horror comedy movie review – Page 2

Leprechaun in the Hood (2000)

Posted on April 29, 2022September 18, 2024 by HorrorGhouls

We’re at some shithole in Los Angeles where Mack Daddy (Ice-T) with a big 70’s afro, and some other dude, discovers a room with Lep’s statue and his pot of gold. “Holy shit! You midget Midas mothafuckah“, Daddy says before he grabs a mysterious flute from the pot of gold. We later learn that Mr. Daddy is a rap-music producer and the flute has the magic powers to set the listeners in some euphoric trance and some shit. Lep (Warwick Davis) comes to life, kills the other dude with a comb and goes for Mr. Daddy as he steals his gold. After Daddy gets empty for weapons that were hidden in his big afro, everything from a knife to a baseball bat, just to ensure us that we’re still in Looney Tunes land, he manages to trap Lep with the medallion and turns him back to stone. Got yo ass!

We then meet our protagonists Butch, Postmaster P, and Stray Bullet, a group of young struggling rap artists. They get in touch with Mack Daddy who sees some potential in them. The only problem is that their rap songs are too positive and family-friendly, and “that shit is whack“, yells Mr. Daddy. After they refuse to follow Daddy’s advice to make their lyrics more R-rated, he tells them to fuck off. They then take revenge by breaking into his office, stealing the golden flute and the medallion from a certain stone figure which finally (again) awakens Lep, and … well, it’s yet another Lep movie, made for shits n’ giggles for the video market with the production value of a well-used Lada.

First Lep took Vegas, then space and now the Hood. So what’s new here? Crack-smoking, rapping, some vulgar gangsta talk (of course), more crack-smoking, more rapping, dopey effects where Lep shoots green lazer into someones eyes, gun fights and just overall incomprehensible buffoonery all across the board. Lep smokes so much crack to the point he wants a cross-dresser to give him a blowjob. Oof! Warwick Davis really needed the money this time, didn’t he. And I almost forgot to mention the three-second cameo of none other than Coolio himself. And just to put the cherry on top, and let Lep embrace his inner gangsta, he finally grabs the mic and performs his own rap song, “Lep In The Hood, I’m so Bad I’m Good”, which alone tells it all.

And last, but not least, here’s the drinking game: take a shot for each time someone says “mothafuckah”.

Director: Rob Spera
Writers: William Wells, Alan Reynolds, Rob Spera, Doug Hall, Jon Huffman
Country & year: USA, 2000
Actors: Warwick Davis, Ice-T, Anthony Montgomery, Rashaan Nall, Red Grant, Dan Martin, Lobo Sebastian, Ivory Ocean, Jack Ong, Barima McKnight, Bebe Drake, Donna M. Perkins
IMDb: www.imdb.com/title/tt0209095/

Leprechaun 4: In Space (1996)

Posted on April 23, 2022September 15, 2024 by HorrorGhouls

In known Trimark fashion, they had no clue what to do with Lep or which setting to put him next in the fourth installment of the franchise. And after the success Leprechaun 3 did on the home video market, there was no time to waste. It wasn’t until an executive at Trimark saw the promo art for Apollo 13 (1995) and replaced Tom Hank’s face with Lep’s when the genius idea came to fruition. That pitch-meeting must’ve been amusing to witness, to say the least.

The year is 2096 and a group of space marines are on their way to Planet Leprechaun where their mission is to search for Lep (Warwick Davis) after he, during the past six months, has disrupted the galactic mining operations. And the order is clear as a gamma-ray: Kill The Bastard! The timing couldn’t be worse as Lep is about to propose to the alien princess Zarina (Rebecca Carlton) so he can become king for some planet that never gets mentioned. The marines storm his low-budget-looking cave where Lep gets blown to pieces by a grenade after a quick gun-fight. The princess survives and gets taken back to the shuttle before they take Lep’s precious gold. Movie over, then? Ha-ha.

The marine who threw the grenade takes a piss one Lep’s remains just to boast his victory like a high school bully. The plot seems pretty normal so far, but just hear this: As he urinates on him, Lep’s spirit travels through his stream of piss and into his dick like a bolt of lightning. We later get the most unmemorable and lazy kill count where Lep gets resurrected by jumping out of his dick and pants, implied more than shown, since there was no one in the effect-department who had a clue how to pull it off. No gore – nothing. Boooo!

We also get introduced to film’s second villain, Dr. Mittenhand (Guy Siner). He’s the commander of the marines and is a bald-headed cyborg with only his upper torso remaining after a failed experiment. He’s a bizarroman version of ~~Dr. Evil~~ the James Bond villain Ernst Stavro Blofeld, who tries to look evil with the effect of a mouse trying to be as big as an elephant, and speaks like a deranged Hanna-Barbera cartoon character on amphetamine. His plan is to use Zarina’s regenerative DNA to recreate his own body and … good luck with that.

The effects are worse and more primitive than ever, and I think that director Brian Trenchard-Smith sums it up best by saying that he was disappointed by the final quality of the special effects, calling them “below Playstation”. Lep in Space falls off the tracks really fast where the plot, script, talent and all braincells just seemed to get sucked away in a black hole. And what we have left is a demented, bizarre, ultracheap-looking, completely out of control schlockfest with zero direction, and one-note cartoon characters only trying to over-act each other. It’s basically Looney Tunes in a mental asylum in space with a riot. And Lep? Don’t worry, he’s here, still portrayed by Warwick Davis who seems to have fun as usual and goes with the flow the best as he can. But the award for best-worst actress of the decade goes to Rebecca Carlton as princess Zarina who has acting abilities like a broken Hello Kitty toaster.

The one and only legitimate positive thing to mention, is a certain spider-monster creature which (dare I even say it) gave me some Dead Space vibes. And talking about video games, here’s a fun, little trivia: The sound of the doors opening and closing are taken from the original Doom, where it was the sound of the elevators.

And I can’t allow myself to not mention a trailer that popped up on my YouTube recommendations recently for an obscure family film, called A Very Unlucky Leprechaun, which came two years after Lep in Space. And guess who plays the unlucky one. There’s little to no info to find, but the only post on its trivia section on IMDb can at least inform us that “Warwick Davis also plays another Leprechaun which is a serial killer.” Huh…

Director: Brian Trenchard-Smith
Writer: Dennis Pratt
Country & year: USA, 1996
Actors: Warwick Davis, Brent Jasmer, Jessica Collins, Guy Siner, Gary Grossman, Rebecca Carlton, Tim Colceri, Miguel A. Núñez Jr., Debbe Dunning, Mike Cannizzo, Rick Peters, Geoff Meed
IMDb: www.imdb.com/title/tt0116861/

Leprechaun 3 (1995)

Posted on April 15, 2022September 15, 2024 by HorrorGhouls

Lep 2 didn’t hit the box office gold as Trimark Pictures had hoped for, and because of that it was the second and final film in the franchise to be given a theatrical release. Despite this, Trimark had no plans to call it quits when they still had Warwick Davis on board and saw further potential to dig for more gold in the home video market. And the best way they could ever go from here was to no other place than the city of sins, casinos, strippers and pawn shops: Las Vegas.

Leprechaun 3 starts with a guy, with one leg and a hook for a hand, enters a pawn shop. He’s stressed out and frightened, carrying a Leprechaun statue with an amulet around its neck, and a pot of gold in a bag. He wants to sell it so he can buy gas and get the fuck away. And before he leaves, he warns the shop owner that he must never take the amulet off its neck, which … he of course does shortly afterwards. Lep comes back to life, bites the man’s ear and one of his big toes off, before he eventually kills him with his magic powers. One of the gold coins goes missing and falls in the hands of the naive young man Scott, the film’s unlucky protagonist, (played by the future Oscar nominee John Gatins) who has already fallen in love with the blonde girl Tammy (Lee Armstrong). She works as an assistant to a douchebag of a magician, and spends most of the screentime giving the viewer some eyecandy in her kinky, black corset. After Scott has lost all his money on gambling, he uses the coin to grant his wish to win it all back, plus some extra, on the casino roulettes.

The luck seems to strike for Scotty until the boss gets his eyes on him and makes sure that he won’t leave the building with his fresh new fortune. Things goes from bad to worse when the coin is rolling from hand to hand, granting one wish after another which escalates into full chaos. And the night has just begun when Lep is roaming the streets of Las Vegas in search of his precious coin. He seems pretty stimulated by the dazzling surroundings and even gets the pleasure to be a part of the greatest moment in the history of cinema by meeting the king himself, Elvis. The luck also seems to completely run out for poor Scotty when he himself slowly gets transformed into a Leprechaun, after having gotten bitten by Lep and infected with his green blood. He’s not aware of the transformation until he can’t say a sentence without adding a rhyme to it. Two Leps in one film? How much worse can it possibly get from here?

The gory aspects in the Leprechaun films is pretty minimal and as cheap as a moldy piece of bread, but there’s at least not one, but two memorable death scenes to mention here. The first one involves Lep using his magic to make a blond stripper crawl out of a TV screen to give a sleazy guy some pleasure. Well, think again. As she lays upon him and getting ready to suck his dick, Lep transforms her into a cyborg that electrocutes him. And a wet, special thanks goes to the nude Penthouse model Heidi Lynne Staley for making this scene happen. Then we have the scene where Caroline Williams makes her wish: to be young and beautiful again. The result is the whole film in a nutshell, where her lips, boobs and ass blows up like a balloon and explodes in pure Looney Tunes fashion, then followed by on of the best punchlines from our favorite comedian Lep: “Now that was quite a LOAD to have to EXPLODE. What a lovely LASS, I had to blow up your ASS, but now I must hit the road!”

Lep 3 is regarded as the best in the franchise, or best-worst, if you will. The film is delightfully bad on every level and surely deserves its place on the Hall of Shame of so-bad-its-good-movies, and no one seems to take the franchise seriously for a second at this point. The acting, the dialogues, the shoddy effects filled with outlandish cartoon logic, a flavor of naughty nudity only to piss off the parents, makes this a great time and perfect film to watch on little junior’s birthday party! Warwick Davis is at his peak here with his best lines and embraces the insanity to its fullest with his performance. The tone and the humor, whether is intentional or not, suits Lep’s wit and personality perfectly and the Las Vegas setting adds even more to the fun. This is also Davis’ personal favorite in the series, and it’s hard to not be on the same page with him on that one. Leprechaun 3 was shot in 14 quick days, and became the highest selling direct-to-video film of 1995 which kept the spaceship ready to send Lep to his next adventure.

Director: Brian Trenchard-Smith
Writer: David DuBos
Country & year: USA, 1995
Actors: Warwick Davis, John Gatins, Lee Armstrong, John DeMita, Michael Callan, Caroline Williams, Marcelo Tubert, Tom Dugan, Leigh-Allyn Baker, Richard Reicheg, Linda Diane Shayne, Heidi Lynne
IMDb: www.imdb.com/title/tt0113636/

Leprechaun (1993)

Posted on March 30, 2022September 15, 2024 by HorrorGhouls

Screenwriter Mark Jones had already worked in the TV industry since the 70s, and wrote for Saturday-morning cartoons like Scooby-Doo, Yogi, Dinky Dog, Mr. Magoo, Heathcliff, James Bond Jr, ALF and the list goes on. At the age of forty he decided to take his career to the next level by writing and directing his first little, low-budget horror film. And one night he sat in a bar and saw the Lucky Charms commercials on TV, the brilliant idea for a horror spin to the Irish mythical folklore creature, Leprechaun, popped up in his head. And since Halloween and Friday the 13th was already taken, a horror film about an evil Leprechaun would be perfect to air on TV every St. Patrick’s Day and give him an annual paycheck. He pitched a script to Trimark Pictures and got the green light (pun intended) after being rejected twice. On board he had the British actor Warwick Davis in the title role, who was then only known for his role in Willow, and was pretty excited to play an antagonist. An young and unknown Jennifer Aniston plays the main protagonist in her first movie role.

Leprechaun starts off in 1983 where Dan returns to his farmhouse in North Dakota from a trip to Ireland. He arrives in a black limousine, drunk on Jameson Whisky, and shows his wife a pot of gold that he’d stolen from a Leprechaun. But little did he know that the Leppy has followed him, and kills his wife by pushing her down the basement stairs as he screams his trademark line “I want me gold NOW!”. Dan suppresses his powers with a four-leaf-clover, which is like cryptonite for Leprechauns, before he traps him in a crate. After sealing it he puts the clover on the crate to hold him trapped forever. He then gets a stroke.

Ten years later, the young lady Tori (Jennifer Aniston) and her dad is moving into the farmhouse we saw earlier. Tori is not impressed and wants to go back to Beverly Hills. After freaking out by some cobwebs and the sight of a spider in the basement, she runs out and bumps into Mr. Prince Charming (a love-relationship that never got developed in the script, I guess). But it gave her enough reason to stay so we can see her with a shotgun at the end. But where’s the man of the party, Leppy himself? He’s still in the basement, trapped in the crate, waiting for someone to finally remove the four-leaf-clover so he can finally pop out, look for his gold, and give us some entertainment. Of course, it had to be some fat, clumsy redneck to remove the clover by an accident. He’s supposed to be the comic relief, but no one had any idea how Warwick Davis would completely outshine the whole cast.

If Beetlejuice and The Joker had a baby, it would be something like Leppy, and the one and only reason to watch the film is because of Warwick Davis. Without him and his witty and unique, cartoonish, wild persona and line-deliveries, this film would be unwatchable and forgotten, and we wouldn’t have the awesome sequels. He’s dedicated to the fullest, clearly having a blast, and the imaginative prosthetic make-up by FX artist Gabe Bastalos matches his personality perfectly. The rest of the characters have nothing much to offer and are as bland as bed sheets, and the film’s main problem is that it doesn’t know what it wants to be. In some scenes it looks like a cheap kids movie made for TV, and the next we have some dark moments where Leppy bounces some dude to death with a pogo stick. He breaks some police officer’s neck and rips someone’s eye out. Too childish for the older viewer, yet too brutal for the minors. So … I don’t know.

The highlight is where Leppy chases Jennifer Aniston with a wheelchair, a scene where she actually had to run in slow-motion so that Davis could keep up with her, as he had trouble steering the wheels. I would love to see a raw footage of that, haha.

The film is most known for Jennifer Aniston’s first film role, and this is probably her best performance as far as I know. She runs, screams, and when she’s not looking confused and asks herself what the hell she’s signed on to, she tries her hardest to look scared when confronted with Leppy. At some point she looks completely dead inside where she might be realizing that this actually was a feature film and not a deliberate prank. Luckily for her she found success in the sitcom Friends shortly after, and did what she could to pretend that this film never happened. Even though the film was a perfect target to get panned and mocked by critics, it struck gold at the box office, gained a cult-following and the executives at Trimark now saw the opportunity for more gold with a franchise with Warwick Davis who reprised his role in five sequels. And what a bizarre franchise we got. Dear Lord …

Writer and director: Mark Jones
Country & year: USA, 1993
Actors: Warwick Davis, Jennifer Aniston, Ken Olandt, Mark Holton, Robert Hy Gorman, Shay Duffin, John Sanderford, John Voldstad, Pamela Mant, William Newman, David Permenter, Raymond C. Turner
IMDb: www.imdb.com/title/tt0107387/

Redneck Zombies (1989)

Posted on August 27, 2021September 9, 2024 by HorrorGhouls

Redneck Zombies is probably most known for being one of the first films that was shot entirely on videotape (VHS) and released direct-to-video. Combined with that the film was shot on video and the result being what it is: a complete trashy home-made schlockfest with amateur actors and a script that seems to have been scribbled on toilet paper as they went along, didn’t impress the distributors very much. They basically told director Pericles Lewnes to fuck off, and after having enough rounds of rejections, he finally decided to try his luck with Troma – which is pretty odd he didn’t do in the first place since Redneck Zombies feels like pure Troma from start to finish, and just the title itself could probably give Lloyd Kaufman an instant hard-on. Most of Troma’s trademarks are all over the place: the outlandish over-the-top looney tunes acting with dialogues that are so stupid you’ll lose some braincells while watching, a demented plot which makes no sense, blood, greasy gore, puke, and I wish I could say tits. Whatever.

The plot goes something like this: It’s a regular day in the middle of redneck-nowhere in ‘Merica where the soldier Tyrone is transporting a barrel full of toxic waste. As he drives along the bumpy hillroad, smokes a joint and talks shit to his passenger dog, the barrel suddenly rolls off the jeep and further down a valley. The valley of redneck Hell no-go zone that is. When he tries to retrieve it, he immediately gets gunpointed by Ferd, a redneck slob who wants the barrel, since it already trespassed on his “land”. After Ferd scares him away with a warning shot, in true second amendment-style, he trades the barrel with a clan of imbecile inbreds who mixes the waste with moonshine and starts to drink the damn thing like there’s no tomorrow. And you can’t in a million years guess what happens next … the liquid turns them into zombies. Who could possibly know. But they are not some regular zombies, no-no, they’re REDNECK zombies! Good lord.

At the same time, a group of city slickers are camping nearby, which seem to have the same level of IQ as the rednecks, or they are just as bad actors. The only thing that differentiates the rednecks from the “civilized people”, to use that word loosely, is really the dress code. And to no surprise they eventually stumbles upon the redneck zombies and a lot of weird, retarded, crazy shit happens. I can mention the scene where the rednecks start to drink the waste and the TV screen goes into a full psychedelic acid-trip, and the effects are just horrendous.

While the plot seems seemingly straightforward, the film throws in a lot of random filler scenes that gives us some nuggets of what the heartland has to offer, and to give a more authentic impression of the redneck community. Here we learn that The Elephant Man himself is still alive and well, but still covering his head with a burlap sack with one hole in it to peek through. The rednecks calls him Tobacco Man, since he sells tobaccos from his vendor van. He’s also some kind of a prophet which the rednecks worships, and rambles some weird, crazy nonsense with a dark baritone voice.

There’s also a complete random parody of the hitchhiker scene from Texas Chain Saw Massacre. Well, why not. And we get some scenes of a redneck lady with her beloved Perky the Pig, where she promises him that he won’t end up as bacon. When we thought we’ve seen it all in redneck hell, we jump right into a scene where two dudes are watching chickens getting slaughtered on TV, and who have a girl in the living-room, wrapped in duct tape. Of course. There’s some scenes that are shot like it was a sitcom where the only thing missing is fake laugh tracks. This film has some serious symptoms of schizophrenia, and I believe even Dr. Phil would agree on that.

The gore delivers, for the most part, at least. Heads are being scalped, beheaded with a shovel and crushed with bare hands, eyes gouged out, limbs ripped apart and so on. It’s juicy, greasy and at times, a little gruesome. Some looks cheap, others looks almost too competent for a film like this. It’s also hilarious that the zombie make-up was made by cornflakes. Yes, really. My final verdict? Get drunk, pretend to be a young teenager and you’ll probably have a blast with this one.

Director: Pericles Lewnes
Country & year: USA, 1989
Actors: Steve Sooy, Anthony M. Carr, Ken Davis, Stan Morrow, Brent Thurston-Rogers, Lisa M. DeHaven, Tyrone Taylor, Anthony Burlington-Smith, James H. Housely, Martin J. Wolfman, Boo Teasedale, Darla Deans
IMDb: www.imdb.com/title/tt0093833/

Die Hard Dracula (1998)

Posted on July 8, 2021September 9, 2024 by HorrorGhouls

Die Hard Dracula. How can it go wrong with a title like this?

The film opens with quick a prologue we’ve heard thousand times about Vlad The Impaler and his battle against the Turks, as we see images of people literally sitting on poles in their underwear with no blood, no gore, nothing. Not a single attempt to make us believe that we’re looking at tortured and impaled people in a dark middle ages scenario. You’re just a few seconds in, and you already ask why the hell this movie was made and why it even exists. The visuals are just flat out dreadful, and calling it amateurish doesn’t do it justice, it’s even far beyond that. It’s almost a cliché thing to say, but it’s really hard to put words on how ridiculously bad this is. And this is just the first ten seconds or so.

And after 300 years, Dracula has finally had it with Romania and its God-fearing whining people. As he lies in his coffin, we hear his first lines in the distinct Romanian accent: “No more pray! Three hundred years I listened to this awful praying and boOolshit. I can’t stand it no more.” We then get a scene where his casket flies over the European landscape (yes, with Dracula in it) with the tune of Ride Of The Valkyries playing. What really is there to say … It’s pure movie magic. He lands in his new castle in Moravia, Czech Republic.

After the opening we jump over to sunny California, where we meet the young couple Julia and Steven, who have fun with water skiing. But tragedy suddenly strikes when Julia loses the grip and disappears into the sea and assumingly drowns. One night Steven and his father see a shooting star, and Steven says “I wish Julia was alive.” His dad then follows up with this line: “You know the old saying … see a falling star, a wish may come true.” Steven responds with a blank stare like if he was a lobotomized mental patient : “Yeah … I wish … I really wish ….” No tears, no emotions. He’s probably the worst actor in this film. Anyway, the shooting star hits a random coffin some place in Moravia that resurrects a young, recently deceased woman back to life, who Steven ends up imagining is Julia. Yes, seriously. After the shooting star incident, he then jumps on a plane to Prague and goes from pub to pub, only to get more and more drunk and disappointed. A lot of nonsensical bullshits happens, but he eventually ends up in a tavern where he meets this girl, who then gets kidnapped by Dracula. Van Helsing finally pops up from nowhere, just in time, who teams up with Steven to kill Dracula and save the girl.

Van Helsing is played by Bruce Glover (father of Crispin Glover), and he acts more like a confused half-drunk uncle you just want to put to bed with wishes of a better tomorrow. Most of the “ actors “ seem to be either drunk, or just on something. I would be too, if I was acting in a film like this. We see Dracula in several shapes, played by several actors, one worse that the other. We see him as a big, fat slob that looks like Jabba The Hut and a rotten potato with a wig, and his regular shape where he looks more like Meat Loaf in a porn spoof (just without the porn), to mention some examples.

Dracula also shows off some display of magic powers by throwing fireballs, and shooting lightning from his fingers as he acts like a mental lunatic who tries his best not to impersonate Emperor Palpatine. Several of Dracula’s dialogues were dubbed with the most stiff and lifeless voiceacting that you could’ve heard from a discarded PS1 game. Dracula is the funniest part in this demented madhouse of a movie, for sure, and has a lot of laughable dialogues. And we get the most retarded sex scene with the tune of the the Nutcracker playing. Merry Christmas.

The effects and set-design is a whole another level of absurdness, if not lazyness. While a castle somewhere in Czech Republic was used as the exterior for Dracula’s Castle, the interior set-design is just a room, covered with white cow wallpaper, or whatever it is. It’s something straight out of an elementary school play. The Dracula costume was probably bought at Walmart. The ending puts the level of stupidity all up to eleven which gives a clear indication that we would never see the sequel Die Hard Dracula With a Vengeance, directed by Tommy Wiseau, as much I would have loved to see that one.

And that was Die Hard Dracula. Pure mentally retarded trash from start to finish where someone just picked up a camcorder, a mic and goofed around with friends during a long weekend. And God knows what went through their heads. They probably had the time of their lives making this, like they where some teens making their first movie in someone’s backyard, but the result is something even their mothers would struggle to give legit compliments to. Especially considering that the writer, producer and director Peter Horak was at whopping 55 years old when he made this, after working as a stuntman in Hollywood for two decades. At least he got to see his masterpiece become full circle when it finally got released on DVD from Alpha Home Entertainment before he died in 2017.

Director: Peter Horak
Country & year: USA, Czech Republic, 1998
Actors: Bruce Glover, Denny Sachen, Kerry Dustin, Ernest M. Garcia, Chaba Hrotko, Thomas McGowan, Talia Botone, Nathalie Huot, Peter Horak, John Slavik, Robert Coppola, Eddie Eisele, Paul Lackey, Joseph Miksovsky, Margie Windish
IMDb: www.imdb.com/title/tt0162930/

Bubba Ho-Tep (2002)

Posted on May 5, 2021September 9, 2024 by HorrorGhouls

You know the legends… Now learn the truth.

Elvis Presley (Bruce Campbell) is alive, but far past his glory days, to put it mildly. He has become a bedridden old geezer, who rots away in a small nursery home somewhere in Texas, filled with bitterness, grief, lost identity, and can’t say one sentence without spewing sarcasm. To make it worse he has a cancerous growth on his willie. And how much worse can it get from here? No one thinks he’s the real Elvis. Because, hear this: Once upon a time Elvis had to retire from showbiz and pass the mic to the Elvis impersonator Sebastian Haff (Bruce Campbell again) when his hip went bye-bye. When Sebastian Haff died of an overdose, Elvis never got the chance to reclaim his identity. So here we are. Life is unfair.

The one and only who believes he’s The Elvis is none other than a senile, weird old man who claims to be John F. Kennedy (Ossie Davis). And he’s.. well, uhm… black. Ok. And guess what; an ancient Egyptian Soul-sucking Mummy starts to terrorize the oldies at night who ends up dead at a high rate at the nursing home. JFK is strongly convinced that a mummy called Bubba Ho-Tep is behind all of this. Of course it is. And since Elvis hasn’t got much better to do than shuffle around with a walking chair, he teams up with JFK and puts on his iconic stage-outfit one last time to kick some mummy ass.

Bubba Ho-Tep is written, produced and directed by Don Coscarelli, based on a short story by Joe R. Lansdale which mixes drama, thriller, horror comedy, fantasy and an overdose absurdism. The premise itself is so bizarre, and far-stretched to oblivion that it’s hard to actually see any directors at all able to translate this to a coherent feature that walks a fine line between the absurdness and seriousness in a sober way. But Don Coscarelli certainly did it, and also wrote the script and produced Bubba Ho-Tep as a passion project which quickly became a modern cult-classic. The result, with a budget of one million dollars, is pretty solid, to say the least, with Bruce Campbell and Ossie Davis as the most unlikely duo ever put on film, in its bizarre plot that doesn’t look like anything else. But for those who expects blood n’ gore, you will be disappointed as Bubba Ho-Tep relies far more on atmosphere (an eerie one I would say) surreal character study, and dialogue-driven scenes with some really rough language your mom probably wouldn’t appreciate.

A horror comedy where Bruce Campbell portrays an old Elvis is enough of itself to get anyone’s attention. But we shouldn’t underestimate Ossie Davis (1917-2015), who was an unknown name for my part. A serious actor who’s inducted to the American Theatre Hall of Fame is one of the last actors you’d expect to see in a film like this. Even his manager at the time meant he was too good for a film like this, and recommended him to skip the role, but the power of a good script convinced him otherwise. We could easily get an over-the-top goofy JFK, but Ossie plays him in a very serious and calm down-to-earth demeanor, how hard, unlikely and utterly bizarre that sounds like. The chemistry between Bruce and Ozzie really shines and they seemed to have a blast on set. Bruce Campbell does one of his greatest performance ever. He completely disappears into the role of Elvis and clearly shows that he’s a lot more than a certain Ash with a chainsaw. I also have to mention the soundtrack by Brian Tyler which is just plain and simply beautiful.

Director: Don Coscarelli
Country & year: USA, 2002
Actors: Bruce Campbell, Ossie Davis, Ella Joyce, Heidi Marnhout, Bob Ivy, Edith Jefferson, Larry Pennell, Reggie Bannister, Daniel Roebuck, Daniel Schweiger, Harrison Young, Linda Flammer, Cean Okada
IMDb: www.imdb.com/title/tt0281686/

Killer Sofa (2019)

Posted on April 20, 2020September 9, 2024 by HorrorGhouls

Horror movies turning objects into murderous creatures is nothing new. We’ve gotten killer tomatoes, deadly beds, murderous cars, cursed costumes, a possessed laundry machine (here’s our review of The Mangler) and the list goes on. But a killer “sofa” (which is actually a recliner chair) now that’s something new to check off the list.

This movie is director Bernie Rao’s feature debut, but prior to this he’s made quite an impressive amount of shorts in various genres. In Killer Sofa (killer chair, really, but I digress) we follow the story of Francesca, an attractive young woman who seems to unwillingly make certain men fall head over heels for her, and they become obsessive and stalking. One of her admirers is found murdered (or, they find body parts of him which should make it obvious he’s been murdered), and soon thereafter, Francesca receives a new chair as a gift. She puts it in her living room, but soon her new furniture appears to be living a life of its own…

Now, the actual appearance of the Killer Sofa strays pretty far away from what the cover might lead you to believe. The recliner is given two round black buttons for eyes, giving it an appearance which is actually kind of cute…and it could have fitted well within some kind of TV show for kids. However, as this is a horror movie, the “cute” recliner is killing people, especially if they get too close to its new owner. One of Francesca’s friends, Maxi, has a grandfather who is a disgraced Jewish rabbi, and he becomes convinced that the recliner is possessed by a “Dybbuk” (a malicious possession spirit from Jewish mythology).

Now, I’m sure you think everything described so far makes this movie sound hilarious and quite ludicrous. While that is somewhat true, I think it’s fair to point out that the movie doesn’t spend its time trying to chunk out one gag after the other, and the humor is sometimes quite subtle as the movie appears to be taking itself a bit too seriously considered its overall wacky premise. There are some rather amusing scenes, but it isn’t really an over-the-top crazy movie, so if you expect something of that kind you might be disappointed. It’s not really one of those traditional “so bad it’s good” movies where you can expect to laugh your ass off, although there are some pretty funny scenes here and there – including a scene where the chair keeps blowing out Francesca’s matches, which is actually quite hilarious! So, to sum it up, Killer Sofa is a weird low-budget indie horror, and must be seen under the correct expectations. It’s a good bunch of stupid fun, if you know what to expect from movies like this.

As a final note, here’s a little bit of trivia: the original title for Killer Sofa was actually My Love, My Lazy Boy. Which probably doesn’t make much sense to you unless you know that there’s a furniture manufacturer called La-Z-Boy (and if you type the term into Google Image Search, you’ll get a lot of pictures displaying recliner chairs of the similar looks as the one displayed in this movie). This makes the original title somewhat more “correct”, I guess…but it’s probably much more catchy with a title like Killer Sofa.

Directors: Bernie Rao
Country & year: New Zealand, 2019
Actors: Piimio Mei, Nathalie Morris, Jim Baltaxe, Jed Brophy, Stacey King, Angelica Thomas, James Cain, Jordan Rivers, Harley Neville, Sarah Munn, Sean Fleming, Trae Te Wiki, Hamish Boyle, Grant Kereama, Adrienne Kohler
IMDb: www.imdb.com/title/tt10927122/

Highway to Hell (1991)

Posted on October 2, 2019September 9, 2024 by HorrorGhouls

Charlie (Chad Lowe) and his girlfriend Rachel (Kristy Swanson) is on their way to Las Vegas to get married. On the road they take a detour and stop by a gas station, where the owner Sam warns them about two Joshua trees and not driving while falling asleep… eh, okay, thanks for the warning. Bye. While they drive past one of the aforementioned Joshua trees, they’re pulled over by a police car. Little do they know that they’ll encounter the notorious Sgt. Bedlam Hellcop: a scarred big dude with some obscure biblical text inscribed on his face, who kidnaps young virgins to take them to Hell and hands them over to Satan.

After Charlie’s girlfriend is taken to Hell, our old gasoline man Sam tells Charlie that a group of virgins have been kidnapped by The Sergeant aka Hellcop, one of them whom he was planning to marry himself. Since then he settled down by the road with his “Sam’s Last Chance Gas Station”, in order to dedicate the rest of his life to warn others. At least those who’d be crazy enough to believe him. Sam gives Charlie a shotgun and his old vintage car, that has a magical ability to enter the portals of Hell. However, if he’s not back in 24 hours he’ll be stuck in Hell forever. Best of luck.

Highway to Hell is a small, obscure film written by Brian Helgeland who’s known for The Postman, L.A. Confidential and A Nightmare on Elm Street 4: The Dream Master. A prominent screenwriter who is one of the most successful in Hollywood who still keeps going today. This movie had a distribution deal with Hemdale Films, which had titles as The Terminator, Platoon and Return of the Living Dead in its catalogue. The newcomer Ate De Young from Netherlands is directing his first American film, and wanted the film to look as American as possible. The funny thing is, for some reason I always assumed that Highway to Hell was filmed in the Australian deserts since there’s Mad Max-vibes are all over the place. And mixed with some quirky underworld-fantasy elements that could be taken straight out from Beetlejuice, the film has an imaginative and slightly surreal universe with a lot of funny moments and great ideas.

I especially like the concept with all of the corrupt police officers who have to spend all their eternity in a small, dusty doughnut diner, where none of them are ever allowed to have any coffee or doughnut, while the sassy waitress is laughing in their face. There’s also a bunch of cameos popping up, and the whole Stiller-family can be seen here. A young an unknown Ben Stiller plays a wacky cook, Amy Stiller as Cleopatra and their parents Frank Stiller and Anne Meara also says hello. How cute. Gilbert Gottfried also shows up as a dementia-suffering and not-so-convincing Adolf Hitler, and the ex-guitarist from The Runaways, Lita Ford, as a hitchhiker.

The most interesting character of all is Sergeant Bedlam Hellcop played by C.J. Graham who developed a claustrophobia during the filming that became so severe that he couldn’t be in his make-up for more than two hours. I wish there was some more backstory on him, though, and it would have been interesting to see him in a spin off-film (Hellcop vs. Maniac Cop could have been cool). However, Highway to Hell isn’t as awesome as I remembered it from watching it repeatedly on VHS in the 90s. The ending is pretty anticlimactic and dull, which gives an impression of studio interference going on. Still, it’s a fun, lighthearted and entertaining ride for the whole family to enjoy.

HorrorNews.Net called it “one of the greatest campy horror films to never arrive on DVD”, and was so hard to find at one point that the director had to do the shameful act and torrent it just to get a copy himself. Hemdale Company was also on the verge of bankruptcy during the making of this film, which caused it to collect dust on the shelf for one year until it finally got screened in only eight cinemas, and flopped spectacularly. Ouch. It later found a bigger audience at Home Video and became a cult film over the years. Ate De Jong made his second and last American movie with the comedy Drop Dead Fred before he dropped back to Europe to continue his directing career. In 2016, Highway to Hell was finally released on DVD and Blu-ray, with a director-commentary track.

Director: Ate De Jong
Country & year: USA, 1991
Actors: Patrick Bergin, Adam Storke, Chad Lowe, Kristy Swanson, Pamela Gidley, Jarrett Lennon, C.J. Graham, Richard Farnsworth, Lita Ford, Gilbert Gottfried, Anne Meara, Rags, Amy Stiller, Ben Stiller, Jerry Stiller
IMDb: www.imdb.com/title/tt0104418/

Queen Crab (2015)

Posted on September 2, 2019September 9, 2024 by HorrorGhouls

A young girl (Melissa) is playing nearby the pond close to her family’s residence, and finds a cute little crab whom she names Pee-Wee (yeah, you could probably make some STD jokes here). She decides to keep it, and starts to feed it some of the weird fruit from her father’s laboratory where he’s experimenting on a formula to make things grow larger. Soon, Pee-Wee starts to grow much bigger (I’m talking about the crab, of course). After an accident that kills both of Melissa’s parents, she lets Pee-Wee back into the pond and goes to live with her uncle, the town sheriff. Many years later, Melissa is still caring for her secret giant crab pet (who is, despite the name, actually a female). All is well until “Pee-Wee” gets some huge crab babies that start to cause trouble all over town…

Queen Crab aka Claws is a low budget ($75.000) creature feature with old-fashioned stop-motion effects, that can easily be considered a homage to the monster movies of the 50’s and 60’s. It’s written and directed by Brett Piper, and while this movie was actually our first introduction to his work, the guy has been going at it since the 1980’s. Some of his earlier work includes titles like The Nymphoid Barbarian in Dinosaur Hell, Drainiac, and Shock-O-Rama. Specializing in low-budget horror and monster flicks with old school effects, he’s built himself quite the portfolio, and I expect that we at Horror Ghouls are likely to check out more of his movies.

Now, Queen Crab is definitely going for a “so bad it’s good” feeling, but there is unfortunately a lot of scenes with little progression, and that makes the movie feel somewhat dragged out in places. The acting is a mix of bad/laughably bad, but that’s most likely intended. I’d reckon that the customer base for movies like this are already familiar with low-budget indie horror films and their usual flaws, and if you belong to this group you’re more likely to enjoy it for what it is. There’s no denying that the stop-motion effects is the movie’s main selling point, and combined with the bad/laughable acting and goofy premise, you’re actually getting a rather decent indie monster film. Surprisingly, there’s even a certain charm to it in regards to the “relationship” between Melissa and her giant monster crab.

Not a masterpiece by any standards, but if you’re in for some campy “shut down your brain first” kind of fun with old-school effects, you’ll most likely find yourself entertained!

Director: Brett Piper
Country & year: USA, 2019
Also known as: Claws
Actors: Michelle Simone Miller, Kathryn Metz, Richard Lounello, A.J. DeLucia, Steve Diasparra, Danielle Donahue, Ken Van Sant, Yolie Canales
IMDb: www.imdb.com/title/tt2319456/