Deathgasm (2015)

Brodie is a heavy metal-outcast whose meth-head mom is sent to a mental ward after trying to give a mall-santa a blowjob, and thus he needs to live with his uncle, aunt and cousin. They are “some good Christians”, by the way, who thinks Ricky Martin is the heaviest thing they’ve ever heard. Not much in common between him and them, in other words. His cousin is a complete sport-idiot-psychopathic douche who calls Brodie a “devil worshipper” and bullies him at school, but at least he’s got two friends at school who thinks playing board games at lunchtime is the most badass thing to do.

 

Also, there’s one really cool thing about this new place: Alien Records, which is a record shop that specializes in 80’s metal on vinyls and cassettes. Here he meets the like-minded Zakk, who plays bass guitar, and they start a black metal band with the catchy title Deathgasm. When they come across some obscure note-sheets from their black metal-idol Rikki Daggers, “Black Mass”, they make it into a Deathgasm song, and unintentionally conjure the demon Aeloth who then possesses the towns residents to be devil worshippers. With the help of heavy metal, chainsaws and sex toys, it’s now up to Brodie and his friends to prevent a full-blown hellraising metalapocalypse.

 

Written and directed by Jason Lei Howden, a young newbie from New Zealand, who won a contest and a price of NZ$200,000 to make his first feature film. Howden took inspiration from his own experience as a metal-outcast in the mid-90’s, combined with a lot of splatter-fun and blood puking. When Howden isn’t behind the camera, he works at Weta Digital, Peter Jackson’s CGI company. Impressive.

 

Horror and metal goes hand in hand, and “Deathgasm” shows it to the fullest, with a plot that reminds us of “Trick or Treat” (1986) and some elements of Rob Zombie’s “Lords of Salem” (2012). The Evil Dead-ish demons look pretty cool, and the humour is a mix of “Bad Taste” and “Braindead” (or “Dead Alive” as it’s called in the states). There’s also some funny references to the Norwegian black metal-fans. The zero-budget music video our friends in Deathgasm makes in the woods, Immortal-style, is spot on. Otherwise, there’s a lot of crazy zombie action going on with dildos, vibrators, chainsaws and whatnot to keep you entertained. The perfect recipe for a party movie, in other words. And I have to mention the chopper-scene reference from Dawn of the Dead, which was awesome.

 

With a title like Deathgasm and its satanic imagery, it’s not completely without some controversy. The title was a little too much for Walmart, who refused to sell it. Pretty ironic since Walmart can be a horror-shitshow in itself (search “people of Walmart” on YouTube to get a great lol). They agreed to sell it when the title was changed to “Heavy Metal Apocalypse”.

 

Deathgasm

 

Director: Jason Lei Howden
Country & year: New Zealand | USA, 2015
Actors: Milo Cawthorne, James Blake, Kimberley Crossman, Sam Berkley, Daniel Cresswell, Delaney Tabron, Stephen Ure, Colin Moy, Jodie Rimmer, Nick Hoskins-Smith, Erroll Shand, Kate Elliott
IMDb: www.imdb.com/title/tt3705412/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Frankenhooker (1990)

Frankenhooker (1999)Jeffrey Franken (James Lorinz) is a young medical student whose fiancee, Elizabeth Shelley, gets overrun by a lawnmower at a backyard party and gets shredded to pieces. The only thing left of her is her head, which he puts in the freezer. He’s determined to get her back in some way, and arranges his garage into a typical “mad scientist” lab. Then he drives around New York’s dark streets to pick up the finest hookers to assemble body parts for his new girlfriend.

 

Obviously,  troubles start right from when she wakes up, with a mentality of a whore and all the body parts stitched on her. She escapes the garage and gets loose on New York city and all she can say is: Need some company? Looking for some action? Got any money? And then she enters a bar where she meets the pimp of the missing hookers who notice a certain tattoo on her new arm..

 

With a title like «Frankenhooker» you may expect the worst, but if you’re familiar to Frank Henenlotter’s movies you know what you’re getting yourself into. With the limited amount of resources and small budget, he really knows how to use it and combine horror with comedy. Frankenhooker is probably his best one and the most lightened, entertaining and overall the craziest. And like Henenlotter’s previous films, the darker and sleazy streets of New York are portrayed in a authentic way. Shot without permission during the night with real hookers in the background gives his films a more realistic look.

 

James Lorinz is great in his role as Jeffrey. He reminds me of a milder version of Herbert West. He’s sympatethic and really feels bad for killing streetwalkers to collect the body parts, but he really wants his loved one back. The more he slips into desperation and obsession to fix his fiancee back to life, you just feel sorry for him. Patty Mullen as the Frankenhoooker isn’t bad either. She’s not as serious as Lorinz, but her facial ticks and overacting fits the tone and her scenes are entertaining  as hell.

 

And of course, how can you not love a movie with exploding hookers?

 

Frankenhooker

 

Director: Frank Henenlotter
Country & year: USA, 1990
Actors: James Lorinz, Joanne Ritchie, Patty Mullen, J.J. Clark, C.K. Steefel, Shirl Bernheim, Judy Grafe, Helmar Augustus Cooper, Joseph Gonzalez
IMDb: www.imdb.com/title/tt0099611/

 

Tom Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Evil Ed (1995)

Edward Tor Swenson (Johan Rudebeck) is editing dull swedish drama-films that nobody wants to see. When the former editor in the building’s “Splatter and Gore Department” became mad and stuffed a grenade in his mouth, Ed is set up to replace him, a task he would quickly regret. Ed gets his own, dark house in the woods where he sits through the newest film in a horror movie series called «The Loose Limbs», which serves as a parody of all of the trashy horror sequels we got in the 1980’s. Ed becomes increasingly influenced by all the cruel violence he must sit through and it drives him crazy, or drives him “Evil Ed”, if you will. Now the world shall pay for making these influential garbage films, and he goes on a wild rampage.

 

«Evil Ed» is first and foremost a satire and spoof against the Cinemabureau of the State in Sweden that edited out explicit and gory scenes in horror movies to such an extent that it was only dry meat left. The scenes where the gory things happened would jump-cut right into the end of the scene. Not only did we miss the gory stuff, but also the whole context of the scenes. It looked choppy and messy and was irritating as hell. Those of us who grew up in the 80s and 90s, are aware of how horror movies on VHS were brutally treated by cencorship, especially in Norway (where I am from). They really showed no mercy to those poor celluloids, and even a scene in “Ghostbusters” were cut from the VHS in the norwegian release back in the day. Fortunately, things are different now.

 

With the cencorship history in the back of your mind, you will probably get more out of «Evil Ed», but this is still a fun little low-budget slasher made with lots of energy, enthusiasm, and a ton of horror references and cheesy dubbing. And music by E-Type, of course.

 

Evil Ed

 

Director: Anders Jacobsson
Country & year: Sweden, 1995
Actors: Johan RudebeckPer Löfberg, Olof Rhodin, Camela Leierth, Gert Fylking, Cecilia Ljung, Michael Kallaanvaara
IMDb: www.imdb.com/title/tt0116247/

 

Tom Ghoul