HorrorGhouls – Page 4 – Horror Ghouls

Frankenstein Island (1981)

Posted on October 13, 2024October 17, 2024 by HorrorGhouls

The director, Jerry Warren, woke up one day and saw some hot air balloons from his window. He picked up his potato camera, pushed the rec-button, and maybe hoped he could use it in some future project. And so he did. C o o l.

Then we cut to a group of middle-aged men who have crash-landed with the balloons on some island. After some exploring, they stumble into some natives who only consist of young, slim ladies. They only cover their tits and asses with some leopard-bikini-clad. And they seem to have easy access to shampoo. Welcome to the wildlife.

You are pretty, one of the ladies says. And no, this is not really a porno, this is supposed to be a Sci-Fi horror film, if you haven’t already figured it out. They have some weird ritualistic dances as if they were high on bath salt while our group of men drools at them. Every man’s wet fantasy seems to have come true … or maybe not. Because there is a shocking secret to be revealed about these ladies later. One of the ladies gets suddenly kidnapped by a goofy-looking guy in jeans and a beanie who looks pretty much like the twin brother of Bubbles from Trailer Park Boys.

It’s impossible to try explaining what’s really happening here. The film is so bafflingly absurd that anyone would get a serious brain fart if trying to find a breadcrumb of logic.

Our men get met by two other dudes who just randomly pop up behind some bushes – one old bearded grandpa with a cane and a guy with a pirate patch. And both of these guys look like two hardcore alcoholics who have zero business being on a movie set. The strong odor of piss, sweat, booze and old spice really reeks. The one with the patch laughs all the time, drinks from every bottle he can find, and I would assume that the guy was completely hammered for real during the filming. Oliver Reed would be impressed. Because there is no freaking way that any actors near this production could act drunk so naturally as we see here. There’s also a scene where he seems to black-out as he sits by a table and the camera just keeps rolling in case he wakes up. Spoiler alert: some ten moments later he wakes up, just barely.

400 words in, and I haven’t even got to break down the premise. Maybe because there hardly aren’t any. But like in a crowded bar somewhere in Wisconsin on a Wednesday night, a lot of unpredictable shit is bound to happen. And if a celluloid can get drunk, here you have the result. It’s incoherent, messy, absurd, bizarre and out-of-control all the way to the very last pub goer who refuses to leave after closing time. Just one more drink. One more. Burp. Okay then: We have a cheap-looking lab where an old and-ready-to-die Dr. Von (yes, with an o) Helsing lies in a hospital bed, looking confused. Who could blame him. We have some random silly scenes with more Trailer Park Boys-looking weirdos who swing with the cheapest Halloween Devil Fork the budget allowed to spend. We see a glimpse of some creepy mannequin, just because, some drops of acid-trip images, and, of course, we have Dr. Frankenstein, the man of the hour himself. Here he’s played by John Carradine, where he only pops up randomly as a hologram while he’s rambling a string of demented and nonsensical words. If his lines weren’t cryptic enough, they always end with The power… The power… The power… The power…!

Man, this movie…

And yes, we actually have a Frankenstein monster shoe-horned in here, just to put the little, golden raspberry on the top. He pops up randomly just in time to join the classic fight scene in the laboratory. And this fight scene is something else, where the retard-o-meter goes all up and even through the ceiling. It’s even worse than the catfight scene in Manos: The Hands of Fate. The best way to describe the insanity is as if there was a blind dance coordinator on the set instead of a stunt/fight coordinator. The monster also keeps arm-swatting constantly as if there was a fly in front of his face that wouldn’t leave him alone. I wouldn’t be surprised if he accidentally smacked several of his co-actors. And the legend says that he’s still to this day trying to swat that fly.

The film is written, directed and produced by the same mastermind who made Teenage Zombies (1959), The Wild World of Batwoman (1966) and other public-domain classics. The most amusing thing here is that Frankenstein Island was made after Jerry Warren took a ten-year hiatus from filmmaking. And during those ten years, plus five years prior, he didn’t watch a single film and had zero sense of the pulse of the horror movie business – other than he had heard rumors that horror films were profitable again (thanks to the rise of the slasher genre). The guy clearly lived in his own small bubble, completely out of touch deep in a fantasy world where the only movies that existed were his own, and thought that a film like Frankenstein Island would rise his ego. Never heard the term zeitgeist either, I would guess. The even more amusing, if not just tragicomic, is the matter of fact that Frankenstein Island looks like something from the 1950s alongside with Teenage Zombies, produced by Ed Wood. It’s so hilariously and just painfully dated, almost to an impressive level. Without knowing any of this beforehand, I’d rather believe that the Earth is flat than that this was made the same year as Halloween II.

Warren also wanted to make a sequel to Frankenstein Island which he described as “more up-to-date, not so campy and old-time.“ I would even pay a hundred bucks to see that film, but unfortunately Warren died in 1988, two months before John Carradine. Double RIP. The one and only DVD release of the film is out of print and very pricey. It’s also available on Tubi.

Writer and director: Jerry Warren
Country & year: USA, 1981
Actors: Robert Clarke, Steve Brodie, Cameron Mitchell, Robert Christopher, Tain Bodkin, Patrick O’Neil, Andrew Duggan, John Carradine, Katherine Victor, G.J. Mitchell
IMDb: https://www.imdb.com/title/tt0082410/

PUMPKIN BOY – Horror Short

Posted on October 13, 2024October 6, 2024 by HorrorGhouls

Three boys are punished for smashing pumpkins.

Horror Short Sunday is here again, and Halloween is getting near! Today we’re taking a look at Pumpkin Boy, which is a horror short with some really cool stop motion effects! The creator also has a “behind the scenes” video on his YouTube channel.

Director: Trent Shy
Country & year: Australia, 2022
Letterboxd: letterboxd.com/film/pumpkin-boy/

The Legacy (1978)

Posted on October 12, 2024October 7, 2024 by HorrorGhouls

Margaret (Maggie) Walsh and her boyfriend Pete Danner are interior decorators, and currently busy with a client in California. One day Maggie receives a large financial retainer from an anonymous client in Britain, but they can’t really leave because of their current obligations. Then, their client in California suddenly dies under mysterious circumstances. Well, off to England then! They end up in a rambling country estate: Ravenhurst. The place is owned by Jason Mountolive, who has invited several potential heirs to his estate. Jason is dying, and he wants someone to take over when he’s gone. All the guests also have to wear a signet ring with the Mountolive family crest upon it, and Maggie discovers that she cannot take it off. Maggie and Pete then decide this all looks shady as hell, and leaves the place. Except no matter how much they drive around, they always end up back at the Ravenhurst grounds. They cannot leave…and must stay until the heir has been chosen. And then the guests start dying…

The Legacy is a horror film from 1978, directed by Richard Marguand in his directorial debut. The Ravenhurst mansion is the musician Roger Daltrey’s residence, and he lent out the building for the movie on the condition that he would be a co-star in it, and he plays a character called Clive Jackson. There’s also a novel, but here’s a twist: the novel is based on the movie, and not vice versa. It was released in 1979.

The movie is a mystery-fueled occult horror film, where characters are dying one by one under mysterious circumstances. Despite having several kills, the movie is not at all gory. There’s several inventive death scenes, although they do lack a bit of buildup to be properly effective. The most chilling death scene is the one involving the Clive Jackson character, where he is choking on a chicken bone (despite not having eaten any chicken) and it all ends up with a botched attempt at tracheotomy. Other deaths includes a mirror that explodes and the glass shards kill the person in front of it, a fireplace that suddenly shoots out a large deadly flame, and of course a swimming pool death. The film shows pretty early that there are supernatural elements at force here, and several of the death scenes are obviously not done by human hands alone. There’s several body counts here that needs to be disposed of, and let’s just say that there are some rottweilers that aren’t going hungry. It’s always nice to have some pets that can take care of certain business matters. Speaking of animals, there’s also a mysterious white cat with heterochromia (one blue and one green eye).

While you don’t really wonder who will be the survivor considering we have a very clear protagonist here, the story is kept intriguing due to the mystery about why the other people are killed off and what the deal with everything here really is. The location with the English countryside, and the old mansion’s exterior and interior sets a spooky haunted-house like atmosphere. The pacing is actually quite good, where there’s a gradual build-up and a heightened sense of mystery. So overall, The Legacy is a 70’s supernatural horror film that’s worth checking out, with some great atmosphere and fun kills. And of course, the also that adorable white cat!

Here’s a sweet little fun fact: Sam Elliot (who played Pete) and Katharine Ross (who played Maggie) fell in love for real when they co-starred in this movie, and married in 1984 and are still a couple to this day. Aww.

Director: Richard Marquand
Writers: Jimmy Sangster, Patrick Tilley, Paul Wheeler
Country & year: UK, 1978
Actors: Katharine Ross, Sam Elliott, John Standing, Ian Hogg, Margaret Tyzack, Charles Gray, Lee Montague, Hildegard Neil, Marianne Broome, William Abney, Patsy Smart, Mathias Kilroy
IMDb: https://www.imdb.com/title/tt0079450/

The Sentinel (1977)

Posted on October 11, 2024October 15, 2024 by HorrorGhouls

Alison Parker (Cristina Raines) is a young, independent fashion model who’s looking forward to starting a new life after years of trauma due to some serious daddy issues. Because when she was a schoolgirl she accidentally caught her dad in the act of having a festive orgy with some fugly, meaty ladies. Just to make it more bizarre, they were also eating cake. Ouch, those poor, innocent eyes. Watching someone’s own parents having sex can be a horrific enough sight that stays with you forever, but Alison went straight into panic mode by locking herself in the bathroom where she tried to kill herself by slicing her wrist.

Her dad is now dead from cancer, and life goes on. She rents an apartment in an old brownstone apartment complex in Brooklyn Heights. Allison spots a mysterious person sitting by the window on the top floor of the building. We soon learn that he’s an old blind priest (John Carradine) who’s lived there for years. And he just sits there, day and night, like a statue and is not to be bothered. Does he ever eat or take a piss? Huh… OK, whatever. People are strange, as Jim Morrison once said.

If the vibe wasn’t eerie enough already, things get weirder when she settles in the complex. Because here she meets her new neighbors – a group of eccentric bohemian-acting hippie weirdos who you just want to distance yourself from and let them mind their own business. We have this older over-the-top jovial gentleman who acts like he’s cosplaying The Mad Hatter. We meet a ballerina coach with some big bosoms and a blond mute who, just out of the blue, masturbates like a psychotic freak on the couch, in front of a confused and startled Allison. What a day!

Things get crazier at night when Allison is trying to get her beauty sleep. She hears weird noises while the chandelier in her bedroom swings. Spooky. It’s after all an old building, so maybe just some harmless ghosts are wandering by. After walking around in a tiny, sexy nightdress and a flashlight, she gets attacked by none other than a zombiefied version of her dead father. So, where did he come from, and what is it with that mysterious dude who just sits up there by the window? It’s soon time to find out, as she continues to get tormented by visions that start to break down her psyche.

The Sentinel is directed and co-written by the British gentleman Michael Winner (1935-2013), who also made the first three Death Wish films, which explains the thick layer of sleaze, nudity and maybe some white powder floating in the air. This is actually the only horror film he made, based on a novel by Jeffrey Konvits, who co-wrote the script. Lucio Fulci clearly borrowed some key aspects from The Sentinel when he made The Beyond (1981). It also has its parallels to Rosemary’s Baby, but besides the old apartment setting with the weird neighbors, the premises are moons apart.

The Sentinel is also known for its all-star cast. While Cristina Raines was relatively unknown, we have old veterans like Martin Balsam, Ava Gardner, Burges Meredith, John Carradine, to fresh newcomers like Christopher Walken, Jeff Goldblum, and Beverly D’Angelo in her first film role. At the end of the film, we can also see Tom Berenger in his first screen presence. The only person missing here is Maxine Minx.

All scenes, except for the final one, are shot on location. The dusty, cobweb-filled attic is the real attic of the building. No sets were built. The interior of the building is the actual interior of the Brooklyn building, something you rarely see in a Hollywood studio film, especially these days. Even the boobs you see here — are real! Isn’t that interesting. The residents who lived in the building were paid to stay in a hotel while shooting. Only Hollywood would have the budget for that alone.

Another real aspect here are ( —SPOILER WARNING— ) the deformed people we see popping up from Hell in the zany climax. We have some real circus freaks here which stirred some controversies, even in 1977. According to the commentary track on the Blu-ray, director Michael Winner assures us that they had a real fun time during the filming of this segment. The same could not be said by Chris Sarandon though, who had such a miserable experience on set that he considered quitting acting altogether.

While The Sentinel isn’t much of a scary movie, it has a spooky atmosphere with a cryptic mystery to be solved. The tone is quite bizarre in some scenes, which go pretty overboard at the climax. Writer Jeffrey Konvitz was not particularly happy with this, as he wanted a far more subtle approach to the material. I see what he means, but the film is overall an entertaining and solid 70s supernatural oddball-flick with some uniqueness to it. Some obvious scenes were, of course, cut from the theatrical release, but are available in its full flesh version on Blu-ray from Shout! Factory. The commentary track by Michael Winner is also pretty funny and jovial, to say the least, where he gives a series of interesting anecdotes about film biz and more juicy stuff. Winner died two years after the release of the Blu-ray at age 77. RIP.

Director: Michael Winner
Writer: Michael Winner, Jeffrey Konvitz
Country & year: USA, 1977
Actors: Chris Sarandon, Cristina Raines, Martin Balsam, John Carradine, José Ferrer, Ava Gardner, Arthur Kennedy, Burgess Meredith, Sylvia Miles, Jeff Goldblum, Christopher Walken, Beverly D’Angelo
IMDb: https://www.imdb.com/title/tt0076683/

Der Golem (1920)

Posted on October 10, 2024October 7, 2024 by HorrorGhouls

We’re in the Jewish ghetto of medieval Prague, where Rabbi Loew has taken a look at the stars which predicts a disaster for his people. He immediately informs the elders, and the next day the Holy Roman Emperor signs a decree declaring that all the Jews must leave the city before the new moon. An arrogant young man named Florian is sent to deliver it, and upon arriving in the ghetto he falls in love with Miriam, Loew’s daughter. Love-triangle-drama ensues: Loew’s assistant also has feelings for her. Loew, on the other hand, has begun creating a Golem, which is a huge man-creature made of clay. He wants to bring this creature to life in order to defend his people. During a magical ritual, Loew and his assistant summon the demon Astaroth, and makes him wake the Golem to life. Now, Loew finally has an awkward household servant, and something that will protect his people. Things appear to go smoothly at first…but soon, the Golem starts to behave erratically…

The Golem: How He Came into the World (original tite: Der Golem, wie er in de Welt kam, aka Der Golem) is a German silent horror film from 1920. It is one of the leading examples of early German expressionism, directed by Paul Wegener and co directed by Carl Boese. The script was co-written with Henrik Galeen, and it’s based on a novel from 1915 by Gustav Meyrink. The film was shot at the Tempelhof Studios in Berlin, and became a great success in Germany and played for full theaters for two months straight. A year later the film was released in the United States, also to packed houses and was the longest-running movie that year. It even started what was referred to as the “golem-cult“, which spun several golem-related media and adaptions. There were hardcore fanbases even in the 1920’s, it seems.

The charm of Der Golem is without a doubt the visual style. The set pieces are a blend of medieval gothic mixed with a surreal flair. The expressionist tone with all the artistic sets puts it in the same league as The Cabinet of Dr. Caligari (1920), although not quite as stylized. But holy cow, the work they did on that village is absolutely stunning! The crooked and twisted little houses that makes up the “ghetto“ looks like something straight out of a gothic fairytale, not to mention the interior shots which are very inventive and full of style and atmosphere. The movie is definitely a visual treat, with a cinematic world-building that’s outright stunning. The Golem himself is also pretty well made, using a costume with platform-shoes to make him look a lot bigger than everyone else, and he does look quite intimidating at times. He is also played by Paul Wegener, the director himself, who really uses his stern facial expression to let everyone know that the Golem doesn’t take shit from anyone.

Der Golem is by many considered a precursor to Frankenstein (1931) and it’s easy to see why. The Golem is both a great movie monster, tragic in many ways just as the Frankenstein monster, having been brought to a world that he can not really fit into. Frankenstein was a result if science, while the Golem was a result of magic, but the tragic results remain the same. Despite the underlying tragic fate of the titular character, the movie is whimsical as much as it is dark.

Der Golem was actually the third film in a trilogy, the first being The Golem (1914) and the short The Golem and the Dancing Girl (1917) and is a prequel to the first film. Unfortunately, the other two films have been lost.

Directors: Paul Wegener, Carl Boese
Writers: Paul Wegener, Henrik Galeen
Also known as: The Golem: How He Came into the World
Country & year: Germany, 1920
Actors: Paul Wegener, Albert Steinrück, Lyda Salmonova, Ernst Deutsch, Hans Stürm, Max Kronert, Otto Gebühr, Dore Paetzold, Lothar Müthel, Greta Schröder, Loni Nest
IMDb: https://www.imdb.com/title/tt0011237/

Grandmother’s House (1988)

Posted on October 9, 2024October 7, 2024 by HorrorGhouls

Two siblings, David and Lynn, are orphaned after their father dies unexpectedly. They are sent to live with their grandparents who resides in a victorian home somewhere in rural California. When David and Lynn were very young, they lived in that house together with their mother, but of this they have few memories and everything from that time is a blur. When they travel to their new home, a creepy woman is standing in the middle of the road and almost causes the bus driver to have an accident. Weird…but nothing much to reflect on, right? Creepy people are everywhere. And talking about creepy people, when the siblings meet with their grandparents, they feel that something is very, very off about them. Sure, they’re sweet and nice and all that, just like grandparents ought to be, but…something’s not right. And during their first night in the house, David has a nightmare where he witnesses his grandfather killing a woman.

Grandmother’s House (aka Grandma’s House) is a slasher film from 1988 directed by Peter Rader (writer of Waterworld) as his directorial debut. And it sure is a little bit of an oddball movie, with twists and turns that makes it an unpredictable watch, at least if you haven’t read any spoilers beforehand. I’ll do my best to avoid them here in the review.

The movie starts off with a well-trodden trope: children lose their parent, and must come and live somewhere else where things are strange and unfamiliar. A setup like this has often been used in everything from children’s movies to horror, so nothing new here. And while the grandparents seem loving and sweet, you notice that something is off, of course. It plays along with a mystery-fueled setting where certain scenes and character behavior makes everything seem even more off. While it’s apparent after watching it that several scenes and setups are made to deliberately confuse you, with the bright setting of sunlit days and a beautiful orange orchards and other picturesque locations. Yup, the countryside is indeed beautiful. It does actually feel a bit dreamlike at times, and while the mystery keeps building and you feel you know what it’s going to reveal, it still ends up surprising you. And yes, despite a somewhat slow build-up it eventually slams into full psycho-killer territory.

Overall, Grandmother’s House is an obscure slasher flick that despite a bit of clunkiness, provides enough surprises and twists to be entertaining and worth a watch. Best to go in blind, though, as knowing too much about the plot and turn of events beforehand is likely to ruin the experience a bit.

Grandmother’s House was restored and released on DVD and Blu-ray by Vinegar Syndrome and 88 Films.

Director: Peter Rader
Writers: Peter Jensen, Gayle Jensen,
Country & year: USA, 1988
Actors: Eric Foster, Kim Valentine, Len Lesser, Ida Lee, Brinke Stevens, Michael Robinson, Craig Yerman, David Donham, Joan-Carol Bensen
IMDb: https://www.imdb.com/title/tt0097455/

Sleepwalkers (1992)

Posted on October 8, 2024October 7, 2024 by HorrorGhouls

Charles Brady and his mother Mary (who is also his lover) are shapeshifting energy vampires who needs to feed off virgin women. They can look like normal humans, but can also transform into big werecat-looking creatures which is their natural form. They also have a lot of powers: they can use telekinesis, and the power of illusion. So what could be their weakness? Well, it’s not a stake through the heart, garlic or silver bullets: it’s simply domestic cats. Yup, cats are their only real threat as the cats can see though their illusion and bullshit and will violently attack them, inflicting fatal wounds. So naturally, Brady and his mother are cat haters. They move around a lot, since they often leave a trail of dead bodies behind and need to avoid too much attention. Now they have come to live in Travis, a small Indiana town, after recently fleeing from Bodega Bay in California. At school, Brady meets Tanya Robertson and she believes she’s met a handsome boy with a romantic interest in her. If she only knew…

Sleepwalkers is a horror film from 1992 written by Stephen King and directed by Mick Garris. This movie was the first time when Stephen King wrote a screenplay intended for a movie rather than adapting one of his novels. It was originally supposed to be directed by Rupert Wainwright as Columbia Pictures initially approached him, but King insisted they offered the film to Mick Garris instead, who had previously directed Critters 2: The Main Course (1988) and Psycho IV: The Beginning (1990).

Sleepwalkers is a creature feature that derives a bit from the norm, as it is told from the perspective of the creatures themselves. They just want to spend the day making love to each other (despite being mother and son), kill cats who are their mortal enemies and suck the lifeforce out of virgins to keep themselves sustained. The movie is quite silly at times, with some odd dialogue, especially by the Sleepwalker Charles. There’s a lot of tacky one-liners like “This doesn’t have to hurt. Just think of yourself as lunch!“ and of course the “Cop Kabob!“ line during Andy’s murder. They almost went into full “Garbage day!“ territory here, that’s for sure. On top of that, there’s also the “death by corn cob” scene. Yeah…it’s not a movie you should take too seriously. The effects are of course quite dated when it comes to the CGI ones, but the practical effects are decent enough. It’s still that famous CGI morphing scene in the car, which was probably cutting-edge at the time but now just enhances the campiness and makes it look even more silly than it already is. There’s also a scene where the Sleepwalkers are getting down and dirty, and this scene was originally so explicit that it had to be cut in order to avoid an X-rating.

Alice Krige plays the role as the mother Mary, a role Mick Garris wanted to cast after having seen her in Ghost Story (1981). Sleepwalkers is also the only movie where both Stephen King and Clive Barker are present in the same scene. These aren’t the only “gag cameos“ however, we also have Joe Dante as a lab assistant, Tobe Hooper as a forensic tech, and John Landis as a lab technician. Ron Perlman (Hellboy) also plays a grumpy cop, and Glenn Shadix (who played Otis in Beetlejuice, and unfortunately died in 2010 so he could not reprise his role in Beetlejuice Beetlejuice) also has a role as Mr. Fallows, a creepy teacher. So, yeah…lots of well-known faces and names on the cast list for sure. And then, of course, there’s the biggest hero of all in this movie: Clovis the cat. This feline is owned by a police man named Andy Simpson, and follows him around in the police car. Quite the duo, those two! When Andy is killed by Charles, Clovis manages to wound him severely. Of course, the mourning kitty decides to revenge his deceased owner, with the help of other cats.

Sleepwalkers is by no means any masterpiece, but it’s a cheesy enjoyable B-movie with gore, cute cats and silly monsters that scores pretty high on the fun factor.

Director: Mick Garris
Writer: Stephen King
Country & year: USA, 1992
Actors: Brian Krause, Mädchen Amick, Alice Krige, Jim Haynie, Cindy Pickett, Ron Perlman, Glenn Shadix, Cynthia Garris, Sparks. Cameos by John Landis, Joe Dante, Tobe Hooper, Stephen King and Clive Barker
IMDb: https://www.imdb.com/title/tt0105428/

The Ghost of Sierra de Cobre (1964)

Posted on October 7, 2024October 7, 2024 by HorrorGhouls

The blind and wealthy Henry Mandore (Tom Simcox) keeps getting phone calls from his mother all the time. Problem is, she’s been dead for quite a while. Prior to her death, she demanded to have a phone installed in her crypt as she was terrified of the thought of being buried alive, but there is of course no way she’s still alive. Yet that black phone keeps ringing, nearly driving him insane, and all that comes from the other end of the line is a haunting wailing. His wife, Vivia Mandore (Diane Baker), seeks out a man named Nelson Orion (Martin Landau) who works as an architect but keeps meddling with the paranormal as a little side-project. He’s a skeptic as well so he won’t be expected to accept any supernatural goings-on if there aren’t any, and Vivia trusts he will find out the truth about the phone calls.

The Ghost of Sierra de Cobre is a made-for-tv horror film from 1964, written and directed by Joseph Stefano, who wrote the screenplay for Hitchcock’s Psyhco (1960). Originally, the film was a pilot for a supernatural-themed anthology series for CBS which was supposed to be called The Haunted. Nothing came of it after the CBS president James T. Aubrey left, so it was then released as a standalone film. There are some well-known names on the actors list, including Diane Baker who played Lorraine Warren in the 1991 TV movie The Haunted, and Martin Landau who played Bela Lugosi in Tim Burton’s 1994 movie Ed Wood.

What works very nicely for this aged obscure little ghost movie, is the atmosphere and the surroundings, and some of the effects are pretty spooky despite being very outdated today. While the movie plays mainly forwards as a mystery thriller with supernatural elements, the story itself does feel a bit too convoluted at times and there are certain scenes that simply doesn’t go anywhere and adds absolutely nothing to the plot, like one scene where Nelson meets a woman on the beach whom he arranges a meeting with later, but whom we never see again. I’m not sure if this is just pure filler content or if there were plans of expanding some of these scenarios a bit more.

Overall, though, The Ghost of Sierra de Cobre is a spooky old flick where I can easily imagine that the audience back in those days would find the effects of the ghost simply referred to as “The Bleeding Ghost“ to be scarier than what they were used to seeing on screen. In fact, one of the reasons for the TV pilot not being picked up anywhere was that it was considered “too scary“ for the American audiences at the time. Of course, that sounds perfectly laughable now, but aside from not exactly having the means to scare today’s audience, it’s an interesting little movie to watch.

Writers and director: Joseph Stefano
Country & year: USA, 1964
Actors: Martin Landau, Judith Anderson, Diane Baker, Tom Simcox, Nellie Burt, Leonard Stone
IMDb: https://www.imdb.com/title/tt0312723/

Rawhead Rex (1986)

Posted on October 6, 2024October 6, 2024 by HorrorGhouls

He’s Pure Evil. Pure Power. Pure Terror. And pure schlock! Good grief, no wonder Clive Barker himself hated the film despite having written the screenplay for it, and to such an extent that he decided his next movie Hellraiser would be made under a much stricter rule of his own hand. Thus he ended up directing that movie himself. For those that have read the original Rawhead Rex story in Clive Barker’s Books of Blood, or even read the graphic novel adaption by Steve Niles which was wonderfully illustrated by Les Edwards (which is a lot more true to Barker’s original vision of the phallus-formed monster), this movie goes into pure B-horror territory that’s as schlocky as it can get, with a monster design that looks like a demented ogre suffering from a lockjaw condition. In other words: perfect horror ghouls material!

We start off with Howard Hallenbeck, who travels to rural Ireland with his family in order to research some religious artifacts. In that same quiet town a lightning strikes a huge phallus-formed stone column that’s been placed in the middle of a field. Then, Rawhead Rex rises from the dirt after having been buried under there for a long, long time. Now he’s back and ready to wreck havoc on humanity! In the meantime, Howard enters the local church and sees a stained glass window featuring the monster, and the church verger Declan appears to act strangely and don’t want him poking around. In the meantime, Rex himself has started the kill count by offing some locals. When Howard is driving home with his family, his daughter needs to urinate and goes behind a tree. Their son stays in the van reading a comic book, and of course Rawhead Rex appears, killing the boy right in front of Howard and takes the body with him into the woods so he can continue to eat his meal in peace. All of this leads to them reporting this at the police station, where we are presented with one of the most hilariously unconvincing family-in-grief scenes I’ve ever seen. Now, Howard is hellbent on taking the monster down, but things have gotten even more complicated as Rex has gotten his own Renfield in the church verger Declan. There is supposed to be a weapon in the church which can defeat the monster, and Howard must try his best to get it before there’s an even bigger bloodbath.

Rawhead Rex (1986) was directed by George Pavlou, and as mentioned Clive Barker wrote the screenplay. The filming took place in County Wicklow, Ireland, Leinster, Redcross and Laragh. The actor in the Rawhead Rex costume, Heinrich Von Schellendorf, was only 19 years old at the filming and it took two hours to put him inside the costume. The film was given a limited release in the US by Empire Pictures in 1987. The 80’s have given us everything from pure gold to pure trash, everything from masterpieces to disasters to even some disasterpieces. There were a lot of B-horror movies from this decade, and a lot of them actually have a decent entertainment value. This movie falls well within that category, where you can’t really imagine anyone saying the movie is good, but if you have at least a tiny bit of appetite for so-bad-its-good movies, then you will at least have some fun with it. Rawhead Rex is what it is, pure schlock and B-horror where you shouldn’t take it seriously for a moment. The acting is hilarious at times, and while the monster looks more laughable than scary it does have a certain charm to it. It sure does provide a lot of cheesy fun.

Clive Barker talked a little about a possible remake of the movie, but nothing ever came of that. Could have been really awesome, though, if someone made a movie that kept the disturbing and wicked vibe of the original story, and didn’t hold back at all on the gore and nastiness. And of course, with a monster resembling the original vision, maybe something close to Les Edward’s version in the graphic novel. Oh well, I guess we can only dream.

Rawhead Rex was originally released on DVD in the US in 1999 by Geneon, and then re-released by Prism in 2003. Later, a restored version was released on Blu-ray and DVD by Kino Lorber in 2017. It’s also available on multiple streaming sites.

Director: George Pavlou
Writer: Clive Barker
Country & year: UK/Ireland, 1986
Actors: David Dukes, Kelly Piper, Hugh O’Conor, Cora Venus Lunny, Ronan Wilmot, Niall Toibin, Niall O’Brien, Heinrich von Schellendorf, Donal McCann, Eleanor Feely, Gladys Sheehan
IMDb: https://www.imdb.com/title/tt0091829/

PIG – Horror Short Film

Posted on October 6, 2024October 6, 2024 by HorrorGhouls

A self-conscious psychopath struggles with his body image while terrorizing a group of unsuspecting campers.

Another Horror Short Sunday, and this time we’re taking a look at Pig. Well, what can you say…even serial killers can be self-conscious…

Director: Evan Powers
Writer: Bryce McGuire, Evan Powers
Country & year: USA, 2019
Actors: C.J. Vana, Jordan Wilson, Lindsey Rose Naves, Juliana Destefano, Aaron LaPlante, Graham Outerbridge, Paul Culos, Evan Powers
IMDb: www.imdb.com/title/tt9099008/