The Invisible Man (2020)

The Invisible Man (2020)Cecilia manages to escape a controlling and abusive relationship, but struggles to overcome the negative impact the experience has had on her life. Still paranoid and afraid her ex will come after her, she suddenly receives the news that he has committed suicide…and that she has been written into his will. With a substantial amount of money to be gradually paid out to her, and knowing her abusive ex is gone from this world, she hopes to re-build her life. However, after experiencing certain horrifying events, she starts to believe that his death was a hoax and that he’s acquired the ability to become invisible, only to terrorize her even further.

 

The Invisible Man, directed by Leigh Whannell (director of Insidious: Chapter 3, and writer of the previous Insidious movies as well as the first three Saw movies) has revived one of the classic Universal monsters, but in a completely different setting than from the original which was based on the novel by H. G. Wells. Whereas the original Invisible Man wasn’t a bad guy from the get-go, he is here a narcissistic sociopath who is abusive and controlling towards his partner. Thus, the horror the movie portrays feels real, and the first sequence of the movie where Cecilia has drugged him in order to escape the fortress-like home he’s captured her in, is actually one of the most intense movie openings I’ve seen as of late.

 

While the movie starts quite intense, the feeling of foreboding is quite evident already in the next scenes, where we witness Cecilia trying to get a hold of her own life (barely daring to venture outside of the house she’s staying in). And upon the news of her ex’s so-called suicide, with a substantial amount of money to be paid to her over time (provided she does not commit any crime or is deemed mentally unstable, as per the will – and yeah, you know why this clause was added) she starts to relax a little bit and looks brightly upon her own future for once. Of course, that shifts rather quickly, and when she experiences things that only she is witnessing, she tries to convince those close to her that her ex is still alive, and has made himself invisible. Of course, no one believes her, and she keeps being abused…but since no one except herself is experiencing the abuse, she can’t make anyone believe her. Yes – the analogy here is clear as day.

 

From there on, the movie takes you on a suspenseful ride, and Elisabeth Moss (who is playing the role of Cecilia) is doing an excellent job on portraying all levels of the torments she’s going through, whether it is being scared out of her mind, desperately trying to fight back, or emotionally crushed by not being believed and the lack of an actual escape from her invisible tormentor. And while we don’t see that much of Adrian aka The Invisible Man, played by Oliver Jackson-Cohen, he actually did manage to show off a few tell-tale signs of the type of character he’s portraying.

 

The Invisible Man is a movie that might be a bit difficult to watch for people who have experienced abusive relationships, as it’s nailing narcissistic abuse in a way I haven’t seen any other film dare to exploit. It’s all there: making everyone believe their victim is the crazy one, making the victim doubting their own sanity, and especially gaslighting (a tactic used to make victims doubt themselves and their perception of events, by questioning the victim’s memory, accusing them of making things up, denying things that they did towards the victim, and mocking them for “misunderstanding” everything).

 

Since it does stray pretty far from the original Invisible Man, some people may be put off due to this. I can imagine that putting these two movies apart from each other without doing comparisons, would be beneficial to the viewing experience.

 

The Invisible Man

 

Director: Leigh Whannell
Country & year: Australia | USA | Canada | UK, 2020
Actors: Elisabeth Moss, Oliver Jackson-Cohen, Harriet Dyer, Aldis Hodge, Storm Reid, Michael Dorman, Benedict Hardie, Renee Lim, Brian Meegan, Nick Kici, Vivienne Greer, Nicholas Hope, Cleave Williams, Cardwell Lynch, Sam Smith
IMDb: www.imdb.com/title/tt1051906/

 

 

Vanja Ghoul

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Lake Mungo (2008)

Lake MungoAlice Palmer is a sixteen year old girl, that drowns while swimming in the local dam. Her body is eventually recovered, and her grieving family then starts experiencing strange events. Thinking it’s got something to do with their recently deceased daughter, they seek the help of a psychic who starts digging into Alice’s past. He reveals that Alice used to have secrets, and that she was living a double life that her family wasn’t aware of. The family then tries to figure out a connection between her death and the experiences they’re going through.

 

While most horror movies featuring a ghost depicts them as either vengeful or harmful, Lake Mungo takes quite a different approach. Written and directed by Joel Anderson, this film is made in a faux documentary style (“mockumentary”). It shows how a grieving family tries to figure out if they are haunted by their deceased daughter/sister. Is her appearance on her brother’s photos a call from beyond the grave? Are the things they’re experiencing caused by Alice’s ghost, or is everything just a manifestation of their grief?

 

The documentary-style fits the movie rather well, giving it a much more realistic and eerie tone. There’s a few twists and turns throughout the story, making it a mystery filled with secrets, surprises and even lies, all eventually leading the family to a place called Lake Mungo (which is an actual dry lake in Australia) where Alice apparently was camping before she died. The pacing is a bit slow while it’s building towards more and more reveals, and there are some twists and turns that might seem unnecessary and even totally irrelevant to Alice’s demise. The slow pacing of the movie is likely to be perceived as tedious by some, but this is a film that does not rely on the effectiveness of only certain parts, but rather as a whole-package thing.

 

Lake Mungo is not a movie whose main goal is to make you jump in your seat, but instead wants to crawl under your skin. There are a few scenes here that actually got to me (and that’s something that happens very rarely!), and for me it was the whole idea of loss and grief mixed with the supernatural goings-on that got to me. It was for the most part a very melancholic and sad movie (if Mr. Ghööl had a “Sad” badge, it would fit well here). It isn’t a movie with huge scares and shocking moments, but it’s unsettling and different. Lake Mungo is an exploration into grief and loss and the thought of maybe being haunted by a loved one, and your ability to connect with such experiences will probably have a lot to say on how you perceive this film.

 

Lake Mungo

 

Director: Joel Anderson
Country & year: Australia, 2008
Actors: Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker, Tania Lentini, Cameron Strachan, Judith Roberts, Robin Cuming, Marcus Costello, Chloe Armstrong, Carole Patullo, John Dunn, Laurie Dunn, Kirsty McDonald, James Lawson
IMDb: www.imdb.com/title/tt0816556/

 

Vanja Ghoul

 

 

 

 

 

The Babadook (2014)

The Babadook«The Babadook» is Jennifer Kent’s debut movie based on her short film from 2005 titled «Monster». It’s the story about a widowed mother, Amelia, who is still struggling with trying to cope after her husband’s violent death. Plagued with nightmares and depression, she’s also having more than a handful with her son Samuel, a 7-year-old with a really needy personality with hyperactive periods and often throwing tantrums. To top it all, he’s got a fear of monsters that he believe are lurking around in the house. One night she decides to read a book for him in order to make him calm down and sleep, and she finds a book in her own home that she can’t remember having seen before. The book is titled «The Babadook»…and after reading from it, she also starts to sense what her son has been sensing: that something evil lurks around in their house…which later manifests itself as the evil spirit «The Babadook».

 

One could argue wether «The Babadook» is more a horror tale of a mother that is slowly going insane, than a monster movie. Seeing how the strugglig mother is trying to cope by balancing her work with her needy son and her trauma is somehow chilling by itself, because it’s so down-to-earth, even without any kind of monster mixed in. In many ways, the movie could be seen as some kind of metaphor for the pain and struggles of motherhood. There’s many ways to interpret this movie and what happens in it, especially the ending, which is also similar to the ending in the short film «Monster».

 

Oh, and the book featured in the film was actually printed as a real pop-up book where people could pre-order one in a crowd-funding campaign. I actually pre-ordered one of these, and below are some photos. This is the first print run, autographed by Jennifer Kent (and it doesn’t look like there’s going to be a second print run, so this is a rare gem):

 

The Babadook Book

 

The Babadook

 

Director: Jennifer kent
Country & year:  Asutralia | Canada, 2014
Actors: Essie Davis, Noah Wiseman, Hayley McElhinney, Daniel Henshall, Barbara West, Benjamin Winspear, Chloe Hurn, Jacquy Phillips
IMDb: www.imdb.com/title/tt2321549/

 

Vanja Ghoul