House of Wax (1953)

House of WaxProfessor Henry Jarrod (Vincent Price) is a very talented sculptor in the early 1900s. He runs a wax museum in New York City, where his work features historical figures who have all met with some kind of terrible fate. There’s just one problem: his work isn’t “sensational“ enough for his business partner Matthew Burke, who wants to draw in bigger crowds. Lucky for Burke, there’s a wealthy art critic who wants to buy him out in three months after he returns from Egypt. A great deal, except…Burke is way too impatient. He wants the money now, and three months is too long for him to wait. He decides to set fire to the museum to get the insurance money instead, but Jarrod tries to stop him. Burke overpowers him and leaves him inside the museum to die. And in this scene you can really feel the full inferno going on as there’s real (yes, real) flames everywhere.

 

So while all seems to go well for Burke afterwards with a good slump of insurance money in his bank account, a disfigured man in a cloak one day strangles him and sets it up to look like a suicide. Hmm…who could that mysterious man be, I wonder. He also kills Burke’s fiancée, Cathy Gray, but her roommate Sue comes in before he can make that look like a suicide too. Cathy’s body is later found missing from the morgue. Where could she possibly have ended up…

 

And here’s an early plot twist: Jarrod survived the fire. But not without a cost…he’s bound to a wheelchair, and his hands have become crippled so he is unable to sculpt anymore. Instead he has hired several assistants: a deaf-mute whose name is Igor and an alcoholic named Leon Averill. He has now opened a new wax museum, and meets with a man named Wallace who might be interested in becoming an investor. And this time, Jarrod has decided to go with what’s popular and have started showcasing acts of murder and violence, and even has one exhibition featuring Burke’s “suicide“. Not only that, but at the museum’s grand opening which Sue decided to attend, she notices that a wax figure of Joan of Arc looks very much like Cathy Gray…

 

House of Wax

 

House of Wax is a horror film from 1953, directed by Andre de Toth and starring Vincent Price. It was also the first 3D film with stereophonic sound to be presented in a regular theater, and also the first 3D Feature film in color from a major American Studio. What’s a little amusing, though, is that the director was actually blind on one eye, and thus couldn’t experience the film’s 3D effects at all…

 

On the film’s premiere in Los Angeles at the Paramount Theatre, it was shown at midnight with several celebrities amongst the audience. The film’s producer, Alex Gordon, decided to make use of Bela Lugosi’s desperate need for cash so he arranged for him to stand outside the theater wearing a cape and some dark glasses, holding a leash with actor Steve Calvert in a gorilla suit. He was going to be interviewed by a reporter and had received some prearranged questions, but the reporter (Shirley Thomas) asked them out of order and confused the hell out of him. It ended with Lugosi feeling so embarrassed that he left without even attending the screening. Poor guy.

 

The movie was topping the box office for five weeks, and became one of the biggest hits in 1953. It still received mixed reviews, but (as sometimes happen) modern audiences are looking at it in a much more positive light. The movie also bounced up Vincent Price’s career considerably, as he had mainly been playing secondary character parts since the late 1930’s. He later got several high-profile roles as villains of all kinds. And yes, there’s no doubt that Vincent Price is the highlight of the film, doing an excellent portrayal as Henry Jarrod who is the typical good-guy-turned-villain. The opening of the movie where Jarrod’s wax museum is set on fire, where you can see there’s actual fire all over the place while the characters are fighting each other, must have been a literal inferno to film. I’m sure Vincent Price didn’t really have to act that much during the filming of that scene, since anyone except a pure psychopath would feel terrified in a situation like that. And the fire did in fact get out of control, but because they couldn’t afford to re-shoot the scene they had to keep filming despite firemen actually entering the place. Jeez!

 

There’s a good amount of old-fashioned atmosphere here, with some obvious Jack the Ripper influences where our mysterious killer is seen stalking the dark, narrow streets for his victim. The story is somewhat mystery based, where it isn’t entirely clear who the killer is and why the wax dolls in the museum look so much like the recently deceased people. Yeah, yeah…we know, of course. It’s just that most of the characters in the movie don’t, and it’s all set up for a nice little old fashioned horror film.

 

House of Wax is a nice watch, especially if you want to see Vincent Price in one of his earlier roles as the typical elegant villain.

 

House of Wax

 

Director: André De Toth
Writers: Crane Wilbur, Charles Belden
Country & year: USA, 1953
Actors: Vincent Price, Frank Lovejoy, Phyllis Kirk, Carolyn Jones, Paul Picerni, Roy Roberts, Angela Clarke, Paul Cavanagh, Dabbs Greer, Charles Bronson, Reggie Rymal
IMDb: https://www.imdb.com/title/tt0045888/

 

Vanja Ghoul

 

 

 

 

 

The Brain from Planet Arous (1957)

The Brain from Planet ArousSteve Marsh (John Agar) is a nuclear physicist who, together with his friend Dan (Robert Fuller) goes to investigate something strange that’s been happening on Mystery Mountain (yep, that sounds too much like a lazy TBD title even for a 50’s schlock film). There’s a mysterious radiation source coming from the place, and they want to find out what it is. So, off they go, with the most barebones of supplies that wouldn’t even be sufficient for a campingtrip in their own garden. In these kind of movies it never seems like the blazing desert heat is any problem at all, aside from some severe armpit-sweat…and the guys also seem to have a remarkable bodily feature where they only sweat on the front of their shirts. Huh! In Sci-Fi everything can happen, even with something as simple as armpit sweat.

 

They get to a cave, and find the source of the radiation: a giant alien shaped like a disembodied brain! The brain is called Gor, and he’s a criminal from the planet Arous. First the brain kills Dan, and possesses Steve. Now residing in a human body, Gor finds himself fully enjoying life’s pleasures, including Steve’s girlfriend Sally (Joyce Meadows) who notices straight away that something’s not quite right with her otherwise nice and gentle Steve. Gor, as the megalomaniac psychopath he obviously is, wants nothing more than taking over the entire world, and uses his power to cause mayhem and plane crashes. Not everything seems lost, though, as Sally and her father gets an unexpected ally in another brain alien named Vol who wants to help them stop Gor and his evil plans.

 

The Brain from Planet Arous is an independently made sci-fi movie from 1957, produced by Jacques R. Marquette, written by Ray Buffum and directed by Nathan H. Juran who also made the sci-fi movie Attack of the 50 Foot Woman in 1958, one year after this little cheeseball. Because make no mistake – this is a movie where you don’t need a brain, just a love for the good old B-schlock that’s both absurd and gleeful in its presentation of its campy plot. And if you thought for even a second that there would be any actual suspense or scares, those would fly straight out of the window within the first frame featuring the so-called Brain alien Gor. And while that is a cool name that could have belonged to a vocalist from a Death Metal band, it is actually an Armenian boy name meaning “proud“ and also “of the mountain“. Hmm…

 

The brain aliens here have a surprising amount of screentime, but they function mostly for laughs and chuckles. The only scenes that are at least dipping its toes slightly into the waters of horror, must be when Steve is getting those “possessed eyes“ when the brain is up to the worst mischief. These effects were created by having him wear very thick special black contact lenses, which was of course very painful. Fun fact: these effects were used later by actor Gary Lockwood during the second Star Trek TV series pilot episode.

 

Gor, using Steve’s body to fulfill his plans since he needed a nuclear physicist to garner the attention from the right people, is eager to display his powers of destruction with his menacing I’m-so-evil-mwa-haa-haa! laugh which he’s just as eager to repeat. He’s bringing fear and worry to the world’s leaders by using his powers to destroy planes and cause terrible accidents, and by using some stock footage from the atomic bombs tests we truly get to witness this evil villain’s power. And yes, it’s just as cheesy as it sounds, but it’s good fun for the right audience. Too bad the right audience came much later, as the movie (not surprisingly) got a pretty bad reception upon release. The director was also very unhappy with the end result of this film, and since Alan Smithee wasn’t a thing back in 1957, his name in the credits was changed to the pseudonym Nathan Hertz. Over time, the movie has gained some cult classic status, and has even been parodied several times and referenced in numerous works. In 2002, the German band Megaherz used Gor’s laugh and a sample of Vol’s line “I have powers that equal and surpass the powers of Gor“ in their song Perfekte Droge.

 

So, if you’re in the mood for some campy sci-fi schlock, then bring out the popcorn and give The Brain from Planet Arous a watch!

 

The Brain from Planet Arous The Brain from Planet Arous

 

Director: Nathan Juran
Writer: Ray Buffum
Country & year: USA, 1957
Actors: John Agar, Joyce Meadows,  Robert Fuller, Thomas Browne Henry, Ken Terrell, Henry Travis, E. Leslie Thomas, Tim Graham, Bill Giorgio
IMDb: https://www.imdb.com/title/tt0050210/

 

Vanja Ghoul

 

 

 

 

 

Robot Monster (1953)

Robot MonsterWe are in a distant future where the world’s population has been completely annihilated by Ro-man’s Death-Ray. Ro-man who? He’s an evil alien in a gorilla suit, face covered with a diving helmet with two antennas attached to it. But there are eight survivors left, a family which Ro-man is able to communicate with through a … bubble machine. And he wants their location so Ro-man can finish his mission. Or else …

 

And no, this is not an Ed Wood movie, by the way, which it easily could have been. Phil Tucker was a young, fresh independent film-maker in his mid-twenties who was about to make his second film, with a script from Wyott Ordung and distributed by Astor Pictures. Robot Monster was shot in only four (yes, 4), quick days outside of Hollywood, with the entrance of the famous Bronson Canyon as the main location and a shameless use of stock footage from several other sci-fi movies as effects. Tucker hired a friend to play Ro-Man who also made his own gorilla suit, while he was dubbed with a deep, baritone voice (not by James Earl Jones). And The result , of its short runtime of 62 minutes, is an ultra-cheap, lazy and utterly ridiculous turkey of a campy schlock-fest, in which none other than Phil Tucker took seriously.

 

Despite the film getting panned and mocked, just as it deserved, it actually managed to make money and gross a million at the box-office, more than 62 times its original budget of $16,000. I bet Ed Wood must have been jealous. But this wasn’t any win for Phil Tucker, however, as Astor Pictures refused to pay him. The combination of being totally fucked over by the distributor and Tucker being mocked by critics due to Robot Monster, and not being able to make his breakthrough into Hollywood, he tried to end his life by blowing his brains out. But in pure Phil Tucker fashion, he missed, and continued to work in the movie industry with low-budget films until his death in 1985.

 

The star of this film is Ro-Man himself with his cheesy gorilla-suit, diving-helmet and his absurd bubble-machine. He also has some really great quote-worthy lines such as: “What are you doing alone, girl-child?”, “You sound like a hu-man, not a Ro-Man“, “The hu-man-woman is the bringer of hu-man life, there must be an end to your race“, “Now I will kill you“… And that deep and serious, misplaced tone of Ro-Man just amplifies the goofyness up to eleven. It’s something straight out from Spaceballs, really. And you’re able to see the actor’s face behind that helmet. The only redeeming quality here, is the pompous soundtrack by Elmer Bernestein, who later scored films such as The Ten Commandments, Airplane!, Ghostbusters, Heavy Metal and numerous others. Robot Monster was originally planned to be filmed in 3-D, which is pretty hard to believe. But now you can at least enjoy it in its full glory and intriguing 2-D.

 

Robot Monster

 

Director: Phil Tucker
Country & year: USA, 1953
Actors: George Nader, Claudia Barrett, Selena Royle, John Mylong, Gregory Moffett, Pamela Paulson, George Barrows
IMDb: https://www.imdb.com/title/tt0046248/

 

 

Tom Ghoul