect watch while enjoying sushi. Yum!

A box-set of the Guinea Pig series was released first time on DVD outside of Japan twenty plus years ago by Unearthed Films. It’s of course out-of-print and only available if you’re willing to pay an insane ridiculous fuck off-price. As much as I’m a supporter of physical media I can’t say with a good conscience that it’s worth it. Nope, sorry. They’re not on any streaming services, but all of the films are on YouTube and a playlist can be found on archive.org.

Writer and director: Hideshi Hino
Original title: Ginî piggu: Manhôru no naka no ningyo
Country & year: Japan, 1988
Actors: Shigeru Saiki, Mari Somei, Masami Hisamoto, Gô Rijû
IMDb: www.imdb.com/title/tt0161638/

Prequels:
– Guinea Pig 2: Flower of Flesh and Blood (1985)
– Guinea Pig: Devil’s Experiment (1985)

Guinea Pig: Devil’s Experiment (1985)

Posted on July 25, 2023September 17, 2024 by HorrorGhouls

In the mid-1980’s the amateur filmmaker Satoru Ogura wanted to shock and disgust with a series of grotesque films. Sounds cool enough. His first (and only) film was Devil’s Experiment, a 40 minute “faux snuff film“ which became the start of the notorious, bizarre, goofy and overhyped Guinea Pig film series.

In the Devil’s Experiment we witness a young woman being tortured by a group of people while someone filming the whole act handheld in found-footage style. The torture happens in several stages/segments. They start soft by smacking her in the face while being tied to a chair. After she’s been bruised up they kick and throw her around the floor like a rag doll. In the next segment she sits on a rotating chair as they are spinning her a hundred times or so, which seems more like a harmless prank than torture, but whatever. They shove a bottle of whiskey down her throat to make her puke so we can go over to the next segment.

And already some minutes in there ain’t a single moment of realism here and I have a hard time to believe that anyone who saw this on VHS in the 80s thought they were witnessing a real snuff, because … bro, c’mon, seriously… This is amateur hour-boolshit on its lowest to such extent that it just made me shake my head and chuckle. This shit was actually promoted as a real snuff film when it circulated on the VHS market in Japan, you see, and still to this day it rises concerned questions from naive numbskulls if this is authentic or not.

Then there’s the acting, and oh my lord, haha …

The lady who portrays the victim couldn’t care less. She seems bored most of the time and acts more as if she’s sitting on a vibrating chair on The Howard Stern Show while she makes some cute moaning sounds such as:

uuhh … iuuing … uhh … tahh … iiimghh …

Then they peel her skin and rips off her fingernails with a plier. An her only reaction is:

ahh … ehh … uhn …

There’s also a moment where she smiles. Director Ogura auditioned a bunch of women who was eager for this role and this was the best he could pick.

In another segment they pour some frying oil over her while she’s tied to a bed. Her reaction is some orgasm and growling sounds. She’s either the worst actress of all time or she’s supposed to have a larger pain threshold than Rambo. I’d guess my first assumption.

They also toss some fresh animal intestines on her while they laugh and giggle like a bunch of schoolyard bullies. Watching blurry still images of this scene would make every gorehound cream in their pants and assume she’d been brutally butchered up, but don’t get fooled.

The scene with the eye at the end was well done though, I give it that. But besides from that the whole package is so bad, sloppy, tame as a newborn duckling and downright laughably inept that it actually makes Hostel look like a legit snuff film straight from the deepest dark web. Woof.

Director: Satoru Ogura
Original title: Ginî piggu – Akuma no jikken
Country & year: Japan, 1985
Actors: A group of uncredited amateurs
IMDb: www.imdb.com/title/tt0161634/

Sequels:
– Guinea Pig 5: Mermaid in a Manhole (1988)
– Guinea Pig 2: Flower of Flesh and Blood (1985)

Puppet Master (1989)

Posted on June 23, 2023July 18, 2024 by HorrorGhouls

It’s time to take a dive into the dim-lighted, twisted, wacky and demented world of Full Moon from the mind of the master of puppets himself, Charles Band, where it’s Halloween 24/7.

Full Moon Features were established in the very late 80s and Mr. Band was already a veteran in the independent movie business, which had the Empire Pictures in his legacy of producing primarily low-budget horror/fantasy films spewed out for the blooming VHS market. Most of which are cheap schlocks aimed at a niche audience. Some notable titles from that era includes The Dungeonmaster, Troll, Ghoulies I and II, Trancers, Crawlspace, Rawhead Rex, TerrorVision, Re-Animator, From Beyond, Cellar Dweller and the list goes to the moon and back.

But with its brand new company after the financial collapse of Empire Pictures, it needed to get more serious and create a flagship film series to kickstart a new era where VHS was still king (and very expensive to buy). With Charles Band’s deep obsession with puppets and dolls, The Puppet Master became a long-lived franchise which, at the time being, has spawned over 14 sequels over the course of the 90s and 2000s. The last entry was released in 2022 with Puppet Master: Doktor Death and more are likely to come. An online video game based on the films was also launched this year.

All films are available on streaming at fullmoonfeatures.com, except for Puppet Master vs Demonic Toys (2004) because it’s owned by SyFy for some reason and Puppet Master: The Littlest Reich (2018) for whatever reason. They’re available on other streaming sites though for those who have regional bullshit access.

Puppet Master starts back in 1939 at Bodega Bay Inn, a hotel on the Californian seacoast and the main location in most of the films in the series. The old puppeteer, André Toulon, is in his room surrounded by his dolls and puppets as he’s adding some colorpaint on his latest creation. He also has a mysterious elixir that brings the puppets to life, and no other than Hitler himself wants that elixir. Of course. Two Nazi spies enter the hotel as they are on the way to capture Toulon. Before they enter his room, Toulon has hidden the puppets away in a suitcase and committed suicide by a bullet in the skull.

We then jump to present time where four psychics are spiritually contacted by Neil Galahger. He’s the current owner of Bodega Bay Inn, and when they arrive they find out that he committed suicide. Why? Who really cares. The more important thing here is that there are murderous puppets creeping around and they don’t like these psychics, and understandably so when they have the nerve to trespass on their domain. So go kill’em, puppets!

The film has its flaws and rough edges but my biggest gripe here is the characters (the humans to be more specific) which drags the film to utter boredom on several places. There’s absolutely nothing to them as they have as much screen presence like a dead potato. They seem completely tuned out, bored out of their minds and there’s clearly no one home behind their eyes. Even the puppets look more alive. And yes, my ghoulish walnut-sized brain gets that they’re supposed to dip in-and-out of trances and whatnot like the weird psychics they are, but still… WAKE THE FUCK UP! SNAP-SNAP! One of the psychics, played by Paul Le Mat, looks like a young H.R. Giger, by the way.

Then we have the puppets which are just cute and adorable and always amusing to watch. They also have their own skills and weapons. Here we meet Jester the Clown with possibly the largest weapon pack that includes a knife, a handgun, razor-sharped scissors, exploding cigars filled with nitroglycerin, candy bazooka, smiling heart–shaped laughing gas bomb, flesh–eating bubble gum blower, explosive cyanide– acid stuffed Ice Cream pies, and even much more. Even John Wick would struggle here.

Leech Woman is the one with the gross-factor as she spews out leeches from her mouth upon her victims. Tunneller is an asian-looking puppet with a cone-shaped power drill on his head which speaks for itself. Blade is the leader of the puppets and pretty much the mascot for the whole Full Moon brand and which his name suggest, slashes his victims with his knife. My personal favorite is Pinhead, the one with the small head and the big knuckles. He’s just simple and a pure old-schooler who sucker-punches his victims into oblivion and oozes good old toxic masculinity. And the reason Pinhead’s fists looks more real in the elevator scene where he punches a woman is because it’s the fists of a dwarf stunt woman. In one of the sequels Pinhead also manages to rip someone’s head off with his hands. Savage!

The castle-style hotel of Bodega Bay Inn with its gothic surroundings mixed with POV shots from the puppets perspective creates an eerie atmosphere. There’s certainly some great production value here, despite its flaws, and it’s overall a decent-looking film with some clever camera work and steady directing from David Schmoeller (who also made the cult film Tourist Trap and Crawlspace with Klaus Kinski). The gore is minimal but we have at least some throat slashing, fingers that gets chopped off like small sausages and some other ghoulishness for dessert. Nothing too special but the fact that all kills are performed by a mix of stop-motion and puppets on strings surely adds to the charm.

Director: David Schmoeller
Writers: Charles Band, Kenneth J. Hall, David Schmoeller
Country & year: USA, 1989
Actors: Blade, Pinhead, Jester, Tunneler, Leech Woman, Gengie, Shreddar Khan, Paul Le Mat, William Hickey, Irene Miracle, Jimmie F. Skaggs, Robin Frates, Matt Roe, Kathryn O’Reilly
IMDb: www.imdb.com/title/tt0098143/

Sequels:
– Puppet Master II (1990)
– Puppet Master III: Toulon’s Revenge (1991)
– Puppet Master 4 (1993)

Dracula’s Widow (1988)

Posted on October 9, 2021November 21, 2024 by HorrorGhouls

We are in one of the darker corners of Hollywood, Los Angeles, where the young man Raymond Everett (Lenny Von Dohlen) owns a horror-themed wax museum. One day he gets some new deliveries, all the way from Romania, one of which is a casket that contains something you’ll never guess what – Vanessa, Dracula’s widow (Sylvia Kristel). Yes, a living, bloodsucking vampire. So why has she gotten herself all the way over to Los Angeles, you may wonder? No one knows. She doesn’t know, the script doesn’t know, even the Man Who Knows poster we see on the wall on Raymond’s apartment, doesn’t know. So where do we go from here? Who knows.

Anyway, as soon she rises from the casket, she goes straight to a bar where she hooks up a random, sleazy guy who will become her first victim to feed her need for human blood. At the same time, two men breaks into the wax museum while Raymond is upstairs sipping red wine and watching Nosferatu. After Vanessa kills one of the men, she goes up to Raymond and claims him as her slave before she puts her teeth in his neck, and wants him to take her back to her husband in Romania.

Instead of just giving her a one-way ticket and wish her the best, he tells her the shocking fact that Dracula is dead, and she’s a widow. Now she wants to know who killed him, so she can have her revenge. And guess what – Van Helsing’s grandson, simply named Dr. Helsing, coincidentally lives in Hollywood. Of course. And even though he’s old and fragile, and should rather be at a nursing home, he’s still determined and pretty eager to continue the legacy of his grandfather to hunt down vampires.

And no joking here, this is the plot so far. We also get a crime investigation side-plot with Lt. Lannon (Josef Sommer) when Vanessa starts to leave more dead bodies around after her ongoing killing spree in Hollywood. When she’s not transforming herself into a bat, she uses her long fingers as daggers to kill her prey. There’s a pretty pointless, yet funny massacre scene with a group of devil-worshippers who are about to sacrifice a naked blond chick to Satan, where the B-movie glory skyrockets all up to eleven. We see Vanessa turn into a monstrous creature with some really cool prosthetic makeup, as she kills off the whole group which leaves another gory crime scene to Lt. Lannon. He, of course, eventually gets in touch with Dr. Helsing, who easily convinces Hannon that all the killing is done by a vampire.

It’s noteworthy to mention that Dracula’s Widow is written and directed by Christopher Coppola, nephew of Francis Ford Coppola, who also made a certain Dracula film some years later. It’s easy to crap all over the film by comparing Christopher to his superior uncle, but Dracula’s Widow isn’t completely hopeless when it comes to cheap entertaining value, with some good old ’80s cheese. It’s a sleazy, gory and just a plain silly popcorn flick to kill off a Wednesday night. Nothing more, nothing less. The funniest moments here is of course the comical over-acting by Silvia Kristel, with her goofy facial expressions that she displays when she tries to look intimidating when she’s not wearing the monster make-up. Lenny Won Dohlen, known from Twin Peaks, has the same angsty look he always portrays. I also like the scenes with Dr. Helsing, that old geezer cracks me up. The guy who plays Lt. Lennon is the only one who takes his role dead serious, even though there’s absolutely nothing to take seriously here.

Dracula’s Widow is available on DVD after a quick search.

Director: Christopher Coppola
Country & year: USA, 1988
Actors: Sylvia Kristel, Josef Sommer, Lenny von Dohlen, Marc Coppola, Stefan Schnabel, Rachel Jones, Duke Ernsberger, G.F. Rowe, Richard K. Olsen, Lucius Houghton, J. Michael Hunter, Traber Burns
IMDb: www.imdb.com/title/tt0097230/

Redneck Zombies (1989)

Posted on August 27, 2021September 9, 2024 by HorrorGhouls

Redneck Zombies is probably most known for being one of the first films that was shot entirely on videotape (VHS) and released direct-to-video. Combined with that the film was shot on video and the result being what it is: a complete trashy home-made schlockfest with amateur actors and a script that seems to have been scribbled on toilet paper as they went along, didn’t impress the distributors very much. They basically told director Pericles Lewnes to fuck off, and after having enough rounds of rejections, he finally decided to try his luck with Troma – which is pretty odd he didn’t do in the first place since Redneck Zombies feels like pure Troma from start to finish, and just the title itself could probably give Lloyd Kaufman an instant hard-on. Most of Troma’s trademarks are all over the place: the outlandish over-the-top looney tunes acting with dialogues that are so stupid you’ll lose some braincells while watching, a demented plot which makes no sense, blood, greasy gore, puke, and I wish I could say tits. Whatever.

The plot goes something like this: It’s a regular day in the middle of redneck-nowhere in ‘Merica where the soldier Tyrone is transporting a barrel full of toxic waste. As he drives along the bumpy hillroad, smokes a joint and talks shit to his passenger dog, the barrel suddenly rolls off the jeep and further down a valley. The valley of redneck Hell no-go zone that is. When he tries to retrieve it, he immediately gets gunpointed by Ferd, a redneck slob who wants the barrel, since it already trespassed on his “land”. After Ferd scares him away with a warning shot, in true second amendment-style, he trades the barrel with a clan of imbecile inbreds who mixes the waste with moonshine and starts to drink the damn thing like there’s no tomorrow. And you can’t in a million years guess what happens next … the liquid turns them into zombies. Who could possibly know. But they are not some regular zombies, no-no, they’re REDNECK zombies! Good lord.

At the same time, a group of city slickers are camping nearby, which seem to have the same level of IQ as the rednecks, or they are just as bad actors. The only thing that differentiates the rednecks from the “civilized people”, to use that word loosely, is really the dress code. And to no surprise they eventually stumbles upon the redneck zombies and a lot of weird, retarded, crazy shit happens. I can mention the scene where the rednecks start to drink the waste and the TV screen goes into a full psychedelic acid-trip, and the effects are just horrendous.

While the plot seems seemingly straightforward, the film throws in a lot of random filler scenes that gives us some nuggets of what the heartland has to offer, and to give a more authentic impression of the redneck community. Here we learn that The Elephant Man himself is still alive and well, but still covering his head with a burlap sack with one hole in it to peek through. The rednecks calls him Tobacco Man, since he sells tobaccos from his vendor van. He’s also some kind of a prophet which the rednecks worships, and rambles some weird, crazy nonsense with a dark baritone voice.

There’s also a complete random parody of the hitchhiker scene from Texas Chain Saw Massacre. Well, why not. And we get some scenes of a redneck lady with her beloved Perky the Pig, where she promises him that he won’t end up as bacon. When we thought we’ve seen it all in redneck hell, we jump right into a scene where two dudes are watching chickens getting slaughtered on TV, and who have a girl in the living-room, wrapped in duct tape. Of course. There’s some scenes that are shot like it was a sitcom where the only thing missing is fake laugh tracks. This film has some serious symptoms of schizophrenia, and I believe even Dr. Phil would agree on that.

The gore delivers, for the most part, at least. Heads are being scalped, beheaded with a shovel and crushed with bare hands, eyes gouged out, limbs ripped apart and so on. It’s juicy, greasy and at times, a little gruesome. Some looks cheap, others looks almost too competent for a film like this. It’s also hilarious that the zombie make-up was made by cornflakes. Yes, really. My final verdict? Get drunk, pretend to be a young teenager and you’ll probably have a blast with this one.

Director: Pericles Lewnes
Country & year: USA, 1989
Actors: Steve Sooy, Anthony M. Carr, Ken Davis, Stan Morrow, Brent Thurston-Rogers, Lisa M. DeHaven, Tyrone Taylor, Anthony Burlington-Smith, James H. Housely, Martin J. Wolfman, Boo Teasedale, Darla Deans
IMDb: www.imdb.com/title/tt0093833/

Cannibal Apocalypse (1980)

Posted on July 30, 2021June 7, 2025 by HorrorGhouls

We’re in the jungles of Vietnam where two American POWs are being held captive by some natives. A group of troops, lead by Norman Hooper (John Saxon) is about to rescue them. While they succeed after a tirade of bulletstorm, flamethrowing and throat-slicing, the two captives seems to have been turned into cannibals by some virus. And those who gets bitten leaves people with serious cravings for human flesh like a hardcore heroin addict. Or just zombie cannibals, if you will. The next who’s to be infected is Norman, when he gives out a helping hand to get them out of the hole they’re trapped in.

This was a flashback nightmare, by the way, and Norman wakes up sweaty besides his wife in their home in Atlanta, Georgia, and now struggles daily to not get his cravings and triggers by looking at raw meat, and fears ending up a cannibal himself. He especially struggles not to take a bite out of the teenage girl next door, who has a crush on him.

Things doesn’t get better when Norman receives a phonecall by Charles Bukovski (Giovanni Lombardo Radice) who wants to hook up for a drink. He’s one of the guys who’s gotten turned into cannibalism, and Norman smells Bad News and says “another time”. Charles seems to have lost his mind completely, as he’s just hunting for his next fix and wanders around like a deranged serial killer. He goes into a movie theater, where he can’t resist it no more when a coupe starts to make out in front of him. He bites the chick’s neck like Dracula, and the Zombie Apocalypse has just started.

I hadn’t heard of this film until it suddenly popped up on Netflix (Norway) of all places, fully uncut and ready for the whole family to watch on a Friday night. I remember there was a time when films like this was totally banned in most countries, and you had to import a VHS copy from US to watch in the basement with friends while the parents were far out of sight. Yeah, things have changed. This film was also on the Video nasty list because of two seconds where a sewer rat is getting torched by a flamethrower.

And no, as you’ve probably already figured, this is not your typical cannibal flick with confused half-naked natives running around sunny jungle surroundings, big turtles getting ripped apart, penis severing/castration, et cetera… We’re in a gritty urban setting where the police, and some angry bikers, gets involved to hunt down the cannibals through the streets and sewers. It’s more action-packed with some really great tension filled moments, and of course a bit of the mandatory Italian sleaze. Not the most complicated plot, really, but overall an entertaining Grindhouse flick with an interesting take on the cannibal genre and a crazy, unhinged character. But I’ll never get used to hear saxophone music during killing scenes, though…

Also known as Invasion of the Flesh Hunters and Cannibals in the Streets.

Director: Antonio Margheriti
Original title: Apocalypse domani
Country & year: Italy, Spain, 1980
Actors: John Saxon, Elizabeth Turner, Giovanni Lombardo Radice, Cinzia De Carolis, Tony King, Wallace Wilkinson, Ramiro Oliveros, John Geroson, May Heatherly, Ronnie Sanders, Vic Perkins, Jere Beery, Joan Riordan, Laura Dean
IMDb: www.imdb.com/title/tt0080379/

Satan’s Slave (1982)

Posted on May 28, 2021September 12, 2024 by HorrorGhouls

The film starts off at a burial ceremony with an upper-class family who’s lost their mother to a mysterious illness, and sets the eerie tone right off with Islamic chants and the feeling that there’s something wicked in the air. That same night, the family’s son, Tomi, receives an unexpected visit from the dead mother in a ghostly form, who knocks on his window and hypnotizes him to go out in his pajamas, while his sister Rita is witnessing the incident. Tomi goes to a fortune teller (who is wearing some really big sunglasses) who can tell through his tarot cards that Tomi’s life is full of darkness, and that the coffin his mother was buried in is suitable for the whole family, and that they are all in danger – and that he must defend himself with black magic.

In his bedroom, Tomi makes a small altar with a little red box, using horror comics and cheap satanism paperbacks as decorations. No one but Tomi takes this seriously, and his sister thinks he’s losing his mind. Since the father of the family is a stressed and busy entrepreneur with bloodshot eyes, he hires a maid (Darminah), who looks pretty much like the fortune teller we saw minutes earlier, only without the big sunglasses (Uh-oh, nothing shady with her, of course not). At the same time, Tomi has upgraded his altar down in the basement, and this time he’s decorated it with candles and and several Halloween masks by famous Universal monsters. He is also being haunted with night terrors where he is sacrificed by a satanic cult. And that’s not far from a premonition when the sisters receive some creepy phone calls, and the house caretaker, Karto, starts to die slowly of asphyxiation.

I see people comparing Satan’s Slave to Phantasm (1979) and yes, there are some similarities to spot here, without diving to much into comparisons . The eerie and slightly surreal atmosphere is all over the place, and it mixes traditional superstition with some more obscure Asian folklore that we have to thank Wikipedia for being able to understand. I can mention the image we see of their dead mother, which is actually a “Kuntilanak”, a mythological, vengeful female astral spirit who’s associated with – yeah, take a wild guess – black magic. Sadako from Ringu could also be placed into a similar category, just to mention a more known example. And even though writer and director Sisworo Gautama Putra took some obvious influences from Phantasm, the film has its own unique distinctiveness.

And no, just to make it clear, this is not at the same level as the acid trip Mystics in Bali , which came from the same country the year before Satan’s Slave. The plot is pretty straight-forward and far more conventional than expected, really. The downside is that it doesn’t manage to get especially scary, and maybe the laughable goofy acting is to blame for that, especially during the second act. The film looks really great, though, filled with atmosphere, haunting visuals and a fitting synth score. The make-up effects are also great. There’s some obvious fog machines hiding on the set which can make it look somewhat outdated, but will for others just add more to the good ole’ retro charm. So overall, if you don’t take it too seriously, Satan’s Slave is an entertaining flick, with a lot of ghoulish fun that’s perfect to add on a Halloween-playlist.

Thanks to the acclaimed remake that came in 2017, Satan’s Slave was for the first time released on DVD and Blu-ray from Severin Films with polished quality. It’s also available on Shudder.

Director: Sisworo Gautama Putra
Original title: Pengabdi Setan
Country & year: Indonesia, 1982
Actors: Ruth Pelupessi, W.D. Mochtar, Fachrul Rozy, Simon Cader, Siska Widowati, H.I.M. Damsyik, Diana Suarkom, Doddy Sukma, Ali Albar, Adang Mansyur, Moesdewyk, S. Parya, Dewi
IMDb: www.imdb.com/title/tt0281048/

The Hidden (1987)

Posted on April 28, 2021January 13, 2025 by HorrorGhouls

It’s apparently a regular sunny day in Los Angeles, where the random middle-aged guy Jack DeVries (Chris Mulkey) brutally robs a bank and storms off in a black Ferrari. He drives in full speed like a madman through the famous Echo Park, hits an old geezer in a wheelchair while he headbangs to some hair metal on the radio, and goes pretty much into full GTA-mode. His crazy adventure is quickly going towards an end when the police blocks the road, blows his car to flames, and… the guy walks out of the burning car and gets bullet-stormed by the police. He miraculously survives and…Nothing to see here, folks, move along. He gets brought to the hospital while the police scratch their heads and struggle to come to a conclusion as to why this man, with no criminal record, suddenly snapped…and how the hell he’s still alive. On top of that, he had during the last two weeks killed twelve people, stolen six sport cars, robbed eight banks and six supermarkets, four jewelry stores and one candy store. He even murdered two kids with a butcher knife. Good Lord…

DeVries wakes up in the hospital, gets out off the bed and approaches the unconscious patient next to him where he spews out a slimy parasite-like creature into his mouth so he can transfer to another body and continue the killing spree journey of looting and mayhem. The police officer Tom Beck (Michael Nouri) teams up with the FBI agent Lloyd Gallager (Kyle MacLachlan) to get to the bottom of this what-the-holy-fuck case that quickly gets weirder and weirder.

The Hidden is really what you could call a hidden gem, and it’s pure fun from start to finish. Director Jack Sholder is probably most known for Nightmare on Elm Street 2: Freddy’s Revenge and the hilarious Wishmaster 2: Evil Never Dies, and even though The Hidden is more action driven with elements of dark comedy, drama, and a dose of 80s political incorrectness, he does a great job stitching it together to a fast-paced and highly entertaining B-movie. With a budget of five million dollars, which is basically nothing in today’s standard, there’s many well-crafted scenes with some wild car chases, gunfights, explosions, and of course a parasite-possessed stripper going berserk while fucking a guy to death in his car. While I wish we could see more of the alien itself, our partners Lloyd and Tom makes up for it with some great and somewhat bizarre buddy-cop dynamics, which manages to drive the quite simple plot fast and steady (or furious, if you will.) It’s also worth to mention that Kyle MacLachlan brought a lot of the character in The Hidden over to his most known role in Twin Peaks as Agent Cooper three years later, and the similarities are quite striking.

And yeah, a direct-to-video sequel was made in ’93, and it looks like… well, see for yourself.

Director: Jack Sholder
Country & year: USA, 1987
Actors: Kyle MacLachlan, Michael Nouri, Claudia Christian, Clarence Felder, Clu Gulager, Ed O’Ross, William Boyett, Richard Brooks, Larry Cedar, Katherine Cannon, John McCann, Chris Mulkey, Lin Shaye, James Luisi, Frank Renzulli
IMDb: www.imdb.com/title/tt0093185/

Tetsuo (1989)

Posted on February 18, 2021July 6, 2024 by HorrorGhouls

How to even start with this movie…Uhm, well…

It starts with a random, disturbed guy called “The Metal Fetishist” (played by the director himself) who’s wandering in some decayed urban area, barefoot. He enters a shack hoarded full of metal junk where he stabs himself in the foot, and injects himself with an iron pipe and goes through some kind of a metamorphosis. A glimpse of an everyday life of an extreme metal fetishist where it just went a little too far, I guess. He then screams and runs like a lunatic and gets hit by a car driven by a typical Japanese salaryman who then gets infected by a biomechanical virus. As the title screen rolls, he gives us the “Tetsuo Dance” before he wakes up in his apartment and gets ready for work. As he shaves, he notices a small metal point on his cheek, which pops out and starts shooting blood over his face as he touches it. Sounds weird, you say? You’ve seen nothing yet. I won’t spoil much more than this, other than our salaryman slowly transforms into a grotesque hybrid monster of flesh and metal with the desire to destroy the whole planet. And yeah, his penis also transforms into a big metal drill that no one would want to mess around with.

Tetsuo, aka The Iron man, is an explosive result of an inner frustration that the young director Shinya Tsukamoto had built up after an unstable relationship to his dad, growing up in heavily industrial surroundings, and the extreme pressure of the Japanese working culture. The environment is what makes a human, as they say, and Tetsuo is a prime example of that, and could be seen as a pretty alternative artistic view of the breaking point of the human mind, if you will – even though the film is open for countless interpretations. This is Tsukamoto’s fifth film, at the age of 29, after making some shorts and other projects he would never be satisfied with, and at the top of this his father kicked him out of the house right before the filming. Fortunately, due to the success and the cult-following of Tetsuo, he quickly became a prominent filmmaker in Japan with titles such as Bullet Ballet, A Snake in June, Nightmare Detective and also made two sequels to Tetsuo, called Tetsuo: Body Hammer and Tetsuo: Bullet Man, the last one with a soundtrack by Trent Reznor . He’s also known for his acting roles in Takashi Miike’s Ichi the Killer, Takashi Shimizu’s Marebito, and Martin Scorcese’s Silence. His dad should be proud by now.

Tetsuo is shot on 16 mm, in black and white, with a budget of his day job at that time. Mostly filmed in one of his co-workers cramped apartment over 18 months with hard and difficult conditions (which is not hard to imagine at all), where the cast and crew also lived during the production. The conditions came to a point where the actor who plays the salaryman got the urges to escape the set several times because of shooting days that never seemed to end, while crew-members just came and left. The whole production was such a nightmare, according to Tsukamoto, that he considered to burn all the negatives. And we should just be glad he didn’t, because Tetsuo is a truly insane, hyperactive, nightmarish cyber-punk/art-house/body-horror masterpiece that easily could be described as Eraserhead on crack cocaine. Very aggressive, graphic, experimental and completely bizarre and truly one of a kind. It’s one of those “what the hell did I just watch-films“, and it’s clearly not for anyone, especially for those who’s epileptic. The technical aspects is from another planet (Planet Japan that is) with some really impressive stop-motion effects, camera work and costume designs. It has a great and sharp sound design and a really heavy, industrial soundtrack by Chu Ishikawa that fits the intense imagery perfectly.

So, what else is there to really say about this movie, other than: just watch it! Watch it on a big screen in a dark room with loud sound.

Director: Shinya Tsukamoto
Country & year: Japan, 1989
Actors:Tomorô Taguchi, Kei Fujiwara, Nobu Kanaoka, Shinya Tsukamoto, Naomasa Musaka, Renji Ishibashi
IMDb: www.imdb.com/title/tt0096251/