what the hell did i just watch

964 Pinocchio (1991)

Posted on October 28, 2022November 14, 2022 by HorrorGhouls

Ready for some fucked up Japanese cyberpunk acid-trip that will blow your mind to smithereens and probably put your endurance test to a whole new level? Then let me introduce 964 Pinocchio which starts off like every normal Disney film.

964 Pinocchio, or simply called 964, is on the outside a young boy with a cute little unicorn haircut, but on the inside he is a broken, demented, helpless cyborg, manufactured in some clinic to be used as a sex slave. Unfortunately 964 can’t get an erection, so some doctors brutally drills through his skull to wipe out his memory and turn him into a lobotomized vegetable before he gets thrown out of the clinic like a dog – and gets a rough welcome to the bleak and depressing society of urban Japan. At least he’s able to walk, and soon finds himself in the isolated environment of Tokyo where he meets the homeless girl Himiko. And the most normal thing in this movie is that he actually meets a girl that’s a fully functioning human being, even with some level of empathy. She invites him to come and live with her in some abandoned industrial shithole, where she does her best to learn him to speak, and cruises along shopping malls to snap food straight from the counter. All filmed in guerilla style, by the way, where all the civilians are unaware extras, and done in a hurry before someone finds out and calls the police.

Where we thought the film was seemingly normal, they fall in love, and the moment they exchange their tongues to each other, the image freezes before fading to black, and the the shit is about the get serious. Our unicorn-haired fuckdroid infects Himiko with something that makes her go noodle-shit crazy of some epic proportions, starts to abuse him, and … holy fuck almighty, how am I even going to describe what happens for the next hour and so. Get ready for a lot of close-ups of insane facial expressions, puking, frantic running, some brief low budget body-horror and just overall a relentless odyssey with screaming, shouting and moaning like

OOOOOUUUAAAAAAAAAAAAHH,HHNNGHHHUUAAAAAA, HUUNNDGGHOOOUOAAAAAAAAA, EEEEEEEEEEEH, EEEHHHHH, OOOOOOH, AAAAAAAAAHHUGHH, AAAUUUOOOAHHHHHHOOAAAA, GGHHHHHIIIIIIIIIAAAAAAAAAAGHH, GGGGHHHHHHHHHIIIIII, AAAAAAAAAAAAGGHHHFFHHH …

… and here you basically have most of the script in a nutshell. And it’s of course natural to compare 964 Pinocchio to its big brother Tetsuo, where also director Shozin Fukui was one of the crew members on that film. Shozin Fukui probably thought to himself that “hah, I can make something more insane that this, even with a much longer runtime. Shiyou! ” When Tetsuo had its perfect runtime of 65 minutes and was able to hold on a certain narrative, flow, and knew where to stop, this mofo on the other hand, goes on for one hour and 37 minutes with scenes that drags on forever with little to no direction. There’s a scene lasting for ten minutes during the last thirty minutes, where 964 runs frantically through the streets of Tokyo while looking like a demented cyberpunk version of the Joker, and of course screaming his lungs off. And that scene feels more like three hours. Pure deranged misery. I will at least give the film credits for its energetic, handheld camerawork which gives off some early Peter Jackson vibes, and the intimate illusion of being present with 964 through his endless, tortuous, kinetic nightmare. The actors give it all with full dedication and Haji Suzuki as 964 is a diabolical force of nature. Others will also pick up a laundry list of metaphors, cryptic symbolism and social commentary between all the monotonous screaming, running and whatnot that only the inhabitants of planet Japan are able to perceive with a straight face. I can recommend 964 Pinocchio mostly as an endurance challenge and just congratulate in advance to those who manage to sit through it in one single setting without any pause. Good luck.

The one and only 2004-DVD release from Unearthed Films went out of print ages ago, but is to be found on eBay, very pricey, though.

Director: Shozin Fukui
Writers: Shozin Fukui, Makoto Hamaguchi, Naoshi Gôda
Also known as: Screams of Blasphemy (UK)
Country & year: Japan, 1991
Actors:Haji Suzuki, Onn-chan, Kôji Ôtsubo, Kyoko Hara, Rakumaro San’yûtei, Kôta Mori, Tomio Watanabe, Anri Hayashi, Kyôko Irohani, Michiko Harada, Yûko Fujiwara, Yoshimitsu Takada, Naoshi Gôda
IMDb: www.imdb.com/title/tt0225009/

Mad God (2021)

Posted on October 21, 2022May 22, 2023 by HorrorGhouls

A character wearing a gas mask, The Assasin, descends into a hellish world filled with devastation and mayhem. With him on his dark journey into a dystopian nightmarish world, he’s got a map and a suitcase, and while traveling deeper and deeper he encounters several monstrous creatures. Filth, death, war, despair and, well, hellish surroundings are all over the place.

Mad God is a stop motion horror film which was written, directed and produced by Phil Tippet. The film was in production over a period of thirty years. Tippet started filming it while working on Robocop 2, but when he became involved in Jurassic Park this set the film on hiatus. Originally, Jurassic Park was supposed to have stop motion dinosaurs, but after Spielberg saw some CGI work of a T.rex, he told Tippett: “You’re out of a job”. To which Tippett replied, “Don’t you mean extinct?”. This was even referenced in Jurassic Park, where Dr. Grant says “Looks like you’re out of a job” to Dr. Malcolm”, and he replies “Don’t you mean extinct?”. Anyhow, Tippett was still kept as supervisor for the CGI animation of the dinosaurs, so at least he wasn’t really out of a job… but due to the change during his involvement in this film he believed that stop motion was now a thing from the past, and because of this he shelved the Mad God project. Which is a sad thought, really, as many stop-motion effects from some older films can look really good, and often better than many of the early CGI effects used. Even now, I think there are some movies whose practical effects look greater than some of the modern CGI of today…

In spite of all that, Mad God got pulled out of hiatus-status twenty years later, when members of his studio encouraged him to start working on it again. And with a successful Kickstarter campaign, and a crew of volunteers to assist him, Mad God came into fruition at last.

And what kind of movie is Mad God, exactly? Well…I dare say you’ve never seen anything quite like it before. We start off with a scene depicting the destruction of The Tower of Babel, and then we see a citation from Leviticus 26, which reads as follows:

“If you disobey Me and remain hostile to Me, I will act against you in wrathful hostility. I, for My part, will discipline you sevenfold for your sins. You shall eat the flesh of your sons and the flesh of your daughters. I will destroy your cult places and cut down your incense stands, and I will heap your carcasses upon your lifeless idols. I will spurn you. I will lay your cities in ruin and make your sanctuaries desolate and I will not savor your pleasing odors. I will make the land desolate so that your enemies who settle it shall be appalled by it. And you I will scatter among the nations and I will unsheath the sword against you. Your land shall become a desolation and your cities a ruin”.

Yeah…that’s the words of a Mad God indeed, one that is truly pissed off. Or just completely deranged. And we get to see a world that is actively punished by this mad god.

Aside from that, there isn’t much of a story to cling to here, although one can clearly see the statement about our world and its condition. There are several segments which are obvious metaphors for certain human behaviour, and you can probably dissect and analyze so many parts that are shown here. Mostly, though, it’s a film that is mainly enjoyed due to its visuals and dark content. There’s so many weird and absurd things happening on screen, everything from things that are disgusting and gross, to the weird and uncanny, to pure nightmare-fuel. There’s also a bit of blood and gore, and other stomach-churning stuff. There’s even a scene (although somewhat obscured) where Putin is taking Trump from behind while Hitler is watching. Jeez. Creatures are chopped into pieces, eaten, tortured, and everything is just filled with decay, debauchery and general ghastliness.

Mad God is definitely not a film for everyone’s tastes. Some will find it a nonsensical and gross mess, while others will enjoy the dark, surreal, nihilistic atmosphere and awesome special effects (Horror Ghouls belonging to the latter group of people).

Mad God is available on Shudder (for those who live in a country where this is accessible. We live in Norway, where Shudder is not available, though we were lucky enough to get one of the few copies of the film on DVD).

Writer and director: Phil Tippett
Country & year: USA, 2021
Actors: Alex Cox, Niketa Roman, Satish Ratakonda, Harper Taylor, Brynn Taylor, Hans Brekke, Brett Foxwell, Jake Freytag, Harper Gibbons, Tom Gibbons, Tucker Gibbons, Arne Hain, David Lauer, Chris Morley
IMDb: www.imdb.com/title/tt15090124/

Tetsuo (1989)

Posted on February 18, 2021February 28, 2022 by HorrorGhouls

How to even start with this movie…Uhm, well…

It starts with a random, disturbed guy called “The Metal Fetishist” (played by the director himself) who’s wandering in some decayed urban area, barefoot. He enters a shack hoarded full of metal junk where he stabs himself in the foot, and injects himself with an iron pipe and goes through some kind of a metamorphosis. A glimpse of an everyday life of an extreme metal fetishist where it just went a little too far, I guess. He then screams and runs like a lunatic and gets hit by a car driven by a typical Japanese salaryman who then gets infected by a biomechanical virus. As the title screen rolls, he gives us the “Tetsuo Dance” before he wakes up in his apartment and gets ready for work. As he shaves, he notices a small metal point on his cheek, which pops out and starts shooting blood over his face as he touches it. Sounds weird, you say? You’ve seen nothing yet. I won’t spoil much more than this, other than our salaryman slowly transforms into a grotesque hybrid monster of flesh and metal with the desire to destroy the whole planet. And yeah, his penis also transforms into a big metal drill that no one would want to mess around with.

Tetsuo, aka The Iron man, is an explosive result of an inner frustration that the young director Shinya Tsukamoto had built up after an unstable relationship to his dad, growing up in heavily industrial surroundings, and the extreme pressure of the Japanese working culture. The environment is what makes a human, as they say, and Tetsuo is a prime example of that, and could be seen as a pretty alternative artistic view of the breaking point of the human mind, if you will – even though the film is open for countless interpretations. This is Tsukamoto’s fifth film, at the age of 29, after making some shorts and other projects he would never be satisfied with, and at the top of this his father kicked him out of the house right before the filming. Fortunately, due to the success and the cult-following of Tetsuo, he quickly became a prominent filmmaker in Japan with titles such as Bullet Ballet, A Snake in June, Nightmare Detective and also made two sequels to Tetsuo, called Tetsuo: Body Hammer and Tetsuo: Bullet Man, the last one with a soundtrack by Trent Reznor . He’s also known for his acting roles in Takashi Miike’s Ichi the Killer, Takashi Shimizu’s Marebito, and Martin Scorcese’s Silence. His dad should be proud by now.

Tetsuo is shot on 16 mm, in black and white, with a budget of his day job at that time. Mostly filmed in one of his co-workers cramped apartment over 18 months with hard and difficult conditions (which is not hard to imagine at all), where the cast and crew also lived during the production. The conditions came to a point where the actor who plays the salaryman got the urges to escape the set several times because of shooting days that never seemed to end, while crew-members just came and left. The whole production was such a nightmare, according to Tsukamoto, that he considered to burn all the negatives. And we should just be glad he didn’t, because Tetsuo is a truly insane, hyperactive, nightmarish cyber-punk/art-house/body-horror masterpiece that easily could be describes as Eraserhead on crack cocaine. Very aggressive, graphic, experimental and completely bizarre and truly one of a kind. It’s one of those “what the hell did I just watch-films“, and it’s clearly not for anyone, especially for those who’s epileptic. The technical aspects is from another planet (Planet Japan that is) with some really impressive stop-motion effects, camera work and costume designs. It has a great and sharp sound design and a really heavy, industrial soundtrack by Chu Ishikawa that fits the intense imagery perfectly.

So, what else is there to really say about this movie, other than: just watch it! Watch it on a big screen in a dark room with loud sound.

Director: Shinya Tsukamoto
Country & year: Japan, 1989
Actors:Tomorô Taguchi, Kei Fujiwara, Nobu Kanaoka, Shinya Tsukamoto, Naomasa Musaka, Renji Ishibashi
IMDb: www.imdb.com/title/tt0096251/

Begotten (1989)

Posted on March 7, 2020October 28, 2022 by HorrorGhouls

Time for a fun movie for the whole family to enjoy on a Friday night with some pizza. Or maybe not.

Begotten starts inside a cabin where we see a disturbed, horrifying figure sitting in a chair, filmed in a high contrast of black and white. While the soundtrack consists of crickets, bird-chirping and distant heartbeats, we see that the figure starts to cut himself to death with a straight razor. A great product placement right there (haha). Feces stream down between his legs while he’s sitting bloody and dying in his chair, gurgling his death rattles. This is God we’re talking about, by the way. Out of his fresh dead body comes Mother Earth who uses God’s semen to impregnate herself, where we get served some hairy close-ups where she rubs his juice into her vagina. She wanders into an obscure forest landscape where she gives birth to Son of Earth. She then leaves him behind to some faceless nomads who drag the poor newborn (who already has the body of a grown man) like a rag doll, through a desolate landscape until he supposedly starts spewing out some of his organs. And this is just the beginning of a horrendous, surreal odyssey of pain, suffering, torture and death, that can be described as witnessing a painful fever nightmare from the subconscious mind of a strapped schizophrenic mental patient.

By reading the plot synopsis you learn that Begotten is an alternative retelling of The Book of Genesis, but without knowing this beforehand, one could easily assume watching an underground snuff film taken straight out from The Dark Web. The distinct, strong visuals is truly remarkable here, filmed in grainy black and white that sets the atmosphere from the very first frame. Shot on 16 mm on reverse-exposure, which is a picture effect you get on most digital cameras today, but back in the late 80’s when this film was made with analog stone-age equipment, this was a real artistic achievement. Director E. Elias Merhige experimented like a mad scientist to get the exact, withered, aged look by using sandpaper to scratch up the reel before shooting. That wasn’t good enough, however, and he used the rest of the budget of 33. 000 dollars to construct an optical printer during a long, tedious period of eight months. And each minute of footage generated by the printer took on average between eight and ten hours to complete. Phew, that’s some real dedication and patience right there.

Some describe this as simple as a nightmare captured on film, and an extended version of the cursed VHS cassette from The Ring, which I can pretty much agree with. Certainly not for everyone, and as far away from mainstream you could probably get. But it’s surely a uniquely deranged avant-garde filled horrific, nihilistic atmosphere with haunting images that will probably stick with your forever. This is also Marilyn Manson’s personal favorite film, which made him so impressed that he hired director E Elias Merhige to direct the music video for Antichrist Superstar and Cryptorchid. Another guy who liked the film was Nicolas Cage, who hired him to direct Shadow of the Vampire for his newly established Saturn Films. A great, underrated movie, by the way. After his second Hollywood studio film “Suspect Zero”, Merhige went back to the underground and made the short film “Din of Celestial Birds”, which is considered an unofficial sequel to Begotten. His recent creation is a short called Polia and Blastema, a surreal love story about two alien creatures. And from the few previews I’ve seen, it looks completely mind-blowing.

An official, yet very limited DVD was released back in 2001 by World Artist, which included a souvenir booklet, the original theatrical trailer, rare and never-before-seen movie stills, and production photos. It’s of course out of print, but can be found on eBay at different prices. It’s also available on YouTube.

Director: E. Elias Merhige
Country & year: USA, 1989
Actors: Brian Salzberg, Donna Dempsey, Stephen Charles Barry, James Gandia, Daniel Harkins, Michael Phillips, Erik Slavin, Arthur Streeter, Adolfo Vargas, Garfield White
IMDb: www.imdb.com/title/tt0101420/