M3GAN (2022)

M3GANCady is an 8-year old girl whose parents are killed in a car accident, where she is the only survivor. The girl is sent to live with her aunt Gemma, an eccentric woman who is a roboticist at a high-tech Seattle toy company called Funki. Without the company’s consent, she’s been using their resources in order to develop a highly advanced humanoid robot doll, simply named M3GAN (model 3 generative android). Things go horribly wrong during the first presentation test in the lab, where the boss orders her to discontinue any work on M3GAN. So on top of that failure, Gemma is also struggling with connecting to her niece Cady, until the girl discovers Gemma’s old motion capture robot Bruce. An old project Gemma created back at college. When she watches how Cady plays with Bruce, she becomes motivated to get rid of M3GAN’s bugs and complete her anyway. And so she does.

 

The finished M3GAN then ends up getting paired with Cady, and this time the presentation goes way better than the first one. M3GAN totally exceeds expectations, and even though a mass-production of her would result in a rather steep price, most children would never want another toy again anyway. M3GAN proves to offer everything to a child: she can be a friend, a playmate, a therapist, a teacher…and a parent. Which, all in all, isn’t necessarily a good thing. Cady’s therapist, Lydia, mentions that she finds it worrisome that Cady appears to be developing an unhealthy attachment to M3GAN, but that’s not even the biggest problem. The problem is M3GAN herself, who appears to become more and more protective over Cady, to the point where everything that can be considered a threat to Cady’s well-being is considered something that must be eliminated…

 

M3GAN (or simply Megan) is a sci-fi horror film from 2022, directed by Gerard Johnstone (who also directed Housebound from 2014) with screenplay from Akela Cooper, and based on a story by Cooper and James Wan, Allison Williams and Violet McGraw. The film grossed over $181 million against a budget of $12 million, so a big success without a doubt. The sequel M3GAN 2.0. is hitting the theaters soon, and a spin-off called SOULM8TE (yes, playing around with numbers in the titles seems to be a thing here) is set to be released in 2026.

 

The idea for this film came when James Wan’s production company Atomic Monster was brainstorming ideas and chose to go for one with a killer doll, and going for a concept about embracing technology too much and letting it run amok. Wan said it’s a commentary on the world we live in and it feels relevant. It sure does, and now more than ever. An animatronic puppet version of M3GAN was used for dialogue and close-up scenes, plus stunt versions that were not puppeteered (yes, that famous dance scene would have been hard to pull off otherwise). And overall, the killer robot actually looks pretty good. They managed to give her just the right amount of realistic movements mixed with obvious robotic motions, which gives her a perfectly uncanny expression.

 

The movie is generally fast-paced, and mixes humour and horror in a lighthearted way which gives it a fun and campy feel. As expected it never goes very far with the kill scenes, despite there being several opportunities for it to have done so. They had to make some changes and cut down certain scenes in order to get the desired PG-13 rating for the theatrical release. Thus, the unrated release teased more blood, more violence and more M3GAN, so naturally we wanted to see that version! We expected to get some additional nasty and gory scenes, and what we got, was…well…barely anything at all. To be honest, it was surprisingly lackluster with very little additional meat to the bone, and I guess the most major difference was a few extra f-bombs. I guess it’s fun for the most eager fans to see the small differences, but this was so far from what we’re used to seeing in an uncut version of a movie that it felt a bit pointless. Oh well.

 

Overall though, M3GAN is a fun A.I. robot slasher film which works as a fine entry into the robot-killers genre. Never taking itself too seriously, never being too bloody (and yes, that goes for the unrated version as well), it’s a fine campy popcorn-flick for a lazy evening.

 

Additional note: the sequel M3GAN 2.0 (which we recently watched at the theaters) unfortunately ended up being quite the disappointment. While I can see how they tried to go for a M3GAN Impossible version here, all horror elements are completely gone. The theme in this movie is also largely focused on what can be best described as pure pro-AI propaganda trash, which comes off as rather bad-tasting after Blumhouse’s “I H8 AI” blunder from last year. Blergh.

 

M3GAN M3GAN

 

Director: Gerard Johnstone
Writers: Akela Cooper, James Wan
Country & year: USA/ New Zealand, 2022
Actors: Allison Williams, Violet McGraw, Ronny Chieng, Amie Donald, Jenna Davis, Brian Jordan Alvarez, Jen Van Epps, Stephane Garneau-Monten, Lori Dungey, Amy Usherwood, Jack Cassidy
IMDb: https://www.imdb.com/title/tt8760708/

 

Vanja Ghoul

 

 

 

 

 

Tom Ghoul Reacts to Some Trailers and Point Out The Titles HorrorGhouls looks forward To in 2023

Even though we’ve mainly been focusing on older horror movies, we check out newer stuff whenever we have the occasion or access to keep us somewhat updated on the modern, living world and an excuse to drag ourselves out from the crypt to smell some fresh air.

 

And 2023 seems to be an awesome year of horror with a murderous Winne the Pooh, a dancing doll, three Dracula-related films, and a bunch of kids kicking some alien ass. Here’s some of the titles to look forward to:

 

Winnie the Pooh: Blood and Honey

Blood or honey with your bread? Why not both?

 

Here’s one of the rare occasions where just the title alone is enough to hit the interest meter up to eleven. But to be honest, I was also one of many who thought this was a fake trailer because Winnie the Pooh as a slasher villain sounds just too far out to be true. But no, it’s an actual film and Winnie the Pooh has some serious business to take care of after he got set free in the public domain where he can finally release his decades of boiled-up anger. And we’re already rooting for him, even before reading a synopsis.

 

Here we meet a young adult Christopher Robin who takes his girlfriend to 100 acre woods to say hello to his old childhood friends: Piglet, Eeyore and of course Winnie.  But something is clearly wrong as they enter the woods and we soon learn that Old Winnie has been suffering some serious abandonment issues after Christopher left him, which made him become a serial killer.

 

Don’t know what to really expect other than the trailer showing clearly the three acts for the film: the first looks like a dark fantasy, the second as a mediocre teen slasher, the third as a gritty Grindhouse as if it was directed by Rob Zombie. I’m intrigued, at least.

 

 

 

 

Project Wolf Hunting

 

Train to Busan, and Peninsula, comes quick to mind here for some reason. But Project Wolf Hunting appears to be something quite else that seems to deal with a bunch of max prisoners being used as guinea pigs for some body-horror experiments. As they get put in cages in a cargo ship to get transported from the The Philippines to South Kora, something goes horribly wrong when they escape and causes a roller-coaster of a riot.

 

Looks like Con Air meets Under Siege and says hello to The Predator in Splatterhouse? Well, sign me up ’cause this seems like a wild all-inclusive boat ride with a lot of gory action and top-notch filmmaking in general. The original title is Neugdaesanyang.

 

 

 

Thorns

 

It’s quite impressing that this little indie film trailer already looks ten times much better than most of the Hellraiser sequels.

 

And speaking of; Thorns seems to take a lot of inspirations from the aforementioned franchise, blended with some Lovecraftian intergalactic, Sci-Fi mayhem. The practical effects also looks pretty tasty with several monster creatures all from a cenobite-looking creature to a toilet monster, and the atmosphere seems to be in place. Doesn’t seem to take itself too seriously either which can be a good or bad thing.

 

And then we have the man and the legend himself Doug Bradley as … uncle Satan in human disguise, just to take a wild guess? And yes, his appearance looks like it was shot via a zoom call, which makes sense when you really think about it. Even Satan have to keep himself in touch with the technology, you know.

 

And let’s keep ourselves excited with director Douglas Schulze’s own note with: Thorns is ripe with physical makeup effects and plenty of gore.The sufferings will be legendary, in other words.

 

 

 

 

 

 

 

M3GAN

 

We all laughed, cringed and almost lost our minds by the first M3GAN trailer. It left us beyond bewildered, and we started to question life on such a high philosophical level that even Socrates would tell us to chill down a bit. It was just too much to take in, even for a trailer. It has already created a million memes on Twitter. It’s insaaane, riight?

 

And how could the second trailer top the first one? Well, this trailer looks more like a parody of the first trailer which is a great achievement in itself. It also indicates that the tone is going to be all over the place. Is this a comedy, a straight horror, or both, or just pure unintentionally funny dancing turkey of the year to be shred apart with no mercy? It’s hard to tell, but nevertheless, I can’t deny that it looks fun, but for all the wrong reasons. That uncanny dancing, though, still makes me lost for words. It’s like witnessing a TikTok video on the dark web as if the surface TikTok wasn’t disturbing enough.

 

M3GAN is also written and directed by Gerard Johnstone who made Housebound back in 2014, another silly yet entertaining film. So, we just have to eagerly wait and see.

 

 

 

 

 

Kids vs. Aliens

 

This one just came suddenly from nowhere as a lightening from the sky (pun intended). Kids vs. Aliens is Jason Eiseners very long-awaited follow-up feature since his Grindhouse flick Hobo With a Shotgun from 2011, which I’m a big fan of. He’s also known for his Christmas Horror short Treevenge.

 

Kids vs. Aliens looks like Stranger Things on acid and seems like an explosive B-movie insanity with a lot of energy and zero compromises, just what we would expect from Json Eisener. It has the same colourful and vibrant look from HWaS, although it (also by juding from the poster) seems more like a light-hearted Halloween party movie and overall silly fun for the whole family to enjoy.

 

 

 

 

Subspecies: Bloodrise

 

The most requested sequel to Full Moon Features within the last 20-plus years that’s probably given Charles Band a chronic headache, ulcer, sore toenails and whatnot, but has finally a teaser: Subspecies: Bloodrise with our favourite vampire Radu.

 

This is a prequel of Radu from my understanding, spanning back to the old times before smartphones and shit. Ted Nicolaou, who wrote and directed the previous four films way back in the 90s is behind the steering wheel.

 

The visuals looks pretty promising. It has the gothic atmosphere, some sinister-looking vampires with fangs and swords, slices of cheese, and the classic soundtrack from The Aman Folk Orchestra. Full package it seems. And of course the star himself, Anders Hove as Radu with Denise Duff.

 

 

 

 

 

 

Some more anticipated movies for the upcoming year:

Renfield

 

Nicolas Cage as Dracula? Of course! And even rated R? Hell yeah!

 

 

 

Nosferatu

 

A remake of Nosferatu from 1922 by The VVitch and The Lighthouse director Robert Eggers. Cool. Also the second remake since Werner Herzog’s Nosferatu: Phantom der Nacht from 1979. And just for the occasion; Happy 100th birthday, Orlock, you sleazy old bastard.

 

 

 

Last Voyage of the Demeter

 

And here’s yet another Nosferatu/Dracula film, this one from our Norwegian Andre Øvredal.  This one is based on the sailing ship Demeter that transferred Dracula from his homeland in Wallachia to the seaside town of Whitby in England, a boat trip that didn’t go pretty well for the captain and crew.

 

 

Evil Dead Rise

 

Have no clue what to expect in this sequel to Evil Dead (2013), but judging from the very few still images we’ve been teased with, it surely peaks my interest. This one is directed by Lee Cronin who also made the pretty stylish and atmospheric horror short Ghost Train.

 

 

 

Insidious: Don’t Fear the Dark

 

We’re not done with The Further yet in this prequel story of the Lambert family. This is the fifth installment in the Insidious franchise, this time directed by Ed Warren Patrick Wilson, and this is his directorial debut. The image is a still from one of the previous films.

 

 

 

Shelby Oaks

 

The debut of Chris Stuckmann, which is a found-footage film and the most-funded horror film project on Kickstarter so far. According to IMDb, the plot is about a woman’s desperate search for her long-lost sister and falls into obsession upon realizing that the imaginary demon from their childhood may have been real. The film is set to be released in July 2023 and no one can deny that the expectations is on a certain high level.

 

 

 

Sister Death

 

A sequel to the Spanish possession horror Verónica, which I don’t remember much of. But the images of the creepy nun and the Grindhouse-ish title is more than enough to check it out.