halloween movie marathon 2026

Child’s Play 3 (1991)

Posted on October 6, 2026 by HorrorGhouls

It has now been 8 years since Chucky’s second death, and the Good Guy dolls company have re-opened their abandoned factory. As Chucky’s “corpse“ is being removed, a drop of his blood falls into the molten plastic which is used to produce the new Good Guy dolls, which of course gives him a new body so he can start killing and cursing once again.

Since 8 years have passed, Andy is now 16 years old, and he has been sent to Kent Military School. And yes, his mother is still in the loony bin. At this military school he befriends an 8 year old boy named Ronald Tyler, another cadet named Harold Aubrey, and the spunky female cadet Kristin De Silva whom of course becomes his love interest. His only struggle so far is the sadistic lieutenant colonel Brett C. Shelton, who bullies the cadets and really has one out for Andy. This not nothing compared to the threat of Chucky, who of course has managed to find out where Andy is and gets himself shipped to him as a package. Chucky is in for a surprise, though, as it isn’t Andy who ends up opening the package, but 8 year old Tyler who really, really wants his own Good Guy doll. Chucky decides to tell Tyler his secret, which will give him the opportunity to use a voodoo soul-swapping ritual to take over the kid’s body. None of this goes exactly after Chucky’s plan, but as always he’s determined enough to do anything to get his way.

Child’s Play 3 from 1991 is the third film in the franchise, once again written by Don Mancini but this time directed by Jack Bender, with David Kirschner as executive producer. And this one received mostly negative reviews from critics, and ended up being the lowest-grossing film in the series. The movie was made very shortly after the second film, giving it a tight schedule. It was filmed at the Kemper Military School in Boonville, Missouri, while the rest was filmed in California at Los Angeles and the Universal Studios Lot, with the carnival scenes shot in Valencia, California.

It also became somewhat notorious in the UK as it allegedly inspired a real-life murder of a child named James Bulger, where the killers were two ten year olds. It was said that they had imitated a scene where one of Chucky’s victims were splashed with blue paint, but this was just a rumor mainly based on that the father of one of the boys had rented the film some months earlier. The boy in question had most likely not even seen the movie since he had not been living with his father at the time. What can you say…people always try to blame shit on movies, games and other media.

When it comes to franchises, there will always be those movies considered the “better“ and “worse“ ones. Sometimes you have a dip and rise of varying quality, while other times you have a constant nosedive (like what happened to the Hellraiser franchise, where pretty much none of the movies after the third one seemed like they were made to be Hellraiser movies at all, and the Hellraiser elements felt like they had been shoehorned in). I guess we can say that in Chucky’s case, the character definitely feels more important than the story at this point. And I’m going to guess that this is why Child’s Play 3 was the last movie in the franchise to have “Child’s Play“ in the title, and the upcoming ones were always titled Chucky-something-or-other. And that’s very understandable.

What’s mainly different this time around, is that Andy is now closer to becoming an adult. Thus the movie spends some time with how he interacts with the other people, including his love interest, all of which isn’t that much of interest to be honest. You just wanna see Chucky messing around and killing people. The animatronics and effects are still really good, and Chucky looks more menacing than ever. And while the death scenes are a bit mixed (there’s one where a guy literally just gets a heart attack because he’s so scared by seeing Chucky), I loved the mean spirited garbage truck scene.

Many seem to consider Child’s Play 3 to be the “black sheep“ of the franchise, and while I personally find it far from the best, I still had a good time with it.

Director: Jack Bender
Writer: Don Mancini
Country & year: USA, 1991
Actors: Justin Whalin, Perrey Reeves, Jeremy Sylvers, Travis Fine, Dean Jacobson, Brad Dourif, Peter Haskell, Dakin Matthews, Andrew Robinson, Burke Byrnes
IMDb: https://www.imdb.com/title/tt0103956/

Child’s Play 2 (1990)

Posted on October 5, 2026 by HorrorGhouls

It has now been two years since Chucky died, and the manufacturer of the Good Guy dolls are still trying to recover from all the negative publicity. Easier said than done when everyone thinks your product is faulty to the point of becoming a death threat. So, in order to recover from the bad reputation, they decide to “prove“ that nothing was actually wrong with the doll at all, and takes the Chucky doll’s remains and reassemble him into…not exactly as good as new, but at least whole. Sounds like an excellent idea to reassure their stockholders, right? Well, after having made Chucky whole again, a power surge suddenly electrocutes and kills one of the workers, and Chucky comes alive.

Then we’re heading over to Andy who has been in foster care after the Chucky incident, since his mother was institutionalized after she refused to back down from the claim that the doll was alive. He is now trying to live a normal life. That is, as normal as you possibly can when your possessed doll killed people and got your mommy thrown into the loony bin. Chucky, however, still needs Andy to get a proper body, and manages to find out his new living location. He figures out a way to get himself inside the house, and takes the place of another Good Guy doll already there, who is named Tommy. Yes, the Good Guy dolls are produced to come with different names. Andy soon finds out that Chucky has re-entered his life, but the problem is that no one believes him…at least not at first.

Child’s Play 2 from 1990 is the sequel to the first 1988 film, this time written by Don Mancini and directed by John Lafia with Alex Vincent and Brad Dourif reprising their roles. Tom Holland was asked to return as director, but he refused due to conflicts with the film’s producer David Kirschner and United Artists during the making of the first film. While the first film was mostly shot on location in Chicago, this one was shot on Universal Studios Lot, and the toy factory scenes were shot in an abandoned warehouse in Valencia, California.

Kevin Yagher returned to make the special effects for the film, and he even directed some of the scenes too. The puppetry and animatronics look great, and Chucky’s facial expressions are even more wild. He’s just as foul-mouthed as ever, and Brad Dourif’s voice has pretty much merged with the character at this point. Dourif is the only Chucky by now, with it impossible to imagine anyone else in the role.

It is overall an entertaining sequel with some decent kills and great effects, but it is the climax of the film that goes in a really fun direction, and the most impressive part of this sequel. It’s using the toy factory setting, where there’s a maze of who knows how many Good Guy doll boxes. While it was obviously filmed in a way where it was later edited so it looked like the maze was considerably much bigger than it was, it still looked really cool. Then the actual ending of the movie is so goofy and fun, and definitely one of the biggest highlights in the entire franchise! Well, at least in my opinion. Child’s Play 2 offers more of the comedic tone than the first film, but it fits well together with how the movie also goes for a more crazy ride.

Director: John Lafia
Writer: Don Mancini
Country & year: USA, 1990
Actors: Alex Vincent, Jenny Agutter, Gerrit Graham, Christine Elise, Brad Dourif, Grace Zabriskie, Peter Haskell, Beth Grant, Greg Germann,
IMDb: https://www.imdb.com/title/tt0099253/

Child’s Play (1988)

Posted on October 4, 2026 by HorrorGhouls

Charles Lee Ray aka The Lakeshore Strangler is a serial killer who is fleeing from the police in Chicago. Police Detective Mike Norris is at his heels, and inside a toy store Norris manages to shoot him. Before dying from the gunshot wound, Ray invokes the power of Damballa, a serpent spirit in Haitian Voodoo, and asks to have his soul transferred into the “Good Guy“ doll nearby. A lightning strikes the building, and Ray now lies lifeless next to the doll. Looks like the serial killer’s murder spree has come to an end…unless perhaps the voodoo spell had some merit? Yeah, we know his spirit has been successfully transferred into the doll, of course we do.

Ray certainly chose his toy wisely, as the Good Guy talking dolls are very popular. And of course also expensive. Karen Barclay, a widow with a six year old son named Andy, struggles to save up money for one. Her friend from work suggests that she can buy a doll from a homeless peddler outside, who’s gotten his hands on one and sells it cheaply. Wonder why. Well, Karen decides to put her morals to the side for this little occasion in order to make her son happy. And of course Andy is over to moon, who is totally captivated by the doll who presents itself as Chucky. While all seems fine and well, the little boy Andy understands little about all the things the doll is saying to him. How could a little kid possibly know that his favorite toy is possessed by the soul of a dead serial killer? And Ray, now aka Chucky, isn’t too happy with his plastic body. He wants a new one…one made out of real flesh and blood.

Child’s Play is the 1988 killer doll film which doesn’t really need much presentation. We all know who Chucky is. The film was directed by Tom Holland, from a screenplay he co-wrote with Don Mancini and John Lafia. It was based on an original script by Mancini, which was first titled Batteries Not Included, then changed into Blood Buddy, and it was more a whodunit story which left the ending ambiguous as to whether it was the doll or the kid who killed people. Well, in the new script there’s no doubt from the very start that the doll is a serial killer, and a new horror star was thus born. The film has since spun several sequels, a reboot, a series, and tons of merchandise. Chucky, whether you like him or not, is one of the most iconic and popular horror film characters that just never seem to die.

The “Good Guy“ dolls were inspired by the actual My Buddy dolls by Hasbro, and you can definitely see the resemblance. In fact, Chucky’s name was originally Buddy in the script, which the writers decided to change into Chucky instead so they didn’t have to worry about Hasbro getting their lawyers involved. Better play it safe, buddy! And Chucky definitely is a blast to watch on screen, in all his practical glory. The doll was controlled by a whole team of nine puppeteers, led by Brock Winkless. Chucky’s mouth was moved via radio control, and in some scenes Chucky was also played by child actors. There’s no doubt that Chucky’s character is one filled with personality, a foul-mouthed killer doll who definitely slashed his place into the horror community, made at a perfect time when cheesiness could so easily fit into an otherwise serious story. Because yeah, the premise in Child’s Play is laughable and sounds schlocky as hell, but it all just, you know, works. The music for the film also fits really well with the electronic/orchestral mix. It was composed by Joseph Renzetti, using mostly electronic music with some orchestral elements. Originally Holland had planned for the film to have a fully orchestral score, but Renzetti thought the electronic soundtrack would be best.

Performances are overall pretty good, especially Brad Dourif who is voicing Chucky and delivers the perfect maniacal and sardonic performance. This, combined with the effects of the doll with its various facial expressions ironically makes Chucky looking more alive than many of the flesh ‘n blood slashers villains from other horror movies. Auditions for the film’s roles were held at the Hollywood United Methodist Church in 1987, where Tom Holland were quick to cast Chris Sarandon for the role of Detective Norris, as he had previously worked with him in his first feature film Fright Night (1985). As for Andy’s role, hundreds of kids were considered, and the role was given to Alex Vincent, despite the boy’s lack of acting experience compared to several of the other kids. The reason? Apparently their hearts melted a little when Alex pretended to forget his lines because he didn’t want to say any curse words in front of his mother. Aw. How cute and innocent. That being said, the performance does leave a little to be desired, especially when he’s supposed to be scared.

I think Child’s Play is a fun 80’s slasher psycho doll movie, one with that certain amount of charm that only the 80’s (and 90’s, for that matter) could produce. It’s cheesy and energetic, and Chucky and his foul-mouthed character is always fun to watch. I also liked the somewhat cheesy twist of involving the lesser known Voodoo spirit Damballa, rather than going for the usual satanic twist of making a deal with the devil.

Fun Fact: when the film was released, a crowd of worried people protested at the main entrance of MGM because they thought the film would “incite violence in children“, and wanted it to be banned. And it actually got banned in Finland for “excessive graphic violence“, a ban that was lifted in the early 2000’s.

Director: Tom Holland
Writers: Don Mancini, John Lafia, Tom Holland
Country & year: USA, 1988
Actors: Catherine Hicks, Chris Sarandon, Alex Vincent, Brad Dourif, Dinah Manoff, Tommy Swerdlow, Jack Colvin, Neil Giuntoli, Juan Ramírez, Alan Wilder
IMDb: https://www.imdb.com/title/tt0094862/

Hellraiser III: Hell on Earth (1992)

Posted on October 3, 2026 by HorrorGhouls

Your suffering will be legendary ― even on Earth! Yeah, sure, if Earth is such a green-grassed utopia to begin with, especially the Rotten Apple that is New York. And speaking of: the young, douchey pussyhound and goth-nightclub owner, J. P. Monroe (let’s just call him Jay Pee), has bought the grotesque pillar we saw at the end of the previous film, before it would be locked away in Warrens’ Occult Museum. After he fucks some chick, hooked chains flies out of the pillar and rips her skin off, and Pinhead, with only his face popping out of it, eats her. Similar to the previous films, he needs to eat human flesh in order to become whole. Only here though, he’s a demon that would be set free in the real world, in a goth nightclub, even. How fitting. Jay Pee becomes Pinhead’s bitch who gets ordered to serve him more bodysuits to eat. Not the most difficult task since New York has plenty.

Then we meet our protagonist, where the formula began using the reporter/detective trope to slog us through rest of the sequels. Here, however, we have the young news reporter Joey who has recurring nightmares of her dad being killed in Vietnam, and we can say that the plot thickens as much as it gets muddy where we eventually have two Pinheads, one good and one evil. Joey gets in possession of the Puzzle box, thanks to the clubgoer Terri, and finds a videotape of Kirsty (from the first two films) who explains how to use it in order to send Pinhead back to hell. When Pinhead (the evil one) finally gets out, he turns into pure slasher villain-mode and collects more bodycounts than the whole franchise combined. Pinhead goes on a blasphemy spree, enters a church where he mocks the crucifixion of Christ behind the altar before the place explodes. The conservatives in North Carolina, where the film was shot, had a problem with that. So yeah, Pinhead is the man of the hour here where he has the most screentime in the whole franchise and gets his time to really shine, spiced-up with some colorful one-liners.

And then we have our new group of Cenobites, which look more like something from a canceled Hellraiser Saturday morning cartoon show. Say hello to Doc the Cameraface, who has a camera merged in half of his face. And since this is the early 1990s, what could be more cool than DJ the CD face, slicing people with CD’s? So rad! And watch out for Rick the Bartender who fries your face as he spits flames from his cocktail shake beverage. And we can’t have a ’90s film without some big explosions. The comedic and playful tone lingers all over the film, as you’d expect when we have the director of the Waxworks films in the director chair. Not for everybody’s taste, but it at least still manage to feel like a Hellraiser film where there still was some respect for the source material, and is far from boring. The film ends perfectly with the song Hellraiser (of course) performed by Motörhead , and the franchise should also end with that note. The success at the box-office suggested otherwise where the brutal humiliation ritual of the franchise was about to begin.

Hellraiser: Bloodline (1996), or Hellraiser in Space if you like, became the final theatrical release of the franchise. That film was directed by ~~Kevin Yagher~~ the legendary Alan Smithee and also the final Hellraiser where Clive Barker was involved before the smell of bullshite got too strong and jumped ship… so that maybe speaks for itself.

What we have next is six more sequels, and…wooooof. This is the worst kind of early, ultra-cheap, soulless 2000s direct-to-video toilet slop imaginable: Hellraiser: Inferno (2000), Hellraiser: Hellseeker (2002), Hellraiser: Deader (2005), Hellraiser: Hellworld (2005) At this point I’m actually surprised that they just didn’t go for Hellraiser: Hellraiser. Fun fact: Inferno is the directorial debut of Scott Derrickson, but even he couldn’t get Pinhead back on track. Hellworld was the last film where Doug Bradley said fuck this bollox, I’m outta here. But it didn’t stop there, as we got the worst of them all served on a paper plate: Hellraiser: Revelations (2011) ― a baffling amateur show in all aspects and way too boring to be so-bad-it’s-good. Then we have and finally the last one, Hellraiser: Judgement (2018). Have yet to see the Hulu remake from 2021.

So what really went wrong with Hellraiser? Simple and boring answer: the first four since Inferno were originally written as standalone crime/thrillers, not as Hellraiser films. The elements with Pinhead was shoved in at the last five minutes and slammed on the posters, with the Hellraiser title, in order to cash-in and fool us gullible audiences. How they managed to poop out four of these turds with Doug Bradley onboard, is a mystery box of its own. But showbiz is showbiz and there’s always rent to pay. Your suffering will be legendary by watching them all in one sitting without any pauses, unless you’re masochistic enough.

Director: Anthony Hickox
Writer: Peter Atkins, Tony Randel
Country & year: UK/USA, 1992
Actors: Terry Farrell, Paula Marshall, Kevin Bernhardt, Doug Bradley, Ken Carpenter, Brent Bolthouse, Sharon Percival, Philip Hyland, David Young, Peter Atkins, Ashley Laurence
IMDb: https://www.imdb.com/title/tt0095294/

Hellbound: Hellraiser II (1988)

Posted on October 2, 2026 by HorrorGhouls

In Hellbound: Hellraiser II, we shift our focus more on Kirsty (Ashley Laurence), the daughter we saw in the first film, after she’s been committed to a mental hospital because no one believes her story that her dad and stepmother were killed by a Pinhead and three S&M demons. Happy recovery. Yeah, you wish. Because her doctor, Dr. Channard, is a corrupt sadist (wow, what a shocker) who is interested in this mysterious puzzle box Kirsty is telling about. Warden takes one of the basement patients and places him on the bloody mattress where Julia died and gives him a razor so he can slice himself and the the maggots he sees crawling over his body. As he bleeds all over the mattress, Julia’s skinless body emerges, just like we saw with Frank in the first film, and kills the patient while the doctor is watching. She’s now reborn in full villain-mode. Congratulations.

Channard gets a mute girl, Tiffany, to solve the puzzle box, because she’s obsessed with puzzles. Pinhead and company show up, but instead of taking Tiffany, they take Channard, since he only used Tiffany to open the box for his own desires. Huh. Yes, there are rules here, but who would know. And since he’s already “corrupt” like a mofo, his suffering will be legendary, as Pinhead famously puts it.

Meanwhile, Kirsty sees a vision of a skinless ghoul with the text written in blood behind him on the wall: “please help me, I’m in Hell“. She believes that this is her dad, and when she gets the opportunity, she enters Hell to look for him and save his trapped soul, where she finds herself in an endless labyrinth. From here on, it’s mostly all about the nightmarish and surreal atmosphere that slides in a more what the fuck am I watching kind of movie. Kirsty goes from the one Hell scenario to the next, where she also stumbles upon Uncle Frank who lives through his own personal hell. And no, she never meets the Goblin King, unfortunately.

Hellraiser II is filled with cool ideas and some interesting concepts, such as seeing a quick backstory of Pinhead and how Cenobites are created. And like any birth, it sure looks painful. The one who gets a rebirth is the corrupt doctor, and his monster design is, well, something else. His fingers look like snakes/tentacles with razors and is a way more interesting villain than Uncle Frank ever was. The look of the Hell labyrinth was inspired by the Day and Night woodcut by the Dutch artist M. C. Escher and gives the film a bigger scope than the cramped attic we were stuck in the first film. The gore and prosthetic effects are both first-class and imaginative with even some use of stop-motion. Movie expert Roger Ebert was, of course, not impressed and called out the effect maker (Bob Keen) as a “perverted man“ while giving the film a half-star.

This sequel is not written nor directed by Clive Barker, but instead he worked as a producer and was heavily involved with the story and further concepts that he hadn’t the time or budget to expand in the first film. After Barker got burned-out, the direction job went to Tony Randel, who worked as an editor on the first film while the script was written by Peter Atkins (who later wrote the next two Hellraiser films and Wishmaster). Hellraiser II lands relatively successfully as a direct continuation with some inventive set-pieces, a dose of Lovecraftian, more lore, and of course, more gore.

Director: Tony Randel
Writer: Peter Atkins
Country & year: UK/USA, 1988
Actors: Clare Higgins, Ashley Laurence, Kenneth Cranham, mogen Boorman, Sean Chapman, William Hope, Doug Bradley, Barbie Wilde, Simon Bamford, Nicholas Vince
IMDb: https://www.imdb.com/title/tt0095294/

Hellraiser (1987)

Posted on October 1, 2026 by HorrorGhouls

I must say I felt a little ripped-off (no pun intended) after watching Hellraiser on VHS for the first time back in the ’90s. You have Pinhead on the cover, looking straight through your sorry soul while grinding his teeth, and he’s barely in the movie. Instead, we have Uncle Frank, a random slimeball who gets his flesh ripped apart with hooks and chains when he opens a mysterious puzzle box he bought at an antique shop in Marrocco — but will eventually return, with a boner, thanks to a cheating wife.

Everyone who solves the puzzle box opens a portal to Hell, of some sort, and out comes The Hell Priest himself, aka Pinhead (Doug Bradley) with his three Cenobites, Spencer, Chatter and Butterball, ready to fulfill your deepest desires. But the thing is, those who are “corrupt“ will die a gruesome, painful death (all politicians should be handed a puzzle box each, I would say). Then we have the husband/wife Larry and Julia who moves into the house Frank lived in, a shithole filled with cockroaches. But the worst thing is that Frank’s remains/corpse rots under the attic floor. After Larry cuts himself in a nasty way, his blood drips through the floor and onto the remains of Frank. He then reemerges as a skinless corpse, like a red skeleton from Castlevania.

And then it gets interesting: No, Pinhead doesn’t show up, but hear this — it appears that Julia and Frank had a wild affair (!) and was fucking like there was no tomorrow. The original cut of Hellraiser actually had so much fucking, or “erotism“ to put it in more polite English, that it got an X-rating. And Frank must really have a Master Cock from Fuck Forest and the erection like a grade A pornstar from Dimension XXX, because Julia will do everything to fix this boring loser, even if she has to walk over dead people. So if they’re ever gonna fuck again like they were teenagers, Julia has to lure men to the attic so Frank can feed on their flesh and blood. The poor individual who gets trapped in the crossfire is David’s teenage daughter Kirsty, who already has a strained relationship with her stepmother Julia. If Frank wasn’t already the villain, Julia is probably even worse, and the evil Disney stepmother-looks certainly suit her.

Trivia: Lance Henriksen was first offered to play the role of Frank, but turned it down. This was in his golden era when he still had the luxury to choose n’ pick roles. He later signed up for one of the shitty straight-to-DVD sequels, Hellraiser: Hellworld (2005). Isn’t that funny. Clare Higgings, who portrays the evil stepmother, has never seen the whole film since she hates horror movies, and already after the first ten minutes of its premiere she walked out. She still signed on to be in the sequel, which is way more gory.

Hellraiser is Clive Barker’s creation, from top to toe, his demon baby, based on his own novel The Hellbound Heart. And can you actually believe that the working title for the film was Sadomasochists from Beyond the Grave? Doesn’t quite roll off the tongue. The unique look of Pinhead and the Cenobites was inspired by Punk fashion, Catholicism, African fetish sculptures, and by Barker’s visits to the S&M clubs in New York and Amsterdam (mixed by some drug-induced fewer nightmares, if I have to guess).

The limited budget really shows, especially with the animated lightening sparks, which was already dated back then. Clive Barker and some “Greek guy“ (according to Barker himself) made it by hand over a drunk weekend, and…well, that’s good to know. Then there’s the “engineer“ monster that could be something from Dead Space or the later Resident Evil games. And while it looks cool by design, they had no clue how to utilize it and clashes with the dead-serious tone.

Where the movie shines is the practical/gore-effects, and the attic resurrection scene of Frank is a classic moment by itself. The dusty isolated atmosphere in Frank’s house, where we spend most of our time, is filthy and grimy and reeks of bad vibes, cheap perfume and god knows what else. The prosthetic makeup-designs of especially the three Cenobites are flawless and they still look terrifying and intimidating which blends perfectly in with the atmosphere. The main plot itself, with the two sleazy lovebirds, is something I never cared much for. More Pinhead and Cenobites, please.

That said, Hellraiser is an entertaining ’80s gore film with a tasteful blend of horror, S&M and even some nasty torture porn that still manages to rip some new assholes. And it also made a completely unknown British actor, Doug Bradley, into a horror icon as Pinhead, for better and worse.

Writer and director: Clive Barker
Country & year: UK, 1987
Actors: Andrew Robinson, Clare Higgins, Ashley Laurence, Sean Chapman, Oliver Smith, Doug Bradley, Nicholas Vince, Simon Bamford, Grace Kirby
IMDb: https://www.imdb.com/title/tt0093177/