A group of confederate deserters during the American Civil War robs a bank for gold, an event that doesn’t go as smoothly as they planned. Trying to find a place to rest for the night, they come upon an old abandoned mansion located by a corn field. Entering the field they see a strange-looking scarecrow which they believe to be the corpse of a real person…and as if that wasn’t enough to realize this place is no good and should be avoided at all cost, they also come upon a hideous-looking deformed creature, which they shoot upon sight. But oh well, they still have to spend the night somewhere, so they enter the old mansion anyway, and soon find out that awful things have happened here which will also impact everyone who sets foot at the place.
Dead Birds is a Western horror film from 2004, directed by Alex Turner. The first part of the movie builds up pretty well, with tension and an admirable creepy atmosphere. This is also helped by a good cast: Henry Thomas (ET), Patrick Fugit (Almost Famous), Michael Shannon (Man of Steel), Mark Boone Junior (Memento), Isaiah Washington (Ghost Ship) and Nicki Aycox (Jeepers Creepers). The first half of the movie is very much an ongoing build-up of expectation and dread as we know things are wrong and that stuff will happen, and when they do there are some effective scenes and even a little bit of gore once we see the demonic creatures and the dead bodies.
Later on, it does unfortunately start to drag a bit, and there are more hints and suggestions as to what has happened and is happening, rather than any proper explanation, which makes the story feel a bit tangled. Which is a shame, as the setting, visuals and atmosphere are spot on. Just a little bit more clear focus on the background story and maybe more perceivable explanations for what is happening could have increased the tension for the last half of the movie as well. The mystery behind the mansion and its grounds involves a story of black magic, demonic possession, human sacrifice and the occult, which should have been offered more details and scenes than it eventually did. And maybe some more gore…since when these scenes do occur, they actually look pretty good.
Now, regarding the title: I couldn’t spot more than one dead bird, though…so I wondered what that title is supposed to mean. Upon doing some research, I found that “Dead Birds” has a meaning that in the Dani language refers to weapons and ornaments recovered in battle, and a more poetic meaning that people, because they are like birds, must die. Dead birds are also considered to be symbolic of discontentment, grief, failure and hopelessness, and seeing a dead bird is some kind of bad omen. So there’s many ways to perceive the title, which makes more sense once you put it in context with the plot of the movie.
While by no means any masterpiece, and perhaps a little dated now (especially the CGI effects), this low-budget horror film has still got some creepy scenes and good atmosphere.
Director: Alex Turner
Writer: Simon Barrett
Country & year: USA, 2004
Actors: Henry Thomas, Patrick Fugit, Nicki Aycox, Michael Shannon, Muse Watson, Mark Boone Junior, Isaiah Washington, Harris Mann, Melanie Abramoff, Donna Biscoe, Brian Bremer, Russell Durham Comegys
IMDb: www.imdb.com/title/tt0377749/
The film starts off with a quote from Jack the Ripper that says “The Jews are not the men to be blamed for nothing.” Then we see some silent and grainy black and white documentary footage of the September 11 attacks, as we hear a little girl’s voice saying “Just you wait a little while, the nasty man in black will come. With his little chopper, he will chop you up!“
The movie starts off showing a scene with a woman alone in a room, who is attacked by something neither she nor we can see. She gets hanged in the stairways, and a black envelope drops to the floor. We then fast forward to a year later, when a group of friends (Sid, Kira, and Harris) have attended a funeral and decides to go drinking afterwards. Drunk and stupid, they decide to do something silly that can only be brought on by drunken stupidity: they first break into the Crescent View Cemetery. Their original plan was to just say their final goodbyes to the recently departed, but Sid finds a black envelope amongst some of the flowers on the grave. Inside is a poem which urges them to be joyful and to dance upon the graves. And of course, since they’ve already gotten quite sloshed by now, they think this sounds like an excellent idea in order to celebrate life. And so….they start dancing on graves…
Welcome to Z movie hour. Today we take a look at a micro-budget and campy sci-fi schlockfest with an evil alien and his lazer gun, made by amateur filmmaker Don Dohler, starring his neighbours, brother-in-laws, himself, and his two sons.
What does Jason, Pinhead, Leprechaun and Dracula have in common? They’ve been into space. And this has to be the worst of them all. Good grief.
Mary Elnor is a young woman being accused of Witchcraft in Banfield, Massachusetts, in 1845. She is being hanged from a tree, and then lit on fire by an angry mob, who also bounds her spirit to the body of a doll before she takes her final breath.
John Trent used to be a freelance insurance investigator, who is now a patient in a psychiatric hospital. One day, Dr. Wrenn visits him, where Trent recounts his story: after the disappearance of the popular horror novelist Sutter Cane, Trent is having lunch with a colleague. Suddenly, Trent is attacked by an axe-wielding man who is shot dead by the police, and is later revealed to be Cane’s agent. This man went insane after reading one of Cane’s books, and killed his family as a result. And he is not the only one…apparently, some people seem to go crazy after reading Cane’s novels. Shortly afterwards, Trent is hired by the director of Arcane Publishing who wants him to investigate Cane’s disappearance, and also to recover the manuscript for his final novel. Linda Styles, who is Cane’s editor, is assigned to accompany him. While she explains to Trent that Cane’s novels are known to cause paranoia, disorientation and memory loss in some readers, Trent believes it’s all hogwash and considers his disappearance to be a bluff, something done entirely as a publicity stunt. But bizarre phenomena starts happening, and during their investigation, Trent and Linda enters a small town which looks like and includes people that are exactly as described in one of Cane’s fictional novels. Is it all staged, or is something else at play?
Judith Albright suffers a stroke on her 70th birthday, and is diagnosed with Parkinson’s disease. She is moved to a nursing home, a beautiful old-fashioned mansion. While her grandson opposes the move, both Judith and her daughter Barbara insists that this is what will be best for everyone. Judith is a given a room which she shares with another woman. Her roommate is called Annette, but she is nothing but a disturbed, babbling fool who clutches her bible like her life depends on it. Upon staying at the home for a short while, Judith is starting to witness strange behaviour in several of the residents, but doesn’t think much of it, considering that many of the people there are suffering from dementia and are prone to be confused and acting strangely. She befriends a group of other residents whom she starts playing bridge with, and things seem to be rather well…until one evening, when Annette is more disturbed than ever, especially after the cat Ozzie jumps into her bed. That night, Judith wakes up and sees a dark shadow leaning over Annette, and no one believes her about what she’s seen. When Annette dies and Judith also starts seeing that shadow creature in the bedroom, she knows something is very wrong at the nursing home, but of course…no one will believe an old, confused woman…
We are in one of the darker corners of Hollywood, Los Angeles, where the young man Raymond Everett (Lenny Von Dohlen) owns a horror-themed wax museum. One day he gets some new deliveries, all the way from Romania, one of which is a casket that contains something you’ll never guess what – Vanessa, Dracula’s widow (Sylvia Kristel). Yes, a living, bloodsucking vampire. So why has she gotten herself all the way over to Los Angeles, you may wonder? No one knows. She doesn’t know, the script doesn’t know, even the Man Who Knows poster we see on the wall on Raymond’s apartment, doesn’t know. So where do we go from here? Who knows.
