Here we have the film that was heavily promoted as “Norway’s first splatter film ever”, which is not really true. But I can at least agree that this is the first Norwegian splatter film that got a wide DVD distribution, which was quite a unique thing in a small, tiny country like Norway. This is almost twenty years ago. Time flies.
The film starts with Mother Earth having sex, and a young man in his twenties (Martin Loke) then pops out from a vagina located at the earth’s grassy surface, while the sun shines on a hot, ordinary summer day. A monk-like creature comes along and cuts the umbilical cord as the new-born screams like a schizophrenic mental patient. He then suddenly wears a suit, and has a suitcase handcuffed to his arm as he gets thrown into the society. He follows a pathway and meets a random guy. While they have a beer, he tells our new-born a life lesson-story about how evil society is if you don’t kneel to the authority, and conform to the social norm in a perfect sheep mentality. All forms of outcasts and those who dear to think freely are seen as serious threat to the society, and they get hunted down and killed by the military under orders of The King himself. As the story goes on with a tirade of amateurish, messy, incoherent scenes, including a scene with a guy getting a bottle stuffed in his butthole, you start to wonder what the hell you’re really watching.
The acting is unbelievably, ridiculously, bafflingly bad, and is the funniest thing about the movie. And the dialogue was sloppily dubbed in post-production, which doesn’t synchronize at all. It’s reeks of amateur-hour all the way, and the “humour” is on the cringiest middle school level. Director and screenwriter Martin Loke is a huge fan of Peter Jackson’s Bad Taste which reflects in the effects and some of the camera work. But when Bad Taste had its own style and energy to it, this comes across as the drunken poor man’s version. With a budget of 600,000 Norwegian kroner (approx. $ 68,3348), the film should at least look better. I suspect that most of the budget went to municipal goods like military stuff and access to certain restricted locations. And almost like there wasn’t any budget for a half-decent soundtrack, the score is primarily filled with classical music from Beethoven, which just feels completely out of place and makes the movie even weirder. The “Actors” are mainly friends and family of Martin Loke, who mostly give the impression of standing in front of the camera as a big favor they would never do again. The political and social statements Martin Loke is trying to make us reflect on is for sure more relevant today than it was twenty years ago. But aside from that, this is nothing but a demented, bizarre and messy oddball of a movie which will guarantee some great laughs for sure. Some of them unintentionally, of course.
The most impressive thing about Bread and Circus is that Martin Loke showed it at the Cannes Film Festival of all places, and sold it to seven countries. How he actually managed to do that with a film like this, God knows. But, okay, I give him my respect for that. The film was later given a 10-year anniversary edition from the Nordic Another World Entertainment with some extras. A U.S. release is also available at Amazon.com.
Director: Martin Loke
Original title: Brød & Sirkus
Country & year: Norway, 2003
Actors: Oliver Boullet, Miriam Johansson, Martin Loke, Magne Jahrestein, Silje Andresen, Benjamin Rørstad, Lars Torp, Lars Erik Ringstad Nordrum, Lise Løke, Hilde Løke, Fredrik Løke, Frank Løke, Eivind Pedersen, Andre Iversen, Vegar Bakke
IMDb: www.imdb.com/title/tt0377543/
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Nina is a Russian woman, who lives together with her young daughter Sasha. She has left her abusive and alcoholic husband, but he still causes trouble for her by coming to her home drunk and demanding to come inside and see his daughter. All Nina wants is a new and better life for herself and Sasha, and after joining a typical “Russian brides” website (dating website for people looking for a Russian woman) she gets in contact with a reclusive billionaire from USA. After traveling abroad to meet her new man, she marries him very soon thereafter. However, she soon finds out that the seemingly nice man has other motives…and Nina eventually realizes that she’s put both herself and her daughter in a dangerous position.




At first glance, you might think this is some kind of sequel to Deathgasm, but sorry, it’s not. But it easily could have been. We are in the 80’s, in the cold and conservative Nordic land of Norway where La Det Swinge by Bobbysocks is the most metal you can hear on the radio. We are introduced to the teenager Øystein “Euronymous” Aarseth who starts the small and obscure extreme metal band called Mayhem, together with Jørn “Necrobutcher” Stubberud, and eventually get their permanent drummer Jan Axel “Hellhammer” Blomberg. They get a vocalist from Sweden who calls himself Dead, a severely depressed, twisted and suicidal skinny guy who mostly spends his time collecting dead animals, chasing cats with a shotgun and keeps fantasizing about death. Dead immediately shows up to take his stage name quite literally, by almost cutting himself to death while screaming Freezing Moon on stage wearing corpse-makeup and dirty clothes that have been a whole night underground to get the right smell of decay. However, it doesn’t take long before Dead takes his persona too literal by killing himself, blowing his brains to pieces with a shotgun. Upon finding him, Euronymous takes a picture of his body in which he used as the cover of one of their bootlegs. A disgraceful act that Necrobutcher didn’t want to be a part of, and then quits.
A couple (Elin and Tobias) is on a vacation with their young daughter (Maja), when a serious case of food-poisoning causes the mother to become very ill. She is rushed to the hospital, and the whole family is spending the night in the hospital room, awaiting the mother’s recovery. When the next day arrives, which is also Maja’s birthday, they discover that she has died overnight due to a delayed response to the food poisoning. A few years later, the couple is going on a trip in order to find their way back to each other, but eventually find themselves trapped in a never-ending loop of terror when they are attacked by a trio of terrifying characters resembling the cartoons on their dead daughter’s music box.



A sister (Becky) and brother (Cal) is driving close by a vast field area of tall grass in the middle of Kansas. She is pregnant, and they stop by a deserted church because she’s gotten a bit carsick. There, they hear a young boy’s cry for help from the tall grass, claiming he’s lost and cannot find his way out. They both go in there to save him, but ends up finding themselves lost as well. Something is not right about that vast field of tall grass…and something evil is lurking within.
Dana is going out for a run, but what should have been a normal morning ends with disaster when she is hit by a car and winds up confined to a hospital bed. Bruised and broken, with a breathing tube down her neck, no ability to speak (she must use a “speak and spell” device in order to communicate), and no ability to move, she’s totally helpless. And then, when things couldn’t possibly get any worse, what appears to be a malevolent spirit starts haunting her hospital room, and tries to kill her. When everyone believes she’s just having a mental breakdown, Dana struggles to find out who the spirit is, and why it is haunting her.
It’s now been 27 years since “The Losers Club” had their first and terrifying encounter with the child-eating entity Pennywise. They have all moved on with their lives, and away from Derry and its awful memories. With the exception of Mike, the only one of them who stayed behind. When Mike starts noticing the tell-tale signs of their enemy being back again from its hibernation, he gives his old friends a phone call. They made a promise 27 years ago…that when It returned, they would get back together and end it once and for all.
It’s 1989 in Derry, a small Maine town. A group of bullied kids who calls themselves “The Losers Club” experience frightening things when a creepy clown named Pennywise starts terrorizing the little town. Children go missing, and the kids band together in the hopes of destroying the creature.