Puppet Master III: Toulon’s Revenge (1991)

Puppet Master III: Toulon's RevengeIn the third installment of the Puppet Master franchise we go back to year 1941 and the place is Berlin, Germany where we meet André Toulon who works at the local puppetry theatre. And already here is the continuity off the rails when we learned in the first film that Toulon committed suicide in 1939 to escape the nazis, yet here is he alive and well and looks even younger. And if you thought this continuity blunder was bad, then you haven’t seen Puppet Master: The Littlest Reich where Toulon is suddenly an evil, unearthly and monstrous nazi himself. Oh my. Anyways… Toulon is also a happy man with his wife Elsa and it’s all flowers and rainbows until a nazi spy gets his attention on Toulon’s mysterious green serum, Elixir of Life, which wakes his puppets to life. And the nazi colonel Major Kraus (Richard Lynch) is very interested in that serum so he can resurrect dead bodies to use as human shields at the battlefront. With a group of Gestapos they invade his home and Kraus shoots and kills Elsa like the main villain he is. Toulon manages to escape and settles down in a hiding place where he’ll plan his way to avenge his wife and kill those nazi pigs with the help of his loyal puppets.

 

Although ocean air is always good for your health it was refreshing to get a break from the same locations on Bodega Bay Inn to the dark smogfilled streets of Berlin. And as Full Moon’s very limited resources to do a WW2 film is pretty far-fetched, they surprisingly nailed it. The sets, the costumes, the noir atmosphere is spot on. I was also surprised how the stock-footage of a crowded WW2 Berlin was able to blend in.

 

Then of course we have the puppets themselves which from here on and onward are actually the good-guys. Don’t know what I actually feel about that but as long they fight against nazis I’m in for it. And yes, nazis gets killed here in a straight-forward fashion, but like the second film and the upcoming ones, the kills are pretty tame and underwhelming. Some blood here and there and that’s pretty much it. Oh yeah, some quick shots of bare breasts, I almost forgot to mention. The new puppet, Six Shooter, is fun to watch though. He’s some dark bizarro version of Woody from Toy Story.

 

Puppet Master III is also regarded as the best one in the series and I agree.  The script is on its most cohesive, more steady pacing and more interesting characters to pay attention to. The strongest card here is the main villain, Major Kraus, played by the charismatic cult legend Richard Lynch, the most top-tier actor you’ll witness in the whole franchise. It also have the unique whimsical Full Moon trademark tone from first two perfectly balanced with the more serious undertone, which adds to the odd entertainment value.

 

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Director: David DeCoteau
Writers: Charles Band, C. Courtney Joyner, David Schmoeller
Country & year: USA, 1991
Actors: Blade, Pinhead, Jester, Tunneler, Six Shooter, Leech Woman, Djinn, Mephisto, Guy Rolfe, Richard Lynch, Ian Abercrombie, Kristopher Logan, Aron Eisenberg, Walter Gotell, Sarah Douglas
IMDb: www.imdb.com/title/tt0102728/

 

Sequel:
– Puppet Master 4 (1993)

Prequels:
Puppet Master II (1990)
Puppet Master (1989)

 

Tom Ghoul

 

 

 

Puppet Master II (1990)

Puppet MasterWe’re in the gloomy smoke machine-filled Shady Oaks Cemetery where the puppets pour some green liquid on André Toulon’s grave to finally resurrect their beloved master. After this atmospheric and eerie opening, we get introduced to the new characters, a group of young ghost hunters who are sent to the Bodega Inn to investigate the murder of Megan Gallagher, the wife of the previous owner.

 

One of the investigators go missing after getting kidnapped by two puppets and, ah shit, here we go again. There’s a weird side-plot with a redneck couple that lives in a shack not so far from the hotel, and they’re there only to get body counted. A soft-spoken man of mystery with a Romanian accent shows up at the hotel who looks like a mix of The Invinsible Man and Héctor from the Spanish Sci-Fi thriller Timecrimes. And who could that possibly be and why is he so interested in collecting brain tissues as people at the hotel starts to get killed? Huh.. Only Scooby-Doo would know…

 

Although this could also easily be a remake of the first one, there are some new ideas here to make some progress in the franchise which later goes more back-and-forth in the timeline. We have some flashbacks as we dip more into the lore and backstory of André Toulon and how he and his wife came across the Elixir of Life somewhere in Egypt. The characters are mostly disposable meat balloons with their own personal drama, but they’re at least far more awake and in presence than they were in the first one.

 

But the star here is the new puppet Torch which, you’ve already guessed, torches his victims to hell with a flamethrower as a hand. Totally rad! And then we have a quick classic paused movie moment with three seconds of bare tits. The kills are not to get too exited about. We have a lackluster scene with the Tunneller who drills the skull of one of the sleeping victims, some quick knifing from Blade and the only memorable one is a woman who gets burned alive by the Torch. There’s also a scene in broad daylight where some kid encounters Torch, which cuts off before he gets roasted. No dwarfs were available for body burn, I assume. Meh! Puppet Master II is overall entertaining as long as it’s going thanks to the mysterious villain, tasty gothic visuals, gloomy and light-dimming atmosphere, the puppets themselves, catchy tunes from composer Richard Band (brother of Charles Band) but otherwise, not much that will stick to the memory.

 

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Director: David Allen
Writers: Charles Band, David Pabian, David Schmoeller
Country & year: USA, 1990
Actors: Blade, Pinhead, Jester, Tunneler, Leech Woman, Torch, Djinn, Mephisto, Elizabeth Maclellan, Collin Bernsen, Steve Welles, Greg Webb, Charlie Spradling, Jeff Celentano, Nita Talbot
IMDb: www.imdb.com/title/tt0100438/

 

Sequels:
Puppet Master III: Toulon’s Revenge (1991)
Puppet Master 4 (1993)

Prequel:
Puppet Master (1989)

 

Tom Ghoul

 

 

 

Puppet Master (1989)

Puppet MasterIt’s time to take a dive into the dim-lighted, twisted, wacky and demented world of Full Moon from the mind of the master of puppets himself, Charles Band, where it’s Halloween 24/7.

 

Full Moon Features were established in the very late 80s and Mr. Band was already a veteran in the independent movie business, which had the Empire Pictures in his legacy of producing primarily low-budget horror/fantasy films spewed out for the blooming VHS market. Most of which are cheap schlocks aimed at a niche audience. Some notable titles from that era includes The Dungeonmaster, Troll, Ghoulies I and II, Trancers, Crawlspace, Rawhead Rex, TerrorVision, Re-Animator, From Beyond, Cellar Dweller and the list goes to the moon and back.

 

But with its brand new company after the financial collapse of Empire Pictures, it needed to get more serious and create a flagship film series to kickstart a new era where VHS was still king (and very expensive to buy). With Charles Band’s deep obsession with puppets and dolls, The Puppet Master became a long-lived franchise which, at the time being, has spawned over 14 sequels over the course of the 90s and 2000s. The last entry was released in 2022 with Puppet Master: Doktor Death and more are likely to come. An online video game based on the films was also launched this year.

 

All films are available on streaming at fullmoonfeatures.com, except for Puppet Master vs Demonic Toys (2004) because it’s owned by SyFy for some reason and Puppet Master: The Littlest Reich (2018) for whatever reason. They’re available on other streaming sites though for those who have regional bullshit access.

 

Puppet Master starts back in 1939 at Bodega Bay Inn, a hotel on the Californian seacoast and the main location in most of the films in the series. The old puppeteer, André Toulon, is in his room surrounded by his dolls and puppets as he’s adding some colorpaint on his latest creation. He also has a mysterious elixir that brings the puppets to life, and no other than Hitler himself wants that elixir. Of course. Two Nazi spies enter the hotel as they are on the way to capture Toulon. Before they enter his room, Toulon has hidden the puppets away in a suitcase and committed suicide by a bullet in the skull.

 

We then jump to present time where four psychics are spiritually contacted by Neil Galahger. He’s the current owner of Bodega Bay Inn, and when they arrive they find out that he committed suicide. Why? Who really cares. The more important thing here is that there are murderous puppets creeping around and they don’t like these psychics, and understandably so when they have the nerve to trespass on their domain. So go kill’em, puppets!

 

The film has its flaws and rough edges but my biggest gripe here is the characters (the humans to be more specific) which drags the film to utter boredom on several places. There’s absolutely nothing to them as they have as much screen presence like a dead potato. They seem completely tuned out, bored out of their minds and there’s clearly no one home behind their eyes. Even the puppets look more alive. And yes, my ghoulish walnut-sized brain gets that they’re supposed to dip in-and-out of trances and whatnot like the weird psychics they are, but still… WAKE THE FUCK UP! SNAP-SNAP! One of the psychics, played by Paul Le Mat, looks like a young H.R. Giger, by the way.

Puppet Master

Then we have the puppets which are just cute and adorable and always amusing to watch. They also have their own skills and weapons. Here we meet Jester the Clown with possibly the largest weapon pack that includes a knife, a handgun, razor-sharped scissors, exploding cigars filled with nitroglycerin, candy bazooka, smiling heart–shaped laughing gas bomb, flesh–eating bubble gum blower, explosive cyanide– acid stuffed Ice Cream pies, and even much more. Even John Wick would struggle here.

 

Leech Woman is the one with the gross-factor as she spews out leeches from her mouth upon her victims. Tunneller is an asian-looking puppet with a cone-shaped power drill on his head which speaks for itself. Blade is the leader of the puppets and pretty much the mascot for the whole Full Moon brand and which his name suggest, slashes his victims with his knife. My personal favorite is Pinhead, the one with the small head and the big knuckles. He’s just simple and a pure old-schooler who sucker-punches his victims into oblivion and oozes good old toxic masculinity. And the reason Pinhead’s fists looks more real in the elevator scene where he punches a woman is because it’s the fists of a dwarf stunt woman. In one of the sequels Pinhead also manages to rip someone’s head off with his hands. Savage!

 

The castle-style hotel of Bodega Bay Inn with its gothic surroundings mixed with POV shots from the puppets perspective creates an eerie atmosphere. There’s certainly some great production value here, despite its flaws, and it’s overall a decent-looking film with some clever camera work and steady directing from David Schmoeller (who also made the cult film Tourist Trap and Crawlspace with Klaus Kinski). The gore is minimal but we have at least some throat slashing, fingers that gets chopped off like small sausages and some other ghoulishness for dessert. Nothing too special but the fact that all kills are performed by a mix of stop-motion and puppets on strings surely adds to the charm.

 

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Director: David Schmoeller
Writers: Charles Band, Kenneth J. Hall, David Schmoeller
Country & year: USA, 1989
Actors: Blade, Pinhead, Jester, Tunneler, Leech Woman, Gengie, Shreddar Khan, Paul Le Mat, William Hickey, Irene Miracle, Jimmie F. Skaggs, Robin Frates, Matt Roe, Kathryn O’Reilly
IMDb: www.imdb.com/title/tt0098143/

 

Sequels:
Puppet Master II (1990)
Puppet Master III: Toulon’s Revenge (1991)
Puppet Master 4 (1993)

 

Tom Ghoul

 

 

 

Netherworld (1992)

Netherworld reviewCorey Thornton has just inherited a mansion from his recently deceased father, and travels to Louisiana to check it out. Upon his arrival at the grand estate, he meets with a beautiful young girl which is described as “jailbait” (but who is clearly in her mid-20s…) and his father’s live-in housekeeper, who is the mother of said girl. And of course, a black-gloved and somewhat fishy-looking lawyer. Corey discovers that his father has written a will which includes a description of how the old man has, supposedly, found a way to return back from the dead, and in doing so he needs the help of his son. Corey soon ends up at the local pub/brothel called Tonk’s, where he meets a witchy prostitute who harbors the secrets of black magic. And she turns people into birds if she feels like it. Corey is now obsessed with the task of fulfilling his dead father’s wish of bringing him back to life, and seeks help from the strange people in the weird voodoo-brothel in the bayou.

 

Netherworld is a Full Moon Entertainment movie directed by David Schmoeller and produced by Charles Band. Right off the bat the movie sets a certain tone with the illusory opening scene in Tonk’s bar, which features both chicks and chickens in surroundings that resemble a sexy yet uncomfortable fever dream. Downstairs is what you could probably call a funhouse-like brothel with weird hallways and just as weird characters. To top it all we also get to see a flying disembodied hand and a guy that is turned into a bird (although the latter isn’t displayed to the full extent, but more implied). In other words, it gives a certain promise of being a really cheesy popcorn entertainment flick.

 

Then the movie takes a u-turn when we meet Corey and he enters his newly inherited mansion, and a more serious tone is set. While we get to gradually know more about Corey’s dead father and what he tries to accomplish, the pacing becomes a bit of a problem where it’s all moving a tad bit too slow. The scenes at Tonk’s are definitely the movie’s highlights, with creative usage of color and lighting and some pretty cool old-school effects and jazzy sex scenes. The brothel appears to have lots of girls with names of deceased celebrities, including a woman calling herself Marilyn Monroe, who looks…well..exactly like Marilyn Monroe. This is a pretty cool idea, actually…a brothel where deceased celebrities have been brought back to life.

 

While it does move a little slowly and never really gets very exciting, it makes up for it with the visuals and a fun premise. Netherworld is entertaining enough with its slightly goofy concept, perfect for a relaxed saturday evening with some popcorn.

 

Netherworld can be seen on Full Moon Features.

 

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Director: David Schmoeller
Country & year: USA, 1992
Actors: Michael Bendetti, Denise Gentile, Anjanette Comer, Holly Floria, Robert Sampson, Holly Butler, Alex Datcher, Robert Burr, George Kelly, Mark Kemble, Barret O’Brien, Michael Lowry, David Schmoeller
IMDb: www.imdb.com/title/tt0104987/

 

 

Vanja Ghoul