The Conjuring (2013)

The ConjuringHas it gone ten years since the release of this modern haunted house classic already? Oh my. Ed and Lorraine Warren are more commonly known now than ever, but here’s a quick summary of this oddly fascinating and charming couple.

 

Ed Warren was a self taught demonologist and his wife Lorraine was a clairvoyant who could “read” the human aura. Both were hardcore Christians. After they founded the New England Society for Psychic Research in 1952, the oldest ghost hunting group in New England, they claimed to investigate over 10,000 cases of paranormal and demonic activity over the course of four decades. Most of them were debunked while some required assistance from the Catholic Church to perform exorcisms.

 

Lorraine was the more quiet one (for lack of a better term), whereas Ed never seemed to have a filter and would claim bizarre things such as:

I know sorcerers who have never worked a day in their life, yet they’re financially well-off. For them, everything falls into place. Life is easy; good things always come their way. They have no troubles at all. Money finds them. Why? Because they’ve made a metaphysical arrangement and work in league with the demonic.

This is a real quote from the book The Demonologist: The Extraordinary Career of Ed and Lorraine Warren. So it’s fair to say that our dear uncle Ed surely had some screws loose on his top floor. But I don’t doubt that he was harmless like a soft teddybear as he and Lorraine were deeply devoted to each other. Aww.

 

They’ve gotten several books written about them, such as The Amityville Horror, In a Dark Place (The Haunting in Connecticut), Satan’s Harvest (Maurice “Frenchie” Theriault) and The Haunted (The Smurl family). The latter was already adapted in 1991 as an obscure movie made for TV. Great books, by the way, but they work more as horror fiction than they do as “documentaries”, so keep that in mind if you’d like to read them. I was hoping one of the installments in the Conjuring franchise would be about Maurice Theriault, based on Satan’s Harvest, which we also see some glimpses of during Ed and Lorraine’s classes in the first movie. The mix of grim and tragic drama with horror would be perfect here, but since they already have already completely butchered Maurice’s character arc in the two Nun films, it’s not likely to happen. Bummer.

 

Ed and Lorraine WarrenEd died back in 2006 at the age of 79, while Lorraine kept fighting the good fight until she met her maker in 2019 at the age of 92. Their son-in-law Tony Spera kept their legacy alive for a while with their famous Warren Occult Museum (which is now permanently closed) and was alongside with Lorraine a consultant on the two first Conjuring films. He now runs the Official Ed and Lorraine Warren Channel where he has given some lectures on ghost hunting to show people like Zak Bagans how you really do it. He was also one of the producers of the Netflix reality series 28 Days Haunted, a complete fake amateurish nothingburger of a show yet still the most unintentionally batshit-funny thing I’ve ever seen in the ghost hunting genre.

 

One of their more known cases of the Warrens was with the Perron family, who lived in an ancient farmhouse in Harrisville, Rhode Island from 1970 to 1980. The house was built in 1736 and surrounded by a big dark cloud of terrifying rumors that several suicides took place there throughout many years. The house was also haunted by an evil paranormal entity by the name Bathsheba Thayer Sherman who terrorized the family over the whole decade they lived there where Ed and Lorraine visited regularly to bless them. The mother of the family, Carilyn Perron, believed that Batsheba was jealous of her, which opened an iceberg of conspiracies, one of which that she once upon a time was an evil witch after allegedly a baby had died whom she was babysitting. The legend says that a sewing needle was found in the baby’s dead body. The only official documents we can dig up from this Bathsheba is that she lived a long life from 1812 to 1885 as a wife and mother.

 

The rest is based on urban legends, rumors, myths, dark morbid fairytales and totally fabricated boolshit. In other words: there’s no documents of her being an evil satanic witch that drank infant blood and threw babies in the fireplace before she cursed everyone who dared to take her land and hang herself on a tree branch outside her house three past midnight. But that’s at least what the movie and  the oldest daughter Andrea Perron want us to believe, who was a part of the promotion of the film and also has written a series of self-published books based on the whole alleged experience. And there were sure some airheads who actually believed it all. Sherman’s gravestone in Harrisville Cemetery was vandalized several times after the release of The Conjuring, and was broken to pieces in 2016. It has been fixed since. If Bathsheba had lived during the more recent decades, it’s not unlikely that some relatives would sue Warner Brothers for pure defamation.

 

Other “victims” of the release of the film were none other than the owners who have lived in the real conjuring house since 1987, seven years after the Perrons moved out. The big fat irony is that the couple who took over the house after the Perrons have never experienced any paranormal activity, but were instead haunted by curious trespassers on a daily basis after the release of the film. It’s not far from the same story with the owners of the Amityville house who had to remove the two distinct and iconic “eye windows” so no one would recognize the house. The no trespassers signs on the property didn’t help much either. It got to the point where they sued Warner Brothers, a case that didn’t go anywhere. After they eventually moved out, a young couple bought the house in 2019, and they knew exactly what they moved into. They launched the property into a lucrative business to allow investigations and day tours. A documentary called The Harrisville Haunting: The Real Conjuring House was made, and the place is now a landmark tourist attraction. G r o o v y.

 

Anyway … the movie:

After the opening with a quick introduction of Ed and Lorraine Warren and their case with the Annabelle doll, the film starts off like a classic episode of the TV-series A Haunting where the Perron family (Roger and Carolyn with their five daughters) is moving into their new house in the quiet and idyllic countryside in Harrisville, Rhode Island. It’s the summer of 1971 and everyone is so happy and excited about their new home, except for their dog Sadie, who refuses to enter the house. First red flag. After some exploring, they see that the door to the cellar is boarded. Second red flag. The cellar is creepy. Third red flag. They’re ready to spend the first night in the house and the dog still refuses to be inside. Fourth red flag. Next day, Carolyn wakes up with bruises on her leg. Fifth red flag. The toilet in the house doesn’t work. Sixth red flag. One of the kids’ bedrooms smells like someone had died there. Seventh red flag. All the clocks in the house stop ticking around three past midnight. Eighth red flag. The house is freezing. Ninth red flag. They find the dog dead outside the house. Tenth red fla…they’re fucked!

 

It doesn’t get more peaceful from here on and after the paranormal activities reach the breaking point when an angry, demonic, scary-looking witch (yeah, guess who) pops up from nowhere like a deranged ninja-monkey to attack the kids, it’s time to call you-know-who.

 

On the surface, there isn’t anything new and groundbreaking about The Conjuring, not even back in 2013, other than it’s based on Ed and Lorrie Warren, which at least gives it a unique take. As a ghost story, it’s very formulaic and James Wan with his two screenwriters doesn’t re-invent the wheel, but – most of us knew already then that Wan was a master of building up tension and creating some great, claustrophobic suspense that eventually reach the climax in full rollercoaster mode. And that’s even more than I expect from a film like this. A big plus is that he worked with the same crew from the first Insidious movie to create a haunting atmosphere only with the set-design. The whole house here looks cursed, all from the old, dusty organ in the cellar to a certain cabinet wardrobe and the walls themselves. I would love to move in by a heartbeat.

 

Both Patrick Wilson and Vera Farmiga as Ed and Lorraine is a perfect match and they take their roles pretty seriously. Their chemistry really sparks where I have no doubt that they love each other like two college teens. Joey King stands out among the six child actors and I still, ten years later, believe her when she says that “someone is behind the door”, yet I’m also still asking “what is…”. Music composer Joesph Bishara, who also played the lipstick-face demon in Insidious, is terrifying behind the Bathsheba make-up, and her introduction in the film has become a really classic moment by itself. I have some very fond memories by watching this in a packed movie theater twice as people were screaming their lungs off. Bishara’s distinct soundtrack with the mix of strings, brass, woodwinds, percussion, electronic instruments and more also amps up the mood. Some clever jump-scare here as well. Clap-clap.

 

The Conjuring became a hUUUge financial success, both praised by the critics and audiences and sat the gold-standard for modern haunted house films. A formula that countless of directors have tried to copy but mostly failed time after time. The Neverending Amityville Franchise Inc. is always hiring directors though. Instead of rehashing sequels we got The Conjuring Universe with spin-offs like the pretty decent trilogy with the Annabelle doll and the pretty lousy Nun films which I hope we’ve seen the last of. Three years later James Wan followed-up with the sequel The Conjuring 2.

 

The Conjuring The Conjuring The Conjuring

 

Director: James Wan
Writers: Chad Hayes, Carey W. Hayes
Country & year: US, 2013
Actors: Vera Farmiga, Patrick Wilson, Lili Taylor, Ron Livingston, Shanley Caswell, Hayley McFarland, Joey King, Mackenzie Foy, Kyla Deaver, Shannon Kook, John Brotherton, Sterling Jerins, Joseph Bishara
IMDb: www.imdb.com/title/tt1457767/

 

Sequels:
The Conjuring 2 (2016)
The Conjuring: The Devil Made Me Do It (2021)

 

Tom Ghoul

 

 

 

Insidious: Chapter 2 (2013)

Insidious: Chapter 2The year is 1986, and the demonologist Elise Rainier is called to help Lorraine Lambert and her son Josh, who is being hunted by an evil spirit in the form of a black bride. Apparently, Josh has been using his astral projection abilities, and thus gotten the spirit’s attention. Elise says his abilities must be suppressed, and manages to plant altered memories in his brain so he can forget about it all and live a normal life. Now, twenty five years later, Josh and his wife Renai are being questioned after the death of Elise, where Josh is considered the prime suspect of her murder. Renai and their children relocate to Lorraine’s house, and paranormal events continue to happen all around them. A woman in a white dress is giving Dalton nightmares, and she also manifests and attacks Renai. Elise’s former associates, Specs and Tucker, attempts to contact Elise’s spirit and are told that they need to find answers at an abandoned hospital where Lorraine once used to work. Soon, the mystery of the black bride and the woman in the white dress starts to unravel.

 

Insidious: Chapter 2 is the second installment to Insidious from 2010, and is a direct sequel from the first one. Of course, after the success of the first there was bound to be more movies which would later spawn a franchise. This one is also directed by James Wan, and written by Leigh Whannell. The film was promoted in different ways, the first theatrical trailer for the film was actually screened to a live audience on location at the Linda Vista Community Hospital (where the hospital scenes in the movie were filmed), and a maze attraction called “Insidious: Into the Further” was featured in 2013’s Halloween Horror Nights at Universal Studios Hollywood.

 

Now, as this is a direct sequel to the first movie, compared to the first it’s not quite as effective in its scares and lacks the same tension, but there are some good things to find and we get to know a bit more about one of the villains presented in the first movie. The setting is spooky, and some of the scenes are filled with that good, eerie atmosphere. The backstory of the creepy “black bride” is what mainly fuels the story here, which proves to be an interesting character with both a tragic and horrific background. The movie also focus a bit more on explaining some of the things that happened in the first movie, which makes consecutive viewing mandatory in order to get the best experience.

 

Aside from spooky settings in creepy houses and an old hospital, we do of course get further glimpses into the netherworld-like area The Further, which is arguably the franchise’s best selling point. While there are loads of depictions of otherworldly dimensions seen in both other movies and TV series, there is just something fascinating about The Further’s somewhat simplistic take on it. It’s surreal and dreamy, vast, dark and for the most part appears to be rather empty. It’s like one of those surreal horror exploration games where the seemingly apparent emptiness still holds both dangerous and fascinating things hidden away in a corner here and there, if you manage to find it.

 

Overall, Insidious: Chapter 2 works well as a sequel to the successful first film, not on par with the first but still a creepy and decent supernatural horror flick.

 

Insidious: Chapter 2 Insidious: Chapter 2 Insidious: Chapter 2

 

Director: James Wan
Writers:
Leigh Whannell, James Wan
Country & year:
USA, Canada, 2013
Actors:
Patrick Wilson, Rose Byrne, Ty Simpkins, Lin Shaye, Leigh Whannell, Angus Sampson, Barbara Hershey, Andrew Astor, Joseph Bishara, Philip Friedman
IMDb:
https://www.imdb.com/title/tt2226417/

 

Prequel:
Insidious (2010)

Sequels:
Insidious: Chapter 3 (2015)
Insidious: The Last Key (2018)
Insidious: The Red Door (2023)

 

Vanja Ghoul

 

 

 

The Demon’s Rook (2013)

James Sizemore is a man of many traits and with a childhood consisting of several near-death experiences such as drowning, electrocutions, and almost hit by a freight train. And if that wasn’t traumatic enough, his childhood home in Georgia also seemed to be haunted by poltergeist activity. As he was influenced by these experiences he began to draw goblins, demons and whatnot which in later age evolved into producing some really cute Lovecraftian sculpt figures which he sells through his own company Wonder Goblin. He also makes music, has written one comic book, made two horror shorts (Goat Witch and Budfoot) and probably more I’ve forgot to mention. But the most important achievement in this case, is that he’s written, directed and produced one feature-length film, The Demons Rook. A passion project in which he gathered friends and family to a shooting schedule planned for three quick weeks in his local home community in Georgia with a tiny budget of five thousand dollars. In the purest indie-horror fashion they soon found themselves trapped in what is known as the indie horror-purgatory and continued the shooting for over two, grueling long years during the weekends, while questioning their own sanity, preventing the one mental breakdown after another, and promised themselves to never make a movie again. In other words, the normal cycle of independent movie making.

 

We meet the young boy Roscoe, not far from similar to the director himself, who during the day plays with his friend Eva, and sits up at night and makes drawings of demons. He is constantly visited by the demon Dimwos, a two-horned creature that looks more like something from Lovecraft’s universe. It is unclear why this demon shows up, but we can guess that he has been conjured by the drawings. Dimwos gets hold of the kid and one night lures him into the woods and down a hole that leads to Hell, where he trains him with black magic through manhood. Many, many years later, an grown-up Roscoe (now portrayed by James Sizemore) returns to the world with a long beard, confused and scared because, for some reason, he has accidentally managed to free three evil demons from Hell to Earth. And these demons are nothing to joke about, and makes matters worse by resurrecting the dead into Night of the Living Dead zombies and possesses people into Evil Dead monsters, to create hell on earth. Roscoe seeks out his childhood friend Eva (Ashleigh Jo Sizemore) and uses his trained Jedi powers to prevent a full demon apocalypse.

 

One quickly realize that director, producer and co-writer James Sizemore has a deep love for the good old video nasty-era horror cinema of the 70s and 80s, and has taken a laundry list of references that really shine through from old horror genre obelisks such as Dario Argento, George A. Romero, Stuart Gordon, Lucio Fulci, Lamberto/Mario Bava, Tom Savini, early Peter Jackson, H.P. Lovecraft and probably more. With impressive gory effects, juicy body-counts, and creative old-school prosthetic make-up, the use of light, colors,  flexible camera work, and massive use of a smoke machine to set the thick, retro atmosphere, the film works perfectly as a visual throwback to the good old times. And a budget of approx 70.000 dollars well spent. That being said, The Demon’s Rook suffers from the same as most home-made horror movies, with underdeveloped scripts and pacing issues with scenes that drags on, and a mixed bag of acting from amateur to decent. The actor couple James and Ashleigh both make good efforts with some naive enthusiasm and energy, even though we do not care all that much about them in the end. They got married during the filming, by the way, and are still married today. How cute. A year later after The Demon’s Rook, she got the task to be breast-naked and sacrificed to Satan in her husband’s horror short Goat Witch.

 

The DVD-release from 2015 seems to be out-of-print, but can be found after a quick search on Amazon Prime (limited by region).

 

The Demon's Rook The Demon's Rook The Demon's Rook

 

Director: James Sizemore
Writers: James Sizemore, Akom Tidwell
Country & year: USA, 2013
Actors: Ashleigh Jo Sizemore, James Sizemore, John Chatham, Melanie Richardson, Josh Gould, Sade Smith, Dustin Dorough, Lincoln Archibald, William Baker, James Becker, Michael Bremer, Laura Clark
IMDb: www.imdb.com/title/tt2401215/

 

 

Tom Ghoul

 

 

 

Wer (2013)

WerThe Porter family is camping in the woods somewhere in France, where they are brutally attacked by someone (or something), leaving the wife as the only survivor. She is severely wounded, and claims that her husband and young son were eaten alive by a strong man. Soon afterwards a Romanian man named Talek Gwynek who lives in the woods with his mother, is arrested and accused of being the killer. Kate Moore is assigned to be his lawyer, and together with investigator Eric Sarin and animal expert Gavin Flemyng, they believe that the accused man is innocent as the attack bears a clear resemblance of a vicious animal attack, which could not be done by a human. At least, not a normal human…

 

As far as werewolf movies go, Wer is a totally different breed than for example Ginger Snaps. While many werewolf movies go more into pure action and sometimes even dives into complete fantasy-territory, Wer tries to take a more realistic approach to it. Starting off as partly found footage as we witness the Porter family getting attacked, with some other scenes of news reports and later a typical shaky-cam filming throughout, makes it feel like a found footage film despite that it’s not. It’s a little bit distracting at times, but not enough to ruin the experience overall. It’s a bit different, but also refreshing, and a different take on the popular creature of folklore.

 

It takes a while for it to build up to any real werewolf-action, but it manages to portray a sense of mystery. The movie also does not spoon-feed us with the werewolf-myths (like how they can infect others by biting or scratching). There’s a fair amount of the movie that focus on the lawyer-bits and Talek’s condition, where it is proven he has an illness called Porphyria. But when it moves over to the third act all hell breaks lose, and the full moon of the night appears to bring out more than just one monster into the light.

 

Wer makes a dark and grisly entry into the werewolf horror genre, where some of the special effects are pretty neat (aside from a few shoddy CGI effects), and the gorey scenes are satisfactory and effective.

 

Wer

 

Director: William Brent Bell
Country & year: South Africa | USA, 2013
Actors: A.J. Cook, Brian Scott O’Connor, Sebastian Roché, Simon Quarterman, Vik Sahay, Stephanie Lemelin, Brian Johnson, Oaklee Pendergast, Camelia Maxim, Alexandru Nedelcu, Daniel Popa, Alin Olteanu, Ioan Brancu, Adrian Ciobanu, Corneliu Ulici
IMDb: www.imdb.com/title/tt2229511/

 

Vanja Ghoul