Guinea Pig: Devil’s Experiment (1985)

Guinea pig: Devil's experimentIn the mid-1980’s the amateur filmmaker Satoru Ogura wanted to shock and disgust with a series of grotesque films. Sounds cool enough. His first (and only) film was Devil’s Experiment, a 40 minute “faux snuff film“ which became the start of the notorious, bizarre, goofy and overhyped Guinea Pig film series.

 

In the Devil’s Experiment we witness a young woman being tortured by a group of people while someone filming the whole act handheld in found-footage style. The torture happens in several stages/segments. They start soft by smacking her in the face while being tied to a chair. After she’s been bruised up they kick and throw her around the floor like a rag doll. In the next segment she sits on a rotating chair as they are spinning her a hundred times or so, which seems more like a harmless prank than torture, but whatever. They shove a bottle of whiskey down her throat to make her puke so we can go over to the next segment.

 

And already some minutes in there ain’t a single moment of realism here and I have a hard time to believe that anyone who saw this on VHS in the 80s thought they were witnessing a real snuff, because … bro, c’mon, seriously… This is amateur hour-boolshit on its lowest to such extent that it just made me shake my head and chuckle. This shit was actually promoted as a real snuff film when it circulated on the VHS market in Japan, you see, and still to this day it rises concerned questions from naive numbskulls if this is authentic or not.

 

Then there’s the acting, and oh my lord, haha …

 

The lady who portrays the victim couldn’t care less. She seems bored most of the time and acts more as if she’s sitting on a vibrating chair on The Howard Stern Show while she makes some cute moaning sounds such as:

uuhh … iuuing … uhh … tahh … iiimghh …

 

Then they peel her skin and rips off her fingernails with a plier. An her only reaction is:

ahh … ehh … uhn … 

 

There’s also a moment where she smiles. Director Ogura auditioned a bunch of women who was eager for this role and this was the best he could pick.

 

In another segment they pour some frying oil over her while she’s tied to a bed. Her reaction is some orgasm and growling sounds. She’s either the worst actress of all time or she’s supposed to have a larger pain threshold than Rambo. I’d guess my first assumption.

 

They also toss some fresh animal intestines on her while they laugh and giggle like a bunch of schoolyard bullies. Watching blurry still images of this scene would make every gorehound cream in their pants and assume she’d been brutally butchered up, but don’t get fooled.

 

The scene with the eye at the end was well done though, I give it that. But besides from that the whole package is so bad, sloppy, tame as a newborn duckling and downright laughably inept that it actually makes Hostel look like a legit snuff film straight from the deepest dark web. Woof.

 

Guinea pig: Devil's experiment

 

Director: Satoru Ogura
Original title: Ginî piggu – Akuma no jikken
Country & year: Japan, 1985
Actors: A group of uncredited amateurs
IMDb: www.imdb.com/title/tt0161634/

 

Sequels:
– Guinea Pig 5: Mermaid in a Manhole (1988)
– Guinea Pig 2: Flower of Flesh and Blood (1985)

 

Tom Ghoul

 

 

 

Tetsuo (1989)

Hellraiser III: Hell on EarthHow to even start with this movie…Uhm, well…

 

It starts with a random, disturbed guy called “The Metal Fetishist” (played by the director himself) who’s wandering in some decayed urban area, barefoot. He enters a shack hoarded full of metal junk where he stabs himself in the foot, and injects himself with an iron pipe and goes through some kind of a metamorphosis. A glimpse of an everyday life of an extreme metal fetishist where it just went a little too far, I guess. He then screams and runs like a lunatic and gets hit by a car driven by a typical Japanese salaryman who then gets infected by a biomechanical virus. As the title screen rolls, he gives us the “Tetsuo Dance” before he wakes up in his apartment and gets ready for work. As he shaves, he notices a small metal point on his cheek, which pops out and starts shooting blood over his face as he touches it. Sounds weird, you say? You’ve seen nothing yet. I won’t spoil much more than this, other than our salaryman slowly transforms into a grotesque hybrid monster of flesh and metal with the desire to destroy the whole planet. And yeah, his penis also transforms into a big metal drill that no one would want to mess around with.

 

Tetsuo, aka The Iron man, is an explosive result of an inner frustration that the young director Shinya Tsukamoto had built up after an unstable relationship to his dad, growing up in heavily industrial surroundings, and the extreme pressure of the Japanese working culture. The environment is what makes a human, as they say, and Tetsuo is a prime example of that, and could be seen as a pretty alternative artistic view of the breaking point of the human mind, if you will – even though the film is open for countless interpretations. This is Tsukamoto’s fifth film, at the age of 29, after making some shorts and other projects he would never be satisfied with, and at the top of this his father kicked him out of the house right before the filming. Fortunately, due to the success and the cult-following of Tetsuo, he quickly became a prominent filmmaker in Japan with titles such as Bullet Ballet, A Snake in June, Nightmare Detective and also made two sequels to Tetsuo, called Tetsuo: Body Hammer and Tetsuo: Bullet Man, the last one with a soundtrack by Trent Reznor . He’s also known for his acting roles in Takashi Miike’s Ichi the Killer, Takashi Shimizu’s Marebito, and Martin Scorcese’s Silence. His dad should be proud by now.

 

Tetsuo is shot on 16 mm, in black and white, with a budget of his day job at that time. Mostly filmed in one of his co-workers cramped apartment over 18 months with hard and difficult conditions (which is not hard to imagine at all), where the cast and crew also lived during the production. The conditions came to a point where the actor who plays the salaryman got the urges to escape the set several times because of shooting days that never seemed to end, while crew-members just came and left. The whole production was such a nightmare, according to Tsukamoto, that he considered to burn all the negatives. And we should just be glad he didn’t, because Tetsuo is a truly insane, hyperactive, nightmarish cyber-punk/art-house/body-horror masterpiece that easily could be described as Eraserhead on crack cocaine. Very aggressive, graphic, experimental and completely bizarre and truly one of a kind. It’s one of those “what the hell did I just watch-films“, and it’s clearly not for anyone, especially for those who’s epileptic. The technical aspects is from another planet (Planet Japan that is) with some really impressive stop-motion effects, camera work and costume designs. It has a great and sharp sound design and a really heavy, industrial soundtrack by Chu Ishikawa that fits the intense imagery perfectly.

 

So, what else is there to really say about this movie, other than: just watch it! Watch it on a big screen in a dark room with loud sound.

 

Tetsuo

 

Director: Shinya Tsukamoto
Country & year: Japan, 1989
Actors:Tomorô Taguchi, Kei Fujiwara, Nobu Kanaoka, Shinya Tsukamoto, Naomasa Musaka, Renji Ishibashi
IMDb: www.imdb.com/title/tt0096251/

 

Tom Ghoul