2000s horror movies – Page 5

She Creature (2001)

Posted on August 26, 2022June 30, 2024 by HorrorGhouls

We’re in Ireland, and the year is 1905. Two carnies, Angus Shaw and his infertile wife Lily, runs a fake mermaid show where Lily plays the role of a beautiful and enchanting mermaid. One evening, during one of their shows, a mysterious fellow named Mr. Woolrich appears and privately calls them out on their act, while at the same time appearing strangely relieved that Lily was, in fact, not a real mermaid. They offer him a ride home, where it’s revealed that he’s got a mermaid captured. A real one. Naturally, Angus wants to use this creature as part of the freak show, but Woolrich strongly warns against it. Not easily deterred, Angus later brings a few colleagues back with him to abduct the mermaid, and smuggles her aboard a ship in order to take her to America. Lily tries to object to this idea, but to no avail. And onboard the ship, the mermaid soon reveals her darker side…

She Creature is a 2001 made-for-TV horror film, directed by Sebastian Gutierrez (the title of this film was originally Mermaid Chronicles Part 1: She Creature, but there was never any part 2). It’s the first in a Cinemax film series called “Creature Features”, which were all paying tribute to the films of American International Pictures, where the titles are reused without being actual remakes. In this case, the title is borrowed from the 1956 film The She-Creature.

She Creature was shot in 18 days, and is a typical B-budget movie . It’s filmed in a style that resembles the old monster movies, and with taking place in the Victorian era there’s also some really atmospheric cinematography reminiscent of the old Hammer films. With the renowned Stan Winston as producer it also should come as no surprise that the special effects are pretty decent. The mermaid is also portrayed in a rather convincing way, possibly much due to the fake mermaid we witness early on at the freak show. The mermaid Lily plays there is so obviously over-the-top fake, that when we get to witness the real mermaid in a tank of water the contrast makes it come off as believable. The real mermaid does not sing, she does not talk (except from making a few sounds), and appear more like an intelligent animal with human features rather than any “little mermaid” by Hans Christian Andersen. This is no Ariel, that’s for sure…

Much of the atmosphere comes from the Victorian scenery and settings, fitting like hand in glove when constructing a horror tale with a blend of fantasy and gothic mystery. She Creature is by no means any masterpiece, but it’s a fun and slightly cheesy little throwback to the monster movie era with moody cinematography, good production design and some really cool CGI-free special effects. Overall, it makes for a pleasant little pearl of a gothic and aquatic creature feature film.

Writer and director: Sebastian Gutierrez
Also known as: Mermaid Chronicles Part 1: She Creature
Country & year: USA, 2001
Actors: Rufus Sewell, Carla Gugino, Jim Piddock, Reno Wilson, Mark Aiken, Fintan McKeown, Aubrey Morris, Gil Bellows, Rya Kihlstedt, Hannah Sim, Jon Sklaroff
IMDb: www.imdb.com/title/tt0274659/

Visitors (2003)

Posted on August 12, 2022July 4, 2024 by HorrorGhouls

Georgia Perry (Radha Mitchell) is a stubborn and strong-willed young woman: she’s decided to travel around the world in her 44-foot sloop, all by herself (well, almost…she’s got her cat for company). Being used to spending time at sea, and also spending time alone, it goes pretty well at first. She’s used to enjoying her own company, and the cat provides just enough social comfort. Then, the solitude starts taking its toll…while starting with small and insignificant things like starting to talk to her cat…which isn’t uncommon…I mean, who doesn’t talk to their feline companion once in a while? Except, of course, the cat starts talking back to her. A big red flag for her mental well being there, all right. But when she also starts hearing strange noises, and a mysterious fog appears which brings with it a whole array of deceased family members who have suddenly decided to drop in for a visit, it’s time to take it seriously. Is this just a severe case of cabin fever, or is something else happening at sea?

Visitors is a psychological thriller directed by Richard Franklin (most known for directing Psycho 2) where nearly all of the playtime happens out at the big blue ocean. While it’s not a truly scary film, it does have a few chilling moments with creepy atmosphere and some interesting scenes. Georgia’s “ghosts” aren’t only appearing during nighttime, either, but in bright daylight as well, adding to the feeling of claustrophobia as there’s no escape. In a haunted house, you can always run outside…but what can you do if the haunting happens in a boat, far out at sea? Nothing of course, unless you want to jump aboard and drown yourself.

While Visitors is an okay thriller, it’s not faultless, and there are some rather questionable CGI effects which diminishes the creepy atmosphere a bit. There’s also some scenes that are chugging along a little bit too slowly. Still, overall the movie is an okay watch, mostly for its deep dive into human psychology and the effect of being alone over a long period of time, in surroundings where there’s no one and nothing for miles upon miles. It’s strange how the ocean can appear to be so open, but still so claustrophobic…no matter where you turn, there’s no rescue, nowhere to find refuge.

If you’re looking to get your toes wet with a movie that provides a good amount of action, I guess something like Deep Rising would be a safer bet. Visitors is a slow-burning thriller with some creepy scenes and atmosphere, and people that can relate to the idea of being all alone, while haunted by your inner demons, will probably appreciate this movie the most.

Director: Richard Franklin
Writer: Everett De Roche
Country & year: Australia, 2003
Actors: Radha Mitchell, Susannah York, Ray Barrett, Dominic Purcell, Tottie Goldsmith, Che Timmins, Christopher Kirby, Jan Friedl, Soula Alexander, Roberta Connelly, Michelle McClatchy,
IMDb: www.imdb.com/title/tt0301989/

The Skeptic (2009)

Posted on May 28, 2022July 15, 2024 by HorrorGhouls

Responding to a 911 call, a police officer enters a large house and finds a dead woman inside. She appears to have died of fright, clutching a set of rosary beads. This woman is Bryan Beckett’s aunt, who is a lawyer and confirmed skeptic, who considers everything paranormal to be nothing but pure hogwash. Upon visiting his deceased aunt’s home and subsequently moving in (mainly in order to take a break from his shattered marriage) people around him starts giving vague hints, trying to tell him that moving in might not be a good idea. After ignoring other people’s warnings that he shouldn’t do so because the place is haunted, he starts experiencing strange things which puts his skepticism to the test. There is also something about the place that bothers him, like a strange connection he can’t really figure out. When things go a bit out of hand he seeks medical help, but instead finds himself teamed up with a young psychic who wants to help him reveal the house’s trouble past – or that of the skeptic’s own mind.

The Skeptic is a supernatural horror thriller, directed by Tennyson Bardwell. I remember back when the movie was released, that it got a bit of flak for being “outdated” and for not being especially heavy on the fear factor. And, yeah…that’s pretty much true, and doesn’t come as a big surprise considering that the director/writer wrote the first draft of the script in the 1980s. It’s an old-fashioned ghost story that does not rely on CGI-apparitions or jump scares. The slow-burn ghost story got passé already during the 80s, where psychological horror movies became obsolete compared to the more physical and in-your-face kind of horror that shocked audiences anew. The plot also appears overly simple: a man doesn’t believe in ghosts, said man moves into a haunted house, and starts experiencing what can be perceived as supernatural occurrences. So, ironically, I was a little bit of a skeptic when first viewing it…but was pleasantly surprised over seeing how something that appears to be very cliché-filled actually ended up being both a little chilling and engaging. The atmosphere is sometimes thick as a brick, but the suspense isn’t always lingering as much as one could have hoped for. It’s slow, sometimes a bit too much for its own good, but makes up for it with polished production values and the ability to offer a few chills here and there.

In a movie like this, it’s often best to not give away too much of the plot, as the viewing experience is best when knowing as little as possible. Overall it was a pleasant surprise, but it’s most suitable for people who enjoy a classic haunted house story of the old-fashioned sort.

Writer and director: Tennyson Bardwell
Also know as: The Haunting of Bryan Becket, The Haunting
Country & year: USA, 2009
Actors: Tim Daly, Tom Arnold, Zoe Saldana, Edward Herrmann, Andrea Roth, Robert Prosky, Bruce Altman, Lea Coco, Sara Weaver, L.J. Foley, Paul Tietjen, Steve, Fletcher, Christina Rouner,
IMDb: www.imdb.com/title/tt0493451/

Leprechaun in the Hood (2000)

Posted on April 29, 2022September 18, 2024 by HorrorGhouls

We’re at some shithole in Los Angeles where Mack Daddy (Ice-T) with a big 70’s afro, and some other dude, discovers a room with Lep’s statue and his pot of gold. “Holy shit! You midget Midas mothafuckah“, Daddy says before he grabs a mysterious flute from the pot of gold. We later learn that Mr. Daddy is a rap-music producer and the flute has the magic powers to set the listeners in some euphoric trance and some shit. Lep (Warwick Davis) comes to life, kills the other dude with a comb and goes for Mr. Daddy as he steals his gold. After Daddy gets empty for weapons that were hidden in his big afro, everything from a knife to a baseball bat, just to ensure us that we’re still in Looney Tunes land, he manages to trap Lep with the medallion and turns him back to stone. Got yo ass!

We then meet our protagonists Butch, Postmaster P, and Stray Bullet, a group of young struggling rap artists. They get in touch with Mack Daddy who sees some potential in them. The only problem is that their rap songs are too positive and family-friendly, and “that shit is whack“, yells Mr. Daddy. After they refuse to follow Daddy’s advice to make their lyrics more R-rated, he tells them to fuck off. They then take revenge by breaking into his office, stealing the golden flute and the medallion from a certain stone figure which finally (again) awakens Lep, and … well, it’s yet another Lep movie, made for shits n’ giggles for the video market with the production value of a well-used Lada.

First Lep took Vegas, then space and now the Hood. So what’s new here? Crack-smoking, rapping, some vulgar gangsta talk (of course), more crack-smoking, more rapping, dopey effects where Lep shoots green lazer into someones eyes, gun fights and just overall incomprehensible buffoonery all across the board. Lep smokes so much crack to the point he wants a cross-dresser to give him a blowjob. Oof! Warwick Davis really needed the money this time, didn’t he. And I almost forgot to mention the three-second cameo of none other than Coolio himself. And just to put the cherry on top, and let Lep embrace his inner gangsta, he finally grabs the mic and performs his own rap song, “Lep In The Hood, I’m so Bad I’m Good”, which alone tells it all.

And last, but not least, here’s the drinking game: take a shot for each time someone says “mothafuckah”.

Director: Rob Spera
Writers: William Wells, Alan Reynolds, Rob Spera, Doug Hall, Jon Huffman
Country & year: USA, 2000
Actors: Warwick Davis, Ice-T, Anthony Montgomery, Rashaan Nall, Red Grant, Dan Martin, Lobo Sebastian, Ivory Ocean, Jack Ong, Barima McKnight, Bebe Drake, Donna M. Perkins
IMDb: www.imdb.com/title/tt0209095/

Murder-Set-Pieces (2004)

Posted on February 24, 2022September 17, 2024 by HorrorGhouls

The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“

And after this quick, cryptic segment we see some images of some freshly dead young women, drenched in blood, in some kind of torture room, just to gives us a foretaste of what to expect during the next 90 minutes.

In Murder-Set-Pices we get the pleasure to meet The Photographer, played by the German actor Sven Garrett. He’s a muscle-build pussymagnet, who during the daytime spends his time with his airhead of a girlfriend, and by night roams the streets of Las Vegas to photograph young naked models. And from what we saw in some glimpses of in the opening sequence, The Photographer is a cold-blooded, emotionless serial killer who, after having threesomes, rough sex orgies and anal-raping his models like a gorilla, ends the ritual by murdering them in some grisly fashion, and sometimes tortures them in his basement.

And if that’s not enough to shock and disgust you, he also mutilates them and eats their flesh. And just to place the rotten cherry on top, he’s also a neo-Nazi who listens to speeches of Hitler while he’s pumping iron and thinking about his next victims. Doesn’t sound quite family friendly, but even though 55 gallons of fake blood were used on a kill count of 30 victims, Murder-Set-Pieces is way too amateurish to do its purpose.

Gunnar “Leatherface” Hansen pops up in a quick cameo as a car mechanic so The Photographer can buy a gun. He then goes to a stripclub so we can enjoy some fresh nudity before it cuts right over to a rape scene. Then we see some flashbacks of The Photographer as a kid where he cuts off the dress of a barbie doll. Then it jumps to a scene where The Photographer is getting a blowjob in his car by using a severed head. Then we see Tony “Candyman” Todd in a cameo as a desk clerk in some adult book store, which escalates into a messy robbery scene, and it’s the only scene here that’s got some tension and entertainment value. But guess what happens next: more rape scenes, a pornographic photo session with two lesbians, a drawn-out torture porn scene that seems to last beyond the running time, before we the film completes The Unholy Trinity of Cameos by Edwin “The Hitchiker” Neil.

And as you’ve probably figured out by now, there’s is none to zero plot to find here. The film is a mishmash of a bunch of random scenes that are stitched together with no relation to each other. There’s no start, middle and end, no track of time, no progress, and the whole film feels more like a 90 minutes montage of deleted scenes from a film that never got finished.

The most noteworthy and head-scratching thing is that writer and director Nick Palumbo managed to raise 2 million dollars from investors, which at that time was the highest budget to an independent slasherfilm. Quite impressive, though, for a young underground filmmaker. But then the big question is: where did the budget go? There’s zero style or any form of production value to see here, and The Human Centipede, which had a lower budget than this, looks like a David Fincher production in comparison.

Murder-Set-Pieces is also filled with controversies. Palumbo claims that this is the first film in the history that’s been thrown out of three laboratories, producers were arrested, and cast and crew were arrested numerous times. Sounds like one of those disastrous film productions where a four hour long behind-the-scenes documentary would be far more interesting and entertaining than the movie itself. But if this sounds interesting enough, be sure to avoid the US release from Lions Gate where 20 minutes have been cut out, and instead look for the European director’s cut version.

Writer and director: Nick Palumbo
Country & year: USA, 2004
Actors: Sven Garrett, Cerina Vincent, Tony Todd, Gunnar Hansen, Edwin Neal, Jade Risser, Valerie Baber, Destiny St. Claire, Maria Keough, Renee Baio, Lauren Palac, Andrea Mitchell, Jessie DeRoock
IMDb: www.imdb.com/title/tt0422779/

Dracula 3000 (2004)

Posted on January 27, 2022November 21, 2024 by HorrorGhouls

What does Jason, Pinhead, Leprechaun and Dracula have in common? They’ve been into space. And this has to be the worst of them all. Good grief.

We’re in the year 3000 and get introduced to Captain Abraham Van Helsing (Casper Van Dien) and his small crew on a salvage space ship, looking for a large cargo ship named Dieter that has been missing for fifty years in the Carpathian Galaxy. And yes, we’re talking about the outer space. They find the ship while it’s heading towards Earth, completely empty for crew, and they decide to take possession of all the valuable stuff. They soon learn that some spooky shit has been going on when they find the only dried-up corpse left on the ship’s bridge, tied up with a crucifix in its hands. And oh man, this is unbelievably bad: it looks like they just bought the cheapest Halloween skeleton they could find and dressed it up, and God knows what went through the actors’ heads when they had to act serious when they saw it. They find a video log from fifty years ago, of a frightened Captain Varna (Udo Kier) who says that he locked himself in his cabin after some pandemic infected the crew after they cargoed a bunch of coffins in the Transilvanian station. And you can never guess who’s lurking among them on the ship: It’s the new variant Nekronomicron! Just kidding. It’s Dracula. Of course.

The first crewmember to get bit is 187. That’s not his IQ, it’s his name. He’s a goofy, stereotypical manic crack smoker and is played by none other than the 90s rapper star Coolio. And as ridiculous as he is with his hysterical overacting, at least he seems to have some fun playing a vampire from Da Hood while flashing his fangs as much as possible. The B-movie actor Casper Van Dien, known from Starship Troopers and a laundry list of straight-to-videos, seems to really have a hard time keeping himself awake as he yawns out most of his dialogues like he couldn’t give a single fuck about anything other than his paycheck. And who can blame him when you have to read lines like this while doing your best to keep a straight face:

– Transilvania? What the fuck is Transilvania?
– Transilvania is a planet in the remote Carpathian System. It’s a.. uhm.. it’s a planet of vampires!
– Vampire?? So what the hell is a vampire?
– It’s sorta like a man … only far more evil, if you could imagine that.
– All that bloodsuckin’, that’s some white people shit!
– I want to watch my anaconda spit all over your snow white ass.

And we have classic lines such as:

– I put up for your shit cuz you’re black and… ugly.
– I have to go to the bathroom! I really do!
– I… AM A VAMPAIAHH!!!
– Dude!
– Bro!

Captain Van Helsing also learns that he is related to a certain another Van Helsing from the late 1800s, and that Dracula is on his way to Earth to seek revenge. And prepare yourself for the most pathetic Dracula ever put on screen. He’s just some teenager dressed as Dracula, and is as charismatic as an average high school douchebag and as intimidating as Hello Kitty. There’s a scene where he attacks the blond chick among the crewmembers, and she really struggles to look scared and not to chuckle.

And other than that, Dracula 3000 looks like something you would find at the bottom at the barrel of the SyFy or Asylum Films catalogue, but even they would be too embarrassed to release this half-assed turkey. It also had a spot on the IMDb Bottom 100 list at one time, and that pretty much says it all. But, yeah, there’s a good amount of laughs to get from this if you’re weak for shitty and unintentionally funny films, in this case most thanks to Coolio and the string of quoteworthy dialogues.

Directors: Darrell Roodt
Country & year: Germany, South Africa 2004
Actors: Casper Van Dien, Erika Eleniak, Coolio, Alexandra Kamp, Grant Swanby, Langley Kirkwood, Tom Lister Jr., Udo Kier
IMDb: www.imdb.com/title/tt0367677/

Nikos the Impaler (2003)

Posted on October 17, 2021July 21, 2024 by HorrorGhouls

We’re supposed to be somewhere in Romania during the middle-ages, where some evil iron-masked barbarian named Nikos (embodied by Andreas Schnaas) is ready to be executed in a cave by an angry mob. The tone is set in stone already during the first seconds with its horrendous bad lighting, grainy muddy images, bonkers acting with cartoonish dialogue deliveries, and the sheer atmosphere of zero-budget reeking all over the place. It’s what to expect from Andreas Schnaas, if you’re already familiar with his home-made and chaotic splatter films. And just forget about any thick Romanian accents, here they speak fluently American. God bless. Anyway … before they cuts out his entrails and sets him on fire, we get dialogues such as:

– Nikos, today you die!

– I. shall. not. DIE!
– I. never. DIE!
– I will return…to seek my revenge!

And of course, Nikos was a man of his word. We jump to present day, all the way to New York City, where Nikos’ iron mask has been stored in a museum as an ancient artifact. Things go straight to a violent shitshow when a robbery goes wrong and some blood gets spilled on Nikos’ mask. He is then resurrected and wastes no time to find new victims to kill in the most brutal ways possible. And lucky for Nikos, the museum is already filled with visitors, ready to be body counted.

This is the eighth film of Andreas Schnaas, and it’s pretty established by now that he isn’t a technical, competent director, to put it mildly. There’s isn’t much of an improvement to point out, and Nikos could easily fit right into the Violent Shit series. Nikos has the same level of amateurish look and the the same paper-thin plot as the Shit series, filled with gallons of fake blood, hilariously bad acting, lots of messy low-budget gore, insanity and a lot of shit. Most of the film happens indoors and at night time, and thus suffers from inept lighting and a camera with a lens that looks like it was rubbed by a thin layer of butter. Its blurry, ugly and looks like more shit than ever, and I don’t know if that’s an insult or a compliment, to be honest.

But even though Mr. Schnaas never seemed to have the desire to make it to mainstream Hollywood, he rarely fails to entertain. There’s always some raw energy behind his films, and Schnaas just seems to have one big, wild party while making them, as the madman he is. How much we actually laughs with or at the movie is not easy to tell, but that just makes it even more funnier. We also see Nikos goes on a murder-spree in the streets of New York and causing mayhem by using his sword to shoot laser against cars. And the explosions looks like something from a Nintendo 64 game. It gets to the point where it’s just so-bad-it’s-good, really.

The acting isn’t much to talk about, it’s only stick figures just set up to be killed, played by a bunch of amateur actors. Some of them have some funny dialogues between the kills to keep us entertained, at least. The cult-actress Felissa Rose (that girl from Sleepaway Camp) is maybe the most familiar face among the bunch. Nikos also walks into a VideoTape store (back in a time when they still existed) so we can have some funny cameos from Tromaville, like Lloyd Kaufman and Debbie Rochon – and last but not least the porn actress Darian Caine, who was comfortable enough to be slaughtered in a messy shower scene with a lot of fake blood pouring down her tits.

Nikos the Impaler is available on eBay after the limited editions flew out of stock years ago. It’s also on YouTube, but with crappier image quality.

Director: Andreas Schnaas
Country & year: USA, 2003
Actors: Joe Zaso, Felissa Rose, Andreas Schnaas, Antonio Tomahawk, Frank Franconeri, Daniel Alvaro, Mike Marino, Hugh C. Daly, Erotida Cruz, Fred Cerniglia, Abbandandolo Brenda, Joseph Michael Lagana
IMDb: www.imdb.com/title/tt0309916/

Bubba Ho-Tep (2002)

Posted on May 5, 2021September 5, 2025 by HorrorGhouls

You know the legends… Now learn the truth.

Elvis Presley (Bruce Campbell) is alive, but far past his glory days, to put it mildly. He has become a bedridden old geezer, who rots away in a small nursery home somewhere in Texas, filled with bitterness, grief, lost identity, and can’t say one sentence without spewing sarcasm. To make it worse he has a cancerous growth on his willie. And how much worse can it get from here? No one thinks he’s the real Elvis. Because, hear this: Once upon a time Elvis had to retire from showbiz and pass the mic to the Elvis impersonator Sebastian Haff (Bruce Campbell again) when his hip went bye-bye. When Sebastian Haff died of an overdose, Elvis never got the chance to reclaim his identity. So here we are. Life is unfair.

The one and only who believes he’s The Elvis is none other than a senile, weird old man who claims to be John F. Kennedy (Ossie Davis). And he’s.. well, uhm… black. Ok. And guess what; an ancient Egyptian Soul-sucking Mummy starts to terrorize the oldies at night who ends up dead at a high rate at the nursing home. JFK is strongly convinced that a mummy called Bubba Ho-Tep is behind all of this. Of course it is. And since Elvis hasn’t got much better to do than shuffle around with a walking chair, he teams up with JFK and puts on his iconic stage-outfit one last time to kick some mummy ass.

Bubba Ho-Tep is written, produced and directed by Don Coscarelli, based on a short story by Joe R. Lansdale which mixes drama, thriller, horror comedy, fantasy and an overdose absurdism. The premise itself is so bizarre, and far-stretched to oblivion that it’s hard to actually see any directors at all able to translate this to a coherent feature that walks a fine line between the absurdness and seriousness in a sober way. But Don Coscarelli certainly did it, and also wrote the script and produced Bubba Ho-Tep as a passion project which quickly became a modern cult-classic. The result, with a budget of one million dollars, is pretty solid, to say the least, with Bruce Campbell and Ossie Davis as the most unlikely duo ever put on film, in its bizarre plot that doesn’t look like anything else. But for those who expects blood n’ gore, you will be disappointed as Bubba Ho-Tep relies far more on atmosphere (an eerie one I would say) surreal character study, and dialogue-driven scenes with some really rough language your mom probably wouldn’t appreciate.

A horror comedy where Bruce Campbell portrays an old Elvis is enough of itself to get anyone’s attention. But we shouldn’t underestimate Ossie Davis (1917-2015), who was an unknown name for my part. A serious actor who’s inducted to the American Theatre Hall of Fame is one of the last actors you’d expect to see in a film like this. Even his manager at the time meant he was too good for a film like this, and recommended him to skip the role, but the power of a good script convinced him otherwise. We could easily get an over-the-top goofy JFK, but Ossie plays him in a very serious and calm down-to-earth demeanor, how hard, unlikely and utterly bizarre that sounds like. The chemistry between Bruce and Ozzie really shines and they seemed to have a blast on set. Bruce Campbell does one of his greatest performance ever. He completely disappears into the role of Elvis and clearly shows that he’s a lot more than a certain Ash with a chainsaw. I also have to mention the soundtrack by Brian Tyler which is just plain and simply beautiful.

Director: Don Coscarelli
Country & year: USA, 2002
Actors: Bruce Campbell, Ossie Davis, Ella Joyce, Heidi Marnhout, Bob Ivy, Edith Jefferson, Larry Pennell, Reggie Bannister, Daniel Roebuck, Daniel Schweiger, Harrison Young, Linda Flammer, Cean Okada
IMDb: www.imdb.com/title/tt0281686/

Inside (2007)

Posted on December 21, 2020February 18, 2025 by HorrorGhouls

Inside, or À l’intérieur as it is called in the original language, is one of the most tasty delicacies of a slasher that has come after the turn of the millennium, directed by the duo Alexandre Bustillo and Julien Maury. Inside was one of the first in the so-called New French Extremity-wave with, among others such as, Alexandre Aja’s Haute Tension a few years back, and Xavier Gens´ Frontier (s ), which came the same year as this one. Already the following year, Pascal Laugier pushed the strings even further with Martyrs. So yeah, the 2000’s was an exciting time for French horror films that flourished new, young, hungry talents while the stiff bureaucrats at the censorship board probably was on a permanent vacation.

The film begins with an ugly front-to-front car accident with the pregnant Sarah and her husband. The husband dies while Sarah survives. Four months later, exactly on Christmas Eve, Sarah is depressed and just wants to be all alone in her big house with her nine month-pregnant belly. But the peace and silence turns 180 degrees when Sarah unexpectedly gets a visitor at the door: an intimidating and tall black-dressed woman who just wants to borrow the phone – who by coincidence knows Sarah’s name and that her husband is dead. Sarah calls the police when the woman starts to get threatening, but it does not stop her so easily and her mission is crystal clear: she wants to murder Sarah and anyone who comes in her way, with unclear motives.

So, we’re clearly talking about a home invasion-film here with a small budget and limited use of location. It’s however a highly steady technical and gruesome film with some pretty insane killing scenes and is basically a love-letter to gorehounds, more or less. The acting is also a major plus, which gives some really strong and convincing performances. I especially have to point out Beatrice Dalle, which is pretty relentless and goes all up to eleven in a rollercoaster-ride of psychotic rage attacks I haven’t seen in a female killer probably outside of Asian movies.

The atmosphere is slicey-thick and some of the scenes are downright creepy, especially the first shot where we see the killer inside the house while Sarah is sleeping on the couch. It’s got a slow and subtle build-up which plays with your emotions and expectations. But when all hell breaks loose, it’s non-stop carnage, mayhem and pure slaughter house to the last second where we get the pleasure to witness some first class prosthetic effects and brutal kills, some of which are so realistic and so well done that it’s painful to watch in some places. The only minus here is the CGI images of Sarah’s baby in her womb that didn’t look convincing back in 2007, and surely doesn’t look any better now. But besides of that, Inside is a solid film and even after 10-plus years after its release, it’s still the nastiest slasher I’ve ever witnessed, and I still wouldn’t recommend this to anyone who’s pregnant.

For a complete uncut version of the film, look for the DVD release from Dimension Extreme. And don’t let yourself get scared away from the awful trailer, by the way..

Directors: Alexandre Bustillo, Julien Maury
Orignial title: À l’intérieur
Country & year: France, 2007
Actors: Alysson Paradis, Jean-Baptiste Tabourin, Claude Lulé, Dominique Frot, Nathalie Roussel, François-Régis Marchasson, Béatrice Dalle, Hyam Zaytoun, Tahar Rahim, Emmanuel Guez, Ludovic Berthillot, Emmanuel Lanzi, Nicolas Duvauchelle
IMDb: www.imdb.com/title/tt0856288/

The Call of Cthulhu (2005)

Posted on October 28, 2020October 13, 2025 by HorrorGhouls

A man is organizing the affairs of his recently deceased uncle, and accidentally comes across a series of notes and paper clippings which tells about the Cthulhu Cult and an ancient horror lurking beneath the sea. Intrigued by all of this, he continues to investigate, getting more and more drawn into the mystery of this cult and the creature Cthulhu, which is a gigantic entity worshipped by the cultists: a creature in the shape of an octopus, a dragon, and a caricature of the human form. There is an occult phrase that, when translated, says “In his house at R’lyeh dead Cthulhu waits dreaming“, meaning that the cultists await its return. As he learns more and more about this cult and the cosmic entity they worship, he gets closer to losing his sanity completely.

H.P. Lovecraft is one of the most influential horror writers of all time, especially his Cthulhu mythos. His works have even created a sub-genre within horror that’s called “Lovecraftian horror“. While there aren’t actually that many movies that are fully based on his stories, there are a lot of them who are heavily inspired by his tales of cosmic horror.

The Call of Cthulhu is both a faithful rendition of H.P Lovecraft’s short story by the same name, as well as a homage to the black and white silent movie era. This, of course, means you get lots of gesticulation from the actors since the dialogue is shown only with intertitles, aka title cards, causing body language and facial expressions to have a much bigger significance in order to portray the character’s feelings and emotions.

The film’s highlights are, of course, the creative visuals. The soundtrack is also top-notch, fitting every scene perfectly and fulfilling the film like hand in glove. In such a nightmarish tale of cultists and ancient horrors, I think it hits the nail on the head with portraying the intended feeling of impending doom, where the protagonist’s investigations slowly reveals upon him just how insignificant humankind really is.

I dare say that you do not need to be a Lovecraft enthusiast in order to appreciate this movie. There’s a lot of mood and atmosphere to admire here, especially if you can value the 1920’s style.

Director: Andrew Leman
Country & year: USA, 2005
Actors: Matt Foyer, John Bolen, Ralph Lucas, Chad Fifer, Susan Zucker, Kalafatic Poole, John Klemantaski, Jason Owens, D. Grigsby Poland, David Mersault, Barry Lynch, Dan Novy, Daryl Ball, John Joly, Jason Peterson
IMDb: www.imdb.com/title/tt0478988/