Dean Corso (Johnny Depp) is a book dealer who specializes in rare items. He is hired by a wealthy collector named Boris Balkan, who has acquired “The Nine Gates of the Kingdom of Shadows“: a 17th century book that is rumored to be able to summon the Devil himself. It is said that the author of the book, Aristide Torchia, wrote the book in collaboration with the Devil, and that only three copies survived. Balkan suspects that only one of these books are authentic, and that’s the reason he’s hired Corso: so he can inspect the other books and determine which one is the real deal. Corso accepts the job, and begins his travels to check out the other books. Soon, he comes into contact with a mysterious woman who appears to be following him…and he’s getting more and more drawn into a supernatural conspiracy.
The Ninth Gate is a neo-noir horror thriller by Roman Polanski, which is loosely based on Arturo Péres-Reverte’s novel called The Club Dumas (El Club Dumas) from 1993. Polanski liked the script so much and “saw so many elements that seemed good for a movie. It was suspenseful, funny, and there were a great number of secondary characters that are tremendously cinematic“. Polanski was very clear about not believing in the occult at all…but he certainly liked the genre, that’s for sure. While The Ninth Gate is nowhere near as popular or praised as his first devil-worship movie, Rosemary’s Baby (1968), it’s still a solid and stylish Polanski thriller.
Polanski’s knack at storytelling easily keeps the viewer engaged enough throughout the movie, with minimal use of special effects. In fact, there is very little violence or blood, and it relies on atmosphere and mystery accompanied by absorbing European scenery and cinematography. The cast is good, with a good performance by Depp who is portraying the unscrupulous and cynical book dealer who finds himself entangled in occultism and devil worship. There’s a lot of occult and tarot-like symbolism in here, some which may even be easily overlooked, like for example the obvious difference between the journeys of Corso and Balkan, going in opposite directions. I guess it’s one of those movies where taking everything at face value might leave you bored and moderately confused by this little puzzle of a film…there’s so much symbolism and small things that may not be too apparent, but makes a huge difference when you notice it. Certainly that old phrase comes to good use here: the Devil is in the details!
The Ninth Gate is a movie that has, since its release, received very mixed reception where some have been put off by the heavy use of symbolism and the apparently non-conclusive ending. But overall, I think The Night Gate is an enjoyable atmospheric and symbolistic occult horror thriller that has Polanski’s quirky humour and slightly absurd tone all over it.
Director: Roman Polanski
Country & year: France, Spain, 1999
Actors: Johnny Depp, Frank Langella, Lena Olin, Emmanuelle Seigner, Barbara Jefford, Jack Taylor, José López Rodero, Tony Amoni, James Russo, Willy Holt, Allen Garfield, Jacques Dacqmine, Joe Sheridan
IMDb: www.imdb.com/title/tt0142688/
Scarlett is a young scholar who continues her dead father’s search for the philosopher’s stone (a legendary alchemical substance discovered by Nicolas Flamel, which supposedly has the powers to turn metals into gold or silver, and granting eternal life). She travels to Paris, and together with her ex boyfriend George and Benji, the cameraman, they go to the Catacombs of Paris. Scarlett had earlier found the “Rose Key”: an artifact that has some codes which, upon using them to solve a riddle on Flame’s headstone, gives them some coordinates that points to an area inside the Catacombs. But of course, this specific area proves to be off-limits. With the help of a stranger, they get in contact with a guide, Papillon, who will take them to an off-limits entrance. Crawling through a narrow tunnel, they are pushed forward as it collapses, and they end up in an area with a blocked tunnel. Finding no other way to leave, they decide to break through the tunnel…and what they find further inside is more hellish than they could have imagined.
Mary Elnor is a young woman being accused of Witchcraft in Banfield, Massachusetts, in 1845. She is being hanged from a tree, and then lit on fire by an angry mob, who also bounds her spirit to the body of a doll before she takes her final breath.
Nicole is a young journalist eager to find out the truth in the case of an exorcism gone wrong in Romania, where a nun died and the priest and nuns involved were convicted for murder. She travels all the way over to Romania in order to dig deeper into the story, and after meeting with Father Anton and visiting the monastery where the exorcism took place, strange things start happening. As she finds out more and more about the nun that died, it becomes obvious to Nicole that something paranormal really did happen to that girl…and that it may even start happening to herself now.
In 1972 William Friedkin made “The Exorcist”. Now, fourty years later, he got the opportunity to film a real exorcism. He travels to Rome, Italy, to meet Father Gabriele Amorth, a priest and the Vatican’s Exorcist in Chief himself who’s performed over 50.000 exorcisms. During the documentary he was 91 years old and a bit fragile, but showed no sign of slowing down. There are 60 million people in Italy and we learn that 500.000 of them are seeing an exorcist every year. Yikes.
Brodie is a heavy metal-outcast whose meth-head mom is sent to a mental ward after trying to give a mall-santa a blowjob, and thus he needs to live with his uncle, aunt and cousin. They are “some good Christians”, by the way, who thinks Ricky Martin is the heaviest thing they’ve ever heard. Not much in common between him and them, in other words. His cousin is a complete sport-idiot-psychopathic douche who calls Brodie a “devil worshipper” and bullies him at school, but at least he’s got two friends at school who thinks playing board games at lunchtime is the most badass thing to do.