Cady is an 8-year old girl whose parents are killed in a car accident, where she is the only survivor. The girl is sent to live with her aunt Gemma, an eccentric woman who is a roboticist at a high-tech Seattle toy company called Funki. Without the company’s consent, she’s been using their resources in order to develop a highly advanced humanoid robot doll, simply named M3GAN (model 3 generative android). Things go horribly wrong during the first presentation test in the lab, where the boss orders her to discontinue any work on M3GAN. So on top of that failure, Gemma is also struggling with connecting to her niece Cady, until the girl discovers Gemma’s old motion capture robot Bruce. An old project Gemma created back at college. When she watches how Cady plays with Bruce, she becomes motivated to get rid of M3GAN’s bugs and complete her anyway. And so she does.
The finished M3GAN then ends up getting paired with Cady, and this time the presentation goes way better than the first one. M3GAN totally exceeds expectations, and even though a mass-production of her would result in a rather steep price, most children would never want another “toy“ again anyway. M3GAN proves to offer everything to a child: she can be a friend, a playmate, a therapist, a teacher…and a parent. Which, all in all, isn’t necessarily a good thing. Cady’s therapist, Lydia, mentions that she finds it worrisome that Cady appears to be developing an unhealthy attachment to M3GAN, but that’s not even the biggest problem. The problem is M3GAN herself, who appears to become more and more protective over Cady, to the point where everything that can be considered a threat to Cady’s well-being is considered something that must be eliminated…
M3GAN (or simply Megan) is a sci-fi horror film from 2022, directed by Gerard Johnstone (who also directed Housebound from 2014) with screenplay from Akela Cooper, and based on a story by Cooper and James Wan, Allison Williams and Violet McGraw. The film grossed over $181 million against a budget of $12 million, so a big success without a doubt. The sequel M3GAN 2.0. is hitting the theaters soon, and a spin-off called SOULM8TE (yes, playing around with numbers in the titles seems to be a thing here) is set to be released in 2026.
The idea for this film came when James Wan’s production company Atomic Monster was brainstorming ideas and chose to go for one with a killer doll, and going for a concept about embracing technology too much and letting it run amok. Wan said “it’s a commentary on the world we live in and it feels relevant“. It sure does, and now more than ever. An animatronic puppet version of M3GAN was used for dialogue and close-up scenes, plus stunt versions that were not puppeteered (yes, that famous dance scene would have been hard to pull off otherwise). And overall, the killer robot actually looks pretty good. They managed to give her just the right amount of realistic movements mixed with obvious robotic motions, which gives her a perfectly uncanny expression.
The movie is generally fast-paced, and mixes humour and horror in a lighthearted way which gives it a fun and campy feel. As expected it never goes very far with the kill scenes, despite there being several opportunities for it to have done so. They had to make some changes and cut down certain scenes in order to get the desired PG-13 rating for the theatrical release. Thus, the unrated release teased “more blood, more violence and more M3gan“, so naturally we wanted to see that version! We expected to get some additional nasty and gory scenes, and what we got, was…well…barely anything at all. To be honest, it was surprisingly lackluster with very little additional meat to the bone, and I guess the most major difference was a few extra f-bombs. I guess it’s fun for the most eager fans to see the small differences, but this was so far from what we’re used to seeing in an uncut version of a movie that it felt a bit pointless. Oh well.
Overall though, M3GAN is a fun A.I. robot slasher film which works as a fine entry into the robot-killers genre. Never taking itself too seriously, never being too bloody (and yes, that goes for the unrated version as well), it’s a fine campy popcorn-flick for a lazy evening.
Director: Gerard Johnstone
Writers: Akela Cooper, James Wan
Country & year: USA/ New Zealand, 2022
Actors: Allison Williams, Violet McGraw, Ronny Chieng, Amie Donald, Jenna Davis, Brian Jordan Alvarez, Jen Van Epps, Stephane Garneau-Monten, Lori Dungey, Amy Usherwood, Jack Cassidy
IMDb: https://www.imdb.com/title/tt8760708/
