Luke is a young man who is struggling with childhood traumas, and when visiting his mentally sick mother he decides to resurrect his childhood imaginary friend, whom he once “trapped” inside a doll house when he was a boy. His imaginary friend’s name is Daniel, a self-confident and manipulative guy who appears to be the opposite of shy, timid Luke. At first, Luke is convinced that bringing Daniel back is a good choice as he appears to help him, but soon it starts to become obvious that Daniel’s intentions are no good.
Daniel Isn’t Real is a fun psychological horror film directed by Adam Egypt Mortimer, about a young man and his imaginary childhood friend “Daniel”. It is based on a book by Brian DeLeeuw, which is called In This Way I Was Saved. Imaginary friends are not a rare subject in movies, but while they’re usually a pretext for humorous scenes and charming situations in other movie genres, their purpose in horror movies are almost always sinister. In horror movies, imaginary friends are bad news. Very bad news.
Luke (played by Miles Robbins) does a solid job on portraying a confused and traumatized individual, struggling with overcoming his troubles. Daniel (played by Patrick Schwarzenegger – yes, Arnold Schwarzenegger’s son) also skillfully portrays the typical alpha-type male which could come off as the hidden and extroverted side of Luke. It is interesting to watch their relationship unfold from Luke’s childhood where he meets Daniel outside after viewing something that ends up traumatizing him. This is a significant part of the story as it’s the reason why Daniel becomes a part of Luke’s life (although not necessarily in the way you might expect). Although shy and lonely Luke now finally has his own playmate, things quickly turn dark when Daniel suggests something that almost ends up killing Luke’s mother. As a punishment for this, Luke’s mother tells him to “banish” Daniel inside an old doll house. Years later, when Luke is still struggling, his psychologist suggests that he reconnects with his childhood friend, and thus he lets Daniel out of the doll house. What follows is a series of slightly strange events where Daniel appears to help Luke, making him more confident and even helping him during a school exam. In fact, both Luke and the viewer might almost get dulled into a sense that Daniel isn’t all that bad, but of course, good things aren’t meant to last and Daniel’s true intentions resurface more and more.
Daniel Isn’t Real manages to keep up the suspense and feeling of mystery, as we keep wondering if Daniel is some kind of supernatural entity or if he’s just the result of Luke’s disturbed mind. As the movie unfolds, so does the imaginative use of special effects which results in a highly visual ride of monsters manipulating their faces like it was a mold of clay, an exploration inside a gothic doll house, and other trippy and surreal events. With a mix of both practical and cgi effects, it sure is a visual and a little disorienting treat, but this is also the part of the movie where it strays from its more realistic and mysterious tone and right down the rabbit hole. Which, depending on your own taste, may make you either dislike it or love it more. Personally I belong to the latter bunch.
Overall, Daniel Isn’t Real is a nice and visually strong psychological indie horror that keeps you guessing.
Directors: Adam Egypt Mortimer
Country & year: USA, 2019
Actors:Miles Robbins, Patrick Schwarzenegger, Sasha Lane, Mary Stuart Masterson, Hannah Marks, Chukwudi Iwuji, Peter McRobbie, Andrew Bridges, Griffin Robert Faulkner, Nathan Chandler Reid, Daniel Marconi, Chase Sui Wonders, Rosanne Ma
IMDb: www.imdb.com/title/tt8745960/
Shirin moves to a new house together with her boyfriend Fredrik and his young son, Lucas. Their new home is a vertically divided semi-detached house, where the other side is uninhabited and in a slight state of disrepair. As Fredrik’s job requires a bit of travelling, Shirin must stay at their new home with her stepson, who misses his mother (who died of cancer). When the boy makes a new friend who he claims is living next doors in the uninhabited part of the building, Shirin starts to realize that this isn’t all child’s play.
We are in a distant future where the world’s population has been completely annihilated by Ro-man’s Death-Ray. Ro-man who? He’s an evil alien in a gorilla suit, face covered with a diving helmet with two antennas attached to it. But there are eight survivors left, a family which Ro-man is able to communicate with through a … bubble machine. And he wants their location so Ro-man can finish his mission. Or else …
We’re at a hospital in New York at night, where someone is stealing body-parts from the cadavers. One of the doctors is able to catch the body-snatcher as he is about to eat one of the cadaver’s heart, but then quickly commits suicide by jumping out of a window. Well, case closed, then? Well, no, he doesn’t die right away, and says his last word “Kitoh ordered it”, and we soon learn that he was a part of a cannibalistic cult from an obscure island in Asia, also named Kitoh.
In the summer of 1966 in El Paso, Texas, something really magical happened: Manos: The Hands of Fate was made. A movie so hilariously, mind-boggling bad that hardly any words from this universe would make it justice. But I’ll try. Harold P. Warren was a middle-aged man who worked as a fertilizer salesman for a living, but had a certain passion for film and was also a member of the local theatre. But while the passion was there, the talent was not. Yeah, we’re talking about an Ed Wood here. Anyway, one day he had a coffee with a screenwriter where he claimed that it wasn’t so hard to make a horror film, and made a bet with the screenwriter that he could make en entire film on his own. After the bet was official, Mr. Warren had no time to waste and scribbled the outline for his horror film on a napkin, a film in which he would write, direct, produce and be the star in. He then gathered some amateur actors, a budget of $19,000 and a 16 millimeter camera from the stone-age that could take only 32 seconds of footage at a time. And forget about any sound, all dialogues were horribly dubbed, assumingly in his henhouse or something, by three persons in post-production.
Oliver is a young non-verbal autistic boy who communicates through tablets and smartphones. His parents are struggling with their relationship, he is bullied at school, and he is lonely and longing for a friend. As Oliver is spending most of his time trying to comfort himself with Spongebob episodes and using the Snapchat filter for fun and giggles in his own room, a strange story suddenly appears on the screen. It’s the story about Larry, or “The Misunderstood Monster”. This mysterious creature is trying to use Oliver’s devices in order to break into his world, but will his parents be able to save him before it’s too late?
Inside, or À l’intérieur as it is called in the original language, is one of the most tasty delicacies of a slasher that has come after the turn of the millennium, directed by the duo Alexandre Bustillo and Julien Maury. Inside was one of the first in the so-called New French Extremity-wave with, among others such as, Alexandre Aja’s Haute Tension a few years back, and Xavier Gens´ Frontier (s ), which came the same year as this one. Already the following year, Pascal Laugier pushed the strings even further with Martyrs. So yeah, the 2000’s was an exciting time for French horror films that flourished new, young, hungry talents while the stiff bureaucrats at the censorship board probably was on a permanent vacation.
The Porter family is camping in the woods somewhere in France, where they are brutally attacked by someone (or something), leaving the wife as the only survivor. She is severely wounded, and claims that her husband and young son were eaten alive by a strong man. Soon afterwards a Romanian man named Talek Gwynek who lives in the woods with his mother, is arrested and accused of being the killer. Kate Moore is assigned to be his lawyer, and together with investigator Eric Sarin and animal expert Gavin Flemyng, they believe that the accused man is innocent as the attack bears a clear resemblance of a vicious animal attack, which could not be done by a human. At least, not a normal human…
The caretaker Sam is about to check on a big, empty, victorian house that was built during the civil war, and is now filled with dust and cobwebs. It’s broad daylight and he’s still scared shitless to go inside. He starts right away to hear noises that leads him down to the basement (of course) where he suddenly bursts into flames and never gets heard from again. Then we get introduced to the couple C.J and Carol, two doctors who buys the house and plans to open it as a rehabilitation center. The house is in need of fixing and the doctors gathers a team to do the renovation work. And nothing goes wrong from here on. Just kidding.