
When one would think that Evil Ed was the only splatter film Sweden had to offer, we came, by a coincidence, across this title called Wither – a homage to The Evil Dead, spiced with its own Swedish folklore called Vittre (Wither) to add some of its own personality to it. It was promoted as the first Swedish zombie movie when it came out in 2012, and the film received a very polarized reception in its home country, everything from praise to pure panning. One of the biggest newspapers in Sweden was obviously so offended by the film that the reviewer spent a full five sentences commenting on the film while the rest was spent on personal attacks against directors Sonny Laguna and Tommy Wiklund. Classy. But someone who clearly liked the movie must be producer Dallas Sonnier, who hired the duo to direct the twelfth Puppet Master movie a few years later. Cheers for that! Now, back to Wither:
A group of young party-ready people go to an abandoned house for a weekend far in the woods to get loose. They have no idea who owned it, except that the previous occupants left the house rotting like a sinking ship with all the belongings inside. At the same time, an elderly man with a rifle is lurking in the area, looking for his missing daughter. Maybe not the best place to spend the weekend. After a quick exploration in the immediate area, two of the kids find another abandoned house where one of them sneaks inside through the window where she comes across a cellar trapdoor. And what do we say then? Don’t go in the basement! Yeah, right. She returns to the gang that is well underway with the party. Traumatized by what she saw downstairs in the basement, she locks herself in the bathroom and suffers panic attacks. It goes from bad to worse when she starts pissing blood, her eyes have become bloodshot, and she collapses. Then she resurrects like a demonic zombie, hungry for human flesh. And there’s full blood-splattering carnage from here on.
One can also draw more comparisons to the 2012 remake of The Evil Dead (which is awesome, by the way) with its gritty, serious tone. There is no over-the-top gallows humor here, and while one may not care much about the characters and who’s what, the acting is pretty decent. Technically, the film looks good with some great effects, good make-up, and probably a usage of several gallons of fake blood that the actors had to slip through. A strong and crisp soundtrack also helps, but the film has its obvious weaknesses. The script halts in which several scenes become too tedious, and the last 30 minutes could honestly have been trimmed down a bit or two. A main protagonist to root for, an Ash if you will, is also missed here. However, I still enjoyed the film as a whole, and it probably helped with some low expectations. But one thing is certain: if you want blood, you got it!
Directors: Sonny Laguna, Tommy Wiklund
Original title: Vittra
Country & year: Sweden, 2012
Actors: Patrik Berg-Almkvisth, Lisa Henni, Patrick Saxe, Johannes Brost, Amanda Renberg, Jessica Blomkvist, Max Wallmo, Anna Henriksson, Ingar Sigvardsdotter, Ralf Beck, Sanna Ekman, Julia Knutson, Jessica Darberg
IMDb: www.imdb.com/title/tt2140671/
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In the hopes of being able to bond with her soon-to-be stepchildren, Grace is staying with them in a remote winter cabin over the holidays. Their father was supposed to stay with them, but is unexpectedly called to work and he cannot refuse, which leaves her alone with the children. With the holidays just around the corner she hopes that they will be able to have a good time, but the isolation and a blizzard traps them inside the lodge. Then, mysterious and frightening things start happening, keeping Grace wondering if it’s just the isolation and the strained relationship to the children, or if it’s the demons from her past that have come back to haunt her.






It is Halloween, but Harper isn’t really in the mood for a scary celebration as she is already struggling with a real fright in her life: an abusive boyfriend who keeps sending her angry text messages. However, her friends are determined to have a fun night out and enjoy themselves, so she covers her black eye with make-up and they all head over to a costume party. They meet up with two other guys, and the six of them ends up looking for a haunted house attraction in order to make their Halloween night complete. Very much on random, they encounter the sign for such an attraction on a lonely country road, and decide to check it out. Upon entering this Haunted House attraction, they’re forced to leave their cellphones and have to sign liability waivers (which probably sounds like big red flags right there for our naive protagonists, but in real life there are such attractions that actually requires you to sign liability waivers before entering. Like for example 

Los Angeles, 1967. Alice is a still grieving widow who works at home as a spiritual medium, and is accompanied by her two daughters when tricking their customers into making them believe that spirits are present. The oldest daughter, Lina, one day suggests that they implement a Ouija Board into her mother’s readings. The youngest daughter, Doris, tries it out alone and invites an evil presence into their home, not realizing how dangerous it is.
Philip (Sean Harris) is a middle-aged man returning to his hometown in Norfolk with a population of probably ten people, which looks like a depressing place to live in. With him he’s got a brown bag containing a puppet called Possum. A terrifying thing with a human head made of rubber, and with spider feet. Philip turns out to be a totally fragile, traumatized man, trapped in a severe life crisis, who constantly seems be on the verge of blowing out in full panic attack at any moment. And the nightmare fuel provided by Possum clearly doesn’t makes it any better. Time to watch some cat videos on YouTube, I would say. Anyway, he goes to his decayed, filthy childhood home where he meets his stepfather Maurice (Alun Armstrong), a greasy old man who probably hasn’t taken a shower in years, and likes to preach stuff that doesn’t make much sense. They turn out to have as much of a resentful relationship with each other as Philip has with Possum, which he repeatedly tries to get rid of by dumping it in the river, burying, burning, and beat the shit out of it to a point where you almost feel more sorry for the puppet than for Philip. But just like a cursed Ouija board, Possum always reappears.
On a remote New England Island in the 1890s, two lighthouse keepers have to stay there for four weeks. Thomas Wake, the oldest between the two, has been watching over the lighthouse for a long time and is used to the unfavorable conditions. His new assistant, Ephraim Winslow, does not settle in with ease however. Ephraim is getting more and more frustrated by the older man’s fussing and complaints, where he is being bossed around constantly. When the four weeks are over, and the boat still doesn’t come to pick up Ephraim due to very bad weather, they both realize they might be stuck on the island for far longer than anticipated. Plagued by bad dreams and hallucinations (or are they hallucinations?) Ephraim tries to keep his sanity on the forsaken rock – but this proves to be difficult as deeply sunken secrets are about to break the surface.
Bird Fitcher is a teenage girl who loves old things, and is working a part-time job at an antique store. When a co-worker brings in an old Polaroid camera, she’s really excited, and starts using it, snapping pictures of her friends. She soon realizes that something is not quite right with the camera, as the photos show a shadowy figure looming over the persons on the photo…and very soon it becomes apparent that the photos taken with the Polaroid camera has a very deadly effect.
Lizzy Macklin and her husband Isaac lives isolated on a harsh and untamed land in the Western frontier in the late 1800s. Soon, a newlywed couple (Emma and Gideon) moves into a house close by. The isolation starts cracking Emma’s psyche, causing her to suffer from Prairie Madness (an affliction that causes a mental breakdown due to the isolation and harsh living conditions, something that would happen to European settlers who were not used to living like this). Emma is clearly not able to get used the the isolation, and starts raving about “demons of the prairie”. Emma’s madness soon starts affecting Lizzy as well, and she starts wondering if there really is an evil demonic presence out to destroy them.