1980s horror movies – Page 2

Frankenstein Island (1981)

Posted on October 13, 2024October 17, 2024 by HorrorGhouls

The director, Jerry Warren, woke up one day and saw some hot air balloons from his window. He picked up his potato camera, pushed the rec-button, and maybe hoped he could use it in some future project. And so he did. C o o l.

Then we cut to a group of middle-aged men who have crash-landed with the balloons on some island. After some exploring, they stumble into some natives who only consist of young, slim ladies. They only cover their tits and asses with some leopard-bikini-clad. And they seem to have easy access to shampoo. Welcome to the wildlife.

You are pretty, one of the ladies says. And no, this is not really a porno, this is supposed to be a Sci-Fi horror film, if you haven’t already figured it out. They have some weird ritualistic dances as if they were high on bath salt while our group of men drools at them. Every man’s wet fantasy seems to have come true … or maybe not. Because there is a shocking secret to be revealed about these ladies later. One of the ladies gets suddenly kidnapped by a goofy-looking guy in jeans and a beanie who looks pretty much like the twin brother of Bubbles from Trailer Park Boys.

It’s impossible to try explaining what’s really happening here. The film is so bafflingly absurd that anyone would get a serious brain fart if trying to find a breadcrumb of logic.

Our men get met by two other dudes who just randomly pop up behind some bushes – one old bearded grandpa with a cane and a guy with a pirate patch. And both of these guys look like two hardcore alcoholics who have zero business being on a movie set. The strong odor of piss, sweat, booze and old spice really reeks. The one with the patch laughs all the time, drinks from every bottle he can find, and I would assume that the guy was completely hammered for real during the filming. Oliver Reed would be impressed. Because there is no freaking way that any actors near this production could act drunk so naturally as we see here. There’s also a scene where he seems to black-out as he sits by a table and the camera just keeps rolling in case he wakes up. Spoiler alert: some ten moments later he wakes up, just barely.

400 words in, and I haven’t even got to break down the premise. Maybe because there hardly aren’t any. But like in a crowded bar somewhere in Wisconsin on a Wednesday night, a lot of unpredictable shit is bound to happen. And if a celluloid can get drunk, here you have the result. It’s incoherent, messy, absurd, bizarre and out-of-control all the way to the very last pub goer who refuses to leave after closing time. Just one more drink. One more. Burp. Okay then: We have a cheap-looking lab where an old and-ready-to-die Dr. Von (yes, with an o) Helsing lies in a hospital bed, looking confused. Who could blame him. We have some random silly scenes with more Trailer Park Boys-looking weirdos who swing with the cheapest Halloween Devil Fork the budget allowed to spend. We see a glimpse of some creepy mannequin, just because, some drops of acid-trip images, and, of course, we have Dr. Frankenstein, the man of the hour himself. Here he’s played by John Carradine, where he only pops up randomly as a hologram while he’s rambling a string of demented and nonsensical words. If his lines weren’t cryptic enough, they always end with The power… The power… The power… The power…!

Man, this movie…

And yes, we actually have a Frankenstein monster shoe-horned in here, just to put the little, golden raspberry on the top. He pops up randomly just in time to join the classic fight scene in the laboratory. And this fight scene is something else, where the retard-o-meter goes all up and even through the ceiling. It’s even worse than the catfight scene in Manos: The Hands of Fate. The best way to describe the insanity is as if there was a blind dance coordinator on the set instead of a stunt/fight coordinator. The monster also keeps arm-swatting constantly as if there was a fly in front of his face that wouldn’t leave him alone. I wouldn’t be surprised if he accidentally smacked several of his co-actors. And the legend says that he’s still to this day trying to swat that fly.

The film is written, directed and produced by the same mastermind who made Teenage Zombies (1959), The Wild World of Batwoman (1966) and other public-domain classics. The most amusing thing here is that Frankenstein Island was made after Jerry Warren took a ten-year hiatus from filmmaking. And during those ten years, plus five years prior, he didn’t watch a single film and had zero sense of the pulse of the horror movie business – other than he had heard rumors that horror films were profitable again (thanks to the rise of the slasher genre). The guy clearly lived in his own small bubble, completely out of touch deep in a fantasy world where the only movies that existed were his own, and thought that a film like Frankenstein Island would rise his ego. Never heard the term zeitgeist either, I would guess. The even more amusing, if not just tragicomic, is the matter of fact that Frankenstein Island looks like something from the 1950s alongside with Teenage Zombies, produced by Ed Wood. It’s so hilariously and just painfully dated, almost to an impressive level. Without knowing any of this beforehand, I’d rather believe that the Earth is flat than that this was made the same year as Halloween II.

Warren also wanted to make a sequel to Frankenstein Island which he described as “more up-to-date, not so campy and old-time.“ I would even pay a hundred bucks to see that film, but unfortunately Warren died in 1988, two months before John Carradine. Double RIP. The one and only DVD release of the film is out of print and very pricey. It’s also available on Tubi.

Writer and director: Jerry Warren
Country & year: USA, 1981
Actors: Robert Clarke, Steve Brodie, Cameron Mitchell, Robert Christopher, Tain Bodkin, Patrick O’Neil, Andrew Duggan, John Carradine, Katherine Victor, G.J. Mitchell
IMDb: https://www.imdb.com/title/tt0082410/

Grandmother’s House (1988)

Posted on October 9, 2024October 7, 2024 by HorrorGhouls

Two siblings, David and Lynn, are orphaned after their father dies unexpectedly. They are sent to live with their grandparents who resides in a victorian home somewhere in rural California. When David and Lynn were very young, they lived in that house together with their mother, but of this they have few memories and everything from that time is a blur. When they travel to their new home, a creepy woman is standing in the middle of the road and almost causes the bus driver to have an accident. Weird…but nothing much to reflect on, right? Creepy people are everywhere. And talking about creepy people, when the siblings meet with their grandparents, they feel that something is very, very off about them. Sure, they’re sweet and nice and all that, just like grandparents ought to be, but…something’s not right. And during their first night in the house, David has a nightmare where he witnesses his grandfather killing a woman.

Grandmother’s House (aka Grandma’s House) is a slasher film from 1988 directed by Peter Rader (writer of Waterworld) as his directorial debut. And it sure is a little bit of an oddball movie, with twists and turns that makes it an unpredictable watch, at least if you haven’t read any spoilers beforehand. I’ll do my best to avoid them here in the review.

The movie starts off with a well-trodden trope: children lose their parent, and must come and live somewhere else where things are strange and unfamiliar. A setup like this has often been used in everything from children’s movies to horror, so nothing new here. And while the grandparents seem loving and sweet, you notice that something is off, of course. It plays along with a mystery-fueled setting where certain scenes and character behavior makes everything seem even more off. While it’s apparent after watching it that several scenes and setups are made to deliberately confuse you, with the bright setting of sunlit days and a beautiful orange orchards and other picturesque locations. Yup, the countryside is indeed beautiful. It does actually feel a bit dreamlike at times, and while the mystery keeps building and you feel you know what it’s going to reveal, it still ends up surprising you. And yes, despite a somewhat slow build-up it eventually slams into full psycho-killer territory.

Overall, Grandmother’s House is an obscure slasher flick that despite a bit of clunkiness, provides enough surprises and twists to be entertaining and worth a watch. Best to go in blind, though, as knowing too much about the plot and turn of events beforehand is likely to ruin the experience a bit.

Grandmother’s House was restored and released on DVD and Blu-ray by Vinegar Syndrome and 88 Films.

Director: Peter Rader
Writers: Peter Jensen, Gayle Jensen,
Country & year: USA, 1988
Actors: Eric Foster, Kim Valentine, Len Lesser, Ida Lee, Brinke Stevens, Michael Robinson, Craig Yerman, David Donham, Joan-Carol Bensen
IMDb: https://www.imdb.com/title/tt0097455/

Rawhead Rex (1986)

Posted on October 6, 2024October 6, 2024 by HorrorGhouls

He’s Pure Evil. Pure Power. Pure Terror. And pure schlock! Good grief, no wonder Clive Barker himself hated the film despite having written the screenplay for it, and to such an extent that he decided his next movie Hellraiser would be made under a much stricter rule of his own hand. Thus he ended up directing that movie himself. For those that have read the original Rawhead Rex story in Clive Barker’s Books of Blood, or even read the graphic novel adaption by Steve Niles which was wonderfully illustrated by Les Edwards (which is a lot more true to Barker’s original vision of the phallus-formed monster), this movie goes into pure B-horror territory that’s as schlocky as it can get, with a monster design that looks like a demented ogre suffering from a lockjaw condition. In other words: perfect horror ghouls material!

We start off with Howard Hallenbeck, who travels to rural Ireland with his family in order to research some religious artifacts. In that same quiet town a lightning strikes a huge phallus-formed stone column that’s been placed in the middle of a field. Then, Rawhead Rex rises from the dirt after having been buried under there for a long, long time. Now he’s back and ready to wreck havoc on humanity! In the meantime, Howard enters the local church and sees a stained glass window featuring the monster, and the church verger Declan appears to act strangely and don’t want him poking around. In the meantime, Rex himself has started the kill count by offing some locals. When Howard is driving home with his family, his daughter needs to urinate and goes behind a tree. Their son stays in the van reading a comic book, and of course Rawhead Rex appears, killing the boy right in front of Howard and takes the body with him into the woods so he can continue to eat his meal in peace. All of this leads to them reporting this at the police station, where we are presented with one of the most hilariously unconvincing family-in-grief scenes I’ve ever seen. Now, Howard is hellbent on taking the monster down, but things have gotten even more complicated as Rex has gotten his own Renfield in the church verger Declan. There is supposed to be a weapon in the church which can defeat the monster, and Howard must try his best to get it before there’s an even bigger bloodbath.

Rawhead Rex (1986) was directed by George Pavlou, and as mentioned Clive Barker wrote the screenplay. The filming took place in County Wicklow, Ireland, Leinster, Redcross and Laragh. The actor in the Rawhead Rex costume, Heinrich Von Schellendorf, was only 19 years old at the filming and it took two hours to put him inside the costume. The film was given a limited release in the US by Empire Pictures in 1987. The 80’s have given us everything from pure gold to pure trash, everything from masterpieces to disasters to even some disasterpieces. There were a lot of B-horror movies from this decade, and a lot of them actually have a decent entertainment value. This movie falls well within that category, where you can’t really imagine anyone saying the movie is good, but if you have at least a tiny bit of appetite for so-bad-its-good movies, then you will at least have some fun with it. Rawhead Rex is what it is, pure schlock and B-horror where you shouldn’t take it seriously for a moment. The acting is hilarious at times, and while the monster looks more laughable than scary it does have a certain charm to it. It sure does provide a lot of cheesy fun.

Clive Barker talked a little about a possible remake of the movie, but nothing ever came of that. Could have been really awesome, though, if someone made a movie that kept the disturbing and wicked vibe of the original story, and didn’t hold back at all on the gore and nastiness. And of course, with a monster resembling the original vision, maybe something close to Les Edward’s version in the graphic novel. Oh well, I guess we can only dream.

Rawhead Rex was originally released on DVD in the US in 1999 by Geneon, and then re-released by Prism in 2003. Later, a restored version was released on Blu-ray and DVD by Kino Lorber in 2017. It’s also available on multiple streaming sites.

Director: George Pavlou
Writer: Clive Barker
Country & year: UK/Ireland, 1986
Actors: David Dukes, Kelly Piper, Hugh O’Conor, Cora Venus Lunny, Ronan Wilmot, Niall Toibin, Niall O’Brien, Heinrich von Schellendorf, Donal McCann, Eleanor Feely, Gladys Sheehan
IMDb: https://www.imdb.com/title/tt0091829/

Humanoids from the Deep (1980)

Posted on August 6, 2024September 18, 2024 by HorrorGhouls

It’s summer and the place is a sleepy hillbilly fishing town, Noyo, in northern California, where the local women are starting to get raped by humanoid fish monsters. Some context: it all starts with a fishing trip going horribly wrong when they catch one of the humanoids in their fishnets. It goes from bad to worse when the fisherman’s young son falls overboard and gets pulled under the water and killed. The boat gets blown to pieces when a flare gun accidentally fires into the gasoline-soaked deck.

Fishmonsters must be on everyone’s mind who witnessed it, right? Of course not. The locals suspect Johnny to have caused the explosion, because he’s an Indian and those who died on the boat didn’t like those kinds of people. Racist alarm. Well, there’s not much of a mystery here as the viewer is fully aware of what really happened. A dog disappears and gets found by the shore, totally mangled. Poor doggie. But that’s not the only one, as all the dogs in town have been brutally killed overnight and discarded like trash by the docks. And the only dog left alive is Johnny’s, the Indian guy. Not the greatest start when the town is preparing for a festival, sponsored by the legendary Olympia Brewing Company.

It gets more serious when more townspeople are getting killed. The schlock elements really kicks in with a teenage couple having a swim at the beach and getting attacked by some humanoids. Here we see them in full costume, which actually doesn’t look too bad. But that’s until we see them in motion, because actors in big, heavy rubber costume suits are not a good combination. A scientist, Dr. Susan Drake, enters the scene to get to the bottom of the case and her research can inform us that the town is being plagued by mutated salmons.

Killing dogs is one thing, but the most alarming thing must be that the humanoids rape the female victims, something that was not originally included in the rough cut. First-time film director Barbara thought a rape scene with a rubber-looking fishmonster would look dumb. She has a point, though. And her being a feminist, she refused to film such a scene. Roger Corman (RIP) was a producer on this thing, which explains a lot as his fingerprints are spotted all over the place. But why he hired a female feminist to direct under his New World Picture company is a ball-scratcher. Well, he never hired a woman to direct again. So, he fired Barbara (even though she’d already completed the principal shooting) and hired Jimmy T. Murakami (Battle Beyond the Stars, When the Wind Blows) to shoot the scene. Corman got some backlash for this, so for the hell of it, he recycled it one year later in Galaxy of Terror with a giant, horny maggot.

Another fun trivia: actress Ann Turkel, who plays the scientist, once said why she chose to do this film: “It was an intelligent suspenseful science-fiction story with a basis in fact and no sex“. It also had the working title Beneath The Darkness, which she loved. Oof, talk about being totally duped. Roger Corman, you little rascal. Because, not only did Corman add more scenes of graphic nudity, and spiced up the sleazy nature and monster rapes to amp up the schlock elements, he also changed the title to Humanoids from the Deep, which Turkel of course hated.

The script is very unfocused which blends some out of place slasher elements with melodrama between the Indian and the other locals that escalates into cheesy mass-fistfights while we’re waiting for some fishmonster action. It’s still a silly, entertaining and campy B movie that walks the tiny line between the more wooden Z movie territory. Surely not a masterpiece. The climax at the carnival is a highlight where we have some really bad acting to laugh at, and the film is as cheesy and fun as the title suggests. The awesome cover art for the Blu-ray does not lie, in other words. The gore is minimal, though, so don’t get too excited. But the little we have is pretty solid. Some of the makeup crew later worked on films like Cocoon, RoboCop, The Blob, Night of the Creeps, Blade II and more, so that should say something. It’s also worth mentioning that the film has the first musical score by James Horner, who was to become one of the most prolific composers in Tinseltown.

Director: Barbara Peeters
Writers: Frank Arnold, Martin B. Cohen, William Martin
Country & year: USA, 1980
Actors: Doug McClure, Ann Turkel, Vic Morrow, Cindy Weintraub, Anthony Pena, Denise Galik, Lynn Theel, Meegan King, Breck Costin, Hoke Howell, Don Maxwell, David Strassman
IMDb: https://www.imdb.com/title/tt0080904/

Antropophagus (1980)

Posted on July 16, 2024July 23, 2024 by HorrorGhouls

It’s summer, the sun is shining and that means: vacation time. How about traveling to an obscure, exotic Greek Island out in the middle of nowhere. We can take along our heavily pregnant friend who’s just minutes from giving birth. Yeah, that’s a great idea, because nothing bad could happen to her.

As soon as our group of friends arrives at the island, things doesn’t seem to be right. The old town nearby is eerily quiet where all the townsfolk just seem to have vanished in thin air. After some exploring, they stumble upon a rotten corpse which should be enough to take a U-turn and maybe visit Disneyland instead. Whoops, too late, cause their boat has been attacked and is adrift. The pregnant woman, who stayed on the boat, has been captured by a grunting man which we so far has only seen from his POV view. Turns out that he’s a deranged cannibal who’s eaten the whole island where the only survivor is a blind girl drenched in blood, hiding in a basement. Have a nice stay.

Antropophagus, or AntHropophagus. or AntHropophagOus, or just I Eat Your Fetus. Yum is Joe D’Amato’s filthy and notorious Eurotrash magnum opus which is most known for one particular scene (or maybe two). The odd title stems from anthropophagy, a doctor term which in English simply means cannibalism. And with that being said, the film is far from as gory as as it’ll make you to believe. We have the half-classic scene of the cannibal eating his own intestines, a severed head in a bucket, a pretty sloppy kill with a meatcleaver, and of course the film’s big selling point: the very juicy fetus scene which made the film earn its spot on the list of Video nasty, and banned in most countries. But don’t worry, the effect of the fetus was a skinned rabbit covered in blood. Poor rabbit, though.

The pacing is slow, especially in the middle-part where the film really uses its precious time to build up the atmosphere. The characters are bland and boring which makes the slow build-up seem longer than it should. A familiar face among the body-counts would be Tisa Farrow, most known from Lucio Fulci’s Zombie Flesh-Eaters (1979). This was her final acting gig before she retired from the film biz to pursue a career as a nurse. She died early this year at age 72. RIP.

The film is pretty tame compared with today’s standards, to be honest. There’s also some very bizarre circus/clown music to be heard during the first half. The film’s strong suit is the thick, raw and sticky atmosphere. George Eastman as the bulky and tall cannibal is also a big plus here, even though he walks slower than a lobotomized zombie on Zoloft. So despite its flaws and clunkiness, the film has its unique vibe and distinctiveness, maybe much thanks to the primitive surroundings and the old European buildings with the overall strong odor of death and decay everywhere. It’s also a technically solid film with some really great ghoulish sceneries – the most memorable being in a moist catacomb where the film’s crew mixed real skeletons with fake ones.

And that segways us to the IMDb’s trivia section: because according to the director, some of the heads and bones in the catacombs were plastic imitations, as mentioned. Upon collecting them after the scenes had been shot, the crew accidentally took with them some real bones. Since D’Amato did not dare to return them, he let them make a “pilgrimage” to his house. Horns up!

I’m also a sucker for that deliciously tasty movie poster, by the way, which is definitively something to have framed in your living room just to piss of your mum and dad every time they visit. That one is made by Enzo Sciotti (1944 – 2021) who also illustrated movie posters for Dario Argento, Lucio Fulci, David Lynch, George A. Romero and more. Movie poster designers, and illustrators in general, get little to no credit, and with the rise of AI junk, I hope that will change. But I wouldn’t hold my breath for that, though.

Antropophagus has gotten numerous releases throughout the years, all from cut-down versions to bootlegs with even more numerous alternative titles to keep you confused. It was for the first time released in full uncut version in 2005 by Shriek Show with both Italian and English dub. The Italian version is laughably bad, so rather stick with the English one. Eastman and D’Amato followed-up with a so-called “spiritual sequel“ a year later called Absurd, which is just dull and painfully boring. The remake Anthropophagous 2000 (1999) by Andreas Schnaas is way more fun. An unofficial sequel was spat out in 2022, simply called Antropophagus II, which I hadn’t heard of until now.

Director: Joe D’Amato
Writer: George Eastman, Joe D’Amato
Country & year: Italy, 1980
Also known as: The Grim Reaper, The Savage Island, The Beast, The Zombie’s Rage, Man-Eater
Actors: Tisa Farrow, Saverio Vallone, Serena Grandi, Margaret Mazzantini, Mark Bodin, George Eastman
IMDb: https://www.imdb.com/title/tt0082479/

Remake:
– Anthropophagous 2000 (1999)

Faux sequel:
– Anthropophagus II (2022)

Uninvited (1987)

Posted on April 19, 2024June 12, 2024 by HorrorGhouls

We’re at a genetic research facility, where a bunch of crazy scientists have decided to genetically alter a house cat into some kind of mutant. Why? Well, probably because crazed scientists always think “can we” when instead they should have been thinking “should we”. It goes just as well as one might expect: the cat escapes, leaving a trail of blood in its wake. Don’t be fooled, though, because this mutant kitty isn’t all that bad. After escaping, it meets a nice man who gives it food, who is then mugged by two thugs who steal his truck. The cat jumps on it and have them both killed, using its pussy power and serving up some instant karma right there. Go kitty! Those aren’t the only sleazebags we meet, however, as a multimillionaire by the name of Walter Graham is preparing for an escape to the Cayman Islands in order to avoid the usual: tax evasion, criminal prosecution, and all that stuff those islands provide a safe shelter from for felons like him. He’s made sure to bring with him enough money and liquor in order to make the journey pleasant. Before boarding his luxury yacht, however, he does of course make sure to bring some booty together with the booze, inviting two young nitwitted girls aboard. The girls bring along three boys as well, much to Walter’s dismay. But not only that, they also bring along…dun dun dun…a certain orange feline one of the girls just found close to the harbor! Walter protests even more about the cat, saying it’s not invited. Well, too late, everyone’s already on board and he’d better start the trip to the Caymans without further delay before even more uninvited guests ends up on deck, specifically those from the authorities. Best to haul ass out of there and get the party started! Of course, things quickly goes awry when the drunken captain gets killed by the cat after threatening it, and falls into the deep blue sea. Since no on else witnessed this, they believe it was an accident, but it so happens that one of the boys aboard is a biologist, who decides to inspect a blood sample from what they assume is the captain’s blood, and finds abnormalities in the blood cell count. It doesn’t take long before they realize they have a very dangerous uninvited guest aboard the luxury yacht, with a mutant killer kitty on the loose!

Uninvited is a creature feature B-horror film from 1987, written and directed by Greydon Clark. Back in the day it was released on VHS by New Star Video, and here in Norway it was released as Killer Cat. It later got a DVD release in 2009 by Liberation Entertainment, and in 2019 a remastered version was released by Vinegar Syndrome.

If you haven’t guessed it already: this one is totally B-cheese all over the place, topped with some catnip for good measure. It’s ridiculous as hell, which of course is part of the charm, but it’s also a bit of a mess and somewhat uneven. There are periods where things are crazy and fast-paced, and then there are periods where everything slows down before it amps up the pace again. It’s worth sitting through the more boring parts though, and of course the highlight of the movie is the cat itself. Already from the start, the mutant cat is more the hero than the villain here, where many of the characters are utter scumbags, so at first it appeared to take a bit of the “monster misunderstood and good, humans bad” trope, but the kitty doesn’t discriminate, and not only the baddies are killed. So, who are you actually supposed to root for..? Well, it doesn’t really matter in the long run, because of course you’re rooting for the cat! Which is constantly meowing during nearly all its screentime. Except it isn’t, because for some retarded reason they decided to play the two stock-sound meowing effects on repeat whenever we see the cat on screen, despite the cat’s mouth being closed. It’s both hilarious and annoying at the same time, and while I would like to say “take a shot for every time the cat meows without even opening its mouth”, I think I’d rather not, because you’d end up with alcohol poisoning before getting halfway through the movie. Yes, the constant meowing really is that much.

The cat itself is for the most part a cute and fluffy one, but the mutation has caused it to sometimes let loose a monstrous Mr. Hyde version from inside its own mouth. Whenever this happens, this monster crawls out of the cat’s very obviously fake head, and sometimes attack people in true Hobgoblins style (meaning the people just hold a puppet while shaking it, pretending for dear life that it’s alive and trying to kill them. Just as convincing every time). Some of the filming was indeed done on a boat, at least, as the director paid $15.000 in order to rent the luxury yacht for two weeks. But this is of course not the only place the film was shot. Like in many B-horror movies, some inventive ideas had to be used, and of course the classic of filming stuff in the director’s garage was a thing here. Other than that, there were several shots featuring a miniature of the yacht which was done in the director’s own swimming pool.

Uninvited is one of those B-Horror movies that makes me glad we have badges instead of ratings here at Horror Ghouls. Because, how the fuck are you supposed to properly rate a movie like this? At one hand, a simplistic take on the movie’s quality would be something akin to a 4/10, but on the other hand it’s a 8/10 when it comes to B-horror entertainment value, topped with extra cheese and overall a ridiculously fun pastime. So, if you enjoy those kinds of movies, check it out if you can. The Vinegar Syndrome releases are out of print and going for a hefty price at eBay, but it’s also available on several streaming sites.

Writer and director: Greydon Clark
Country & year: USA, 1987
Also known as: Killer Cat
Actors: George Kennedy, Alex Cord, Clu Gulager, Toni Hudson, Eric Larson, Clare Carey, Beau Dremann, Rob Estes, Shari Shattuck, Michael Holden, Austin Stoker, and a cute fluffy ginger cat
IMDb: https://www.imdb.com/title/tt0096341/

Galaxy of Terror (1981)

Posted on February 16, 2024August 16, 2024 by HorrorGhouls

After making fifty-plus films since 1955, Roger Corman was tired of directing and stepped down as a producer. The guy is now 97 years old and is still working in the business. Salute! With his company, New World Pictures, he hired young talents who would later work in big Hollywood films. And Galaxy of Terror is more or less his trademark film with the ingredients Corman got notoriously known for: schlock and awe with tons of entertainment value. Galaxy of Terror had a budget of 1.8 million dollars and was filmed in Roger Corman’s backyard in Venice, California.

The film starts with a space guy who runs from someone, or something, in a spaceship which has crashlanded on the mysterious planet Morganthus. He gets brutally killed by an unseen force which we soon learn comes from a huge, futuristic-looking pyramid not so far from the crashing site.

We’re not on Earth, however, but on planet Xerxes where an obscure ruler called Planet Master whose face is covered with a red, gloving dot is ordering the crew of the spaceship Quest to go on a mission on the same planet we saw in the beginning. Why? That’s a good question. We meet our crew of ten: Cabren, Alluma, Kore, Baelon, Ranger, Dameia, Quuhold, Cos, Captain Trantor and Commander Ilvar. The two most familiar faces we see here are Sid Haig, 22 years before he became a more household name as the killer clown Spalding. The other one is Robert Englund, three years before he wrote film history with his killer glove.

As the crew lands on the planet, they are quick to discover the pyramid, which they decide to investigate. And what they encounter as soon as they even touch the pyramid are not scary aliens, but a manifestation of their own deepest fears which are ready to kill them in the most brutal ways.

Visually, the film takes a lot of inspiration from Alien and copies the style of H.R. Giger with some mixture of 1950s sci-fi. So it’s no wonder it’s been called a rip-off of that film. But that’s only on the surface. Plot-wise, Galaxy of Terror goes in its own unique direction whereas Event Horizon took the concept to the more extreme.

The most remarkable thing here is the set-design and overall look of the planet, which was constructed by a young workaholic by the name James Cameron. He worked day and night on the set, also as a second-unit director, to prove himself, and so he did. Much of the visual style was also used some years later in Aliens which explains some of the similarities. The spaceship hallways were set up in Roger Corman’s own house.

And with that being said, the film has enough of schlock and fun B-movie moments to get entertained by. There’s some very wonky and eye-rolling dialogue here and no one can blame Sid Haig for demanding to play his character as a mute. That was only until he had to say his one line “I live and I die by the crystals.” And sure he did. RIP. The acting is overall decent and they do the very best of what they had to work with. We have some great and fun death scenes that include a victim getting sucked by some tentacles with the most cartoonish slurping sound effect. Robert Englund fights an apparition of his dark self (an early glimpse of Freddy, perhaps?) while the others among the crew get burned alive and blown to pieces.

And, of course, what is Galaxy of Terror without its classic rape scene? And not just any rape scene, but with a huge, slimy maggot! Director Bruce Clark refused to film it, so Roger Corman had to step in and do it instead. He’d already gotten some flak for filming a rape scene in Humanoids From the Deep the year before where a fish monster fucks one of the victims. So this was clearly right up his alley. The blonde actress Taaffe O’Connell got the pleasure of almost getting killed when the thing almost squeezed her to death, completely naked and covered in slime, during filming. Luckily, she survived and looks back at the incident with a great sense of humor. This scene had to go through the editing process three times before it got an R rating instead of an X. This was originally meant to be a morbid love scene where Taaffe moans like a porn star and literally dies of an orgasm overdose. Anyway, it became the film’s big money shot, which Robert Englund can tell when a film critic in a suit and tie once came to him shortly after the release and said: “You were MARVELOUS in that film where the giant maggot FUCKED THE GIRL!”

Director: Bruce D. Clark
Writers: Marc Siegler, Bruce D. Clark
Country & year: US, 1981
Actors: Edward Albert, Erin Moran, Ray Walston, Bernard Behrens, Zalman King, Robert Englund, Taaffe O’Connell, Sid Haig, Grace Zabriskie, Jack Blessing, Mary Ellen O’Neill
IMDb: https://www.imdb.com/title/tt0082431/

Rats – Night of Terror (1984)

Posted on February 9, 2024September 19, 2024 by HorrorGhouls

– They’re here! They’re coming!

– God! No!

The year is 250 A.B. in a distant Mad Max world where the planet Earth has been blown to dust by nuclear bombs. A group of bikers are on the look for food and shelter and discover some decayed, empty laboratory in the city. But don’t get too comfy cuz the place is crawling with rats! Big, fat rats. Thousands of them! And like our group of bikers they’re hungry as well and takes a bite out of every human flesh they can jump on. It’s already time to find the flame thrower.

The only believable aspects about this very cheese-smelling low budget apocalyptic flick is the abandoned city set-designs which also was used in Sergio Leone’s Once Upon a Time in America. And with a pretty decent cinematography, despite the circumstances, the film at least gets the atmosphere and the sense of the apocalyptic environment and surroundings. We also have some gory and graphic moments here as well, the most notable being the lucky rat which we can assume crawls straight into someones vagina and eats itself out of the dead victims mouth. Yum!

And then there’s the… rats. We have some hundreds of them running around the actors feet as they try to make us believe that they fights against them while they also do their very best to not harm them. Because no rats where harmed during the making of this motion picture. And it looks as inept and retarded as it sounds. Not that I want to see rats, or other animals, getting killed, but still. Several rats died of natural causes during the making, though (RIP), but director Bruno Mattei had no budget to waste them. Instead the genius used them as props by throwing them at the actors to make it look like they jumped on their victims. Pure movie magic.

We’re also entertained by a group of actors who mostly couldn’t look a bit scared even if they were paid a million. Instead we have goofy faces, monotone screams and just overall bad acting. All of course Italians which was poorly dubbed with stiff cartoonish lines, like most of the older bad Italian horror films. And if you sense the smell of cheese getting stronger, you’re not wrong. Claudio “Troll 2” Fragasso co-wrote and co-directed (without credit) the film. Other sources says that he didn’t direct a single scene. But just pretend he did, cuz that makes it even funnier. And I wouldn’t be surprised if it was him that came up with the batshit twist at the end.

Director: Bruno Mattei
Writers: Bruno Mattei, Claudio Fragasso, Hervé Piccini
Original title: Rats – Notte di terrore
Country & year: Italy, France, 1984
Actors: Ottaviano Dell’Acqua, Geretta Geretta, Massimo Vanni, Gianni Franco, Ann-Gisel Glass, Jean-Christophe Brétignière, Fausto Lombardi, Henry Luciani, Cindy Leadbetter, Christian Fremont
IMDb: www.imdb.com/title/tt0086176/

The Watcher in the Woods (1980)

Posted on February 2, 2024June 12, 2024 by HorrorGhouls

Paul and Helen Curtis moves into a manor located in rural England, together with their two daughters Jan and Ellie. The manor is owned by an elderly woman named Mrs. Aylwood, and she lives in the guest house next door. Mrs. Aylwood once had a daughter, Karen, but she disappeared in an abandoned chapel in the woods thirty years ago. Upon seeing a photo of Karen, Jan notices that she actually looks a lot like this girl. And she also starts sensing something strange about the place, witnessing strange lights in the woods, glowing objects, and visions of a blindfolded girl in the mirror. When getting to know some of the townspeople, Jan wants to find out more about Karen’s mysterious disappearance in the woods all those years ago, and finds that she was together with a bunch of friends that night. What they were up to and what happened to Karen is something only they would know, but none of them are willing to talk about it.

The Watcher in the Woods is a supernatural film from 1980, directed by John Hough and Vincent McEveety, and Produced by Walt Disney Productions, being one of several live-action films from a time when the studio focused on targeting young adult audiences. It is based on a novel from 1976 by Florence Engel Randall, and it was filmed at Pinewood Studios and the surrounding areas in Buckinghamshire, England. The building that’s being used in the film is called Ettington Park Manor, and it was also used in The Haunting (1963).

Upon its release, the film had to be pulled from the theaters pretty fast as the response was overwhelmingly negative, both from critics and audiences, and many considered it “too dark”. Thus, the studio made the decision to make changes to the movie, with extensive reshoots and a brand new ending, and re-released it eighteen months later in 1981. Despite the critical response being so harsh, the film still ended up gaining a cult following over the years.

Now, this movie is certainly not one to watch if you want something scary. It’s from a time when Disney started dipping their toes into PG-rated films, with…well…rather mixed results. Something Wicked This Way Comes is probably one of their best and most memorable efforts among these. While The Watcher in the Woods is more aimed at a young audience, it still does have a certain appeal with a gothic teenage mystery vibe to it, and it is of course heightened by the performance of Bette Davis, who plays Mrs. Aylwood. There are some spooky goings-on, with some charming old-school supernatural effects, and I can easily imagine that seeing this as a kid during the 80’s would make a certain impact. Then again, the director John Hough previously directed the 1973 horror film The Legend of Hell House, so it shouldn’t come as a surprise that there is at least some spookiness here.

So I’d say that overall, The Watcher in the Woods works as a family suspense thriller, layered with a certain old-school charm.

Director: John Hough
Writers: Brian Clemens, Harry Spalding, Rosemary Anne Sisson
Country & year: UK, US, 1980
Actors: Bette Davis, Lynn-Holly Johnson, Kyle Richards, Carroll Baker, David McCallum, Benedict Taylor, Frances Cuka, Richard Pasco, Ian Bannen, Katharine Levy, Eleanor Summerfield, Georgina Hale
IMDb: https://www.imdb.com/title/tt0081738/

976-Evil (1988)

Posted on January 23, 2024September 12, 2024 by HorrorGhouls

In this directorial debut of Robert “Freddy Krueger” Englund, we dial the number 976 to hear our horrorscopes. Yes, with three R’s. And anyone who dials this cursed number will hear a voice by Satan himself as he speaks in riddles how you’ll die in just a few moments.

In real life, 976 was an actual premium-rated telephone number that allowed people to call services of everything from Tech support, overall entertainment to phone sex. And, of course, having your horoscope read (with one R). The service also charged extra, which was every parent’s nightmare when they got the next phone bill.

Fun fact: Robert Englund still meets fans at comic cons who tell him that their worst grounding by their parents was when they called Freddy himself on a 976 number where Englund laid down a bunch of stock replies. He would also on occasions answer the phone for people all over America for an hour. This was at the peak of Freddy mania. Fun times.

One of the callers we meet here is the teenager Hoax (Stephen Geoffreys). He’s an awkward nerdy introvert on the spectrum of mentally retarded. He lives across his cousin Spike (Patrick O’Bryan), who is the polar opposite of Hoax: cool and a badass pussy magnet. And Hoax looks up to him as Spike has to protect him from being bullied. He also lives with his crazy, religious mom who doesn’t make things easier. And Spike can’t protect his sorry ass every minute as he also has a girlfriend to be with. Hoax gets frustrated, angry and now wants to show the bullies and even his mom that he’s no longer to be messed with. After a Satanic ritual and a 976 call, he gets slowly possessed by Beelzebub, develops supernatural powers and big claws to have his sweet revenge.

The first forty minutes or so in this “anti-bullying film” (as Englund calls it) are pretty slow and clunky, and with a script co-written by Brian Helgeland (A Nightmare on Elm Street 4: The Dream Master, Highway to Hell, Mystic River), I expected some more insanity, for lack of a better term. We have a weird love/hate relationship between the cousins Hoax and Spike to build up some dramatic tension. Unfortunately, their chemistry isn’t quite there. Spike also has a girlfriend, Suzie, who mostly looks bored until she gets attacked by spiders. We have a detective, who investigates the source of the cursed 976 call, who looks even more bored. The only one who stands out among the flat characters is the clumsy goofball Hoax as he wears the same nerdy outfit throughout the whole film, except some scenes where he’s wearing a cute pajamas.

The real fun is when Hoax starts to get possessed through several stages with some really tasteful make-up effects by Kevin Yagher, who also worked on the original Child’s Play and several of the Elm Street films. We also have some clever use of miniatures, and a climax with set-designs which look like something from a dream sequence from the already mentioned franchise. The direction is mostly solid with colorful, vibrant cinematography in the purest 1980s style. Robert Englund is of course the one behind the evil 976 voice, where he does his very best to not sound like Freddy Krueger. The gore is very minimal, as low-budget as this is, but the little we have is at least well done.

As much as we love the cheesy and distinct corniness of the 1980s it must be said how ridiculously dated the film is. Such as being a nerd in that decade was the most “gay and uncool” thing ever. The concept with payphones and if not novelty phones where you actually had to get your fat ass from the couch to dial the number to the local pizza delivery. Could anyone born after the 2000s even grasp to imagine? My oh my, the ole’ days… It’s funny how Robert Englund had to repeat himself during the commentary track on the Blu-ray to remind the Gen Z how insanely different the world actually once was.

976-Evil overall is a very mixed bag that maybe works best just as a curiosity to see how our favorite boogeyman from the 80s is as a director. Slow first-half, full popcorn entertainment with some extra cheese during the rest. The film was released on Blu-ray from Eureka Classics in 2020 with an extended version and commentary track by Robert Englund and his wife Nancy Booth, which both met on the set of the film and has been married since. How cute.

Director: Robert Englund
Writers: Rhet Topham, Brian Helgeland
Country & year: US, 1988
Actors: Stephen Geoffreys, Jim Metzler, María Rubell, Lezlie Deane, J.J. Cohen, Patrick O’Bryan, Sandy Dennis, Darren E. Burrows, Gunther Jenson, Jim Thiebaud, Robert Picardo, Paul Willson, Greg Collins
IMDb: https://www.imdb.com/title/tt0094597/